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Color name
HEX #590B2F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #590B2F it is the complementary color #A6F4D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #590B2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #590B2F shade: #5E0B2A, #6F1D3D, #802F50, #914163 and #A25376

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #590B2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #590B2F shade: #590B2F, #48001C, #370009, #260000 and #150000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #590B2F shade: #5A0B2F, #5A0B1A and #5A0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #590B2F shade: #5A0B2F, #5A0B45, #5A0B5A, #450B5A and #2F0B5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #590B2F shade matches the following richer shades: #5A0B2F and #63022F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #590B2F shade: #5A0B2F, #521330, #4A1B31, #422331 and #392C32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #590B2F shade: #5A0B5A, #5A0B45, #5A0B30, #5A0B1B and #5A100B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #590B2F shade: #110209, #36061C, #5A0B2F, #7F0F43 and #A41456

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #590B2F shade: #590B2F, #5A450B and #0B505A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #590B2F shade: #590B2F, #305A0B and #0B305A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #590B2F shade: #590B2F, #5A450B, #0B5A35 and #0B205A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #590B2F shade: #590B2F, #585A0B, #0B5A35 and #0D0B5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 47 / 65

HEX #590B2F

RGB 89 11 47

HSL 332.31, 0.78%, 0.2%

LAB 18.23, 36.68, -0.96

 

Complementary color

CMYK 32 / 0 / 15 / 4

HEX #A6F4D0

RGB 166 244 208

HSL 152.31, 0.78%, 0.8%

LAB 90.49, -31.37, 9.78

 

CMYK 0 / 88 / 55 / 63

HEX #5E0B2A

RGB 94 11 42

HSL 337.59, 0.79%, 0.21%

LAB 19.17, 37.67, 4.12

 

CMYK 0 / 74 / 45 / 56

HEX #6F1D3D

RGB 111 29 61

HSL 336.59, 0.59%, 0.27%

LAB 25.55, 38.54, 0.55

 

CMYK 0 / 63 / 38 / 50

HEX #802F50

RGB 128 47 80

HSL 335.56, 0.46%, 0.34%

LAB 32.26, 38.32, -1.87

 

CMYK 0 / 55 / 32 / 43

HEX #914163

RGB 145 65 99

HSL 334.5, 0.38%, 0.41%

LAB 39.07, 37.65, -3.62

 

CMYK 0 / 49 / 27 / 36

HEX #A25376

RGB 162 83 118

HSL 333.42, 0.32%, 0.48%

LAB 45.87, 36.83, -4.98

 

CMYK 0 / 88 / 47 / 65

HEX #590B2F

RGB 89 11 47

HSL 332.31, 0.78%, 0.2%

LAB 18.23, 36.68, -0.96

 

CMYK 0 / 100 / 61 / 72

HEX #48001C

RGB 72 0 28

HSL 336.67, 1%, 0.14%

LAB 12.36, 33.67, 4.04

 

CMYK 0 / 100 / 84 / 78

HEX #370009

RGB 55 0 9

HSL 350.18, 1%, 0.11%

LAB 7.51, 27.45, 8.19

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 88 / 48 / 65

HEX #5A0B2F

RGB 90 11 47

HSL 332.66, 0.78%, 0.2%

LAB 18.45, 36.97, -0.61

 

CMYK 0 / 88 / 71 / 65

HEX #5A0B1A

RGB 90 11 26

HSL 348.61, 0.78%, 0.2%

LAB 17.86, 35.23, 13.64

 

CMYK 0 / 88 / 88 / 65

HEX #5A0B0B

RGB 90 11 11

HSL 0, 0.78%, 0.2%

LAB 17.63, 34.52, 22.46

 

CMYK 0 / 88 / 48 / 65

HEX #5A0B2F

RGB 90 11 47

HSL 332.66, 0.78%, 0.2%

LAB 18.45, 36.97, -0.61

 

CMYK 0 / 88 / 23 / 65

HEX #5A0B45

RGB 90 11 69

HSL 315.95, 0.78%, 0.2%

LAB 19.4, 39.74, -14.62

 

CMYK 0 / 88 / 0 / 65

HEX #5A0B5A

RGB 90 11 90

HSL 300, 0.78%, 0.2%

LAB 20.64, 43.15, -26.93

 

CMYK 23 / 88 / 0 / 65

HEX #450B5A

RGB 69 11 90

HSL 284.05, 0.78%, 0.2%

LAB 16.71, 38.79, -33.45

 

CMYK 48 / 88 / 0 / 65

HEX #2F0B5A

RGB 47 11 90

HSL 267.34, 0.78%, 0.2%

LAB 13.12, 34.88, -39.46

 

CMYK 0 / 88 / 48 / 65

HEX #5A0B2F

RGB 90 11 47

HSL 332.66, 0.78%, 0.2%

LAB 18.45, 36.97, -0.61

 

CMYK 0 / 98 / 53 / 61

HEX #63022F

RGB 99 2 47

HSL 332.16, 0.96%, 0.2%

LAB 19.64, 41.85, 1.39

 

CMYK 0 / 88 / 48 / 65

HEX #5A0B2F

RGB 90 11 47

HSL 332.66, 0.78%, 0.2%

LAB 18.45, 36.97, -0.61

 

CMYK 0 / 77 / 41 / 68

HEX #521330

RGB 82 19 48

HSL 332.38, 0.62%, 0.2%

LAB 17.8, 31.74, -2.47

 

