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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58A4D4 it is the complementary color #A75B2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58A4D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58A4D4 shade: #5DA4CF, #6EB6E2, #7FC8F5, #90DAFF and #A1ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58A4D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58A4D4 shade: #58A4D4, #4792C1, #3680AE, #256E9B and #145C88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58A4D4 shade: #58A4D4, #5883D4, #5861D4, #7058D4 and #9258D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58A4D4 shade: #58A4D4, #5883D4, #5861D4 and #5858D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58A4D4 shade matches the following richer shades: #58A4D4, #47A8E5 and #36ACF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58A4D4 shade: #58A4D4, #69A0C3, #7A9CB2, #8B98A1 and #9C9590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58A4D4 shade: #58D4C1, #58C5D4, #58A4D4, #5883D4 and #5863D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58A4D4 shade: #2C7BAD, #3792CB, #58A4D4, #79B6DC and #9AC8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58A4D4 shade: #58A4D4, #A058D4 and #D4D258

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58A4D4 shade: #58A4D4, #D458A4 and #A4D458

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58A4D4 shade: #58A4D4, #A058D4, #D48858 and #8CD458

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58A4D4 shade: #58A4D4, #C558D4, #D48858 and #67D458

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

Complementary color

CMYK 0 / 46 / 74 / 35

HEX #A75B2B

RGB 167 91 43

HSL 23.23, 0.59%, 0.41%

LAB 46.81, 27.24, 40.24

 

CMYK 55 / 21 / 0 / 19

HEX #5DA4CF

RGB 93 164 207

HSL 202.63, 0.54%, 0.59%

LAB 64.47, -10.04, -28.74

 

CMYK 51 / 19 / 0 / 11

HEX #6EB6E2

RGB 110 182 226

HSL 202.76, 0.67%, 0.66%

LAB 71.05, -10.51, -28.99

 

CMYK 48 / 18 / 0 / 4

HEX #7FC8F5

RGB 127 200 245

HSL 202.88, 0.86%, 0.73%

LAB 77.53, -10.89, -29.24

 

CMYK 44 / 15 / 0 / 0

HEX #90DAFF

RGB 144 218 255

HSL 200, 1%, 0.78%

LAB 83.6, -13.59, -25.21

 

CMYK 37 / 7 / 0 / 0

HEX #A1ECFF

RGB 161 236 255

HSL 192.13, 1%, 0.82%

LAB 89.29, -18.49, -16.51

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 63 / 24 / 0 / 24

HEX #4792C1

RGB 71 146 193

HSL 203.11, 0.5%, 0.52%

LAB 57.8, -8.77, -31.3

 

CMYK 69 / 26 / 0 / 32

HEX #3680AE

RGB 54 128 174

HSL 203, 0.53%, 0.45%

LAB 51.01, -7.79, -31.06

 

CMYK 76 / 29 / 0 / 39

HEX #256E9B

RGB 37 110 155

HSL 202.88, 0.61%, 0.38%

LAB 44.11, -6.48, -30.78

 

CMYK 85 / 32 / 0 / 47

HEX #145C88

RGB 20 92 136

HSL 202.76, 0.74%, 0.31%

LAB 37.08, -4.67, -30.45

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 58 / 38 / 0 / 17

HEX #5883D4

RGB 88 131 212

HSL 219.19, 0.59%, 0.59%

LAB 55.13, 9.52, -46.16

 

CMYK 58 / 54 / 0 / 17

HEX #5861D4

RGB 88 97 212

HSL 235.65, 0.59%, 0.59%

LAB 46.15, 30.42, -60.55

 

CMYK 47 / 58 / 0 / 17

HEX #7058D4

RGB 112 88 212

HSL 251.61, 0.59%, 0.59%

LAB 45.88, 40.54, -60.9

 

CMYK 31 / 58 / 0 / 17

HEX #9258D4

RGB 146 88 212

HSL 268.06, 0.59%, 0.59%

LAB 49.31, 48.11, -55.2

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 58 / 38 / 0 / 17

HEX #5883D4

RGB 88 131 212

HSL 219.19, 0.59%, 0.59%

LAB 55.13, 9.52, -46.16

 

CMYK 58 / 54 / 0 / 17

HEX #5861D4

RGB 88 97 212

HSL 235.65, 0.59%, 0.59%

LAB 46.15, 30.42, -60.55

 

CMYK 58 / 58 / 0 / 17

HEX #5858D4

RGB 88 88 212

HSL 240, 0.59%, 0.59%

LAB 43.96, 35.95, -64.1

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 69 / 27 / 0 / 10

HEX #47A8E5

RGB 71 168 229

HSL 203.16, 0.75%, 0.59%

LAB 65.75, -9.15, -38.97

 

