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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58DB9A it is the complementary color #A72465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58DB9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58DB9A shade: #5DDB95, #6EEDA8, #7FFFBB, #90FFCE and #A1FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58DB9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58DB9A shade: #58DB9A, #47C987, #36B774, #25A561 and #14934E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58DB9A shade: #56DB99, #56DB75, #5BDB56, #7FDB56 and #A2DB56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58DB9A shade: #56DB99, #56DBBD, #56D5DB, #56B1DB and #568EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58DB9A shade matches the following richer shades: #56DB99, #46EB99 and #35FC99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58DB9A shade: #56DB99, #67CA99, #77BA99, #88A999 and #989999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58DB9A shade: #5BDB56, #56DB75, #56DB99, #56DBBC and #56D6DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58DB9A shade: #27B870, #34D484, #56DB99, #78E2AE and #9AE9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58DB9A shade: #58DB9A, #567EDB and #DB6356

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58DB9A shade: #58DB9A, #9956DB and #DB9956

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58DB9A shade: #58DB9A, #567EDB, #DB5699 and #DBB356

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58DB9A shade: #58DB9A, #5656DB, #DB5699 and #DBDB56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 30 / 14

HEX #58DB9A

RGB 88 219 154

HSL 150.23, 0.65%, 0.6%

LAB 79.08, -50.81, 21.48

 

Complementary color

CMYK 0 / 78 / 40 / 35

HEX #A72465

RGB 167 36 101

HSL 330.23, 0.65%, 0.4%

LAB 38.58, 56.66, -5.19

 

CMYK 58 / 0 / 32 / 14

HEX #5DDB95

RGB 93 219 149

HSL 146.67, 0.64%, 0.61%

LAB 79.13, -50.75, 24.18

 

CMYK 54 / 0 / 29 / 7

HEX #6EEDA8

RGB 110 237 168

HSL 147.4, 0.78%, 0.68%

LAB 85.36, -50.73, 22.95

 

CMYK 50 / 0 / 27 / 0

HEX #7FFFBB

RGB 127 255 187

HSL 148.13, 1%, 0.75%

LAB 91.51, -50.64, 21.8

 

CMYK 44 / 0 / 19 / 0

HEX #90FFCE

RGB 144 255 206

HSL 153.51, 1%, 0.78%

LAB 92.53, -42.74, 13.59

 

CMYK 37 / 0 / 12 / 0

HEX #A1FFE1

RGB 161 255 225

HSL 160.85, 1%, 0.82%

LAB 93.68, -34.41, 5.55

 

CMYK 60 / 0 / 30 / 14

HEX #58DB9A

RGB 88 219 154

HSL 150.23, 0.65%, 0.6%

LAB 79.08, -50.81, 21.48

 

CMYK 65 / 0 / 33 / 21

HEX #47C987

RGB 71 201 135

HSL 149.54, 0.55%, 0.53%

LAB 72.8, -50.63, 22.8

 

CMYK 70 / 0 / 37 / 28

HEX #36B774

RGB 54 183 116

HSL 148.84, 0.54%, 0.46%

LAB 66.45, -50.24, 24.24

 

CMYK 78 / 0 / 41 / 35

HEX #25A561

RGB 37 165 97

HSL 148.13, 0.63%, 0.4%

LAB 60.04, -49.53, 25.82

 

CMYK 86 / 0 / 47 / 42

HEX #14934E

RGB 20 147 78

HSL 147.4, 0.76%, 0.33%

LAB 53.56, -48.33, 27.55

 

CMYK 61 / 0 / 30 / 14

HEX #56DB99

RGB 86 219 153

HSL 150.23, 0.65%, 0.6%

LAB 79.01, -51.41, 21.89

 

CMYK 61 / 0 / 47 / 14

HEX #56DB75

RGB 86 219 117

HSL 133.98, 0.65%, 0.6%

LAB 78.42, -57.77, 39.46

 

