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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #587EC4 it is the complementary color #A7813B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #587EC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #587EC4 shade: #5D7EBF, #6E90D2, #7FA2E5, #90B4F8 and #A1C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #587EC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #587EC4 shade: #587EC4, #476CB1, #365A9E, #25488B and #143678

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #587EC4 shade: #587EC4, #5861C4, #6D58C4, #8A58C4 and #A758C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #587EC4 shade: #587EC4, #5861C4 and #5858C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #587EC4 shade matches the following richer shades: #587EC4, #4679D6, #3474E8 and #226EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #587EC4 shade: #587EC4, #6B84B2, #7D89A0, #8F8E8E and #A1947C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #587EC4 shade: #58B9C4, #589DC4, #5880C4, #5863C4 and #6A58C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #587EC4 shade: #345796, #3F68B4, #587EC4, #7796CF and #96ADDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #587EC4 shade: #587EC4, #B258C4 and #ABC458

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #587EC4 shade: #587EC4, #C45880 and #80C458

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #587EC4 shade: #587EC4, #B258C4, #C49D58 and #6AC458

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #587EC4 shade: #587EC4, #C458B6, #C49D58 and #58C467

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

Complementary color

CMYK 0 / 23 / 65 / 35

HEX #A7813B

RGB 167 129 59

HSL 38.89, 0.48%, 0.44%

LAB 56.32, 6.82, 42.63

 

CMYK 51 / 34 / 0 / 25

HEX #5D7EBF

RGB 93 126 191

HSL 219.8, 0.43%, 0.56%

LAB 52.96, 6.83, -37.65

 

CMYK 48 / 31 / 0 / 18

HEX #6E90D2

RGB 110 144 210

HSL 219.6, 0.53%, 0.63%

LAB 59.81, 6.06, -37.59

 

CMYK 45 / 29 / 0 / 10

HEX #7FA2E5

RGB 127 162 229

HSL 219.41, 0.66%, 0.7%

LAB 66.53, 5.42, -37.57

 

CMYK 42 / 27 / 0 / 3

HEX #90B4F8

RGB 144 180 248

HSL 219.23, 0.88%, 0.77%

LAB 73.12, 4.88, -37.59

 

CMYK 37 / 22 / 0 / 0

HEX #A1C6FF

RGB 161 198 255

HSL 216.38, 1%, 0.82%

LAB 79.15, 1.27, -31.95

 

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

CMYK 60 / 39 / 0 / 31

HEX #476CB1

RGB 71 108 177

HSL 219.06, 0.43%, 0.49%

LAB 45.96, 8.41, -40.7

 

CMYK 66 / 43 / 0 / 38

HEX #365A9E

RGB 54 90 158

HSL 219.23, 0.49%, 0.42%

LAB 38.84, 9.84, -40.86

 

CMYK 73 / 48 / 0 / 45

HEX #25488B

RGB 37 72 139

HSL 219.41, 0.58%, 0.35%

LAB 31.56, 11.73, -41.03

 

CMYK 83 / 55 / 0 / 53

HEX #143678

RGB 20 54 120

HSL 219.6, 0.71%, 0.27%

LAB 24.14, 14.31, -41.18

 

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

CMYK 55 / 51 / 0 / 23

HEX #5861C4

RGB 88 97 196

HSL 235, 0.48%, 0.56%

LAB 45.09, 25.18, -53.05

 

CMYK 44 / 55 / 0 / 23

HEX #6D58C4

RGB 109 88 196

HSL 251.67, 0.48%, 0.56%

LAB 44.54, 35.25, -53.86

 

CMYK 30 / 55 / 0 / 23

HEX #8A58C4

RGB 138 88 196

HSL 267.78, 0.48%, 0.56%

LAB 47.45, 42.23, -49.03

 

CMYK 15 / 55 / 0 / 23

HEX #A758C4

RGB 167 88 196

HSL 283.89, 0.48%, 0.56%

LAB 50.9, 49.76, -43.34

 

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

CMYK 55 / 51 / 0 / 23

HEX #5861C4

RGB 88 97 196

HSL 235, 0.48%, 0.56%

LAB 45.09, 25.18, -53.05

 

CMYK 55 / 55 / 0 / 23

HEX #5858C4

RGB 88 88 196

HSL 240, 0.48%, 0.56%

LAB 42.82, 30.78, -56.72

 

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

CMYK 67 / 43 / 0 / 16

HEX #4679D6

RGB 70 121 214

HSL 218.75, 0.64%, 0.56%

LAB 51.65, 13.07, -52.9

 

CMYK 78 / 50 / 0 / 9

HEX #3474E8

RGB 52 116 232

HSL 218.67, 0.8%, 0.56%

LAB 50.74, 20.37, -64.53

 

