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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58AE24 it is the complementary color #A751DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58AE24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58AE24 shade: #5DAE1F, #6EC032, #7FD245, #90E458 and #A1F66B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58AE24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58AE24 shade: #58AE24, #479C11, #368A00, #257800 and #146600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58AE24 shade: #57AD23, #7CAD23, #A1AD23, #AD9323 and #AD6E23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58AE24 shade: #57AD23, #32AD23, #23AD39, #23AD5F and #23AD84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58AE24 shade matches the following richer shades: #57AD23, #53BE12 and #4FCF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58AE24 shade: #57AD23, #5B9C34, #5F8B45, #647A56 and #686967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58AE24 shade: #A2AD23, #7DAD23, #58AD23, #33AD23 and #23AD38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58AE24 shade: #356915, #468B1C, #57AD23, #68CF2A and #80D949

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58AE24 shade: #58AE24, #23AD94 and #AD238F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58AE24 shade: #58AE24, #2358AD and #AD2358

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58AE24 shade: #58AE24, #23AD94, #7823AD and #AD233C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58AE24 shade: #58AE24, #239DAD, #7823AD and #AD3323

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 79 / 32

HEX #58AE24

RGB 88 174 36

HSL 97.39, 0.66%, 0.41%

LAB 63.73, -48.89, 57.69

 

Complementary color

CMYK 24 / 63 / 0 / 14

HEX #A751DB

RGB 167 81 219

HSL 277.39, 0.66%, 0.59%

LAB 50.94, 58.09, -56.43

 

CMYK 47 / 0 / 82 / 32

HEX #5DAE1F

RGB 93 174 31

HSL 93.99, 0.7%, 0.4%

LAB 63.92, -47.58, 59.38

 

CMYK 43 / 0 / 74 / 25

HEX #6EC032

RGB 110 192 50

HSL 94.65, 0.59%, 0.47%

LAB 70.35, -48.21, 59.81

 

CMYK 40 / 0 / 67 / 18

HEX #7FD245

RGB 127 210 69

HSL 95.32, 0.61%, 0.55%

LAB 76.7, -48.6, 59.49

 

CMYK 37 / 0 / 61 / 11

HEX #90E458

RGB 144 228 88

HSL 96, 0.72%, 0.62%

LAB 82.98, -48.82, 58.77

 

CMYK 35 / 0 / 57 / 4

HEX #A1F66B

RGB 161 246 107

HSL 96.69, 0.89%, 0.69%

LAB 89.18, -48.92, 57.83

 

CMYK 49 / 0 / 79 / 32

HEX #58AE24

RGB 88 174 36

HSL 97.39, 0.66%, 0.41%

LAB 63.73, -48.89, 57.69

 

CMYK 54 / 0 / 89 / 39

HEX #479C11

RGB 71 156 17

HSL 96.69, 0.8%, 0.34%

LAB 57.23, -47.93, 56.51

 

CMYK 61 / 0 / 100 / 46

HEX #368A00

RGB 54 138 0

HSL 96.52, 1%, 0.27%

LAB 50.64, -46.5, 53.82

 

CMYK 69 / 0 / 100 / 53

HEX #257800

RGB 37 120 0

HSL 101.5, 1%, 0.24%

LAB 43.98, -44.28, 48.34

 

CMYK 80 / 0 / 100 / 60

HEX #146600

RGB 20 102 0

HSL 108.24, 1%, 0.2%

LAB 37.21, -41.51, 42.78

 

CMYK 50 / 0 / 80 / 32

HEX #57AD23

RGB 87 173 35

HSL 97.39, 0.66%, 0.41%

LAB 63.37, -48.86, 57.64

 

CMYK 28 / 0 / 80 / 32

HEX #7CAD23

RGB 124 173 35

HSL 81.3, 0.66%, 0.41%

LAB 65.19, -35.9, 59.99

 

