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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58EBED it is the complementary color #A71412. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58EBED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58EBED shade: #5DEBE8, #6EFDFB, #7FFFFF, #90FFFF and #A1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58EBED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58EBED shade: #58EBED, #47D9DA, #36C7C7, #25B5B4 and #14A3A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58EBED shade: #58EBED, #58C3ED, #589BED, #5873ED and #6658ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58EBED shade: #58EBED, #58C3ED, #589BED, #5873ED and #5858ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58EBED shade matches the following richer shades: #58EBED and #49FAFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58EBED shade: #58EBED, #67DDDE, #76CECF, #85C0C0 and #94B1B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58EBED shade: #58ED9E, #58EDC5, #58EDED, #58C5ED and #589EED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58EBED shade: #17DADC, #33E7E9, #58EBED, #7EEFF1 and #A3F4F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58EBED shade: #58EBED, #7658ED and #EDB258

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58EBED shade: #58EBED, #ED58ED and #EDED58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58EBED shade: #58EBED, #7658ED, #ED5858 and #CFED58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58EBED shade: #58EBED, #A358ED, #ED5858 and #A3ED58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

Complementary color

CMYK 0 / 88 / 89 / 35

HEX #A71412

RGB 167 20 18

HSL 0.81, 0.81%, 0.36%

LAB 35.52, 55.71, 41.92

 

CMYK 60 / 0 / 1 / 8

HEX #5DEBE8

RGB 93 235 232

HSL 178.73, 0.78%, 0.64%

LAB 85.79, -38.41, -9.95

 

CMYK 57 / 0 / 1 / 1

HEX #6EFDFB

RGB 110 253 251

HSL 179.16, 0.97%, 0.71%

LAB 91.92, -38.74, -10.7

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

CMYK 67 / 0 / 0 / 15

HEX #47D9DA

RGB 71 217 218

HSL 180.41, 0.67%, 0.57%

LAB 79.63, -37.29, -11.78

 

CMYK 73 / 0 / 0 / 22

HEX #36C7C7

RGB 54 199 199

HSL 180, 0.57%, 0.5%

LAB 73.39, -36.53, -10.91

 

CMYK 80 / 0 / 1 / 29

HEX #25B5B4

RGB 37 181 180

HSL 179.58, 0.66%, 0.43%

LAB 67.08, -35.51, -9.95

 

CMYK 88 / 0 / 1 / 36

HEX #14A3A1

RGB 20 163 161

HSL 179.16, 0.78%, 0.36%

LAB 60.71, -34.14, -8.87

 

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

CMYK 63 / 18 / 0 / 7

HEX #58C3ED

RGB 88 195 237

HSL 196.91, 0.81%, 0.64%

LAB 74.33, -18.36, -29.98

 

CMYK 63 / 35 / 0 / 7

HEX #589BED

RGB 88 155 237

HSL 213.02, 0.81%, 0.64%

LAB 63.04, 3.61, -47.59

 

CMYK 63 / 51 / 0 / 7

HEX #5873ED

RGB 88 115 237

HSL 229.13, 0.81%, 0.64%

LAB 52.34, 27.65, -64.67

 

CMYK 57 / 63 / 0 / 7

HEX #6658ED

RGB 102 88 237

HSL 245.64, 0.81%, 0.64%

LAB 46.87, 46.17, -73.51

 

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

CMYK 63 / 18 / 0 / 7

HEX #58C3ED

RGB 88 195 237

HSL 196.91, 0.81%, 0.64%

LAB 74.33, -18.36, -29.98

 

CMYK 63 / 35 / 0 / 7

HEX #589BED

RGB 88 155 237

HSL 213.02, 0.81%, 0.64%

LAB 63.04, 3.61, -47.59

 

CMYK 63 / 51 / 0 / 7

HEX #5873ED

RGB 88 115 237

HSL 229.13, 0.81%, 0.64%

LAB 52.34, 27.65, -64.67

 

CMYK 63 / 63 / 0 / 7

HEX #5858ED

RGB 88 88 237

HSL 240, 0.81%, 0.64%

LAB 45.86, 44.02, -75.19

 

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

CMYK 71 / 1 / 0 / 1

HEX #49FAFC

RGB 73 250 252

HSL 180.67, 0.97%, 0.64%

LAB 90.24, -42.52, -13.83

 

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

CMYK 54 / 0 / 0 / 13

HEX #67DDDE

RGB 103 221 222

HSL 180.5, 0.64%, 0.64%

LAB 81.77, -32.77, -10.63

 

