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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59264C it is the complementary color #A6D9B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59264C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59264C shade: #5E2647, #6F385A, #804A6D, #915C80 and #A26E93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59264C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59264C shade: #59264C, #481439, #370226, #260013 and #150000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59264C shade: #59264C, #59263E, #592630 and #592626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59264C shade: #59264C, #582659, #4A2659, #3C2659 and #2F2659

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59264C shade matches the following richer shades: #59264C, #631B51, #6D1156 and #78075B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59264C shade: #59264C, #4E3047, #443A42, #3A453D and #2F4F38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59264C shade: #4A2659, #582659, #59264C, #59263E and #592631

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59264C shade: #1F0D1A, #3C1933, #59264C, #763264 and #933F7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59264C shade: #59264C, #593D26 and #265951

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59264C shade: #59264C, #4C5926 and #264C59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59264C shade: #59264C, #593D26, #265933 and #264259

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59264C shade: #59264C, #594C26, #265933 and #263359

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

Complementary color

CMYK 24 / 0 / 18 / 15

HEX #A6D9B3

RGB 166 217 179

HSL 135.29, 0.4%, 0.75%

LAB 82.37, -23.99, 13.42

 

CMYK 0 / 60 / 24 / 63

HEX #5E2647

RGB 94 38 71

HSL 324.64, 0.42%, 0.26%

LAB 24.39, 29.82, -8.27

 

CMYK 0 / 50 / 19 / 56

HEX #6F385A

RGB 111 56 90

HSL 322.91, 0.33%, 0.33%

LAB 31.68, 29.05, -9.49

 

CMYK 0 / 42 / 15 / 50

HEX #804A6D

RGB 128 74 109

HSL 321.11, 0.27%, 0.4%

LAB 38.88, 28.19, -10.4

 

CMYK 0 / 37 / 12 / 43

HEX #915C80

RGB 145 92 128

HSL 319.25, 0.22%, 0.46%

LAB 45.95, 27.36, -11.15

 

CMYK 0 / 32 / 9 / 36

HEX #A26E93

RGB 162 110 147

HSL 317.31, 0.22%, 0.53%

LAB 52.88, 26.59, -11.79

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 0 / 72 / 21 / 72

HEX #481439

RGB 72 20 57

HSL 317.31, 0.57%, 0.18%

LAB 16.37, 29.33, -11.21

 

CMYK 0 / 96 / 31 / 78

HEX #370226

RGB 55 2 38

HSL 319.25, 0.93%, 0.11%

LAB 8.95, 29.25, -9.06

 

CMYK 0 / 100 / 50 / 85

HEX #260013

RGB 38 0 19

HSL 330, 1%, 0.07%

LAB 4.15, 19.6, -2.24

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 0 / 57 / 30 / 65

HEX #59263E

RGB 89 38 62

HSL 331.76, 0.4%, 0.25%

LAB 23.2, 26.56, -4.05

 

CMYK 0 / 57 / 46 / 65

HEX #592630

RGB 89 38 48

HSL 348.24, 0.4%, 0.25%

LAB 22.74, 24.62, 4.85

 

CMYK 0 / 57 / 57 / 65

HEX #592626

RGB 89 38 38

HSL 0, 0.4%, 0.25%

LAB 22.48, 23.5, 11.33

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 1 / 57 / 0 / 65

HEX #582659

RGB 88 38 89

HSL 298.82, 0.4%, 0.25%

LAB 24.26, 31.13, -20.56

 

CMYK 17 / 57 / 0 / 65

HEX #4A2659

RGB 74 38 89

HSL 282.35, 0.4%, 0.25%

LAB 22.17, 26.73, -23.99

 

CMYK 33 / 57 / 0 / 65

HEX #3C2659

RGB 60 38 89

HSL 265.88, 0.4%, 0.25%

LAB 20.31, 22.45, -27.06

 

CMYK 47 / 57 / 0 / 65

HEX #2F2659

RGB 47 38 89

HSL 250.59, 0.4%, 0.25%

LAB 18.85, 18.76, -29.49

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 0 / 73 / 18 / 61

HEX #631B51

RGB 99 27 81

HSL 315, 0.57%, 0.25%

LAB 23.77, 38.38, -15.86

 

CMYK 0 / 84 / 21 / 57

HEX #6D1156

RGB 109 17 86

HSL 315, 0.73%, 0.25%

LAB 24.71, 45.32, -17.59

 

