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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58A7E0 it is the complementary color #A7581F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58A7E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58A7E0 shade: #5DA7DB, #6EB9EE, #7FCBFF, #90DDFF and #A1EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58A7E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58A7E0 shade: #58A7E0, #4795CD, #3683BA, #2571A7 and #145F94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58A7E0 shade: #56A6E0, #5681E0, #565CE0, #7656E0 and #9B56E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58A7E0 shade: #56A6E0, #5681E0, #565CE0 and #5656E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58A7E0 shade matches the following richer shades: #56A6E0 and #46A9F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58A7E0 shade: #56A6E0, #67A4D0, #77A1BF, #879EAF and #979C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58A7E0 shade: #56E0D0, #56CBE0, #56A6E0, #5682E0 and #565DE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58A7E0 shade: #237FC1, #3494D9, #56A6E0, #79B8E6 and #9CCBEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58A7E0 shade: #58A7E0, #AB56E0 and #DDE056

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58A7E0 shade: #58A7E0, #E056A6 and #A6E056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58A7E0 shade: #58A7E0, #AB56E0, #E09056 and #8BE056

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58A7E0 shade: #58A7E0, #D456E0, #E09056 and #62E056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 25 / 0 / 12

HEX #58A7E0

RGB 88 167 224

HSL 205.15, 0.69%, 0.61%

LAB 65.82, -7.41, -36.06

 

Complementary color

CMYK 0 / 47 / 81 / 35

HEX #A7581F

RGB 167 88 31

HSL 25.15, 0.69%, 0.39%

LAB 46.03, 28.38, 45.16

 

CMYK 58 / 24 / 0 / 14

HEX #5DA7DB

RGB 93 167 219

HSL 204.76, 0.64%, 0.61%

LAB 65.81, -8.02, -33.31

 

CMYK 54 / 22 / 0 / 7

HEX #6EB9EE

RGB 110 185 238

HSL 204.84, 0.79%, 0.68%

LAB 72.35, -8.61, -33.51

 

CMYK 50 / 20 / 0 / 0

HEX #7FCBFF

RGB 127 203 255

HSL 204.38, 1%, 0.75%

LAB 78.72, -9.67, -32.75

 

CMYK 44 / 13 / 0 / 0

HEX #90DDFF

RGB 144 221 255

HSL 198.38, 1%, 0.78%

LAB 84.41, -15.13, -23.97

 

CMYK 37 / 6 / 0 / 0

HEX #A1EFFF

RGB 161 239 255

HSL 190.21, 1%, 0.82%

LAB 90.1, -19.99, -15.3

 

CMYK 61 / 25 / 0 / 12

HEX #58A7E0

RGB 88 167 224

HSL 205.15, 0.69%, 0.61%

LAB 65.82, -7.41, -36.06

 

CMYK 65 / 27 / 0 / 20

HEX #4795CD

RGB 71 149 205

HSL 205.07, 0.57%, 0.54%

LAB 59.2, -6.5, -35.88

 

CMYK 71 / 30 / 0 / 27

HEX #3683BA

RGB 54 131 186

HSL 205, 0.55%, 0.47%

LAB 52.47, -5.35, -35.68

 

CMYK 78 / 32 / 0 / 35

HEX #2571A7

RGB 37 113 167

HSL 204.92, 0.64%, 0.4%

LAB 45.63, -3.83, -35.46

 

CMYK 86 / 36 / 0 / 42

HEX #145F94

RGB 20 95 148

HSL 204.84, 0.76%, 0.33%

LAB 38.68, -1.8, -35.18

 

CMYK 62 / 26 / 0 / 12

HEX #56A6E0

RGB 86 166 224

HSL 205.22, 0.69%, 0.61%

LAB 65.46, -7.22, -36.63

 

CMYK 62 / 42 / 0 / 12

HEX #5681E0

RGB 86 129 224

HSL 221.3, 0.69%, 0.61%

LAB 55.13, 14.35, -52.91

 

CMYK 62 / 59 / 0 / 12

HEX #565CE0

RGB 86 92 224

HSL 237.39, 0.69%, 0.61%

LAB 45.65, 37.09, -68.19

 

CMYK 47 / 62 / 0 / 12

HEX #7656E0

RGB 118 86 224

HSL 253.91, 0.69%, 0.61%

LAB 46.83, 46.33, -66.17

 

CMYK 31 / 62 / 0 / 12

HEX #9B56E0

RGB 155 86 224

HSL 270, 0.69%, 0.61%

LAB 50.69, 54.09, -59.73

 

CMYK 62 / 26 / 0 / 12

HEX #56A6E0

RGB 86 166 224

HSL 205.22, 0.69%, 0.61%

LAB 65.46, -7.22, -36.63

 

CMYK 62 / 42 / 0 / 12

HEX #5681E0

RGB 86 129 224

HSL 221.3, 0.69%, 0.61%

LAB 55.13, 14.35, -52.91

 

CMYK 62 / 59 / 0 / 12

HEX #565CE0

RGB 86 92 224

HSL 237.39, 0.69%, 0.61%

LAB 45.65, 37.09, -68.19

 

CMYK 62 / 62 / 0 / 12

HEX #5656E0

RGB 86 86 224

HSL 240, 0.69%, 0.61%

LAB 44.26, 40.71, -70.47

 

CMYK 62 / 26 / 0 / 12

HEX #56A6E0

RGB 86 166 224

HSL 205.22, 0.69%, 0.61%

LAB 65.46, -7.22, -36.63

 

CMYK 71 / 30 / 0 / 6

HEX #46A9F0

RGB 70 169 240

HSL 205.06, 0.85%, 0.61%

LAB 66.5, -6.16, -43.83

 

