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Color name
HEX #592ADE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #592ADE it is the complementary color #A6D521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #592ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #592ADE shade: #5E2AD9, #6F3CEC, #804EFF, #9160FF and #A272FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #592ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #592ADE shade: #592ADE, #4818CB, #3706B8, #2600A5 and #150092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #592ADE shade: #592BDD, #8A2BDD, #BA2BDD, #DD2BD1 and #DD2BA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #592ADE shade: #592BDD and #2B2BDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #592ADE shade matches the following richer shades: #592BDD and #5017F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #592ADE shade: #592BDD, #633FCA, #6C52B6, #7666A2 and #7F7A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #592ADE shade: #2B5DDD, #2B2EDD, #572BDD, #872BDD and #B72BDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #592ADE shade: #3B189E, #481EC1, #592BDD, #754EE3 and #9172E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #592ADE shade: #592ADE, #DD2B8D and #46DD2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #592ADE shade: #592ADE, #DD572B and #2BDD57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #592ADE shade: #592ADE, #DD2B8D, #B1DD2B and #2BDD7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #592ADE shade: #592ADE, #DD2B57, #B1DD2B and #2BDDB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 81 / 0 / 13

HEX #592ADE

RGB 89 42 222

HSL 255.67, 0.73%, 0.52%

LAB 36.09, 63.32, -82.72

 

Complementary color

CMYK 22 / 0 / 85 / 16

HEX #A6D521

RGB 166 213 33

HSL 75.67, 0.73%, 0.48%

LAB 79.5, -37.6, 74.09

 

CMYK 57 / 81 / 0 / 15

HEX #5E2AD9

RGB 94 42 217

HSL 257.83, 0.7%, 0.51%

LAB 36.07, 62.52, -79.86

 

CMYK 53 / 75 / 0 / 7

HEX #6F3CEC

RGB 111 60 236

HSL 257.39, 0.82%, 0.58%

LAB 42.26, 61.87, -80.46

 

CMYK 50 / 69 / 0 / 0

HEX #804EFF

RGB 128 78 255

HSL 256.95, 1%, 0.65%

LAB 48.58, 60.83, -80.68

 

CMYK 43 / 62 / 0 / 0

HEX #9160FF

RGB 145 96 255

HSL 258.49, 1%, 0.69%

LAB 53.61, 54.6, -72.43

 

CMYK 36 / 55 / 0 / 0

HEX #A272FF

RGB 162 114 255

HSL 260.43, 1%, 0.72%

LAB 58.92, 48.53, -63.78

 

CMYK 60 / 81 / 0 / 13

HEX #592ADE

RGB 89 42 222

HSL 255.67, 0.73%, 0.52%

LAB 36.09, 63.32, -82.72

 

CMYK 65 / 88 / 0 / 20

HEX #4818CB

RGB 72 24 203

HSL 256.09, 0.79%, 0.45%

LAB 30.26, 63.26, -81.43

 

CMYK 70 / 97 / 0 / 28

HEX #3706B8

RGB 55 6 184

HSL 256.52, 0.94%, 0.37%

LAB 24.96, 61.76, -79.07

 

CMYK 77 / 100 / 0 / 35

HEX #2600A5

RGB 38 0 165

HSL 253.82, 1%, 0.32%

LAB 20.55, 57.77, -75.02

 

CMYK 86 / 100 / 0 / 43

HEX #150092

RGB 21 0 146

HSL 248.63, 1%, 0.29%

LAB 16.67, 52.53, -69.83

 

CMYK 60 / 81 / 0 / 13

HEX #592BDD

RGB 89 43 221

HSL 255.51, 0.72%, 0.52%

LAB 36.12, 62.65, -82.09

 

CMYK 38 / 81 / 0 / 13

HEX #8A2BDD

RGB 138 43 221

HSL 272.02, 0.72%, 0.52%

LAB 41.77, 68.75, -72.6

 

CMYK 16 / 81 / 0 / 13

HEX #BA2BDD

RGB 186 43 221

HSL 288.2, 0.72%, 0.52%

LAB 48.74, 76.44, -60.95

 

CMYK 0 / 81 / 5 / 13

HEX #DD2BD1

RGB 221 43 209

HSL 304.04, 0.72%, 0.52%

LAB 53.71, 80.94, -45.83

 

CMYK 0 / 81 / 27 / 13

HEX #DD2BA1

RGB 221 43 161

HSL 320.22, 0.72%, 0.52%

LAB 51.47, 74.66, -21.41

 

CMYK 60 / 81 / 0 / 13

HEX #592BDD

RGB 89 43 221

HSL 255.51, 0.72%, 0.52%

LAB 36.12, 62.65, -82.09

 

CMYK 81 / 81 / 0 / 13

HEX #2B2BDD

RGB 43 43 221

HSL 240, 0.72%, 0.52%

LAB 32.84, 59.17, -87.64

 

CMYK 60 / 81 / 0 / 13

HEX #592BDD

RGB 89 43 221

HSL 255.51, 0.72%, 0.52%

LAB 36.12, 62.65, -82.09

 

CMYK 67 / 90 / 0 / 5

HEX #5017F1

RGB 80 23 241

HSL 255.69, 0.89%, 0.52%

LAB 35.34, 73.56, -94.82

 

CMYK 60 / 81 / 0 / 13

HEX #592BDD

RGB 89 43 221

HSL 255.51, 0.72%, 0.52%

LAB 36.12, 62.65, -82.09

 

CMYK 51 / 69 / 0 / 21

HEX #633FCA

RGB 99 63 202

HSL 255.54, 0.57%, 0.52%

LAB 38.68, 49.23, -66.89

 

