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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58720C it is the complementary color #A78DF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58720C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58720C shade: #5D7207, #6E841A, #7F962D, #90A840 and #A1BA53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58720C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58720C shade: #58720C, #476000, #364E00, #253C00 and #142A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58720C shade: #59730C, #73710C, #73560C, #733A0C and #731E0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58720C shade: #59730C, #3D730C, #21730C, #0C7312 and #0C732E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58720C shade matches the following richer shades: #59730C and #5E7D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58720C shade: #59730C, #546916, #4E5E20, #49542B and #444A35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58720C shade: #73560C, #73710C, #59730C, #3E730C and #22730C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58720C shade: #1F2804, #3C4E08, #59730C, #759810 and #92BE13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58720C shade: #58720C, #0C733A and #630C73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58720C shade: #58720C, #0C5973 and #730C59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58720C shade: #58720C, #0C733A, #250C73 and #730C44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58720C shade: #58720C, #0C7359, #250C73 and #730C25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 89 / 55

HEX #58720C

RGB 88 114 12

HSL 75.29, 0.81%, 0.25%

LAB 44.43, -23.57, 47.01

 

Complementary color

CMYK 31 / 42 / 0 / 5

HEX #A78DF3

RGB 167 141 243

HSL 255.29, 0.81%, 0.75%

LAB 64.75, 31.67, -47.85

 

CMYK 18 / 0 / 94 / 55

HEX #5D7207

RGB 93 114 7

HSL 71.78, 0.88%, 0.24%

LAB 44.77, -21.49, 48.55

 

CMYK 17 / 0 / 80 / 48

HEX #6E841A

RGB 110 132 26

HSL 72.45, 0.67%, 0.31%

LAB 51.72, -22.47, 50.08

 

CMYK 15 / 0 / 70 / 41

HEX #7F962D

RGB 127 150 45

HSL 73.14, 0.54%, 0.38%

LAB 58.52, -23.17, 50.16

 

CMYK 14 / 0 / 62 / 34

HEX #90A840

RGB 144 168 64

HSL 73.85, 0.45%, 0.45%

LAB 65.2, -23.66, 49.53

 

CMYK 13 / 0 / 55 / 27

HEX #A1BA53

RGB 161 186 83

HSL 74.56, 0.43%, 0.53%

LAB 71.77, -24.02, 48.58

 

CMYK 23 / 0 / 89 / 55

HEX #58720C

RGB 88 114 12

HSL 75.29, 0.81%, 0.25%

LAB 44.43, -23.57, 47.01

 

CMYK 26 / 0 / 100 / 62

HEX #476000

RGB 71 96 0

HSL 75.63, 1%, 0.19%

LAB 37.31, -22.4, 43.8

 

CMYK 31 / 0 / 100 / 69

HEX #364E00

RGB 54 78 0

HSL 78.46, 1%, 0.15%

LAB 29.99, -20.84, 37.71

 

CMYK 38 / 0 / 100 / 76

HEX #253C00

RGB 37 60 0

HSL 83, 1%, 0.12%

LAB 22.39, -19.22, 30.39

 

CMYK 52 / 0 / 100 / 84

HEX #142A00

RGB 20 42 0

HSL 91.43, 1%, 0.08%

LAB 14.43, -17.49, 20.73

 

CMYK 23 / 0 / 90 / 55

HEX #59730C

RGB 89 115 12

HSL 75.15, 0.81%, 0.25%

LAB 44.82, -23.64, 47.37

 

CMYK 0 / 2 / 90 / 55

HEX #73710C

RGB 115 113 12

HSL 58.83, 0.81%, 0.25%

LAB 46.29, -10.59, 49.44

 

CMYK 0 / 25 / 90 / 55

HEX #73560C

RGB 115 86 12

HSL 43.11, 0.81%, 0.25%

LAB 38.42, 5.06, 42.98

 

CMYK 0 / 50 / 90 / 55

HEX #733A0C

RGB 115 58 12

HSL 26.8, 0.81%, 0.25%

LAB 31.11, 21.85, 36.9

 

CMYK 0 / 74 / 90 / 55

HEX #731E0C

RGB 115 30 12

HSL 10.49, 0.81%, 0.25%

LAB 25.56, 36.26, 32.13

 

CMYK 23 / 0 / 90 / 55

HEX #59730C

RGB 89 115 12

HSL 75.15, 0.81%, 0.25%

LAB 44.82, -23.64, 47.37

 

CMYK 47 / 0 / 90 / 55

HEX #3D730C

RGB 61 115 12

HSL 91.46, 0.81%, 0.25%

LAB 43.18, -34.87, 45.32

 

CMYK 71 / 0 / 90 / 55

HEX #21730C

RGB 33 115 12

HSL 107.77, 0.81%, 0.25%

LAB 42.17, -42.93, 44.05

 

CMYK 90 / 0 / 84 / 55

HEX #0C7312

RGB 12 115 18

HSL 123.5, 0.81%, 0.25%

LAB 41.82, -45.89, 41.91

 

CMYK 90 / 0 / 60 / 55

HEX #0C732E

RGB 12 115 46

HSL 139.81, 0.81%, 0.25%

LAB 42.06, -42.93, 30.2

 

CMYK 23 / 0 / 90 / 55

HEX #59730C

RGB 89 115 12

HSL 75.15, 0.81%, 0.25%

LAB 44.82, -23.64, 47.37

 

CMYK 25 / 0 / 99 / 51

HEX #5E7D01

RGB 94 125 1

HSL 75, 0.98%, 0.25%

LAB 48.32, -26.73, 52.65

 

