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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59114C it is the complementary color #A6EEB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59114C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59114C shade: #5E1147, #6F235A, #80356D, #914780 and #A25993

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59114C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59114C shade: #59114C, #480039, #370026, #260013 and #150000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59114C shade: #59114C, #591139, #591125, #591111 and #591111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59114C shade: #59114C, #531159, #3F1159, #2C1159 and #181159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59114C shade matches the following richer shades: #59114C and #620852

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59114C shade: #59114C, #511947, #482241, #3F2B3C and #373336

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59114C shade: #3F1159, #521159, #59114D, #59113A and #591126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59114C shade: #140311, #370A2F, #59114C, #7C176A and #9F1E88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59114C shade: #59114C, #592B11 and #115948

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59114C shade: #59114C, #4D5911 and #114D59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59114C shade: #59114C, #592B11, #11591D and #113F59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59114C shade: #59114C, #594111, #11591D and #112959

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

Complementary color

CMYK 30 / 0 / 25 / 7

HEX #A6EEB3

RGB 166 238 179

HSL 130.83, 0.68%, 0.79%

LAB 88.21, -33.97, 21.59

 

CMYK 0 / 82 / 24 / 63

HEX #5E1147

RGB 94 17 71

HSL 317.92, 0.69%, 0.22%

LAB 20.96, 39.25, -13.51

 

CMYK 0 / 68 / 19 / 56

HEX #6F235A

RGB 111 35 90

HSL 316.58, 0.52%, 0.29%

LAB 27.63, 39.87, -15.69

 

CMYK 0 / 59 / 15 / 50

HEX #80356D

RGB 128 53 109

HSL 315.2, 0.41%, 0.35%

LAB 34.48, 39.62, -17.12

 

CMYK 0 / 51 / 12 / 43

HEX #914780

RGB 145 71 128

HSL 313.78, 0.34%, 0.42%

LAB 41.35, 39.01, -18.15

 

CMYK 0 / 45 / 9 / 36

HEX #A25993

RGB 162 89 147

HSL 312.33, 0.29%, 0.49%

LAB 48.18, 38.26, -18.94

 

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

CMYK 0 / 100 / 21 / 72

HEX #480039

RGB 72 0 57

HSL 312.5, 1%, 0.14%

LAB 13.67, 37.04, -15.41

 

CMYK 0 / 100 / 31 / 78

HEX #370026

RGB 55 0 38

HSL 318.55, 1%, 0.11%

LAB 8.59, 30.32, -9.63

 

CMYK 0 / 100 / 50 / 85

HEX #260013

RGB 38 0 19

HSL 330, 1%, 0.07%

LAB 4.15, 19.6, -2.24

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

CMYK 0 / 81 / 36 / 65

HEX #591139

RGB 89 17 57

HSL 326.67, 0.68%, 0.21%

LAB 19.31, 35.89, -6.42

 

CMYK 0 / 81 / 58 / 65

HEX #591125

RGB 89 17 37

HSL 343.33, 0.68%, 0.21%

LAB 18.62, 33.7, 6.76

 

CMYK 0 / 81 / 81 / 65

HEX #591111

RGB 89 17 17

HSL 0, 0.68%, 0.21%

LAB 18.21, 32.36, 20.06

 

CMYK 0 / 81 / 81 / 65

HEX #591111

RGB 89 17 17

HSL 0, 0.68%, 0.21%

LAB 18.21, 32.36, 20.06

 

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

CMYK 7 / 81 / 0 / 65

HEX #531159

RGB 83 17 89

HSL 295, 0.68%, 0.21%

LAB 19.89, 39.53, -27.54

 

CMYK 29 / 81 / 0 / 65

HEX #3F1159

RGB 63 17 89

HSL 278.33, 0.68%, 0.21%

LAB 16.4, 35.04, -33.33

 

CMYK 51 / 81 / 0 / 65

HEX #2C1159

RGB 44 17 89

HSL 262.5, 0.68%, 0.21%

LAB 13.58, 31.27, -38.05

 

CMYK 73 / 81 / 0 / 65

HEX #181159

RGB 24 17 89

HSL 245.83, 0.68%, 0.21%

LAB 11.39, 28.23, -41.73

 

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

CMYK 0 / 92 / 16 / 62

HEX #620852

RGB 98 8 82

HSL 310.67, 0.85%, 0.21%

LAB 21.5, 44.34, -20.09

 

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

CMYK 0 / 69 / 12 / 68

HEX #511947

RGB 81 25 71

HSL 310.71, 0.53%, 0.21%

LAB 19.64, 32.21, -15.76

 