CMYK 41 / 55 / 0 / 29

HEX #6C52B6

RGB 108 82 182

HSL 255.6, 0.41%, 0.52%

LAB 42.15, 34.57, -49.54

 

CMYK 27 / 37 / 0 / 36

HEX #7666A2

RGB 118 102 162

HSL 256, 0.24%, 0.52%

LAB 46.93, 19.8, -30.16

 

CMYK 11 / 14 / 0 / 44

HEX #7F7A8E

RGB 127 122 142

HSL 255, 0.08%, 0.52%

LAB 52.27, 6.05, -10.14

 

CMYK 81 / 58 / 0 / 13

HEX #2B5DDD

RGB 43 93 221

HSL 223.15, 0.72%, 0.52%

LAB 43.6, 30.04, -69.92

 

CMYK 81 / 79 / 0 / 13

HEX #2B2EDD

RGB 43 46 221

HSL 238.99, 0.72%, 0.52%

LAB 33.32, 57.74, -86.83

 

CMYK 61 / 81 / 0 / 13

HEX #572BDD

RGB 87 43 221

HSL 254.83, 0.72%, 0.52%

LAB 35.94, 62.45, -82.41

 

CMYK 39 / 81 / 0 / 13

HEX #872BDD

RGB 135 43 221

HSL 271.01, 0.72%, 0.52%

LAB 41.37, 68.32, -73.27

 

CMYK 17 / 81 / 0 / 13

HEX #B72BDD

RGB 183 43 221

HSL 287.19, 0.72%, 0.52%

LAB 48.28, 75.92, -61.73

 

CMYK 63 / 85 / 0 / 38

HEX #3B189E

RGB 59 24 158

HSL 255.67, 0.74%, 0.36%

LAB 23.84, 50.11, -65.23

 

CMYK 63 / 84 / 0 / 24

HEX #481EC1

RGB 72 30 193

HSL 255.46, 0.73%, 0.44%

LAB 29.8, 58.61, -76.32

 

CMYK 60 / 81 / 0 / 13

HEX #592BDD

RGB 89 43 221

HSL 255.51, 0.72%, 0.52%

LAB 36.12, 62.65, -82.09

 

CMYK 48 / 66 / 0 / 11

HEX #754EE3

RGB 117 78 227

HSL 255.7, 0.73%, 0.6%

LAB 45.33, 51.36, -70.31

 

CMYK 38 / 51 / 0 / 9

HEX #9172E9

RGB 145 114 233

HSL 255.63, 0.73%, 0.68%

LAB 56.03, 38.83, -56.29

 

CMYK 60 / 81 / 0 / 13

HEX #592ADE

RGB 89 42 222

HSL 255.67, 0.73%, 0.52%

LAB 36.09, 63.32, -82.72

 

CMYK 0 / 81 / 36 / 13

HEX #DD2B8D

RGB 221 43 141

HSL 326.97, 0.72%, 0.52%

LAB 50.71, 72.49, -10.63

 

CMYK 68 / 0 / 81 / 13

HEX #46DD2B

RGB 70 221 43

HSL 110.9, 0.72%, 0.52%

LAB 77.99, -69.21, 68.8

 

CMYK 60 / 81 / 0 / 13

HEX #592ADE

RGB 89 42 222

HSL 255.67, 0.73%, 0.52%

LAB 36.09, 63.32, -82.72

 

CMYK 0 / 61 / 81 / 13

HEX #DD572B

RGB 221 87 43

HSL 14.83, 0.72%, 0.52%

LAB 54.41, 50.27, 50.61

 

CMYK 81 / 0 / 61 / 13

HEX #2BDD57

RGB 43 221 87

HSL 134.83, 0.72%, 0.52%

LAB 77.82, -69.47, 52.56

 

CMYK 60 / 81 / 0 / 13

HEX #592ADE

RGB 89 42 222

HSL 255.67, 0.73%, 0.52%

LAB 36.09, 63.32, -82.72

 

CMYK 0 / 81 / 36 / 13

HEX #DD2B8D

RGB 221 43 141

HSL 326.97, 0.72%, 0.52%

LAB 50.71, 72.49, -10.63

 

CMYK 20 / 0 / 81 / 13

HEX #B1DD2B

RGB 177 221 43

HSL 74.83, 0.72%, 0.52%

LAB 82.5, -36.56, 74.58

 

CMYK 81 / 0 / 44 / 13

HEX #2BDD7B

RGB 43 221 123

HSL 146.97, 0.72%, 0.52%

LAB 78.26, -64.25, 36.11

 

CMYK 60 / 81 / 0 / 13

HEX #592ADE

RGB 89 42 222

HSL 255.67, 0.73%, 0.52%

LAB 36.09, 63.32, -82.72

 

CMYK 0 / 81 / 61 / 13

HEX #DD2B57

RGB 221 43 87

HSL 345.17, 0.72%, 0.52%

LAB 49.24, 68.09, 20.06

 

CMYK 20 / 0 / 81 / 13

HEX #B1DD2B

RGB 177 221 43

HSL 74.83, 0.72%, 0.52%

LAB 82.5, -36.56, 74.58

 

CMYK 81 / 0 / 20 / 13

HEX #2BDDB1

RGB 43 221 177

HSL 165.17, 0.72%, 0.52%

LAB 79.27, -52.99, 9.49

 

Description

Color code: HEX #592ADE | qconv.com Color code: HEX #592ADE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 42 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 42 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 81 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 81% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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