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Color name
HEX #5937A3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5937A3 it is the complementary color #A6C85C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5937A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5937A3 shade: #5E379E, #6F49B1, #805BC4, #916DD7 and #A27FEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5937A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5937A3 shade: #5937A3, #482590, #37137D, #26016A and #150057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5937A3 shade: #5936A4, #7636A4, #9436A4, #A43696 and #A43679

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5937A3 shade: #5936A4, #3B36A4 and #3636A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5937A3 shade matches the following richer shades: #5936A4, #5225B6, #4C13C7 and #4501D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5937A3 shade: #5936A4, #5F4892, #665A80, #6D6C6F and #737D5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5937A3 shade: #3650A4, #3A36A4, #5736A4, #7436A4 and #9236A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5937A3 shade: #372266, #482C85, #5936A4, #6B43C0 and #8362CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5937A3 shade: #5937A3, #A4366D and #41A436

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5937A3 shade: #5937A3, #A45736 and #36A457

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5937A3 shade: #5937A3, #A4366D, #83A436 and #36A46D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5937A3 shade: #5937A3, #A4364C, #83A436 and #36A48E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 66 / 0 / 36

HEX #5937A3

RGB 89 55 163

HSL 258.89, 0.5%, 0.43%

LAB 32.92, 40.64, -53.26

 

Complementary color

CMYK 17 / 0 / 54 / 22

HEX #A6C85C

RGB 166 200 92

HSL 78.89, 0.5%, 0.57%

LAB 76.18, -28, 49.6

 

CMYK 41 / 65 / 0 / 38

HEX #5E379E

RGB 94 55 158

HSL 262.72, 0.48%, 0.42%

LAB 33.09, 40.29, -49.93

 

CMYK 37 / 59 / 0 / 31

HEX #6F49B1

RGB 111 73 177

HSL 261.92, 0.42%, 0.49%

LAB 40.11, 39.15, -49.86

 

CMYK 35 / 54 / 0 / 23

HEX #805BC4

RGB 128 91 196

HSL 261.14, 0.47%, 0.56%

LAB 47.05, 38.03, -49.73

 

CMYK 33 / 49 / 0 / 16

HEX #916DD7

RGB 145 109 215

HSL 260.38, 0.57%, 0.64%

LAB 53.88, 36.98, -49.59

 

CMYK 31 / 46 / 0 / 8

HEX #A27FEA

RGB 162 127 234

HSL 259.63, 0.72%, 0.71%

LAB 60.61, 36.01, -49.46

 

CMYK 45 / 66 / 0 / 36

HEX #5937A3

RGB 89 55 163

HSL 258.89, 0.5%, 0.43%

LAB 32.92, 40.64, -53.26

 

CMYK 50 / 74 / 0 / 44

HEX #482590

RGB 72 37 144

HSL 259.63, 0.59%, 0.35%

LAB 25.91, 41.81, -53.17

 

CMYK 56 / 85 / 0 / 51

HEX #37137D

RGB 55 19 125

HSL 260.38, 0.74%, 0.28%

LAB 19.05, 42.43, -52.58

 

CMYK 64 / 99 / 0 / 58

HEX #26016A

RGB 38 1 106

HSL 261.14, 0.98%, 0.21%

LAB 12.44, 42.33, -51.28

 

CMYK 76 / 100 / 0 / 66

HEX #150057

RGB 21 0 87

HSL 254.48, 1%, 0.17%

LAB 7.66, 36.75, -46.57

 

CMYK 46 / 67 / 0 / 36

HEX #5936A4

RGB 89 54 164

HSL 259.09, 0.5%, 0.43%

LAB 32.79, 41.49, -54.06

 

CMYK 28 / 67 / 0 / 36

HEX #7636A4

RGB 118 54 164

HSL 274.91, 0.5%, 0.43%

LAB 36.31, 47.65, -48.2

 

CMYK 10 / 67 / 0 / 36

HEX #9436A4

RGB 148 54 164

HSL 291.27, 0.5%, 0.43%

LAB 40.6, 54.59, -41.1

 

CMYK 0 / 67 / 9 / 36

HEX #A43696

RGB 164 54 150

HSL 307.64, 0.5%, 0.43%

LAB 42.36, 56.07, -29.73

 

CMYK 0 / 67 / 26 / 36

HEX #A43679

RGB 164 54 121

HSL 323.45, 0.5%, 0.43%

LAB 41.07, 51.78, -14

 

CMYK 46 / 67 / 0 / 36

HEX #5936A4

RGB 89 54 164

HSL 259.09, 0.5%, 0.43%

LAB 32.79, 41.49, -54.06

 

CMYK 64 / 67 / 0 / 36

HEX #3B36A4

RGB 59 54 164

HSL 242.73, 0.5%, 0.43%

LAB 30.03, 36.24, -58.69

 

CMYK 67 / 67 / 0 / 36

HEX #3636A4

RGB 54 54 164

HSL 240, 0.5%, 0.43%

LAB 29.67, 35.52, -59.29

 

CMYK 46 / 67 / 0 / 36

HEX #5936A4

RGB 89 54 164

HSL 259.09, 0.5%, 0.43%

LAB 32.79, 41.49, -54.06

 

CMYK 55 / 80 / 0 / 29

HEX #5225B6

RGB 82 37 182

HSL 258.62, 0.66%, 0.43%

LAB 30.63, 53.86, -68.41

 

CMYK 62 / 90 / 0 / 22

HEX #4C13C7

RGB 76 19 199

HSL 259, 0.83%, 0.43%

LAB 29.73, 63.92, -79.96

 

CMYK 68 / 100 / 0 / 15

HEX #4501D9

RGB 69 1 217

HSL 258.89, 0.99%, 0.43%

LAB 30.15, 71.22, -89.75

 

