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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58ADC4 it is the complementary color #A7523B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58ADC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58ADC4 shade: #5DADBF, #6EBFD2, #7FD1E5, #90E3F8 and #A1F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58ADC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58ADC4 shade: #58ADC4, #479BB1, #36899E, #25778B and #146578

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58ADC4 shade: #58ADC4, #5890C4, #5873C4, #5B58C4 and #7858C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58ADC4 shade: #58ADC4, #5890C4, #5873C4 and #5858C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58ADC4 shade matches the following richer shades: #58ADC4, #46B8D6, #34C2E8 and #22CCFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58ADC4 shade: #58ADC4, #6BA3B2, #7D98A0, #8F8E8E and #A1847C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58ADC4 shade: #58C4A0, #58C4BD, #58AFC4, #5892C4 and #5875C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58ADC4 shade: #348196, #3F9BB4, #58ADC4, #77BCCF and #96CBDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58ADC4 shade: #58ADC4, #8458C4 and #C4AF58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58ADC4 shade: #58ADC4, #C458AF and #AFC458

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58ADC4 shade: #58ADC4, #8458C4, #C46E58 and #99C458

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58ADC4 shade: #58ADC4, #A458C4, #C46E58 and #79C458

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

Complementary color

CMYK 0 / 51 / 65 / 35

HEX #A7523B

RGB 167 82 59

HSL 12.78, 0.48%, 0.44%

LAB 45.03, 33.04, 29.51

 

CMYK 51 / 9 / 0 / 25

HEX #5DADBF

RGB 93 173 191

HSL 191.02, 0.43%, 0.56%

LAB 66.5, -19.54, -16.76

 

CMYK 48 / 9 / 0 / 18

HEX #6EBFD2

RGB 110 191 210

HSL 191.4, 0.53%, 0.63%

LAB 73.04, -19.73, -17.24

 

CMYK 45 / 9 / 0 / 10

HEX #7FD1E5

RGB 127 209 229

HSL 191.76, 0.66%, 0.7%

LAB 79.48, -19.87, -17.69

 

CMYK 42 / 8 / 0 / 3

HEX #90E3F8

RGB 144 227 248

HSL 192.12, 0.88%, 0.77%

LAB 85.83, -19.96, -18.14

 

CMYK 37 / 4 / 0 / 0

HEX #A1F5FF

RGB 161 245 255

HSL 186.38, 1%, 0.82%

LAB 91.73, -22.94, -12.86

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 60 / 12 / 0 / 31

HEX #479BB1

RGB 71 155 177

HSL 192.45, 0.43%, 0.49%

LAB 59.85, -18.76, -19.1

 

CMYK 66 / 13 / 0 / 38

HEX #36899E

RGB 54 137 158

HSL 192.12, 0.49%, 0.42%

LAB 53.11, -18.17, -18.57

 

CMYK 73 / 14 / 0 / 45

HEX #25778B

RGB 37 119 139

HSL 191.76, 0.58%, 0.35%

LAB 46.25, -17.33, -17.98

 

CMYK 83 / 16 / 0 / 53

HEX #146578

RGB 20 101 120

HSL 191.4, 0.71%, 0.27%

LAB 39.26, -16.08, -17.29

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 55 / 27 / 0 / 23

HEX #5890C4

RGB 88 144 196

HSL 208.89, 0.48%, 0.56%

LAB 58.04, -3.29, -32.56

 

CMYK 55 / 41 / 0 / 23

HEX #5873C4

RGB 88 115 196

HSL 225, 0.48%, 0.56%

LAB 49.88, 14, -45.4

 

CMYK 54 / 55 / 0 / 23

HEX #5B58C4

RGB 91 88 196

HSL 241.67, 0.48%, 0.56%

LAB 43.05, 31.38, -56.34

 

CMYK 39 / 55 / 0 / 23

HEX #7858C4

RGB 120 88 196

HSL 257.78, 0.48%, 0.56%

LAB 45.58, 37.81, -52.14

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 55 / 27 / 0 / 23

HEX #5890C4

RGB 88 144 196

HSL 208.89, 0.48%, 0.56%

LAB 58.04, -3.29, -32.56

 

CMYK 55 / 41 / 0 / 23

HEX #5873C4

RGB 88 115 196

HSL 225, 0.48%, 0.56%

LAB 49.88, 14, -45.4

 

CMYK 55 / 55 / 0 / 23

HEX #5858C4

RGB 88 88 196

HSL 240, 0.48%, 0.56%

LAB 42.82, 30.78, -56.72

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 67 / 14 / 0 / 16

HEX #46B8D6

RGB 70 184 214

HSL 192.5, 0.64%, 0.56%

LAB 69.78, -22.62, -24.51

 