CMYK 78 / 30 / 0 / 4

HEX #36ACF5

RGB 54 172 245

HSL 202.93, 0.91%, 0.59%

LAB 67.19, -8.02, -45.5

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 46 / 18 / 0 / 24

HEX #69A0C3

RGB 105 160 195

HSL 203.33, 0.43%, 0.59%

LAB 63.41, -8.63, -23.64

 

CMYK 31 / 12 / 0 / 30

HEX #7A9CB2

RGB 122 156 178

HSL 203.57, 0.27%, 0.59%

LAB 62.62, -6.37, -15.23

 

CMYK 14 / 6 / 0 / 37

HEX #8B98A1

RGB 139 152 161

HSL 204.55, 0.1%, 0.59%

LAB 62.1, -2.72, -6.3

 

CMYK 0 / 4 / 8 / 39

HEX #9C9590

RGB 156 149 144

HSL 25, 0.06%, 0.59%

LAB 62.15, 1.65, 3.55

 

CMYK 58 / 0 / 9 / 17

HEX #58D4C1

RGB 88 212 193

HSL 170.81, 0.59%, 0.59%

LAB 77.88, -38.95, -0.93

 

CMYK 58 / 7 / 0 / 17

HEX #58C5D4

RGB 88 197 212

HSL 187.26, 0.59%, 0.59%

LAB 74.04, -26.75, -16.9

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 58 / 38 / 0 / 17

HEX #5883D4

RGB 88 131 212

HSL 219.19, 0.59%, 0.59%

LAB 55.13, 9.52, -46.16

 

CMYK 58 / 53 / 0 / 17

HEX #5863D4

RGB 88 99 212

HSL 234.68, 0.59%, 0.59%

LAB 46.65, 29.19, -59.74

 

CMYK 75 / 29 / 0 / 32

HEX #2C7BAD

RGB 44 123 173

HSL 203.26, 0.59%, 0.43%

LAB 49.15, -6.7, -33.41

 

CMYK 73 / 28 / 0 / 20

HEX #3792CB

RGB 55 146 203

HSL 203.11, 0.59%, 0.51%

LAB 57.73, -7.9, -37.08

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 45 / 17 / 0 / 14

HEX #79B6DC

RGB 121 182 220

HSL 203.03, 0.59%, 0.67%

LAB 71.34, -9.66, -25.23

 

CMYK 33 / 13 / 0 / 10

HEX #9AC8E5

RGB 154 200 229

HSL 203.2, 0.59%, 0.75%

LAB 78.37, -8.24, -19.25

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 25 / 58 / 0 / 17

HEX #A058D4

RGB 160 88 212

HSL 274.84, 0.59%, 0.59%

LAB 50.93, 51.46, -52.51

 

CMYK 0 / 1 / 58 / 17

HEX #D4D258

RGB 212 210 88

HSL 59.03, 0.59%, 0.59%

LAB 82.27, -14.74, 59.2

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 0 / 58 / 23 / 17

HEX #D458A4

RGB 212 88 164

HSL 323.23, 0.59%, 0.59%

LAB 55.74, 56.97, -16.77

 

CMYK 23 / 0 / 58 / 17

HEX #A4D458

RGB 164 212 88

HSL 83.23, 0.59%, 0.59%

LAB 79.43, -34.75, 55.1

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 25 / 58 / 0 / 17

HEX #A058D4

RGB 160 88 212

HSL 274.84, 0.59%, 0.59%

LAB 50.93, 51.46, -52.51

 

CMYK 0 / 36 / 58 / 17

HEX #D48858

RGB 212 136 88

HSL 23.23, 0.59%, 0.59%

LAB 63.6, 24.33, 37.56

 

CMYK 34 / 0 / 58 / 17

HEX #8CD458

RGB 140 212 88

HSL 94.84, 0.59%, 0.59%

LAB 78.09, -43.4, 53.22

 

CMYK 58 / 23 / 0 / 17

HEX #58A4D4

RGB 88 164 212

HSL 203.23, 0.59%, 0.59%

LAB 64.47, -9.52, -31.54

 

CMYK 7 / 58 / 0 / 17

HEX #C558D4

RGB 197 88 212

HSL 292.74, 0.59%, 0.59%

LAB 55.69, 60.63, -44.65

 

CMYK 0 / 36 / 58 / 17

HEX #D48858

RGB 212 136 88

HSL 23.23, 0.59%, 0.59%

LAB 63.6, 24.33, 37.56

 

CMYK 51 / 0 / 58 / 17

HEX #67D458

RGB 103 212 88

HSL 112.74, 0.59%, 0.59%

LAB 76.48, -54.83, 50.95

 

Description

Color code: HEX #58A4D4 | qconv.com Color code: HEX #58A4D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 164 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 164 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 23 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 23% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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