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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5934CB it is the complementary color #A6CB34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5934CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5934CB shade: #5E34C6, #6F46D9, #8058EC, #916AFF and #A27CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5934CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5934CB shade: #5934CB, #4822B8, #3710A5, #260092 and #15007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5934CB shade: #5934CA, #8134CA, #AA34CA, #CA34C2 and #CA349A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5934CB shade: #5934CA and #3434CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5934CB shade matches the following richer shades: #5934CA, #4E1FDF and #440BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5934CB shade: #5934CA, #6348B6, #6E5DA1, #78728C and #838678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5934CB shade: #3461CA, #3439CA, #5734CA, #7F34CA and #A734CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5934CB shade: #3C2389, #4A2BA9, #5934CA, #7355D3 and #8E75DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5934CB shade: #5934CB, #CA3489 and #4DCA34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5934CB shade: #5934CB, #CA5734 and #34CA57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5934CB shade: #5934CB, #CA3489, #A7CA34 and #34CA75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5934CB shade: #5934CB, #CA345C, #A7CA34 and #34CAA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 74 / 0 / 20

HEX #5934CB

RGB 89 52 203

HSL 254.7, 0.59%, 0.5%

LAB 35.77, 53.64, -72.27

 

Complementary color

CMYK 18 / 0 / 74 / 20

HEX #A6CB34

RGB 166 203 52

HSL 74.7, 0.59%, 0.5%

LAB 76.72, -32.28, 66.38

 

CMYK 53 / 74 / 0 / 22

HEX #5E34C6

RGB 94 52 198

HSL 257.26, 0.58%, 0.49%

LAB 35.82, 52.95, -69.27

 

CMYK 49 / 68 / 0 / 15

HEX #6F46D9

RGB 111 70 217

HSL 256.73, 0.66%, 0.56%

LAB 42.41, 51.78, -69.39

 

CMYK 46 / 63 / 0 / 7

HEX #8058EC

RGB 128 88 236

HSL 256.22, 0.8%, 0.64%

LAB 49.04, 50.49, -69.31

 

CMYK 43 / 58 / 0 / 0

HEX #916AFF

RGB 145 106 255

HSL 255.7, 1%, 0.71%

LAB 55.63, 49.22, -69.15

 

CMYK 36 / 51 / 0 / 0

HEX #A27CFF

RGB 162 124 255

HSL 257.4, 1%, 0.74%

LAB 61.06, 43.03, -60.34

 

CMYK 56 / 74 / 0 / 20

HEX #5934CB

RGB 89 52 203

HSL 254.7, 0.59%, 0.5%

LAB 35.77, 53.64, -72.27

 

CMYK 61 / 82 / 0 / 28

HEX #4822B8

RGB 72 34 184

HSL 255.2, 0.69%, 0.43%

LAB 29.37, 54.56, -71.71

 

CMYK 67 / 90 / 0 / 35

HEX #3710A5

RGB 55 16 165

HSL 255.7, 0.82%, 0.35%

LAB 23.34, 54.5, -70.35

 

CMYK 74 / 100 / 0 / 43

HEX #260092

RGB 38 0 146

HSL 255.62, 1%, 0.29%

LAB 17.86, 52.99, -67.82

 

CMYK 83 / 100 / 0 / 50

HEX #15007F

RGB 21 0 127

HSL 249.92, 1%, 0.25%

LAB 13.78, 47.57, -62.7

 

CMYK 56 / 74 / 0 / 21

HEX #5934CA

RGB 89 52 202

HSL 254.8, 0.59%, 0.5%

LAB 35.68, 53.36, -71.84

 

CMYK 36 / 74 / 0 / 21

HEX #8134CA

RGB 129 52 202

HSL 270.8, 0.59%, 0.5%

LAB 40.23, 59.64, -64.22

 

CMYK 16 / 74 / 0 / 21

HEX #AA34CA

RGB 170 52 202

HSL 287.2, 0.59%, 0.5%

LAB 46, 67.3, -54.6

 

CMYK 0 / 74 / 4 / 21

HEX #CA34C2

RGB 202 52 194

HSL 303.2, 0.59%, 0.5%

LAB 50.58, 72.5, -42.36

 

CMYK 0 / 74 / 24 / 21

HEX #CA349A

RGB 202 52 154

HSL 319.2, 0.59%, 0.5%

LAB 48.69, 66.87, -21.8

 

CMYK 56 / 74 / 0 / 21

HEX #5934CA

RGB 89 52 202

HSL 254.8, 0.59%, 0.5%

LAB 35.68, 53.36, -71.84

 

CMYK 74 / 74 / 0 / 21

HEX #3434CA

RGB 52 52 202

HSL 240, 0.59%, 0.5%

LAB 32.81, 49.22, -76.67

 

CMYK 56 / 74 / 0 / 21

HEX #5934CA

RGB 89 52 202

HSL 254.8, 0.59%, 0.5%

LAB 35.68, 53.36, -71.84

 

CMYK 65 / 86 / 0 / 13

HEX #4E1FDF

RGB 78 31 223

HSL 254.69, 0.76%, 0.5%

LAB 33.83, 66.65, -87.07

 

CMYK 72 / 95 / 0 / 5

HEX #440BF3

RGB 68 11 243

HSL 254.74, 0.91%, 0.5%

LAB 33.86, 75.81, -98.44

 

CMYK 56 / 74 / 0 / 21

HEX #5934CA

RGB 89 52 202

HSL 254.8, 0.59%, 0.5%

LAB 35.68, 53.36, -71.84

 