CMYK 86 / 56 / 0 / 2

HEX #226EFB

RGB 34 110 251

HSL 218.99, 0.96%, 0.56%

LAB 50.05, 29.8, -76.28

 

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

CMYK 40 / 26 / 0 / 30

HEX #6B84B2

RGB 107 132 178

HSL 218.87, 0.32%, 0.56%

LAB 54.91, 2.97, -27.1

 

CMYK 22 / 14 / 0 / 37

HEX #7D89A0

RGB 125 137 160

HSL 219.43, 0.16%, 0.56%

LAB 56.87, 0.83, -13.66

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 0 / 8 / 23 / 37

HEX #A1947C

RGB 161 148 124

HSL 38.92, 0.16%, 0.56%

LAB 61.84, 0.82, 14.45

 

CMYK 55 / 6 / 0 / 23

HEX #58B9C4

RGB 88 185 196

HSL 186.11, 0.48%, 0.56%

LAB 70.01, -25.3, -14.25

 

CMYK 55 / 20 / 0 / 23

HEX #589DC4

RGB 88 157 196

HSL 201.67, 0.48%, 0.56%

LAB 61.8, -10.6, -26.74

 

CMYK 55 / 35 / 0 / 23

HEX #5880C4

RGB 88 128 196

HSL 217.78, 0.48%, 0.56%

LAB 53.49, 6.1, -39.69

 

CMYK 55 / 49 / 0 / 23

HEX #5863C4

RGB 88 99 196

HSL 233.89, 0.48%, 0.56%

LAB 45.61, 23.94, -52.22

 

CMYK 46 / 55 / 0 / 23

HEX #6A58C4

RGB 106 88 196

HSL 250, 0.48%, 0.56%

LAB 44.27, 34.57, -54.3

 

CMYK 65 / 42 / 0 / 41

HEX #345796

RGB 52 87 150

HSL 218.57, 0.49%, 0.4%

LAB 37.39, 8.49, -38.37

 

CMYK 65 / 42 / 0 / 29

HEX #3F68B4

RGB 63 104 180

HSL 218.97, 0.48%, 0.48%

LAB 44.59, 10.45, -44.65

 

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

CMYK 43 / 28 / 0 / 19

HEX #7796CF

RGB 119 150 207

HSL 218.86, 0.48%, 0.64%

LAB 61.86, 3.98, -32.68

 

CMYK 31 / 21 / 0 / 15

HEX #96ADDA

RGB 150 173 218

HSL 219.71, 0.48%, 0.72%

LAB 70.48, 2.49, -25.31

 

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

CMYK 9 / 55 / 0 / 23

HEX #B258C4

RGB 178 88 196

HSL 290, 0.48%, 0.56%

LAB 52.32, 52.68, -41

 

CMYK 13 / 0 / 55 / 23

HEX #ABC458

RGB 171 196 88

HSL 73.89, 0.48%, 0.56%

LAB 75.35, -24.47, 50.57

 

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

CMYK 0 / 55 / 35 / 23

HEX #C45880

RGB 196 88 128

HSL 337.78, 0.48%, 0.56%

LAB 52.15, 47.27, -1.18

 

CMYK 35 / 0 / 55 / 23

HEX #80C458

RGB 128 196 88

HSL 97.78, 0.48%, 0.56%

LAB 72.74, -40.56, 46.87

 

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

CMYK 9 / 55 / 0 / 23

HEX #B258C4

RGB 178 88 196

HSL 290, 0.48%, 0.56%

LAB 52.32, 52.68, -41

 

CMYK 0 / 20 / 55 / 23

HEX #C49D58

RGB 196 157 88

HSL 38.33, 0.48%, 0.56%

LAB 66.94, 6.2, 41.2

 

CMYK 46 / 0 / 55 / 23

HEX #6AC458

RGB 106 196 88

HSL 110, 0.48%, 0.56%

LAB 71.72, -47.64, 45.41

 

CMYK 55 / 36 / 0 / 23

HEX #587EC4

RGB 88 126 196

HSL 218.89, 0.48%, 0.56%

LAB 52.93, 7.3, -40.58

 

CMYK 0 / 55 / 7 / 23

HEX #C458B6

RGB 196 88 182

HSL 307.78, 0.48%, 0.56%

LAB 54.13, 55.09, -29.91

 

CMYK 0 / 20 / 55 / 23

HEX #C49D58

RGB 196 157 88

HSL 38.33, 0.48%, 0.56%

LAB 66.94, 6.2, 41.2

 

CMYK 55 / 0 / 47 / 23

HEX #58C467

RGB 88 196 103

HSL 128.33, 0.48%, 0.56%

LAB 71.24, -50.57, 37.37

 

Description

Color code: HEX #587EC4 | qconv.com Color code: HEX #587EC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 126 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 126 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 36 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 36% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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