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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58B420 it is the complementary color #A74BDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58B420. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58B420 shade: #5DB41B, #6EC62E, #7FD841, #90EA54 and #A1FC67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58B420. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58B420 shade: #58B420, #47A20D, #369000, #257E00 and #146C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58B420 shade: #58B620, #81B620, #A9B620, #B69920 and #B67120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58B420 shade: #58B620, #30B620, #20B638, #20B660 and #20B689

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58B420 shade matches the following richer shades: #58B620 and #54C70E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58B420 shade: #58B620, #5DA431, #619342, #658254 and #697065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58B420 shade: #A9B620, #81B620, #59B620, #31B620 and #20B636

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58B420 shade: #366F13, #479219, #58B620, #6AD826 and #82DF49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58B420 shade: #58B420, #20B69A and #B62095

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58B420 shade: #58B420, #2059B6 and #B62059

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58B420 shade: #58B420, #20B69A, #7C20B6 and #B6203B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58B420 shade: #58B420, #20A4B6, #7C20B6 and #B63120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 82 / 29

HEX #58B420

RGB 88 180 32

HSL 97.3, 0.7%, 0.42%

LAB 65.61, -51.39, 60.58

 

Complementary color

CMYK 25 / 66 / 0 / 13

HEX #A74BDF

RGB 167 75 223

HSL 277.3, 0.7%, 0.58%

LAB 50.19, 61.72, -59.9

 

CMYK 48 / 0 / 85 / 29

HEX #5DB41B

RGB 93 180 27

HSL 94.12, 0.74%, 0.41%

LAB 65.79, -50.1, 62.08

 

CMYK 44 / 0 / 77 / 22

HEX #6EC62E

RGB 110 198 46

HSL 94.74, 0.62%, 0.48%

LAB 72.16, -50.85, 62.9

 

CMYK 41 / 0 / 70 / 15

HEX #7FD841

RGB 127 216 65

HSL 95.36, 0.66%, 0.55%

LAB 78.46, -51.33, 62.85

 

CMYK 38 / 0 / 64 / 8

HEX #90EA54

RGB 144 234 84

HSL 96, 0.78%, 0.62%

LAB 84.7, -51.62, 62.3

 

CMYK 36 / 0 / 59 / 1

HEX #A1FC67

RGB 161 252 103

HSL 96.64, 0.96%, 0.7%

LAB 90.86, -51.78, 61.48

 

CMYK 51 / 0 / 82 / 29

HEX #58B420

RGB 88 180 32

HSL 97.3, 0.7%, 0.42%

LAB 65.61, -51.39, 60.58

 

CMYK 56 / 0 / 92 / 36

HEX #47A20D

RGB 71 162 13

HSL 96.64, 0.85%, 0.34%

LAB 59.17, -50.29, 58.89

 

CMYK 63 / 0 / 100 / 44

HEX #369000

RGB 54 144 0

HSL 97.5, 1%, 0.28%

LAB 52.65, -48.66, 55.42

 

CMYK 71 / 0 / 100 / 51

HEX #257E00

RGB 37 126 0

HSL 102.38, 1%, 0.25%

LAB 46.06, -46.36, 49.99

 

CMYK 81 / 0 / 100 / 58

HEX #146C00

RGB 20 108 0

HSL 108.89, 1%, 0.21%

LAB 39.37, -43.5, 44.5

 

CMYK 52 / 0 / 82 / 29

HEX #58B620

RGB 88 182 32

HSL 97.6, 0.7%, 0.42%

LAB 66.24, -52.15, 61.15

 

CMYK 29 / 0 / 82 / 29

HEX #81B620

RGB 129 182 32

HSL 81.2, 0.7%, 0.42%

LAB 68.19, -38.13, 63.63

 

CMYK 7 / 0 / 82 / 29

HEX #A9B620

RGB 169 182 32

HSL 65.2, 0.7%, 0.42%

LAB 70.87, -21.77, 67.01

 

CMYK 0 / 16 / 82 / 29

HEX #B69920

RGB 182 153 32

HSL 48.4, 0.7%, 0.42%

LAB 64.02, -0.97, 61.56

 

CMYK 0 / 38 / 82 / 29

HEX #B67120

RGB 182 113 32

HSL 32.4, 0.7%, 0.42%

LAB 53.88, 21.1, 52.67

 

CMYK 52 / 0 / 82 / 29

HEX #58B620

RGB 88 182 32

HSL 97.6, 0.7%, 0.42%

LAB 66.24, -52.15, 61.15

 

CMYK 74 / 0 / 82 / 29

HEX #30B620

RGB 48 182 32

HSL 113.6, 0.7%, 0.42%

LAB 65.11, -61.39, 59.71

 

CMYK 82 / 0 / 69 / 29

HEX #20B638

RGB 32 182 56

HSL 129.6, 0.7%, 0.42%

LAB 65, -61.81, 51.38

 

CMYK 82 / 0 / 47 / 29

HEX #20B660

RGB 32 182 96

HSL 145.6, 0.7%, 0.42%

LAB 65.44, -56.48, 33.31

 

CMYK 82 / 0 / 25 / 29

HEX #20B689

RGB 32 182 137

HSL 162, 0.7%, 0.42%

LAB 66.19, -48.02, 12.46

 

CMYK 52 / 0 / 82 / 29

HEX #58B620

RGB 88 182 32

HSL 97.6, 0.7%, 0.42%

LAB 66.24, -52.15, 61.15

 

CMYK 58 / 0 / 93 / 22

HEX #54C70E

RGB 84 199 14

HSL 97.3, 0.87%, 0.42%

LAB 71.39, -59.97, 69.07

 