CMYK 0 / 64 / 34 / 71

HEX #4A1B31

RGB 74 27 49

HSL 331.91, 0.47%, 0.2%

LAB 17.74, 25.08, -3.43

 

CMYK 0 / 47 / 26 / 74

HEX #422331

RGB 66 35 49

HSL 332.9, 0.31%, 0.2%

LAB 18.29, 17, -2.77

 

CMYK 0 / 23 / 12 / 78

HEX #392C32

RGB 57 44 50

HSL 332.31, 0.13%, 0.2%

LAB 19.65, 7.2, -1.59

 

CMYK 0 / 88 / 0 / 65

HEX #5A0B5A

RGB 90 11 90

HSL 300, 0.78%, 0.2%

LAB 20.64, 43.15, -26.93

 

CMYK 0 / 88 / 23 / 65

HEX #5A0B45

RGB 90 11 69

HSL 315.95, 0.78%, 0.2%

LAB 19.4, 39.74, -14.62

 

CMYK 0 / 88 / 47 / 65

HEX #5A0B30

RGB 90 11 48

HSL 331.9, 0.78%, 0.2%

LAB 18.48, 37.08, -1.27

 

CMYK 0 / 88 / 70 / 65

HEX #5A0B1B

RGB 90 11 27

HSL 347.85, 0.78%, 0.2%

LAB 17.88, 35.29, 12.96

 

CMYK 0 / 82 / 88 / 65

HEX #5A100B

RGB 90 16 11

HSL 3.8, 0.78%, 0.2%

LAB 18.23, 32.85, 23.17

 

CMYK 0 / 88 / 47 / 93

HEX #110209

RGB 17 2 9

HSL 332, 0.79%, 0.04%

LAB 1.65, 5.28, -1.13

 

CMYK 0 / 89 / 48 / 79

HEX #36061C

RGB 54 6 28

HSL 332.5, 0.8%, 0.12%

LAB 8.98, 25.51, -1.4

 

CMYK 0 / 88 / 48 / 65

HEX #5A0B2F

RGB 90 11 47

HSL 332.66, 0.78%, 0.2%

LAB 18.45, 36.97, -0.61

 

CMYK 0 / 88 / 47 / 50

HEX #7F0F43

RGB 127 15 67

HSL 332.14, 0.79%, 0.28%

LAB 27.46, 48.21, -0.33

 

CMYK 0 / 88 / 48 / 36

HEX #A41456

RGB 164 20 86

HSL 332.5, 0.78%, 0.36%

LAB 36.11, 58.42, 0.69

 

CMYK 0 / 88 / 47 / 65

HEX #590B2F

RGB 89 11 47

HSL 332.31, 0.78%, 0.2%

LAB 18.23, 36.68, -0.96

 

CMYK 0 / 23 / 88 / 65

HEX #5A450B

RGB 90 69 11

HSL 44.05, 0.78%, 0.2%

LAB 30.53, 2.91, 35.41

 

CMYK 88 / 11 / 0 / 65

HEX #0B505A

RGB 11 80 90

HSL 187.59, 0.78%, 0.2%

LAB 30.75, -16.03, -11.63

 

CMYK 0 / 88 / 47 / 65

HEX #590B2F

RGB 89 11 47

HSL 332.31, 0.78%, 0.2%

LAB 18.23, 36.68, -0.96

 

CMYK 47 / 0 / 88 / 65

HEX #305A0B

RGB 48 90 11

HSL 91.9, 0.78%, 0.2%

LAB 33.91, -28.59, 37.13

 

CMYK 88 / 47 / 0 / 65

HEX #0B305A

RGB 11 48 90

HSL 211.9, 0.78%, 0.2%

LAB 19.73, 4.7, -28.86

 

CMYK 0 / 88 / 47 / 65

HEX #590B2F

RGB 89 11 47

HSL 332.31, 0.78%, 0.2%

LAB 18.23, 36.68, -0.96

 

CMYK 0 / 23 / 88 / 65

HEX #5A450B

RGB 90 69 11

HSL 44.05, 0.78%, 0.2%

LAB 30.53, 2.91, 35.41

 

CMYK 88 / 0 / 41 / 65

HEX #0B5A35

RGB 11 90 53

HSL 151.9, 0.78%, 0.2%

LAB 33.22, -32.14, 15.16

 

CMYK 88 / 64 / 0 / 65

HEX #0B205A

RGB 11 32 90

HSL 224.05, 0.78%, 0.2%

LAB 14.64, 16.64, -37.1

 

CMYK 0 / 88 / 47 / 65

HEX #590B2F

RGB 89 11 47

HSL 332.31, 0.78%, 0.2%

LAB 18.23, 36.68, -0.96

 

CMYK 2 / 0 / 88 / 65

HEX #585A0B

RGB 88 90 11

HSL 61.52, 0.78%, 0.2%

LAB 36.76, -10.7, 40.74

 

CMYK 88 / 0 / 41 / 65

HEX #0B5A35

RGB 11 90 53

HSL 151.9, 0.78%, 0.2%

LAB 33.22, -32.14, 15.16

 

CMYK 86 / 88 / 0 / 65

HEX #0D0B5A

RGB 13 11 90

HSL 241.52, 0.78%, 0.2%

LAB 9.51, 31.05, -45.55

 

Description

Color code: HEX #590B2F | qconv.com Color code: HEX #590B2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 11 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 11 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 47 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 47% 65% C M Y K

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Provide designers and agencies with accurate color values.

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