CMYK 7 / 0 / 80 / 32

HEX #A1AD23

RGB 161 173 35

HSL 65.22, 0.66%, 0.41%

LAB 67.71, -20.61, 63.21

 

CMYK 0 / 15 / 80 / 32

HEX #AD9323

RGB 173 147 35

HSL 48.7, 0.66%, 0.41%

LAB 61.54, -1.67, 58.09

 

CMYK 0 / 36 / 80 / 32

HEX #AD6E23

RGB 173 110 35

HSL 32.61, 0.66%, 0.41%

LAB 52.01, 18.92, 49.36

 

CMYK 50 / 0 / 80 / 32

HEX #57AD23

RGB 87 173 35

HSL 97.39, 0.66%, 0.41%

LAB 63.37, -48.86, 57.64

 

CMYK 71 / 0 / 80 / 32

HEX #32AD23

RGB 50 173 35

HSL 113.48, 0.66%, 0.41%

LAB 62.24, -57.98, 56.18

 

CMYK 80 / 0 / 67 / 32

HEX #23AD39

RGB 35 173 57

HSL 129.57, 0.66%, 0.41%

LAB 62.12, -58.49, 47.88

 

CMYK 80 / 0 / 45 / 32

HEX #23AD5F

RGB 35 173 95

HSL 146.09, 0.66%, 0.41%

LAB 62.57, -53.11, 30.16

 

CMYK 80 / 0 / 24 / 32

HEX #23AD84

RGB 35 173 132

HSL 162.17, 0.66%, 0.41%

LAB 63.27, -45.27, 11.1

 

CMYK 50 / 0 / 80 / 32

HEX #57AD23

RGB 87 173 35

HSL 97.39, 0.66%, 0.41%

LAB 63.37, -48.86, 57.64

 

CMYK 56 / 0 / 91 / 25

HEX #53BE12

RGB 83 190 18

HSL 97.33, 0.83%, 0.41%

LAB 68.54, -56.99, 66.1

 

CMYK 62 / 0 / 100 / 19

HEX #4FCF01

RGB 79 207 1

HSL 97.28, 0.99%, 0.41%

LAB 73.73, -64.12, 72.3

 

CMYK 50 / 0 / 80 / 32

HEX #57AD23

RGB 87 173 35

HSL 97.39, 0.66%, 0.41%

LAB 63.37, -48.86, 57.64

 

CMYK 42 / 0 / 67 / 39

HEX #5B9C34

RGB 91 156 52

HSL 97.5, 0.5%, 0.41%

LAB 58.27, -39.41, 46.33

 

CMYK 32 / 0 / 50 / 45

HEX #5F8B45

RGB 95 139 69

HSL 97.71, 0.34%, 0.41%

LAB 53.31, -28.38, 32.52

 

CMYK 18 / 0 / 30 / 52

HEX #647A56

RGB 100 122 86

HSL 96.67, 0.17%, 0.41%

LAB 48.64, -15.21, 17.15

 

CMYK 1 / 0 / 2 / 59

HEX #686967

RGB 104 105 103

HSL 90, 0.01%, 0.41%

LAB 44.27, -0.8, 0.98

 

CMYK 6 / 0 / 80 / 32

HEX #A2AD23

RGB 162 173 35

HSL 64.78, 0.66%, 0.41%

LAB 67.79, -20.18, 63.31

 

CMYK 28 / 0 / 80 / 32

HEX #7DAD23

RGB 125 173 35

HSL 80.87, 0.66%, 0.41%

LAB 65.25, -35.51, 60.07

 

CMYK 49 / 0 / 80 / 32

HEX #58AD23

RGB 88 173 35

HSL 96.96, 0.66%, 0.41%

LAB 63.41, -48.55, 57.69

 

CMYK 71 / 0 / 80 / 32

HEX #33AD23

RGB 51 173 35

HSL 113.04, 0.66%, 0.41%

LAB 62.26, -57.79, 56.2

 

CMYK 80 / 0 / 68 / 32

HEX #23AD38

RGB 35 173 56

HSL 129.13, 0.66%, 0.41%

LAB 62.11, -58.6, 48.29

 

