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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58CEB1 it is the complementary color #A7314E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58CEB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58CEB1 shade: #5DCEAC, #6EE0BF, #7FF2D2, #90FFE5 and #A1FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58CEB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58CEB1 shade: #58CEB1, #47BC9E, #36AA8B, #259878 and #148665

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58CEB1 shade: #58CEB1, #58CE92, #58CE72, #5FCE58 and #7FCE58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58CEB1 shade: #58CEB1, #58CBCE, #58ACCE, #588CCE and #586CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58CEB1 shade matches the following richer shades: #58CEB1, #47E0BA and #36F1C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58CEB1 shade: #58CEB1, #6ABDA9, #7BACA0, #8C9A97 and #9E898E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58CEB1 shade: #58CE72, #58CE91, #58CEB1, #58CCCE and #58ADCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58CEB1 shade: #2FA588, #39C5A2, #58CEB1, #78D8C0 and #98E1CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58CEB1 shade: #58CEB1, #585ECE and #CE8258

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58CEB1 shade: #58CEB1, #B158CE and #CEB158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58CEB1 shade: #58CEB1, #585ECE, #CE5876 and #CEC858

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58CEB1 shade: #58CEB1, #7658CE, #CE5876 and #B1CE58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

Complementary color

CMYK 0 / 71 / 53 / 35

HEX #A7314E

RGB 167 49 78

HSL 345.25, 0.55%, 0.42%

LAB 39.52, 50, 10.74

 

CMYK 55 / 0 / 17 / 19

HEX #5DCEAC

RGB 93 206 172

HSL 161.95, 0.54%, 0.59%

LAB 75.73, -40.34, 7.24

 

CMYK 51 / 0 / 15 / 12

HEX #6EE0BF

RGB 110 224 191

HSL 162.63, 0.65%, 0.65%

LAB 82.05, -40.31, 6.27

 

CMYK 48 / 0 / 13 / 5

HEX #7FF2D2

RGB 127 242 210

HSL 163.3, 0.82%, 0.72%

LAB 88.29, -40.23, 5.36

 

CMYK 44 / 0 / 10 / 0

HEX #90FFE5

RGB 144 255 229

HSL 165.95, 1%, 0.78%

LAB 93.06, -37.85, 2.5

 

CMYK 37 / 0 / 3 / 0

HEX #A1FFF8

RGB 161 255 248

HSL 175.53, 1%, 0.82%

LAB 94.26, -29.38, -5.48

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 62 / 0 / 16 / 26

HEX #47BC9E

RGB 71 188 158

HSL 164.62, 0.47%, 0.51%

LAB 69.31, -40.03, 5.52

 

CMYK 68 / 0 / 18 / 33

HEX #36AA8B

RGB 54 170 139

HSL 163.97, 0.52%, 0.44%

LAB 62.84, -39.71, 6.66

 

CMYK 76 / 0 / 21 / 40

HEX #259878

RGB 37 152 120

HSL 163.3, 0.61%, 0.37%

LAB 56.29, -39.14, 7.94

 

CMYK 85 / 0 / 25 / 47

HEX #148665

RGB 20 134 101

HSL 162.63, 0.74%, 0.3%

LAB 49.66, -38.18, 9.41

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 57 / 0 / 29 / 19

HEX #58CE92

RGB 88 206 146

HSL 149.49, 0.55%, 0.58%

LAB 75.01, -47.06, 20.08

 

CMYK 57 / 0 / 45 / 19

HEX #58CE72

RGB 88 206 114

HSL 133.22, 0.55%, 0.58%

LAB 74.47, -52.82, 35.94

 

CMYK 54 / 0 / 57 / 19

HEX #5FCE58

RGB 95 206 88

HSL 116.44, 0.55%, 0.58%

LAB 74.37, -54.65, 48.42

 

CMYK 38 / 0 / 57 / 19

HEX #7FCE58

RGB 127 206 88

HSL 100.17, 0.55%, 0.58%

LAB 75.67, -45.2, 50.28

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 57 / 1 / 0 / 19

HEX #58CBCE

RGB 88 203 206

HSL 181.53, 0.55%, 0.58%

LAB 75.6, -31.34, -11.3

 

CMYK 57 / 17 / 0 / 19

HEX #58ACCE

RGB 88 172 206

HSL 197.29, 0.55%, 0.58%

LAB 66.55, -15.69, -25.01

 

CMYK 57 / 32 / 0 / 19

HEX #588CCE

RGB 88 140 206

HSL 213.56, 0.55%, 0.58%

LAB 57.35, 2.21, -39.28

 

CMYK 57 / 48 / 0 / 19

HEX #586CCE

RGB 88 108 206

HSL 229.83, 0.55%, 0.58%

LAB 48.58, 21.62, -53.2

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 68 / 0 / 17 / 12

HEX #47E0BA

RGB 71 224 186

HSL 165.1, 0.71%, 0.58%

LAB 80.85, -48.73, 7.05

 

