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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58E523 it is the complementary color #A71ADC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58E523. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58E523 shade: #5DE51E, #6EF731, #7FFF44, #90FF57 and #A1FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58E523. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58E523 shade: #58E523, #47D310, #36C100, #25AF00 and #149D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58E523 shade: #58E523, #8CE523, #C1E523, #E5D523 and #E5A123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58E523 shade: #58E523, #24E523, #23E557, #23E58B and #23E5BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58E523 shade matches the following richer shades: #58E523 and #4FF910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58E523 shade: #58E523, #61D137, #6ABD4B, #73A95F and #7C9673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58E523 shade: #C1E523, #8EE523, #5AE523, #27E523 and #23E554

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58E523 shade: #3AA313, #47C817, #58E523, #74E948 and #90ED6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58E523 shade: #58E523, #23E5D5 and #E523A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58E523 shade: #58E523, #235AE5 and #E5235A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58E523 shade: #58E523, #23E5D5, #AE23E5 and #E52334

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58E523 shade: #58E523, #23BBE5, #AE23E5 and #E54D23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

Complementary color

CMYK 24 / 88 / 0 / 14

HEX #A71ADC

RGB 167 26 220

HSL 283.61, 0.79%, 0.48%

LAB 44.41, 77.1, -67.55

 

CMYK 59 / 0 / 87 / 10

HEX #5DE51E

RGB 93 229 30

HSL 101.01, 0.79%, 0.51%

LAB 80.99, -67.48, 74.69

 

CMYK 55 / 0 / 80 / 3

HEX #6EF731

RGB 110 247 49

HSL 101.52, 0.93%, 0.58%

LAB 87.03, -68.62, 75.95

 

CMYK 50 / 0 / 73 / 0

HEX #7FFF44

RGB 127 255 68

HSL 101.07, 1%, 0.63%

LAB 90.07, -65.89, 73.47

 

CMYK 44 / 0 / 66 / 0

HEX #90FF57

RGB 144 255 87

HSL 99.64, 1%, 0.67%

LAB 90.84, -59.66, 67.72

 

CMYK 37 / 0 / 58 / 0

HEX #A1FF6A

RGB 161 255 106

HSL 97.85, 1%, 0.71%

LAB 91.75, -52.73, 61.2

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 66 / 0 / 92 / 17

HEX #47D310

RGB 71 211 16

HSL 103.08, 0.86%, 0.45%

LAB 74.8, -66.88, 71.49

 

CMYK 72 / 0 / 100 / 24

HEX #36C100

RGB 54 193 0

HSL 103.21, 1%, 0.38%

LAB 68.7, -64.77, 68.15

 

CMYK 79 / 0 / 100 / 31

HEX #25AF00

RGB 37 175 0

HSL 107.31, 1%, 0.34%

LAB 62.55, -61.98, 63.13

 

CMYK 87 / 0 / 100 / 38

HEX #149D00

RGB 20 157 0

HSL 112.36, 1%, 0.31%

LAB 56.35, -58.64, 58.08

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 39 / 0 / 85 / 10

HEX #8CE523

RGB 140 229 35

HSL 87.53, 0.79%, 0.52%

LAB 82.77, -53.76, 75.91

 

CMYK 16 / 0 / 85 / 10

HEX #C1E523

RGB 193 229 35

HSL 71.13, 0.79%, 0.52%

LAB 85.75, -34.12, 79.64

 

CMYK 0 / 7 / 85 / 10

HEX #E5D523

RGB 229 213 35

HSL 55.05, 0.79%, 0.52%

LAB 84.16, -11.52, 79.42

 

CMYK 0 / 30 / 85 / 10

HEX #E5A123

RGB 229 161 35

HSL 38.97, 0.79%, 0.52%

LAB 71.06, 15.5, 68.63

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 84 / 0 / 85 / 10

HEX #24E523

RGB 36 229 35

HSL 119.69, 0.79%, 0.52%

LAB 79.92, -76.64, 72.31

 

CMYK 85 / 0 / 62 / 10

HEX #23E557

RGB 35 229 87

HSL 136.08, 0.79%, 0.52%

LAB 80.23, -72.71, 55.27

 

CMYK 85 / 0 / 39 / 10

HEX #23E58B

RGB 35 229 139

HSL 152.16, 0.79%, 0.52%

LAB 80.88, -64.86, 31.47

 

CMYK 85 / 0 / 17 / 10

HEX #23E5BF

RGB 35 229 191

HSL 168.25, 0.79%, 0.52%

LAB 81.92, -53.37, 5.88

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 68 / 0 / 94 / 2

HEX #4FF910

RGB 79 249 16

HSL 103.78, 0.95%, 0.52%

LAB 86.73, -77.07, 81.4

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 54 / 0 / 74 / 18

HEX #61D137

RGB 97 209 55

HSL 103.64, 0.63%, 0.52%

LAB 75.09, -58.27, 62.61

 

