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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #589BCE it is the complementary color #A76431. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #589BCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #589BCE shade: #5D9BC9, #6EADDC, #7FBFEF, #90D1FF and #A1E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #589BCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #589BCE shade: #589BCE, #4789BB, #3677A8, #256595 and #145382

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #589BCE shade: #589BCE, #587CCE, #585CCE, #7558CE and #9558CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #589BCE shade: #589BCE, #587CCE, #585CCE and #5858CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #589BCE shade matches the following richer shades: #589BCE, #479EE0 and #36A0F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #589BCE shade: #589BCE, #6A99BD, #7B97AC, #8C949A and #9E9289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #589BCE shade: #58CEC1, #58BDCE, #589DCE, #587ECE and #585ECE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #589BCE shade: #2F72A5, #3988C5, #589BCE, #78AED8 and #98C2E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #589BCE shade: #589BCE, #A158CE and #CCCE58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #589BCE shade: #589BCE, #CE589D and #9DCE58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #589BCE shade: #589BCE, #A158CE, #CE8A58 and #86CE58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #589BCE shade: #589BCE, #C458CE, #CE8A58 and #62CE58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

Complementary color

CMYK 0 / 40 / 71 / 35

HEX #A76431

RGB 167 100 49

HSL 25.93, 0.55%, 0.42%

LAB 48.95, 22.55, 39.49

 

CMYK 54 / 23 / 0 / 21

HEX #5D9BC9

RGB 93 155 201

HSL 205.56, 0.5%, 0.58%

LAB 61.64, -6.89, -29.77

 

CMYK 50 / 21 / 0 / 14

HEX #6EADDC

RGB 110 173 220

HSL 205.64, 0.61%, 0.65%

LAB 68.29, -7.38, -29.96

 

CMYK 47 / 20 / 0 / 6

HEX #7FBFEF

RGB 127 191 239

HSL 205.71, 0.78%, 0.72%

LAB 74.83, -7.77, -30.16

 

CMYK 44 / 18 / 0 / 0

HEX #90D1FF

RGB 144 209 255

HSL 204.86, 1%, 0.78%

LAB 81.15, -8.91, -28.94

 

CMYK 37 / 11 / 0 / 0

HEX #A1E3FF

RGB 161 227 255

HSL 197.87, 1%, 0.82%

LAB 86.87, -13.96, -20.17

 

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

CMYK 62 / 27 / 0 / 27

HEX #4789BB

RGB 71 137 187

HSL 205.86, 0.46%, 0.51%

LAB 54.89, -5.62, -32.43

 

CMYK 68 / 29 / 0 / 34

HEX #3677A8

RGB 54 119 168

HSL 205.79, 0.51%, 0.44%

LAB 48.01, -4.61, -32.26

 

CMYK 75 / 32 / 0 / 42

HEX #256595

RGB 37 101 149

HSL 205.71, 0.6%, 0.36%

LAB 41.01, -3.25, -32.07

 

CMYK 85 / 36 / 0 / 49

HEX #145382

RGB 20 83 130

HSL 205.64, 0.73%, 0.29%

LAB 33.87, -1.36, -31.84

 

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

CMYK 57 / 40 / 0 / 19

HEX #587CCE

RGB 88 124 206

HSL 221.69, 0.55%, 0.58%

LAB 52.89, 11.78, -46.33

 

CMYK 57 / 55 / 0 / 19

HEX #585CCE

RGB 88 92 206

HSL 237.97, 0.55%, 0.58%

LAB 44.5, 31.55, -59.78

 

CMYK 43 / 57 / 0 / 19

HEX #7558CE

RGB 117 88 206

HSL 254.75, 0.55%, 0.58%

LAB 45.93, 39.9, -57.35

 

CMYK 28 / 57 / 0 / 19

HEX #9558CE

RGB 149 88 206

HSL 271.02, 0.55%, 0.58%

LAB 49.28, 47.39, -51.78

 

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

CMYK 57 / 40 / 0 / 19

HEX #587CCE

RGB 88 124 206

HSL 221.69, 0.55%, 0.58%

LAB 52.89, 11.78, -46.33

 

CMYK 57 / 55 / 0 / 19

HEX #585CCE

RGB 88 92 206

HSL 237.97, 0.55%, 0.58%

LAB 44.5, 31.55, -59.78

 

CMYK 57 / 57 / 0 / 19

HEX #5858CE

RGB 88 88 206

HSL 240, 0.55%, 0.58%

LAB 43.52, 34.01, -61.36

 

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

CMYK 68 / 29 / 0 / 12

HEX #479EE0

RGB 71 158 224

HSL 205.88, 0.71%, 0.58%

LAB 62.66, -5.23, -41.05

 

CMYK 78 / 34 / 0 / 5

HEX #36A0F1

RGB 54 160 241

HSL 205.99, 0.87%, 0.58%

LAB 63.57, -2.66, -49.01

 