CMYK 46 / 67 / 0 / 36

HEX #5936A4

RGB 89 54 164

HSL 259.09, 0.5%, 0.43%

LAB 32.79, 41.49, -54.06

 

CMYK 35 / 51 / 0 / 43

HEX #5F4892

RGB 95 72 146

HSL 258.65, 0.34%, 0.43%

LAB 36.26, 27.14, -37.56

 

CMYK 20 / 30 / 0 / 50

HEX #665A80

RGB 102 90 128

HSL 258.95, 0.17%, 0.43%

LAB 40.73, 13.31, -19.54

 

CMYK 2 / 3 / 0 / 56

HEX #6D6C6F

RGB 109 108 111

HSL 260, 0.01%, 0.43%

LAB 45.8, 1.01, -1.54

 

CMYK 8 / 0 / 26 / 51

HEX #737D5D

RGB 115 125 93

HSL 78.75, 0.15%, 0.43%

LAB 50.81, -9.72, 16.25

 

CMYK 67 / 51 / 0 / 36

HEX #3650A4

RGB 54 80 164

HSL 225.82, 0.5%, 0.43%

LAB 36.37, 18.6, -48.4

 

CMYK 65 / 67 / 0 / 36

HEX #3A36A4

RGB 58 54 164

HSL 242.18, 0.5%, 0.43%

LAB 29.96, 36.09, -58.81

 

CMYK 47 / 67 / 0 / 36

HEX #5736A4

RGB 87 54 164

HSL 258, 0.5%, 0.43%

LAB 32.58, 41.09, -54.42

 

CMYK 29 / 67 / 0 / 36

HEX #7436A4

RGB 116 54 164

HSL 273.82, 0.5%, 0.43%

LAB 36.05, 47.2, -48.64

 

CMYK 11 / 67 / 0 / 36

HEX #9236A4

RGB 146 54 164

HSL 290.18, 0.5%, 0.43%

LAB 40.29, 54.12, -41.59

 

CMYK 46 / 67 / 0 / 60

HEX #372266

RGB 55 34 102

HSL 258.53, 0.5%, 0.27%

LAB 19.7, 27.6, -36.66

 

CMYK 46 / 67 / 0 / 48

HEX #482C85

RGB 72 44 133

HSL 258.88, 0.5%, 0.35%

LAB 26.37, 34.72, -45.58

 

CMYK 46 / 67 / 0 / 36

HEX #5936A4

RGB 89 54 164

HSL 259.09, 0.5%, 0.43%

LAB 32.79, 41.49, -54.06

 

CMYK 44 / 65 / 0 / 25

HEX #6B43C0

RGB 107 67 192

HSL 259.2, 0.5%, 0.51%

LAB 39.49, 45.73, -59.71

 

CMYK 35 / 51 / 0 / 21

HEX #8362CA

RGB 131 98 202

HSL 259.04, 0.5%, 0.59%

LAB 49.28, 36.33, -49.6

 

CMYK 45 / 66 / 0 / 36

HEX #5937A3

RGB 89 55 163

HSL 258.89, 0.5%, 0.43%

LAB 32.92, 40.64, -53.26

 

CMYK 0 / 67 / 34 / 36

HEX #A4366D

RGB 164 54 109

HSL 330, 0.5%, 0.43%

LAB 40.63, 50.24, -7.22

 

CMYK 60 / 0 / 67 / 36

HEX #41A436

RGB 65 164 54

HSL 114, 0.5%, 0.43%

LAB 59.84, -50.1, 46.87

 

CMYK 45 / 66 / 0 / 36

HEX #5937A3

RGB 89 55 163

HSL 258.89, 0.5%, 0.43%

LAB 32.92, 40.64, -53.26

 

CMYK 0 / 47 / 67 / 36

HEX #A45736

RGB 164 87 54

HSL 18, 0.5%, 0.43%

LAB 45.6, 28.79, 32.91

 

CMYK 67 / 0 / 47 / 36

HEX #36A457

RGB 54 164 87

HSL 138, 0.5%, 0.43%

LAB 59.91, -48.18, 31.01

 

CMYK 45 / 66 / 0 / 36

HEX #5937A3

RGB 89 55 163

HSL 258.89, 0.5%, 0.43%

LAB 32.92, 40.64, -53.26

 

CMYK 0 / 67 / 34 / 36

HEX #A4366D

RGB 164 54 109

HSL 330, 0.5%, 0.43%

LAB 40.63, 50.24, -7.22

 

CMYK 20 / 0 / 67 / 36

HEX #83A436

RGB 131 164 54

HSL 78, 0.5%, 0.43%

LAB 63.05, -27.78, 51.25

 

CMYK 67 / 0 / 34 / 36

HEX #36A46D

RGB 54 164 109

HSL 150, 0.5%, 0.43%

LAB 60.28, -44.05, 19.7

 

CMYK 45 / 66 / 0 / 36

HEX #5937A3

RGB 89 55 163

HSL 258.89, 0.5%, 0.43%

LAB 32.92, 40.64, -53.26

 

CMYK 0 / 67 / 54 / 36

HEX #A4364C

RGB 164 54 76

HSL 348, 0.5%, 0.43%

LAB 39.67, 46.83, 12.12

 

CMYK 20 / 0 / 67 / 36

HEX #83A436

RGB 131 164 54

HSL 78, 0.5%, 0.43%

LAB 63.05, -27.78, 51.25

 

CMYK 67 / 0 / 13 / 36

HEX #36A48E

RGB 54 164 142

HSL 168, 0.5%, 0.43%

LAB 61.04, -36.25, 2.38

 

Description

Color code: HEX #5937A3 | qconv.com Color code: HEX #5937A3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 55 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 55 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 66 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 66% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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