CMYK 0 / 94 / 24 / 53

HEX #78075B

RGB 120 7 91

HSL 315.4, 0.89%, 0.25%

LAB 26.45, 50.77, -18.03

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 0 / 38 / 9 / 69

HEX #4E3047

RGB 78 48 71

HSL 314, 0.24%, 0.25%

LAB 24.29, 17.81, -8.66

 

CMYK 0 / 15 / 3 / 73

HEX #443A42

RGB 68 58 66

HSL 312, 0.08%, 0.25%

LAB 25.71, 6.06, -3.32

 

CMYK 16 / 0 / 12 / 73

HEX #3A453D

RGB 58 69 61

HSL 136.36, 0.09%, 0.25%

LAB 28.09, -6.34, 3.34

 

CMYK 41 / 0 / 29 / 69

HEX #2F4F38

RGB 47 79 56

HSL 136.88, 0.25%, 0.25%

LAB 30.6, -17.56, 9.95

 

CMYK 17 / 57 / 0 / 65

HEX #4A2659

RGB 74 38 89

HSL 282.35, 0.4%, 0.25%

LAB 22.17, 26.73, -23.99

 

CMYK 1 / 57 / 0 / 65

HEX #582659

RGB 88 38 89

HSL 298.82, 0.4%, 0.25%

LAB 24.26, 31.13, -20.56

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 0 / 57 / 30 / 65

HEX #59263E

RGB 89 38 62

HSL 331.76, 0.4%, 0.25%

LAB 23.2, 26.56, -4.05

 

CMYK 0 / 57 / 45 / 65

HEX #592631

RGB 89 38 49

HSL 347.06, 0.4%, 0.25%

LAB 22.76, 24.74, 4.21

 

CMYK 0 / 58 / 16 / 88

HEX #1F0D1A

RGB 31 13 26

HSL 316.67, 0.41%, 0.09%

LAB 5.91, 11.18, -4.89

 

CMYK 0 / 58 / 15 / 76

HEX #3C1933

RGB 60 25 51

HSL 315.43, 0.41%, 0.17%

LAB 14.93, 21.28, -9.35

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 0 / 58 / 15 / 54

HEX #763264

RGB 118 50 100

HSL 315.88, 0.4%, 0.33%

LAB 31.93, 36.43, -15.45

 

CMYK 0 / 57 / 15 / 42

HEX #933F7D

RGB 147 63 125

HSL 315.71, 0.4%, 0.41%

LAB 39.98, 43.22, -18.39

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 0 / 31 / 57 / 65

HEX #593D26

RGB 89 61 38

HSL 27.06, 0.4%, 0.25%

LAB 28.38, 9.3, 18.99

 

CMYK 57 / 0 / 9 / 65

HEX #265951

RGB 38 89 81

HSL 170.59, 0.4%, 0.25%

LAB 34.3, -19.3, -0.56

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 15 / 0 / 57 / 65

HEX #4C5926

RGB 76 89 38

HSL 75.29, 0.4%, 0.25%

LAB 35.64, -13.97, 27.49

 

CMYK 57 / 15 / 0 / 65

HEX #264C59

RGB 38 76 89

HSL 195.29, 0.4%, 0.25%

LAB 30.16, -9.32, -11.82

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 0 / 31 / 57 / 65

HEX #593D26

RGB 89 61 38

HSL 27.06, 0.4%, 0.25%

LAB 28.38, 9.3, 18.99

 

CMYK 57 / 0 / 43 / 65

HEX #265933

RGB 38 89 51

HSL 135.29, 0.4%, 0.25%

LAB 33.55, -26.63, 16.94

 

CMYK 57 / 26 / 0 / 65

HEX #264259

RGB 38 66 89

HSL 207.06, 0.4%, 0.25%

LAB 26.82, -3.01, -16.95

 

CMYK 0 / 57 / 15 / 65

HEX #59264C

RGB 89 38 76

HSL 315.29, 0.4%, 0.25%

LAB 23.78, 28.93, -12.64

 

CMYK 0 / 15 / 57 / 65

HEX #594C26

RGB 89 76 38

HSL 44.71, 0.4%, 0.25%

LAB 32.77, -0.1, 24.39

 

CMYK 57 / 0 / 43 / 65

HEX #265933

RGB 38 89 51

HSL 135.29, 0.4%, 0.25%

LAB 33.55, -26.63, 16.94

 

CMYK 57 / 43 / 0 / 65

HEX #263359

RGB 38 51 89

HSL 224.71, 0.4%, 0.25%

LAB 21.95, 7.2, -24.59

 

Description

Color code: HEX #59264C | qconv.com Color code: HEX #59264C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 38 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 38 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 15 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 15% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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