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

CMYK 44 / 19 / 0 / 26

HEX #6A99BD

RGB 106 153 189

HSL 206.02, 0.39%, 0.58%

LAB 61.24, -6.2, -23.61

 

CMYK 28 / 12 / 0 / 33

HEX #7B97AC

RGB 123 151 172

HSL 205.71, 0.23%, 0.58%

LAB 61.07, -4.79, -14.18

 

CMYK 9 / 4 / 0 / 40

HEX #8C949A

RGB 140 148 154

HSL 205.71, 0.06%, 0.58%

LAB 60.86, -1.64, -4.16

 

CMYK 0 / 8 / 13 / 38

HEX #9E9289

RGB 158 146 137

HSL 25.71, 0.1%, 0.58%

LAB 61.34, 2.85, 6.36

 

CMYK 57 / 0 / 6 / 19

HEX #58CEC1

RGB 88 206 193

HSL 173.39, 0.55%, 0.58%

LAB 76.11, -36.2, -3.53

 

CMYK 57 / 8 / 0 / 19

HEX #58BDCE

RGB 88 189 206

HSL 188.64, 0.55%, 0.58%

LAB 71.5, -24.47, -17.46

 

CMYK 57 / 24 / 0 / 19

HEX #589DCE

RGB 88 157 206

HSL 204.92, 0.55%, 0.58%

LAB 62.21, -7.52, -31.71

 

CMYK 57 / 39 / 0 / 19

HEX #587ECE

RGB 88 126 206

HSL 220.68, 0.55%, 0.58%

LAB 53.44, 10.56, -45.45

 

CMYK 57 / 54 / 0 / 19

HEX #585ECE

RGB 88 94 206

HSL 236.95, 0.55%, 0.58%

LAB 44.99, 30.31, -58.98

 

CMYK 72 / 31 / 0 / 35

HEX #2F72A5

RGB 47 114 165

HSL 205.93, 0.56%, 0.42%

LAB 46.12, -3.81, -33.5

 

CMYK 71 / 31 / 0 / 23

HEX #3988C5

RGB 57 136 197

HSL 206.14, 0.55%, 0.5%

LAB 54.56, -3.96, -38.66

 

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

CMYK 44 / 19 / 0 / 15

HEX #78AED8

RGB 120 174 216

HSL 206.25, 0.55%, 0.66%

LAB 68.91, -6.68, -26.77

 

CMYK 32 / 14 / 0 / 12

HEX #98C2E1

RGB 152 194 225

HSL 205.48, 0.55%, 0.74%

LAB 76.49, -6.6, -19.94

 

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

CMYK 22 / 57 / 0 / 19

HEX #A158CE

RGB 161 88 206

HSL 277.12, 0.55%, 0.58%

LAB 50.7, 50.36, -49.43

 

CMYK 1 / 0 / 57 / 19

HEX #CCCE58

RGB 204 206 88

HSL 61.02, 0.55%, 0.58%

LAB 80.56, -16.03, 57.13

 

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

CMYK 0 / 57 / 24 / 19

HEX #CE589D

RGB 206 88 157

HSL 324.92, 0.55%, 0.58%

LAB 54.59, 54.21, -14.51

 

CMYK 24 / 0 / 57 / 19

HEX #9DCE58

RGB 157 206 88

HSL 84.92, 0.55%, 0.58%

LAB 77.29, -34.62, 52.56

 

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

CMYK 22 / 57 / 0 / 19

HEX #A158CE

RGB 161 88 206

HSL 277.12, 0.55%, 0.58%

LAB 50.7, 50.36, -49.43

 

CMYK 0 / 33 / 57 / 19

HEX #CE8A58

RGB 206 138 88

HSL 25.42, 0.55%, 0.58%

LAB 63.35, 20.77, 37.08

 

CMYK 35 / 0 / 57 / 19

HEX #86CE58

RGB 134 206 88

HSL 96.61, 0.55%, 0.58%

LAB 76.02, -42.86, 50.76

 

CMYK 57 / 25 / 0 / 19

HEX #589BCE

RGB 88 155 206

HSL 205.93, 0.55%, 0.58%

LAB 61.63, -6.4, -32.6

 

CMYK 5 / 57 / 0 / 19

HEX #C458CE

RGB 196 88 206

HSL 294.92, 0.55%, 0.58%

LAB 55.25, 59.27, -41.94

 

CMYK 0 / 33 / 57 / 19

HEX #CE8A58

RGB 206 138 88

HSL 25.42, 0.55%, 0.58%

LAB 63.35, 20.77, 37.08

 

CMYK 52 / 0 / 57 / 19

HEX #62CE58

RGB 98 206 88

HSL 114.92, 0.55%, 0.58%

LAB 74.47, -53.87, 48.57

 

Description

Color code: HEX #589BCE | qconv.com Color code: HEX #589BCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 155 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 155 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 25 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 25% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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