CMYK 46 / 60 / 0 / 29

HEX #6348B6

RGB 99 72 182

HSL 254.73, 0.43%, 0.5%

LAB 39.01, 38.43, -54.65

 

CMYK 32 / 42 / 0 / 37

HEX #6E5DA1

RGB 110 93 161

HSL 255, 0.27%, 0.5%

LAB 43.82, 22.62, -34.48

 

CMYK 14 / 19 / 0 / 45

HEX #78728C

RGB 120 114 140

HSL 253.85, 0.1%, 0.5%

LAB 49.4, 7.85, -13.35

 

CMYK 2 / 0 / 10 / 47

HEX #838678

RGB 131 134 120

HSL 72.86, 0.06%, 0.5%

LAB 55.31, -3.78, 7.15

HEX #838678

CMYK 74 / 52 / 0 / 21

HEX #3461CA

RGB 52 97 202

HSL 222, 0.59%, 0.5%

LAB 43.57, 21.31, -59.07

 

CMYK 74 / 72 / 0 / 21

HEX #3439CA

RGB 52 57 202

HSL 238, 0.59%, 0.5%

LAB 33.82, 46.41, -75.01

 

CMYK 57 / 74 / 0 / 21

HEX #5734CA

RGB 87 52 202

HSL 254, 0.59%, 0.5%

LAB 35.49, 53.09, -72.16

 

CMYK 37 / 74 / 0 / 21

HEX #7F34CA

RGB 127 52 202

HSL 270, 0.59%, 0.5%

LAB 39.97, 59.29, -64.65

 

CMYK 17 / 74 / 0 / 21

HEX #A734CA

RGB 167 52 202

HSL 286, 0.59%, 0.5%

LAB 45.55, 66.71, -55.35

 

CMYK 56 / 74 / 0 / 46

HEX #3C2389

RGB 60 35 137

HSL 254.71, 0.59%, 0.34%

LAB 23.57, 38.83, -52.7

 

CMYK 56 / 75 / 0 / 34

HEX #4A2BA9

RGB 74 43 169

HSL 254.76, 0.59%, 0.42%

LAB 29.53, 46.28, -62.47

 

CMYK 56 / 74 / 0 / 21

HEX #5934CA

RGB 89 52 202

HSL 254.8, 0.59%, 0.5%

LAB 35.68, 53.36, -71.84

 

CMYK 45 / 60 / 0 / 17

HEX #7355D3

RGB 115 85 211

HSL 254.29, 0.59%, 0.58%

LAB 45.42, 42.6, -61.05

 

CMYK 35 / 47 / 0 / 14

HEX #8E75DB

RGB 142 117 219

HSL 254.71, 0.59%, 0.66%

LAB 55.67, 32.64, -49.02

 

CMYK 56 / 74 / 0 / 20

HEX #5934CB

RGB 89 52 203

HSL 254.7, 0.59%, 0.5%

LAB 35.77, 53.64, -72.27

 

CMYK 0 / 74 / 32 / 21

HEX #CA3489

RGB 202 52 137

HSL 326, 0.59%, 0.5%

LAB 48.03, 64.82, -12.6

 

CMYK 62 / 0 / 74 / 21

HEX #4DCA34

RGB 77 202 52

HSL 110, 0.59%, 0.5%

LAB 72.27, -60.98, 60.63

 

CMYK 56 / 74 / 0 / 20

HEX #5934CB

RGB 89 52 203

HSL 254.7, 0.59%, 0.5%

LAB 35.77, 53.64, -72.27

 

CMYK 0 / 57 / 74 / 21

HEX #CA5734

RGB 202 87 52

HSL 14, 0.59%, 0.5%

LAB 51.41, 43.67, 42.11

 

CMYK 74 / 0 / 57 / 21

HEX #34CA57

RGB 52 202 87

HSL 134, 0.59%, 0.5%

LAB 72, -62.16, 45.82

 

CMYK 56 / 74 / 0 / 20

HEX #5934CB

RGB 89 52 203

HSL 254.7, 0.59%, 0.5%

LAB 35.77, 53.64, -72.27

 

CMYK 0 / 74 / 32 / 21

HEX #CA3489

RGB 202 52 137

HSL 326, 0.59%, 0.5%

LAB 48.03, 64.82, -12.6

 

CMYK 17 / 0 / 74 / 21

HEX #A7CA34

RGB 167 202 52

HSL 74, 0.59%, 0.5%

LAB 76.5, -31.41, 66.19

 

CMYK 74 / 0 / 42 / 21

HEX #34CA75

RGB 52 202 117

HSL 146, 0.59%, 0.5%

LAB 72.4, -57.51, 31.57

 

CMYK 56 / 74 / 0 / 20

HEX #5934CB

RGB 89 52 203

HSL 254.7, 0.59%, 0.5%

LAB 35.77, 53.64, -72.27

 

CMYK 0 / 74 / 54 / 21

HEX #CA345C

RGB 202 52 92

HSL 344, 0.59%, 0.5%

LAB 46.69, 60.55, 12.95

 

CMYK 17 / 0 / 74 / 21

HEX #A7CA34

RGB 167 202 52

HSL 74, 0.59%, 0.5%

LAB 76.5, -31.41, 66.19

 

CMYK 74 / 0 / 20 / 21

HEX #34CAA2

RGB 52 202 162

HSL 164, 0.59%, 0.5%

LAB 73.27, -47.96, 8.97

 

Description

Color code: HEX #5934CB | qconv.com Color code: HEX #5934CB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 52 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 52 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 74 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 74% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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