CMYK 23 / 0 / 90 / 55

HEX #59730C

RGB 89 115 12

HSL 75.15, 0.81%, 0.25%

LAB 44.82, -23.64, 47.37

 

CMYK 20 / 0 / 79 / 59

HEX #546916

RGB 84 105 22

HSL 75.18, 0.65%, 0.25%

LAB 41.29, -20.29, 41.05

 

CMYK 17 / 0 / 66 / 63

HEX #4E5E20

RGB 78 94 32

HSL 75.48, 0.49%, 0.25%

LAB 37.35, -16.41, 32.58

 

CMYK 13 / 0 / 49 / 67

HEX #49542B

RGB 73 84 43

HSL 76.1, 0.32%, 0.25%

LAB 33.84, -11.9, 22.45

 

CMYK 8 / 0 / 28 / 71

HEX #444A35

RGB 68 74 53

HSL 77.14, 0.17%, 0.25%

LAB 30.36, -6.72, 11.76

 

CMYK 0 / 25 / 90 / 55

HEX #73560C

RGB 115 86 12

HSL 43.11, 0.81%, 0.25%

LAB 38.42, 5.06, 42.98

 

CMYK 0 / 2 / 90 / 55

HEX #73710C

RGB 115 113 12

HSL 58.83, 0.81%, 0.25%

LAB 46.29, -10.59, 49.44

 

CMYK 23 / 0 / 90 / 55

HEX #59730C

RGB 89 115 12

HSL 75.15, 0.81%, 0.25%

LAB 44.82, -23.64, 47.37

 

CMYK 46 / 0 / 90 / 55

HEX #3E730C

RGB 62 115 12

HSL 90.87, 0.81%, 0.25%

LAB 43.23, -34.51, 45.38

 

CMYK 70 / 0 / 90 / 55

HEX #22730C

RGB 34 115 12

HSL 107.18, 0.81%, 0.25%

LAB 42.2, -42.71, 44.08

 

CMYK 23 / 0 / 90 / 84

HEX #1F2804

RGB 31 40 4

HSL 75, 0.82%, 0.09%

LAB 14.5, -10.5, 19.35

 

CMYK 23 / 0 / 90 / 69

HEX #3C4E08

RGB 60 78 8

HSL 75.43, 0.81%, 0.17%

LAB 30.47, -17.65, 35.28

 

CMYK 23 / 0 / 90 / 55

HEX #59730C

RGB 89 115 12

HSL 75.15, 0.81%, 0.25%

LAB 44.82, -23.64, 47.37

 

CMYK 23 / 0 / 89 / 40

HEX #759810

RGB 117 152 16

HSL 75.44, 0.81%, 0.33%

LAB 58.3, -29.66, 58.55

 

CMYK 23 / 0 / 90 / 25

HEX #92BE13

RGB 146 190 19

HSL 75.44, 0.82%, 0.41%

LAB 71.54, -35.47, 69.65

 

CMYK 23 / 0 / 89 / 55

HEX #58720C

RGB 88 114 12

HSL 75.29, 0.81%, 0.25%

LAB 44.43, -23.57, 47.01

 

CMYK 90 / 0 / 50 / 55

HEX #0C733A

RGB 12 115 58

HSL 146.8, 0.81%, 0.25%

LAB 42.22, -40.92, 23.97

 

CMYK 14 / 90 / 0 / 55

HEX #630C73

RGB 99 12 115

HSL 290.68, 0.81%, 0.25%

LAB 24.17, 49.31, -37.54

 

CMYK 23 / 0 / 89 / 55

HEX #58720C

RGB 88 114 12

HSL 75.29, 0.81%, 0.25%

LAB 44.43, -23.57, 47.01

 

CMYK 90 / 23 / 0 / 55

HEX #0C5973

RGB 12 89 115

HSL 195.15, 0.81%, 0.25%

LAB 34.92, -11.75, -20.93

 

CMYK 0 / 90 / 23 / 55

HEX #730C59

RGB 115 12 89

HSL 315.15, 0.81%, 0.25%

LAB 25.65, 48.41, -18.03

 

CMYK 23 / 0 / 89 / 55

HEX #58720C

RGB 88 114 12

HSL 75.29, 0.81%, 0.25%

LAB 44.43, -23.57, 47.01

 

CMYK 90 / 0 / 50 / 55

HEX #0C733A

RGB 12 115 58

HSL 146.8, 0.81%, 0.25%

LAB 42.22, -40.92, 23.97

 

CMYK 68 / 90 / 0 / 55

HEX #250C73

RGB 37 12 115

HSL 254.56, 0.81%, 0.25%

LAB 14.92, 40.48, -53.05

 

CMYK 0 / 90 / 41 / 55

HEX #730C44

RGB 115 12 68

HSL 327.38, 0.81%, 0.25%

LAB 24.72, 45.83, -5.35

 

CMYK 23 / 0 / 89 / 55

HEX #58720C

RGB 88 114 12

HSL 75.29, 0.81%, 0.25%

LAB 44.43, -23.57, 47.01

 

CMYK 90 / 0 / 23 / 55

HEX #0C7359

RGB 12 115 89

HSL 164.85, 0.81%, 0.25%

LAB 42.85, -33.78, 6.81

 

CMYK 68 / 90 / 0 / 55

HEX #250C73

RGB 37 12 115

HSL 254.56, 0.81%, 0.25%

LAB 14.92, 40.48, -53.05

 

CMYK 0 / 90 / 68 / 55

HEX #730C25

RGB 115 12 37

HSL 345.44, 0.81%, 0.25%

LAB 23.81, 43.21, 14.72

 

Description

Color code: HEX #58720C | qconv.com Color code: HEX #58720C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 114 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 114 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 89 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 89% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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