CMYK 44 / 0 / 60 / 26

HEX #6ABD4B

RGB 106 189 75

HSL 103.68, 0.46%, 0.52%

LAB 69.45, -46.2, 48.76

 

CMYK 32 / 0 / 44 / 34

HEX #73A95F

RGB 115 169 95

HSL 103.78, 0.3%, 0.52%

LAB 64.04, -31.95, 32.59

 

CMYK 17 / 0 / 23 / 41

HEX #7C9673

RGB 124 150 115

HSL 104.57, 0.14%, 0.52%

LAB 59.28, -16.05, 15.51

 

CMYK 16 / 0 / 85 / 10

HEX #C1E523

RGB 193 229 35

HSL 71.13, 0.79%, 0.52%

LAB 85.75, -34.12, 79.64

 

CMYK 38 / 0 / 85 / 10

HEX #8EE523

RGB 142 229 35

HSL 86.91, 0.79%, 0.52%

LAB 82.87, -53.09, 76.03

 

CMYK 61 / 0 / 85 / 10

HEX #5AE523

RGB 90 229 35

HSL 102.99, 0.79%, 0.52%

LAB 80.92, -68, 73.58

 

CMYK 83 / 0 / 85 / 10

HEX #27E523

RGB 39 229 35

HSL 118.76, 0.79%, 0.52%

LAB 79.95, -76.35, 72.35

 

CMYK 85 / 0 / 63 / 10

HEX #23E554

RGB 35 229 84

HSL 135.15, 0.79%, 0.52%

LAB 80.2, -73.04, 56.51

 

CMYK 64 / 0 / 88 / 36

HEX #3AA313

RGB 58 163 19

HSL 103.75, 0.79%, 0.36%

LAB 59.1, -53.77, 57.56

 

CMYK 65 / 0 / 89 / 22

HEX #47C817

RGB 71 200 23

HSL 103.73, 0.79%, 0.44%

LAB 71.36, -63.13, 67.48

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 50 / 0 / 69 / 9

HEX #74E948

RGB 116 233 72

HSL 103.6, 0.79%, 0.6%

LAB 83.16, -60.64, 64.96

 

CMYK 39 / 0 / 54 / 7

HEX #90ED6D

RGB 144 237 109

HSL 103.59, 0.78%, 0.68%

LAB 85.81, -50.44, 52.79

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 85 / 0 / 7 / 10

HEX #23E5D5

RGB 35 229 213

HSL 175.05, 0.79%, 0.52%

LAB 82.49, -47.57, -4.94

 

CMYK 0 / 85 / 27 / 10

HEX #E523A8

RGB 229 35 168

HSL 318.87, 0.79%, 0.52%

LAB 52.61, 78.92, -23.67

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 85 / 61 / 0 / 10

HEX #235AE5

RGB 35 90 229

HSL 222.99, 0.79%, 0.52%

LAB 43.25, 34.33, -75.04

 

CMYK 0 / 85 / 61 / 10

HEX #E5235A

RGB 229 35 90

HSL 342.99, 0.79%, 0.52%

LAB 50.21, 72.16, 19.81

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 85 / 0 / 7 / 10

HEX #23E5D5

RGB 35 229 213

HSL 175.05, 0.79%, 0.52%

LAB 82.49, -47.57, -4.94

 

CMYK 24 / 85 / 0 / 10

HEX #AE23E5

RGB 174 35 229

HSL 282.99, 0.79%, 0.52%

LAB 46.79, 77.92, -68.76

 

CMYK 0 / 85 / 77 / 10

HEX #E52334

RGB 229 35 52

HSL 354.74, 0.79%, 0.52%

LAB 49.63, 70.43, 41.64

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 85 / 18 / 0 / 10

HEX #23BBE5

RGB 35 187 229

HSL 192.99, 0.79%, 0.52%

LAB 70.56, -23.1, -31.55

 

CMYK 24 / 85 / 0 / 10

HEX #AE23E5

RGB 174 35 229

HSL 282.99, 0.79%, 0.52%

LAB 46.79, 77.92, -68.76

 

CMYK 0 / 66 / 85 / 10

HEX #E54D23

RGB 229 77 35

HSL 12.99, 0.79%, 0.52%

LAB 54.12, 57.06, 54.44

 

Description

Color code: HEX #58E523 | qconv.com Color code: HEX #58E523 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 229 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 229 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 85 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 85% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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