CMYK 50 / 0 / 80 / 59

HEX #356915

RGB 53 105 21

HSL 97.14, 0.67%, 0.25%

LAB 39.44, -32.86, 39

 

CMYK 50 / 0 / 80 / 45

HEX #468B1C

RGB 70 139 28

HSL 97.3, 0.66%, 0.33%

LAB 51.67, -41.06, 48.56

 

CMYK 50 / 0 / 80 / 32

HEX #57AD23

RGB 87 173 35

HSL 97.39, 0.66%, 0.41%

LAB 63.37, -48.86, 57.64

 

CMYK 50 / 0 / 80 / 19

HEX #68CF2A

RGB 104 207 42

HSL 97.45, 0.66%, 0.49%

LAB 74.66, -56.34, 66.36

 

CMYK 41 / 0 / 66 / 15

HEX #80D949

RGB 128 217 73

HSL 97.08, 0.65%, 0.57%

LAB 78.87, -50.8, 60.22

 

CMYK 49 / 0 / 79 / 32

HEX #58AE24

RGB 88 174 36

HSL 97.39, 0.66%, 0.41%

LAB 63.73, -48.89, 57.69

 

CMYK 80 / 0 / 14 / 32

HEX #23AD94

RGB 35 173 148

HSL 169.13, 0.66%, 0.41%

LAB 63.66, -41.17, 2.78

 

CMYK 0 / 80 / 17 / 32

HEX #AD238F

RGB 173 35 143

HSL 313.04, 0.66%, 0.41%

LAB 41.33, 63.54, -26.99

 

CMYK 49 / 0 / 79 / 32

HEX #58AE24

RGB 88 174 36

HSL 97.39, 0.66%, 0.41%

LAB 63.73, -48.89, 57.69

 

CMYK 80 / 49 / 0 / 32

HEX #2358AD

RGB 35 88 173

HSL 216.96, 0.66%, 0.41%

LAB 38.47, 14.12, -50.41

 

CMYK 0 / 80 / 49 / 32

HEX #AD2358

RGB 173 35 88

HSL 336.96, 0.66%, 0.41%

LAB 39.23, 57.34, 4.14

 

CMYK 49 / 0 / 79 / 32

HEX #58AE24

RGB 88 174 36

HSL 97.39, 0.66%, 0.41%

LAB 63.73, -48.89, 57.69

 

CMYK 80 / 0 / 14 / 32

HEX #23AD94

RGB 35 173 148

HSL 169.13, 0.66%, 0.41%

LAB 63.66, -41.17, 2.78

 

CMYK 31 / 80 / 0 / 32

HEX #7823AD

RGB 120 35 173

HSL 276.96, 0.66%, 0.41%

LAB 34.42, 58.11, -56.64

 

CMYK 0 / 80 / 65 / 32

HEX #AD233C

RGB 173 35 60

HSL 349.13, 0.66%, 0.41%

LAB 38.57, 55.32, 21.06

 

CMYK 49 / 0 / 79 / 32

HEX #58AE24

RGB 88 174 36

HSL 97.39, 0.66%, 0.41%

LAB 63.73, -48.89, 57.69

 

CMYK 80 / 9 / 0 / 32

HEX #239DAD

RGB 35 157 173

HSL 186.96, 0.66%, 0.41%

LAB 59.42, -26.26, -17.57

 

CMYK 31 / 80 / 0 / 32

HEX #7823AD

RGB 120 35 173

HSL 276.96, 0.66%, 0.41%

LAB 34.42, 58.11, -56.64

 

CMYK 0 / 71 / 80 / 32

HEX #AD3323

RGB 173 51 35

HSL 6.96, 0.66%, 0.41%

LAB 40.2, 48.66, 37.88

 

Description

Color code: HEX #58AE24 | qconv.com Color code: HEX #58AE24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 174 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 174 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 79 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 79% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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