CMYK 78 / 16 / 0 / 9

HEX #34C2E8

RGB 52 194 232

HSL 192.67, 0.8%, 0.56%

LAB 72.98, -24.24, -29.42

 

CMYK 86 / 19 / 0 / 2

HEX #22CCFB

RGB 34 204 251

HSL 193, 0.96%, 0.56%

LAB 76.37, -24.5, -34.45

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 40 / 8 / 0 / 30

HEX #6BA3B2

RGB 107 163 178

HSL 192.68, 0.32%, 0.56%

LAB 63.78, -14.41, -13.56

 

CMYK 22 / 5 / 0 / 37

HEX #7D98A0

RGB 125 152 160

HSL 193.71, 0.16%, 0.56%

LAB 61.09, -7.6, -7.34

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 0 / 18 / 23 / 37

HEX #A1847C

RGB 161 132 124

HSL 12.97, 0.16%, 0.56%

LAB 57.59, 9.79, 8.47

 

CMYK 55 / 0 / 18 / 23

HEX #58C4A0

RGB 88 196 160

HSL 160, 0.48%, 0.56%

LAB 72.29, -39.72, 8.77

 

CMYK 55 / 0 / 4 / 23

HEX #58C4BD

RGB 88 196 189

HSL 176.11, 0.48%, 0.56%

LAB 73.04, -32.56, -5.89

 

CMYK 55 / 11 / 0 / 23

HEX #58AFC4

RGB 88 175 196

HSL 191.67, 0.48%, 0.56%

LAB 67.07, -20.21, -18.69

 

CMYK 55 / 26 / 0 / 23

HEX #5892C4

RGB 88 146 196

HSL 207.78, 0.48%, 0.56%

LAB 58.62, -4.44, -31.67

 

CMYK 55 / 40 / 0 / 23

HEX #5875C4

RGB 88 117 196

HSL 223.89, 0.48%, 0.56%

LAB 50.43, 12.77, -44.53

 

CMYK 65 / 14 / 0 / 41

HEX #348196

RGB 52 129 150

HSL 192.86, 0.49%, 0.4%

LAB 50.25, -16.76, -18.28

 

CMYK 65 / 14 / 0 / 29

HEX #3F9BB4

RGB 63 155 180

HSL 192.82, 0.48%, 0.48%

LAB 59.7, -19.27, -21.04

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 43 / 9 / 0 / 19

HEX #77BCCF

RGB 119 188 207

HSL 192.95, 0.48%, 0.64%

LAB 72.49, -16.83, -16.4

 

CMYK 31 / 7 / 0 / 15

HEX #96CBDA

RGB 150 203 218

HSL 193.24, 0.48%, 0.72%

LAB 78.61, -13.58, -12.99

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 33 / 55 / 0 / 23

HEX #8458C4

RGB 132 88 196

HSL 264.44, 0.48%, 0.56%

LAB 46.8, 40.73, -50.1

 

CMYK 0 / 11 / 55 / 23

HEX #C4AF58

RGB 196 175 88

HSL 48.33, 0.48%, 0.56%

LAB 71.62, -3.44, 46.76

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 0 / 55 / 11 / 23

HEX #C458AF

RGB 196 88 175

HSL 311.67, 0.48%, 0.56%

LAB 53.83, 53.94, -26.32

 

CMYK 11 / 0 / 55 / 23

HEX #AFC458

RGB 175 196 88

HSL 71.67, 0.48%, 0.56%

LAB 75.64, -22.87, 50.97

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 33 / 55 / 0 / 23

HEX #8458C4

RGB 132 88 196

HSL 264.44, 0.48%, 0.56%

LAB 46.8, 40.73, -50.1

 

CMYK 0 / 44 / 55 / 23

HEX #C46E58

RGB 196 110 88

HSL 12.22, 0.48%, 0.56%

LAB 55.68, 31.87, 27.16

 

CMYK 22 / 0 / 55 / 23

HEX #99C458

RGB 153 196 88

HSL 83.89, 0.48%, 0.56%

LAB 74.16, -31.49, 48.89

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 16 / 55 / 0 / 23

HEX #A458C4

RGB 164 88 196

HSL 282.22, 0.48%, 0.56%

LAB 50.52, 48.96, -43.96

 

CMYK 0 / 44 / 55 / 23

HEX #C46E58

RGB 196 110 88

HSL 12.22, 0.48%, 0.56%

LAB 55.68, 31.87, 27.16

 

CMYK 38 / 0 / 55 / 23

HEX #79C458

RGB 121 196 88

HSL 101.67, 0.48%, 0.56%

LAB 72.39, -42.92, 46.37

 

Description

Color code: HEX #58ADC4 | qconv.com Color code: HEX #58ADC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 173 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 173 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 12 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 12% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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