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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #593B34 it is the complementary color #A6C4CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #593B34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #593B34 shade: #5E3B2F, #6F4D42, #805F55, #917168 and #A2837B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #593B34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #593B34 shade: #593B34, #482921, #37170E, #260500 and #150000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #593B34 shade: #593B34 and #593434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #593B34 shade: #593B34, #594534, #594F34, #595934 and #505934

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #593B34 shade matches the following richer shades: #593B34, #653429, #712D1D, #7C2612 and #881F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #593B34 shade: #593B34, #4E4340, #424A4B, #375157 and #2B5863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #593B34 shade: #593441, #593437, #593B34, #594534 and #594F34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #593B34 shade: #251916, #3F2A25, #593B34, #734D44 and #8D5E53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #593B34 shade: #593B34, #4B5934 and #343C59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #593B34 shade: #593B34, #34593B and #3B3459

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #593B34 shade: #593B34, #4B5934, #345359 and #433459

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #593B34 shade: #593B34, #405934, #345359 and #4E3459

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

Complementary color

CMYK 18 / 3 / 0 / 20

HEX #A6C4CB

RGB 166 196 203

HSL 191.35, 0.26%, 0.72%

LAB 77.22, -8.55, -6.88

 

CMYK 0 / 37 / 50 / 63

HEX #5E3B2F

RGB 94 59 47

HSL 15.32, 0.33%, 0.28%

LAB 28.68, 13.91, 13.81

 

CMYK 0 / 31 / 41 / 56

HEX #6F4D42

RGB 111 77 66

HSL 14.67, 0.25%, 0.35%

LAB 36.14, 12.81, 12.26

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 0 / 22 / 28 / 43

HEX #917168

RGB 145 113 104

HSL 13.17, 0.16%, 0.49%

LAB 50.49, 11.21, 9.82

 

CMYK 0 / 19 / 24 / 36

HEX #A2837B

RGB 162 131 123

HSL 12.31, 0.17%, 0.56%

LAB 57.41, 10.6, 8.8

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 0 / 43 / 54 / 72

HEX #482921

RGB 72 41 33

HSL 12.31, 0.37%, 0.21%

LAB 20.34, 13.45, 11.37

 

CMYK 0 / 58 / 75 / 78

HEX #37170E

RGB 55 23 14

HSL 13.17, 0.59%, 0.14%

LAB 12.33, 15.03, 12.77

 

CMYK 0 / 87 / 100 / 85

HEX #260500

RGB 38 5 0

HSL 7.89, 1%, 0.07%

LAB 4.7, 14.69, 7.31

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 0 / 42 / 42 / 65

HEX #593434

RGB 89 52 52

HSL 0, 0.26%, 0.28%

LAB 26.24, 16.67, 7.09

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 0 / 22 / 42 / 65

HEX #594534

RGB 89 69 52

HSL 27.57, 0.26%, 0.28%

LAB 30.94, 5.91, 13.54

 

CMYK 0 / 11 / 42 / 65

HEX #594F34

RGB 89 79 52

HSL 43.78, 0.26%, 0.28%

LAB 33.91, -0.32, 17.47

 

CMYK 0 / 0 / 42 / 65

HEX #595934

RGB 89 89 52

HSL 60, 0.26%, 0.28%

LAB 36.96, -6.34, 21.41

 

CMYK 10 / 0 / 42 / 65

HEX #505934

RGB 80 89 52

HSL 74.59, 0.26%, 0.28%

LAB 36.17, -10.42, 20.25

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 0 / 49 / 59 / 60

HEX #653429

RGB 101 52 41

HSL 11, 0.42%, 0.28%

LAB 27.8, 20.75, 16.71

 

CMYK 0 / 60 / 74 / 56

HEX #712D1D

RGB 113 45 29

HSL 11.43, 0.59%, 0.28%

LAB 28.05, 28.98, 25.01

 

CMYK 0 / 69 / 85 / 51

HEX #7C2612

RGB 124 38 18

HSL 11.32, 0.75%, 0.28%

LAB 28.68, 36.27, 32.59

 

CMYK 0 / 77 / 96 / 47

HEX #881F06

RGB 136 31 6

HSL 11.54, 0.92%, 0.28%

LAB 29.98, 43.06, 40.08

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 0 / 14 / 18 / 69

HEX #4E4340

RGB 78 67 64

HSL 12.86, 0.1%, 0.28%

LAB 29.42, 4.12, 3.55

 