CMYK 43 / 0 / 0 / 19

HEX #76CECF

RGB 118 206 207

HSL 180.67, 0.48%, 0.64%

LAB 77.58, -26.16, -8.78

 

CMYK 31 / 0 / 0 / 25

HEX #85C0C0

RGB 133 192 192

HSL 180, 0.32%, 0.64%

LAB 73.86, -18.88, -6.1

 

CMYK 17 / 1 / 0 / 30

HEX #94B1B2

RGB 148 177 178

HSL 182, 0.16%, 0.64%

LAB 70.14, -9.65, -3.83

 

CMYK 63 / 0 / 33 / 7

HEX #58ED9E

RGB 88 237 158

HSL 148.19, 0.81%, 0.64%

LAB 84.54, -57.18, 26.86

 

CMYK 63 / 0 / 17 / 7

HEX #58EDC5

RGB 88 237 197

HSL 163.89, 0.81%, 0.64%

LAB 85.34, -48.89, 7.75

 

CMYK 63 / 0 / 0 / 7

HEX #58EDED

RGB 88 237 237

HSL 180, 0.81%, 0.64%

LAB 86.38, -38.78, -11.71

 

CMYK 63 / 17 / 0 / 7

HEX #58C5ED

RGB 88 197 237

HSL 196.11, 0.81%, 0.64%

LAB 74.9, -19.39, -29.1

 

CMYK 63 / 33 / 0 / 7

HEX #589EED

RGB 88 158 237

HSL 211.81, 0.81%, 0.64%

LAB 63.87, 1.88, -46.27

 

CMYK 90 / 1 / 0 / 14

HEX #17DADC

RGB 23 218 220

HSL 180.61, 0.81%, 0.48%

LAB 79.32, -41.43, -13.37

 

CMYK 78 / 1 / 0 / 9

HEX #33E7E9

RGB 51 231 233

HSL 180.66, 0.81%, 0.56%

LAB 83.83, -41.62, -13.5

 

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

CMYK 48 / 1 / 0 / 5

HEX #7EEFF1

RGB 126 239 241

HSL 181.04, 0.8%, 0.72%

LAB 88.22, -31.68, -10.95

 

CMYK 33 / 0 / 0 / 4

HEX #A3F4F5

RGB 163 244 245

HSL 180.73, 0.8%, 0.8%

LAB 91.27, -24.27, -8.34

 

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

CMYK 50 / 63 / 0 / 7

HEX #7658ED

RGB 118 88 237

HSL 252.08, 0.81%, 0.64%

LAB 48.19, 48.91, -71.29

 

CMYK 0 / 25 / 63 / 7

HEX #EDB258

RGB 237 178 88

HSL 36.24, 0.81%, 0.64%

LAB 76.41, 12.22, 53.31

 

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

CMYK 0 / 63 / 0 / 7

HEX #ED58ED

RGB 237 88 237

HSL 300, 0.81%, 0.64%

LAB 62.59, 74.6, -47.41

 

CMYK 0 / 0 / 63 / 7

HEX #EDED58

RGB 237 237 88

HSL 60, 0.81%, 0.64%

LAB 91.36, -17.83, 69.54

 

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

CMYK 50 / 63 / 0 / 7

HEX #7658ED

RGB 118 88 237

HSL 252.08, 0.81%, 0.64%

LAB 48.19, 48.91, -71.29

 

CMYK 0 / 63 / 63 / 7

HEX #ED5858

RGB 237 88 88

HSL 0, 0.81%, 0.64%

LAB 57.74, 57.4, 31.05

 

CMYK 13 / 0 / 63 / 7

HEX #CFED58

RGB 207 237 88

HSL 72.08, 0.81%, 0.64%

LAB 89.18, -29.79, 66.57

 

CMYK 63 / 1 / 0 / 7

HEX #58EBED

RGB 88 235 237

HSL 180.81, 0.81%, 0.64%

LAB 85.81, -37.86, -12.57

 

CMYK 31 / 63 / 0 / 7

HEX #A358ED

RGB 163 88 237

HSL 270.2, 0.81%, 0.64%

LAB 52.82, 57.89, -63.58

 

CMYK 0 / 63 / 63 / 7

HEX #ED5858

RGB 237 88 88

HSL 0, 0.81%, 0.64%

LAB 57.74, 57.4, 31.05

 

CMYK 31 / 0 / 63 / 7

HEX #A3ED58

RGB 163 237 88

HSL 89.8, 0.81%, 0.64%

LAB 86.53, -46.15, 62.95

 

Description

Color code: HEX #58EBED | qconv.com Color code: HEX #58EBED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 235 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 235 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 1 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 1% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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