CMYK 62 / 26 / 0 / 12

HEX #56A6E0

RGB 86 166 224

HSL 205.22, 0.69%, 0.61%

LAB 65.46, -7.22, -36.63

 

CMYK 50 / 21 / 0 / 18

HEX #67A4D0

RGB 103 164 208

HSL 205.14, 0.53%, 0.61%

LAB 64.95, -7.55, -28.52

 

CMYK 38 / 16 / 0 / 25

HEX #77A1BF

RGB 119 161 191

HSL 205, 0.36%, 0.61%

LAB 64.3, -6.62, -19.98

 

CMYK 23 / 10 / 0 / 31

HEX #879EAF

RGB 135 158 175

HSL 205.5, 0.2%, 0.61%

LAB 63.92, -4.2, -11.51

 

CMYK 5 / 2 / 0 / 38

HEX #979C9F

RGB 151 156 159

HSL 202.5, 0.04%, 0.61%

LAB 64.05, -1.19, -2.2

 

CMYK 62 / 0 / 7 / 12

HEX #56E0D0

RGB 86 224 208

HSL 173.04, 0.69%, 0.61%

LAB 81.75, -40.88, -3.26

 

CMYK 62 / 9 / 0 / 12

HEX #56CBE0

RGB 86 203 224

HSL 189.13, 0.69%, 0.61%

LAB 76.11, -26.62, -20.25

 

CMYK 62 / 26 / 0 / 12

HEX #56A6E0

RGB 86 166 224

HSL 205.22, 0.69%, 0.61%

LAB 65.46, -7.22, -36.63

 

CMYK 62 / 42 / 0 / 12

HEX #5682E0

RGB 86 130 224

HSL 220.87, 0.69%, 0.61%

LAB 55.41, 13.74, -52.48

 

CMYK 62 / 58 / 0 / 12

HEX #565DE0

RGB 86 93 224

HSL 236.96, 0.69%, 0.61%

LAB 45.89, 36.48, -67.8

 

CMYK 82 / 34 / 0 / 24

HEX #237FC1

RGB 35 127 193

HSL 205.06, 0.69%, 0.45%

LAB 51.14, -2.74, -41.82

 

CMYK 76 / 32 / 0 / 15

HEX #3494D9

RGB 52 148 217

HSL 205.09, 0.68%, 0.53%

LAB 58.9, -4.5, -43.1

 

CMYK 62 / 26 / 0 / 12

HEX #56A6E0

RGB 86 166 224

HSL 205.22, 0.69%, 0.61%

LAB 65.46, -7.22, -36.63

 

CMYK 47 / 20 / 0 / 10

HEX #79B8E6

RGB 121 184 230

HSL 205.32, 0.69%, 0.69%

LAB 72.27, -7.94, -29.25

 

CMYK 34 / 14 / 0 / 7

HEX #9CCBEC

RGB 156 203 236

HSL 204.75, 0.68%, 0.77%

LAB 79.52, -7.54, -21.24

 

CMYK 61 / 25 / 0 / 12

HEX #58A7E0

RGB 88 167 224

HSL 205.15, 0.69%, 0.61%

LAB 65.82, -7.41, -36.06

 

CMYK 24 / 62 / 0 / 12

HEX #AB56E0

RGB 171 86 224

HSL 276.96, 0.69%, 0.61%

LAB 52.61, 57.71, -56.54

 

CMYK 1 / 0 / 62 / 12

HEX #DDE056

RGB 221 224 86

HSL 61.3, 0.69%, 0.61%

LAB 86.68, -18.11, 65.03

 

CMYK 61 / 25 / 0 / 12

HEX #58A7E0

RGB 88 167 224

HSL 205.15, 0.69%, 0.61%

LAB 65.82, -7.41, -36.06

 

CMYK 0 / 62 / 26 / 12

HEX #E056A6

RGB 224 86 166

HSL 325.22, 0.69%, 0.61%

LAB 57.32, 61.59, -15.36

 

CMYK 26 / 0 / 62 / 12

HEX #A6E056

RGB 166 224 86

HSL 85.22, 0.69%, 0.61%

LAB 82.96, -39.59, 59.92

 

CMYK 61 / 25 / 0 / 12

HEX #58A7E0

RGB 88 167 224

HSL 205.15, 0.69%, 0.61%

LAB 65.82, -7.41, -36.06

 

CMYK 24 / 62 / 0 / 12

HEX #AB56E0

RGB 171 86 224

HSL 276.96, 0.69%, 0.61%

LAB 52.61, 57.71, -56.54

 

CMYK 0 / 36 / 62 / 12

HEX #E09056

RGB 224 144 86

HSL 25.22, 0.69%, 0.61%

LAB 66.87, 24.81, 42.89

 

CMYK 38 / 0 / 62 / 12

HEX #8BE056

RGB 139 224 86

HSL 96.96, 0.69%, 0.61%

LAB 81.55, -48.99, 57.96

 

CMYK 61 / 25 / 0 / 12

HEX #58A7E0

RGB 88 167 224

HSL 205.15, 0.69%, 0.61%

LAB 65.82, -7.41, -36.06

 

CMYK 5 / 62 / 0 / 12

HEX #D456E0

RGB 212 86 224

HSL 294.78, 0.69%, 0.61%

LAB 58.07, 67.33, -47.52

 

CMYK 0 / 36 / 62 / 12

HEX #E09056

RGB 224 144 86

HSL 25.22, 0.69%, 0.61%

LAB 66.87, 24.81, 42.89

 

CMYK 56 / 0 / 62 / 12

HEX #62E056

RGB 98 224 86

HSL 114.78, 0.69%, 0.61%

LAB 79.94, -60.81, 55.72

 

Description

Color code: HEX #58A7E0 | qconv.com Color code: HEX #58A7E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 167 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 167 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 25 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 25% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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