CMYK 12 / 1 / 0 / 71

HEX #424A4B

RGB 66 74 75

HSL 186.67, 0.06%, 0.28%

LAB 30.79, -2.99, -1.7

 

CMYK 37 / 7 / 0 / 66

HEX #375157

RGB 55 81 87

HSL 191.25, 0.23%, 0.28%

LAB 32.67, -8.09, -6.66

 

CMYK 57 / 11 / 0 / 61

HEX #2B5863

RGB 43 88 99

HSL 191.79, 0.39%, 0.28%

LAB 34.79, -11.99, -11.09

 

CMYK 0 / 42 / 27 / 65

HEX #593441

RGB 89 52 65

HSL 338.92, 0.26%, 0.28%

LAB 26.62, 18.64, -1

 

CMYK 0 / 42 / 38 / 65

HEX #593437

RGB 89 52 55

HSL 355.14, 0.26%, 0.28%

LAB 26.32, 17.09, 5.21

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 0 / 22 / 42 / 65

HEX #594534

RGB 89 69 52

HSL 27.57, 0.26%, 0.28%

LAB 30.94, 5.91, 13.54

 

CMYK 0 / 11 / 42 / 65

HEX #594F34

RGB 89 79 52

HSL 43.78, 0.26%, 0.28%

LAB 33.91, -0.32, 17.47

 

CMYK 0 / 32 / 41 / 85

HEX #251916

RGB 37 25 22

HSL 12, 0.25%, 0.12%

LAB 10.16, 5.45, 4.44

 

CMYK 0 / 33 / 41 / 75

HEX #3F2A25

RGB 63 42 37

HSL 11.54, 0.26%, 0.2%

LAB 19.42, 8.99, 7.17

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 0 / 33 / 41 / 55

HEX #734D44

RGB 115 77 68

HSL 11.49, 0.26%, 0.36%

LAB 36.69, 14.83, 11.84

 

CMYK 0 / 33 / 41 / 45

HEX #8D5E53

RGB 141 94 83

HSL 11.38, 0.26%, 0.44%

LAB 44.65, 17.78, 14.12

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 16 / 0 / 42 / 65

HEX #4B5934

RGB 75 89 52

HSL 82.7, 0.26%, 0.28%

LAB 35.77, -12.63, 19.65

 

CMYK 42 / 33 / 0 / 65

HEX #343C59

RGB 52 60 89

HSL 227.03, 0.26%, 0.28%

LAB 25.81, 5.04, -18.45

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 42 / 0 / 34 / 65

HEX #34593B

RGB 52 89 59

HSL 131.35, 0.26%, 0.28%

LAB 34.38, -20.54, 13.31

 

CMYK 34 / 42 / 0 / 65

HEX #3B3459

RGB 59 52 89

HSL 251.35, 0.26%, 0.28%

LAB 24.02, 12.75, -21.2

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 16 / 0 / 42 / 65

HEX #4B5934

RGB 75 89 52

HSL 82.7, 0.26%, 0.28%

LAB 35.77, -12.63, 19.65

 

CMYK 42 / 7 / 0 / 65

HEX #345359

RGB 52 83 89

HSL 189.73, 0.26%, 0.28%

LAB 33.22, -9.66, -7.13

 

CMYK 25 / 42 / 0 / 65

HEX #433459

RGB 67 52 89

HSL 264.32, 0.26%, 0.28%

LAB 24.86, 15.45, -19.83

 

CMYK 0 / 34 / 42 / 65

HEX #593B34

RGB 89 59 52

HSL 11.35, 0.26%, 0.28%

LAB 28.11, 12.24, 9.69

 

CMYK 28 / 0 / 42 / 65

HEX #405934

RGB 64 89 52

HSL 100.54, 0.26%, 0.28%

LAB 34.97, -17.27, 18.45

 

CMYK 42 / 7 / 0 / 65

HEX #345359

RGB 52 83 89

HSL 189.73, 0.26%, 0.28%

LAB 33.22, -9.66, -7.13

 

CMYK 12 / 42 / 0 / 65

HEX #4E3459

RGB 78 52 89

HSL 282.16, 0.26%, 0.28%

LAB 26.15, 19.31, -17.72

 

Description

Color code: HEX #593B34 | qconv.com Color code: HEX #593B34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 59 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 59 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 42 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 42% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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