CMYK 52 / 0 / 82 / 29

HEX #58B620

RGB 88 182 32

HSL 97.6, 0.7%, 0.42%

LAB 66.24, -52.15, 61.15

 

CMYK 43 / 0 / 70 / 36

HEX #5DA431

RGB 93 164 49

HSL 97.04, 0.54%, 0.42%

LAB 60.87, -42.38, 50.35

 

CMYK 34 / 0 / 55 / 42

HEX #619342

RGB 97 147 66

HSL 97.04, 0.38%, 0.42%

LAB 55.89, -31.81, 37.19

 

CMYK 22 / 0 / 35 / 49

HEX #658254

RGB 101 130 84

HSL 97.83, 0.21%, 0.42%

LAB 51.12, -19.41, 21.63

 

CMYK 6 / 0 / 10 / 56

HEX #697065

RGB 105 112 101

HSL 98.18, 0.05%, 0.42%

LAB 46.35, -4.9, 5.2

 

CMYK 7 / 0 / 82 / 29

HEX #A9B620

RGB 169 182 32

HSL 65.2, 0.7%, 0.42%

LAB 70.87, -21.77, 67.01

 

CMYK 29 / 0 / 82 / 29

HEX #81B620

RGB 129 182 32

HSL 81.2, 0.7%, 0.42%

LAB 68.19, -38.13, 63.63

 

CMYK 51 / 0 / 82 / 29

HEX #59B620

RGB 89 182 32

HSL 97.2, 0.7%, 0.42%

LAB 66.28, -51.85, 61.2

 

CMYK 73 / 0 / 82 / 29

HEX #31B620

RGB 49 182 32

HSL 113.2, 0.7%, 0.42%

LAB 65.13, -61.22, 59.73

 

CMYK 82 / 0 / 70 / 29

HEX #20B636

RGB 32 182 54

HSL 128.8, 0.7%, 0.42%

LAB 64.99, -62, 52.16

 

CMYK 51 / 0 / 83 / 56

HEX #366F13

RGB 54 111 19

HSL 97.17, 0.71%, 0.25%

LAB 41.53, -35.22, 41.71

 

CMYK 51 / 0 / 83 / 43

HEX #479219

RGB 71 146 25

HSL 97.19, 0.71%, 0.34%

LAB 53.99, -43.73, 51.67

 

CMYK 52 / 0 / 82 / 29

HEX #58B620

RGB 88 182 32

HSL 97.6, 0.7%, 0.42%

LAB 66.24, -52.15, 61.15

 

CMYK 51 / 0 / 82 / 15

HEX #6AD826

RGB 106 216 38

HSL 97.08, 0.7%, 0.5%

LAB 77.47, -59.27, 70.01

 

CMYK 42 / 0 / 67 / 13

HEX #82DF49

RGB 130 223 73

HSL 97.2, 0.7%, 0.58%

LAB 80.74, -52.57, 62.23

 

CMYK 51 / 0 / 82 / 29

HEX #58B420

RGB 88 180 32

HSL 97.3, 0.7%, 0.42%

LAB 65.61, -51.39, 60.58

 

CMYK 82 / 0 / 15 / 29

HEX #20B69A

RGB 32 182 154

HSL 168.8, 0.7%, 0.42%

LAB 66.59, -43.72, 3.7

 

CMYK 0 / 82 / 18 / 29

HEX #B62095

RGB 182 32 149

HSL 313.2, 0.7%, 0.42%

LAB 42.99, 67.1, -27.92

 

CMYK 51 / 0 / 82 / 29

HEX #58B420

RGB 88 180 32

HSL 97.3, 0.7%, 0.42%

LAB 65.61, -51.39, 60.58

 

CMYK 82 / 51 / 0 / 29

HEX #2059B6

RGB 32 89 182

HSL 217.2, 0.7%, 0.42%

LAB 39.29, 16.7, -54.39

 

CMYK 0 / 82 / 51 / 29

HEX #B62059

RGB 182 32 89

HSL 337.2, 0.7%, 0.42%

LAB 40.73, 60.63, 5.9

 

CMYK 51 / 0 / 82 / 29

HEX #58B420

RGB 88 180 32

HSL 97.3, 0.7%, 0.42%

LAB 65.61, -51.39, 60.58

 

CMYK 82 / 0 / 15 / 29

HEX #20B69A

RGB 32 182 154

HSL 168.8, 0.7%, 0.42%

LAB 66.59, -43.72, 3.7

 

CMYK 32 / 82 / 0 / 29

HEX #7C20B6

RGB 124 32 182

HSL 276.8, 0.7%, 0.42%

LAB 35.39, 61.69, -60.4

 

CMYK 0 / 82 / 68 / 29

HEX #B6203B

RGB 182 32 59

HSL 349.2, 0.7%, 0.42%

LAB 40.07, 58.64, 23.96

 

CMYK 51 / 0 / 82 / 29

HEX #58B420

RGB 88 180 32

HSL 97.3, 0.7%, 0.42%

LAB 65.61, -51.39, 60.58

 

CMYK 82 / 10 / 0 / 29

HEX #20A4B6

RGB 32 164 182

HSL 187.2, 0.7%, 0.42%

LAB 61.86, -27.14, -18.94

 

CMYK 32 / 82 / 0 / 29

HEX #7C20B6

RGB 124 32 182

HSL 276.8, 0.7%, 0.42%

LAB 35.39, 61.69, -60.4

 

CMYK 0 / 73 / 82 / 29

HEX #B63120

RGB 182 49 32

HSL 6.8, 0.7%, 0.42%

LAB 41.6, 52.29, 41.42

 

Description

Color code: HEX #58B420 | qconv.com Color code: HEX #58B420 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 180 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 180 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 82 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 82% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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