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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58E373 it is the complementary color #A71C8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58E373. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58E373 shade: #5DE36E, #6EF581, #7FFF94, #90FFA7 and #A1FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58E373. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58E373 shade: #58E373, #47D160, #36BF4D, #25AD3A and #149B27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58E373 shade: #59E274, #63E259, #88E259, #ADE259 and #D3E259

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58E373 shade: #59E274, #59E299, #59E2BE, #59E2E2 and #59BDE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58E373 shade matches the following richer shades: #59E274 and #49F26A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58E373 shade: #59E274, #68D37D, #78C387, #88B390 and #98A49A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58E373 shade: #89E259, #64E259, #59E272, #59E297 and #59E2BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58E373 shade: #21C742, #36DC56, #59E274, #7CE891 and #9FEEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58E373 shade: #58E373, #59AEE2 and #E25977

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58E373 shade: #58E373, #7259E2 and #E27259

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58E373 shade: #58E373, #59AEE2, #E259C9 and #E28E59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58E373 shade: #58E373, #5984E2, #E259C9 and #E2B759

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 49 / 11

HEX #58E373

RGB 88 227 115

HSL 131.65, 0.71%, 0.62%

LAB 80.88, -60.61, 43.53

 

Complementary color

CMYK 0 / 83 / 16 / 35

HEX #A71C8C

RGB 167 28 140

HSL 311.65, 0.71%, 0.38%

LAB 39.48, 63.55, -28.13

 

CMYK 59 / 0 / 52 / 11

HEX #5DE36E

RGB 93 227 110

HSL 127.61, 0.71%, 0.63%

LAB 80.96, -60.22, 46.04

 

CMYK 55 / 0 / 47 / 4

HEX #6EF581

RGB 110 245 129

HSL 128.44, 0.87%, 0.7%

LAB 87.1, -60.41, 44.71

 

CMYK 50 / 0 / 42 / 0

HEX #7FFF94

RGB 127 255 148

HSL 129.84, 1%, 0.75%

LAB 90.86, -57.35, 40.43

 

CMYK 44 / 0 / 35 / 0

HEX #90FFA7

RGB 144 255 167

HSL 132.43, 1%, 0.78%

LAB 91.79, -49.9, 32.39

 

CMYK 37 / 0 / 27 / 0

HEX #A1FFBA

RGB 161 255 186

HSL 135.96, 1%, 0.82%

LAB 92.86, -41.92, 24.38

 

CMYK 61 / 0 / 49 / 11

HEX #58E373

RGB 88 227 115

HSL 131.65, 0.71%, 0.62%

LAB 80.88, -60.61, 43.53

 

CMYK 66 / 0 / 54 / 18

HEX #47D160

RGB 71 209 96

HSL 130.87, 0.6%, 0.55%

LAB 74.69, -60.16, 44.91

 

CMYK 72 / 0 / 60 / 25

HEX #36BF4D

RGB 54 191 77

HSL 130.07, 0.56%, 0.48%

LAB 68.45, -59.38, 46.28

 

CMYK 79 / 0 / 66 / 32

HEX #25AD3A

RGB 37 173 58

HSL 129.26, 0.65%, 0.41%

LAB 62.16, -58.13, 47.51

 

CMYK 87 / 0 / 75 / 39

HEX #149B27

RGB 20 155 39

HSL 128.44, 0.77%, 0.34%

LAB 55.82, -56.16, 48.37

 

CMYK 61 / 0 / 49 / 11

HEX #59E274

RGB 89 226 116

HSL 131.82, 0.7%, 0.62%

LAB 80.61, -59.88, 42.72

 

CMYK 56 / 0 / 61 / 11

HEX #63E259

RGB 99 226 89

HSL 115.62, 0.7%, 0.62%

LAB 80.61, -60.98, 55.2

 

CMYK 40 / 0 / 61 / 11

HEX #88E259

RGB 136 226 89

HSL 99.42, 0.7%, 0.62%

LAB 82.03, -50.5, 57.18

 

CMYK 23 / 0 / 61 / 11

HEX #ADE259

RGB 173 226 89

HSL 83.21, 0.7%, 0.62%

LAB 83.96, -37.66, 59.88

 

CMYK 7 / 0 / 61 / 11

HEX #D3E259

RGB 211 226 89

HSL 66.57, 0.7%, 0.62%

LAB 86.49, -22.92, 63.36

 

CMYK 61 / 0 / 49 / 11

HEX #59E274

RGB 89 226 116

HSL 131.82, 0.7%, 0.62%

LAB 80.61, -59.88, 42.72

 

CMYK 61 / 0 / 32 / 11

HEX #59E299

RGB 89 226 153

HSL 148.03, 0.7%, 0.62%

LAB 81.19, -53.63, 24.89

 

CMYK 61 / 0 / 16 / 11

HEX #59E2BE

RGB 89 226 190

HSL 164.23, 0.7%, 0.62%

LAB 81.97, -45.67, 6.59

 

CMYK 61 / 0 / 0 / 11

HEX #59E2E2

RGB 89 226 226

HSL 180, 0.7%, 0.62%

LAB 82.92, -36.54, -11.08

 

CMYK 61 / 16 / 0 / 11

HEX #59BDE2

RGB 89 189 226

HSL 196.2, 0.7%, 0.62%

LAB 72.24, -18.41, -27.24

 

CMYK 61 / 0 / 49 / 11

HEX #59E274

RGB 89 226 116

HSL 131.82, 0.7%, 0.62%

LAB 80.61, -59.88, 42.72

 

CMYK 70 / 0 / 56 / 5

HEX #49F26A

RGB 73 242 106

HSL 131.72, 0.87%, 0.62%

LAB 84.98, -69.83, 52.6

 