CMYK 78 / 0 / 19 / 5

HEX #36F1C3

RGB 54 241 195

HSL 165.24, 0.87%, 0.58%

LAB 85.82, -55.57, 9.41

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 44 / 0 / 11 / 26

HEX #6ABDA9

RGB 106 189 169

HSL 165.54, 0.39%, 0.58%

LAB 71.09, -30.11, 2.24

 

CMYK 28 / 0 / 7 / 33

HEX #7BACA0

RGB 123 172 160

HSL 165.31, 0.23%, 0.58%

LAB 66.71, -18.89, 0.92

 

CMYK 9 / 0 / 2 / 40

HEX #8C9A97

RGB 140 154 151

HSL 167.14, 0.06%, 0.58%

LAB 62.44, -5.59, -0.14

 

CMYK 0 / 13 / 10 / 38

HEX #9E898E

RGB 158 137 142

HSL 345.71, 0.1%, 0.58%

LAB 59.08, 8.79, 0.25

 

CMYK 57 / 0 / 45 / 19

HEX #58CE72

RGB 88 206 114

HSL 133.22, 0.55%, 0.58%

LAB 74.47, -52.82, 35.94

 

CMYK 57 / 0 / 30 / 19

HEX #58CE91

RGB 88 206 145

HSL 148.98, 0.55%, 0.58%

LAB 74.99, -47.26, 20.58

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 57 / 1 / 0 / 19

HEX #58CCCE

RGB 88 204 206

HSL 181.02, 0.55%, 0.58%

LAB 75.9, -31.81, -10.87

 

CMYK 57 / 16 / 0 / 19

HEX #58ADCE

RGB 88 173 206

HSL 196.78, 0.55%, 0.58%

LAB 66.84, -16.22, -24.57

 

CMYK 72 / 0 / 18 / 35

HEX #2FA588

RGB 47 165 136

HSL 165.25, 0.56%, 0.42%

LAB 61.04, -39.34, 5.73

 

CMYK 71 / 0 / 18 / 23

HEX #39C5A2

RGB 57 197 162

HSL 165, 0.55%, 0.5%

LAB 71.83, -45.21, 6.92

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 44 / 0 / 11 / 15

HEX #78D8C0

RGB 120 216 192

HSL 165, 0.55%, 0.66%

LAB 80.13, -34.07, 3.01

 

CMYK 32 / 0 / 8 / 12

HEX #98E1CF

RGB 152 225 207

HSL 165.21, 0.55%, 0.74%

LAB 84.5, -26.53, 1.58

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 57 / 54 / 0 / 19

HEX #585ECE

RGB 88 94 206

HSL 236.95, 0.55%, 0.58%

LAB 44.99, 30.31, -58.98

 

CMYK 0 / 37 / 57 / 19

HEX #CE8258

RGB 206 130 88

HSL 21.36, 0.55%, 0.58%

LAB 61.47, 25.12, 34.77

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 14 / 57 / 0 / 19

HEX #B158CE

RGB 177 88 206

HSL 285.25, 0.55%, 0.58%

LAB 52.71, 54.41, -46.12

 

CMYK 0 / 14 / 57 / 19

HEX #CEB158

RGB 206 177 88

HSL 45.25, 0.55%, 0.58%

LAB 73.07, -0.27, 48.68

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 57 / 54 / 0 / 19

HEX #585ECE

RGB 88 94 206

HSL 236.95, 0.55%, 0.58%

LAB 44.99, 30.31, -58.98

 

CMYK 0 / 57 / 43 / 19

HEX #CE5876

RGB 206 88 118

HSL 344.75, 0.55%, 0.58%

LAB 53.39, 49.49, 6.77

 

CMYK 0 / 3 / 57 / 19

HEX #CEC858

RGB 206 200 88

HSL 56.95, 0.55%, 0.58%

LAB 79.12, -12.18, 55.57

 

CMYK 57 / 0 / 14 / 19

HEX #58CEB1

RGB 88 206 177

HSL 165.25, 0.55%, 0.58%

LAB 75.69, -40.19, 4.48

 

CMYK 43 / 57 / 0 / 19

HEX #7658CE

RGB 118 88 206

HSL 255.25, 0.55%, 0.58%

LAB 46.03, 40.12, -57.19

 

CMYK 0 / 57 / 43 / 19

HEX #CE5876

RGB 206 88 118

HSL 344.75, 0.55%, 0.58%

LAB 53.39, 49.49, 6.77

 

CMYK 14 / 0 / 57 / 19

HEX #B1CE58

RGB 177 206 88

HSL 74.75, 0.55%, 0.58%

LAB 78.57, -26.92, 54.36

 

Description

Color code: HEX #58CEB1 | qconv.com Color code: HEX #58CEB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 206 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 206 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 14 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 14% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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