CMYK 58 / 0 / 61 / 14

HEX #5BDB56

RGB 91 219 86

HSL 117.74, 0.65%, 0.6%

LAB 78.2, -60.68, 53.7

 

CMYK 42 / 0 / 61 / 14

HEX #7FDB56

RGB 127 219 86

HSL 101.5, 0.65%, 0.6%

LAB 79.53, -50.78, 55.55

 

CMYK 26 / 0 / 61 / 14

HEX #A2DB56

RGB 162 219 86

HSL 85.71, 0.65%, 0.6%

LAB 81.3, -38.83, 58.02

 

CMYK 61 / 0 / 30 / 14

HEX #56DB99

RGB 86 219 153

HSL 150.23, 0.65%, 0.6%

LAB 79.01, -51.41, 21.89

 

CMYK 61 / 0 / 14 / 14

HEX #56DBBD

RGB 86 219 189

HSL 166.47, 0.65%, 0.6%

LAB 79.79, -43.42, 3.98

 

CMYK 61 / 3 / 0 / 14

HEX #56D5DB

RGB 86 213 219

HSL 182.71, 0.65%, 0.6%

LAB 78.86, -32.87, -13.43

 

CMYK 61 / 19 / 0 / 14

HEX #56B1DB

RGB 86 177 219

HSL 198.95, 0.65%, 0.6%

LAB 68.41, -14.77, -29.3

 

CMYK 61 / 35 / 0 / 14

HEX #568EDB

RGB 86 142 219

HSL 214.74, 0.65%, 0.6%

LAB 58.45, 4.89, -44.85

 

CMYK 61 / 0 / 30 / 14

HEX #56DB99

RGB 86 219 153

HSL 150.23, 0.65%, 0.6%

LAB 79.01, -51.41, 21.89

 

CMYK 70 / 0 / 35 / 8

HEX #46EB99

RGB 70 235 153

HSL 150.18, 0.8%, 0.6%

LAB 83.45, -60.38, 27.87

 

CMYK 79 / 0 / 39 / 1

HEX #35FC99

RGB 53 252 153

HSL 150.15, 0.97%, 0.6%

LAB 88.29, -68.62, 34.29

 

CMYK 61 / 0 / 30 / 14

HEX #56DB99

RGB 86 219 153

HSL 150.23, 0.65%, 0.6%

LAB 79.01, -51.41, 21.89

 

CMYK 49 / 0 / 24 / 21

HEX #67CA99

RGB 103 202 153

HSL 150.3, 0.48%, 0.6%

LAB 74.46, -40.41, 15.68

 

CMYK 36 / 0 / 18 / 27

HEX #77BA99

RGB 119 186 153

HSL 150.45, 0.33%, 0.6%

LAB 70.41, -28.61, 10.07

 

CMYK 20 / 0 / 9 / 34

HEX #88A999

RGB 136 169 153

HSL 150.91, 0.16%, 0.6%

LAB 66.45, -14.62, 4.53

 

CMYK 1 / 0 / 0 / 40

HEX #989999

RGB 152 153 153

HSL 180, 0%, 0.6%

LAB 63.14, -0.36, -0.13

 

CMYK 58 / 0 / 61 / 14

HEX #5BDB56

RGB 91 219 86

HSL 117.74, 0.65%, 0.6%

LAB 78.2, -60.68, 53.7

 

CMYK 61 / 0 / 47 / 14

HEX #56DB75

RGB 86 219 117

HSL 133.98, 0.65%, 0.6%

LAB 78.42, -57.77, 39.46

 

CMYK 61 / 0 / 30 / 14

HEX #56DB99

RGB 86 219 153

HSL 150.23, 0.65%, 0.6%

LAB 79.01, -51.41, 21.89

 

CMYK 61 / 0 / 14 / 14

HEX #56DBBC

RGB 86 219 188

HSL 166.02, 0.65%, 0.6%

LAB 79.77, -43.66, 4.48

 