CMYK 61 / 0 / 49 / 11

HEX #59E274

RGB 89 226 116

HSL 131.82, 0.7%, 0.62%

LAB 80.61, -59.88, 42.72

 

CMYK 51 / 0 / 41 / 17

HEX #68D37D

RGB 104 211 125

HSL 131.78, 0.55%, 0.62%

LAB 76.69, -49.14, 33.34

 

CMYK 38 / 0 / 31 / 24

HEX #78C387

RGB 120 195 135

HSL 132, 0.38%, 0.62%

LAB 72.74, -36, 23.01

 

CMYK 24 / 0 / 20 / 30

HEX #88B390

RGB 136 179 144

HSL 131.16, 0.22%, 0.62%

LAB 69.1, -21.52, 13.26

 

CMYK 7 / 0 / 6 / 36

HEX #98A49A

RGB 152 164 154

HSL 130, 0.06%, 0.62%

LAB 66.18, -6.19, 3.72

 

CMYK 39 / 0 / 61 / 11

HEX #89E259

RGB 137 226 89

HSL 98.98, 0.7%, 0.62%

LAB 82.07, -50.18, 57.24

 

CMYK 56 / 0 / 61 / 11

HEX #64E259

RGB 100 226 89

HSL 115.18, 0.7%, 0.62%

LAB 80.64, -60.73, 55.24

 

CMYK 61 / 0 / 50 / 11

HEX #59E272

RGB 89 226 114

HSL 130.95, 0.7%, 0.62%

LAB 80.59, -60.17, 43.65

 

CMYK 61 / 0 / 33 / 11

HEX #59E297

RGB 89 226 151

HSL 147.15, 0.7%, 0.62%

LAB 81.15, -54.01, 25.87

 

CMYK 61 / 0 / 17 / 11

HEX #59E2BB

RGB 89 226 187

HSL 162.92, 0.7%, 0.62%

LAB 81.89, -46.38, 8.08

 

CMYK 83 / 0 / 67 / 22

HEX #21C742

RGB 33 199 66

HSL 131.93, 0.72%, 0.45%

LAB 70.57, -65.99, 53.33

 

CMYK 75 / 0 / 61 / 14

HEX #36DC56

RGB 54 220 86

HSL 131.57, 0.7%, 0.54%

LAB 77.66, -67.91, 52.86

 

CMYK 61 / 0 / 49 / 11

HEX #59E274

RGB 89 226 116

HSL 131.82, 0.7%, 0.62%

LAB 80.61, -59.88, 42.72

 

CMYK 47 / 0 / 38 / 9

HEX #7CE891

RGB 124 232 145

HSL 131.67, 0.7%, 0.7%

LAB 83.99, -49.3, 32.93

 

CMYK 33 / 0 / 26 / 7

HEX #9FEEAF

RGB 159 238 175

HSL 132.15, 0.7%, 0.78%

LAB 87.78, -36.81, 23

 

CMYK 61 / 0 / 49 / 11

HEX #58E373

RGB 88 227 115

HSL 131.65, 0.71%, 0.62%

LAB 80.88, -60.61, 43.53

 

CMYK 61 / 23 / 0 / 11

HEX #59AEE2

RGB 89 174 226

HSL 202.77, 0.7%, 0.62%

LAB 67.94, -10.44, -33.87

 

CMYK 0 / 61 / 47 / 11

HEX #E25977

RGB 226 89 119

HSL 346.86, 0.7%, 0.62%

LAB 56.73, 55.72, 11.34

 

CMYK 61 / 0 / 49 / 11

HEX #58E373

RGB 88 227 115

HSL 131.65, 0.71%, 0.62%

LAB 80.88, -60.61, 43.53

 

CMYK 50 / 61 / 0 / 11

HEX #7259E2

RGB 114 89 226

HSL 250.95, 0.7%, 0.62%

LAB 47.25, 44.43, -66.63

 

CMYK 0 / 50 / 61 / 11

HEX #E27259

RGB 226 114 89

HSL 10.95, 0.7%, 0.62%

LAB 60.72, 41.46, 33.86

 

CMYK 61 / 0 / 49 / 11

HEX #58E373

RGB 88 227 115

HSL 131.65, 0.71%, 0.62%

LAB 80.88, -60.61, 43.53

 

CMYK 61 / 23 / 0 / 11

HEX #59AEE2

RGB 89 174 226

HSL 202.77, 0.7%, 0.62%

LAB 67.94, -10.44, -33.87

 

CMYK 0 / 61 / 11 / 11

HEX #E259C9

RGB 226 89 201

HSL 310.95, 0.7%, 0.62%

LAB 59.46, 65.81, -32.18

 

CMYK 0 / 37 / 61 / 11

HEX #E28E59

RGB 226 142 89

HSL 23.21, 0.7%, 0.62%

LAB 66.7, 26.9, 41.19

 

CMYK 61 / 0 / 49 / 11

HEX #58E373

RGB 88 227 115

HSL 131.65, 0.71%, 0.62%

LAB 80.88, -60.61, 43.53

 

CMYK 61 / 42 / 0 / 11

HEX #5984E2

RGB 89 132 226

HSL 221.17, 0.7%, 0.62%

LAB 56.21, 13.76, -52.32

 

CMYK 0 / 61 / 11 / 11

HEX #E259C9

RGB 226 89 201

HSL 310.95, 0.7%, 0.62%

LAB 59.46, 65.81, -32.18

 

CMYK 0 / 19 / 61 / 11

HEX #E2B759

RGB 226 183 89

HSL 41.17, 0.7%, 0.62%

LAB 76.53, 5.06, 52.68

 

Description

Color code: HEX #58E373 | qconv.com Color code: HEX #58E373 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 227 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 227 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 49 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 49% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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