CMYK 0 / 53 / 10 / 72

HEX #482241

RGB 72 34 65

HSL 311.05, 0.36%, 0.21%

LAB 19.65, 23.07, -11.74

 

CMYK 0 / 32 / 5 / 75

HEX #3F2B3C

RGB 63 43 60

HSL 309, 0.19%, 0.21%

LAB 20.48, 12.65, -7.15

 

CMYK 0 / 7 / 2 / 78

HEX #373336

RGB 55 51 54

HSL 315, 0.04%, 0.21%

LAB 21.75, 2.44, -1.26

 

CMYK 29 / 81 / 0 / 65

HEX #3F1159

RGB 63 17 89

HSL 278.33, 0.68%, 0.21%

LAB 16.4, 35.04, -33.33

 

CMYK 8 / 81 / 0 / 65

HEX #521159

RGB 82 17 89

HSL 294.17, 0.68%, 0.21%

LAB 19.7, 39.3, -27.84

 

CMYK 0 / 81 / 13 / 65

HEX #59114D

RGB 89 17 77

HSL 310, 0.68%, 0.21%

LAB 20.28, 38.85, -18.74

 

CMYK 0 / 81 / 35 / 65

HEX #59113A

RGB 89 17 58

HSL 325.83, 0.68%, 0.21%

LAB 19.35, 36.02, -7.06

 

CMYK 0 / 81 / 57 / 65

HEX #591126

RGB 89 17 38

HSL 342.5, 0.68%, 0.21%

LAB 18.65, 33.79, 6.09

 

CMYK 0 / 85 / 15 / 92

HEX #140311

RGB 20 3 17

HSL 310.59, 0.74%, 0.05%

LAB 2.3, 7.39, -4.01

 

CMYK 0 / 82 / 15 / 78

HEX #370A2F

RGB 55 10 47

HSL 310.67, 0.69%, 0.13%

LAB 10.81, 26.87, -12.89

 

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

CMYK 0 / 81 / 15 / 51

HEX #7C176A

RGB 124 23 106

HSL 310.69, 0.69%, 0.29%

LAB 29.26, 50.2, -23.37

 

CMYK 0 / 81 / 14 / 38

HEX #9F1E88

RGB 159 30 136

HSL 310.7, 0.68%, 0.37%

LAB 37.98, 60.73, -28.12

 

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

CMYK 0 / 52 / 81 / 65

HEX #592B11

RGB 89 43 17

HSL 21.67, 0.68%, 0.21%

LAB 23.31, 18.96, 25.71

 

CMYK 81 / 0 / 19 / 65

HEX #115948

RGB 17 89 72

HSL 165.83, 0.68%, 0.21%

LAB 33.42, -26, 3.73

 

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

CMYK 13 / 0 / 81 / 65

HEX #4D5911

RGB 77 89 17

HSL 70, 0.68%, 0.21%

LAB 35.52, -15.19, 37.26

 

CMYK 81 / 13 / 0 / 65

HEX #114D59

RGB 17 77 89

HSL 190, 0.68%, 0.21%

LAB 29.78, -13.97, -12.46

 

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

CMYK 0 / 52 / 81 / 65

HEX #592B11

RGB 89 43 17

HSL 21.67, 0.68%, 0.21%

LAB 23.31, 18.96, 25.71

 

CMYK 81 / 0 / 67 / 65

HEX #11591D

RGB 17 89 29

HSL 130, 0.68%, 0.21%

LAB 32.6, -35.18, 27.95

 

CMYK 81 / 29 / 0 / 65

HEX #113F59

RGB 17 63 89

HSL 201.67, 0.68%, 0.21%

LAB 24.94, -5.31, -19.95

 

CMYK 0 / 81 / 15 / 65

HEX #59114C

RGB 89 17 76

HSL 310.83, 0.68%, 0.21%

LAB 20.23, 38.69, -18.15

 

CMYK 0 / 27 / 81 / 65

HEX #594111

RGB 89 65 17

HSL 40, 0.68%, 0.21%

LAB 29.27, 5.17, 31.7

 

CMYK 81 / 0 / 67 / 65

HEX #11591D

RGB 17 89 29

HSL 130, 0.68%, 0.21%

LAB 32.6, -35.18, 27.95

 

CMYK 81 / 54 / 0 / 65

HEX #112959

RGB 17 41 89

HSL 220, 0.68%, 0.21%

LAB 17.58, 10.17, -31.64

 

Description

Color code: HEX #59114C | qconv.com Color code: HEX #59114C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 17 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 17 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 15 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 15% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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