CMYK 61 / 2 / 0 / 14

HEX #56D6DB

RGB 86 214 219

HSL 182.26, 0.65%, 0.6%

LAB 79.15, -33.35, -12.99

 

CMYK 79 / 0 / 39 / 28

HEX #27B870

RGB 39 184 112

HSL 150.21, 0.65%, 0.44%

LAB 66.43, -53.5, 26.29

 

CMYK 75 / 0 / 38 / 17

HEX #34D484

RGB 52 212 132

HSL 150, 0.65%, 0.52%

LAB 75.75, -58.39, 28.27

 

CMYK 61 / 0 / 30 / 14

HEX #56DB99

RGB 86 219 153

HSL 150.23, 0.65%, 0.6%

LAB 79.01, -51.41, 21.89

 

CMYK 47 / 0 / 23 / 11

HEX #78E2AE

RGB 120 226 174

HSL 150.57, 0.65%, 0.68%

LAB 82.62, -42.48, 16.08

 

CMYK 34 / 0 / 17 / 9

HEX #9AE9C2

RGB 154 233 194

HSL 150.38, 0.64%, 0.76%

LAB 86.53, -32.45, 11.34

 

CMYK 60 / 0 / 30 / 14

HEX #58DB9A

RGB 88 219 154

HSL 150.23, 0.65%, 0.6%

LAB 79.08, -50.81, 21.48

 

CMYK 61 / 42 / 0 / 14

HEX #567EDB

RGB 86 126 219

HSL 221.95, 0.65%, 0.6%

LAB 54.04, 14.49, -51.85

 

CMYK 0 / 55 / 61 / 14

HEX #DB6356

RGB 219 99 86

HSL 5.86, 0.65%, 0.6%

LAB 56.74, 46.06, 30.33

 

CMYK 60 / 0 / 30 / 14

HEX #58DB9A

RGB 88 219 154

HSL 150.23, 0.65%, 0.6%

LAB 79.08, -50.81, 21.48

 

CMYK 30 / 61 / 0 / 14

HEX #9956DB

RGB 153 86 219

HSL 270.23, 0.65%, 0.6%

LAB 50.15, 52.46, -57.79

 

CMYK 0 / 30 / 61 / 14

HEX #DB9956

RGB 219 153 86

HSL 30.23, 0.65%, 0.6%

LAB 68.4, 17.91, 44.55

 

CMYK 60 / 0 / 30 / 14

HEX #58DB9A

RGB 88 219 154

HSL 150.23, 0.65%, 0.6%

LAB 79.08, -50.81, 21.48

 

CMYK 61 / 42 / 0 / 14

HEX #567EDB

RGB 86 126 219

HSL 221.95, 0.65%, 0.6%

LAB 54.04, 14.49, -51.85

 

CMYK 0 / 61 / 30 / 14

HEX #DB5699

RGB 219 86 153

HSL 329.77, 0.65%, 0.6%

LAB 56.1, 58.49, -9.69

 

CMYK 0 / 18 / 61 / 14

HEX #DBB356

RGB 219 179 86

HSL 41.95, 0.65%, 0.6%

LAB 74.81, 4.01, 51.94

 

CMYK 60 / 0 / 30 / 14

HEX #58DB9A

RGB 88 219 154

HSL 150.23, 0.65%, 0.6%

LAB 79.08, -50.81, 21.48

 

CMYK 61 / 61 / 0 / 14

HEX #5656DB

RGB 86 86 219

HSL 240, 0.65%, 0.6%

LAB 43.87, 39.1, -68.25

 

CMYK 0 / 61 / 30 / 14

HEX #DB5699

RGB 219 86 153

HSL 329.77, 0.65%, 0.6%

LAB 56.1, 58.49, -9.69

 

CMYK 0 / 0 / 61 / 14

HEX #DBDB56

RGB 219 219 86

HSL 60, 0.65%, 0.6%

LAB 85.2, -16.47, 63.39

 

Description

Color code: HEX #58DB9A | qconv.com Color code: HEX #58DB9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 219 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 219 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 30 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 30% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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