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Color name
HEX #5948A1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5948A1 it is the complementary color #A6B75E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5948A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5948A1 shade: #5E489C, #6F5AAF, #806CC2, #917ED5 and #A290E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5948A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5948A1 shade: #5948A1, #48368E, #37247B, #261268 and #150055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5948A1 shade: #5948A1, #7148A1, #8948A1, #A148A1 and #A14889

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5948A1 shade: #5948A1 and #4848A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5948A1 shade matches the following richer shades: #5948A1, #4E35B4, #4222C7 and #360FDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5948A1 shade: #5948A1, #655B8E, #716E7B, #7C8168 and #889455

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5948A1 shade: #4867A1, #4850A1, #5948A1, #7048A1 and #8848A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5948A1 shade: #3A2F68, #493B85, #5948A1, #6E5DB6 and #8779C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5948A1 shade: #5948A1, #A1487F and #5CA148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5948A1 shade: #5948A1, #A15948 and #48A159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5948A1 shade: #5948A1, #A1487F, #91A148 and #48A16A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5948A1 shade: #5948A1, #A14864, #91A148 and #48A185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

Complementary color

CMYK 9 / 0 / 49 / 28

HEX #A6B75E

RGB 166 183 94

HSL 71.46, 0.38%, 0.54%

LAB 71.41, -19.47, 42.97

 

CMYK 40 / 54 / 0 / 39

HEX #5E489C

RGB 94 72 156

HSL 255.71, 0.37%, 0.45%

LAB 36.77, 29.72, -42.8

 

CMYK 37 / 49 / 0 / 31

HEX #6F5AAF

RGB 111 90 175

HSL 254.82, 0.35%, 0.52%

LAB 43.93, 28.56, -42.58

 

CMYK 34 / 44 / 0 / 24

HEX #806CC2

RGB 128 108 194

HSL 253.95, 0.41%, 0.59%

LAB 50.93, 27.54, -42.4

 

CMYK 32 / 41 / 0 / 16

HEX #917ED5

RGB 145 126 213

HSL 253.1, 0.51%, 0.66%

LAB 57.79, 26.64, -42.27

 

CMYK 30 / 38 / 0 / 9

HEX #A290E8

RGB 162 144 232

HSL 252.27, 0.66%, 0.74%

LAB 64.53, 25.84, -42.17

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 49 / 62 / 0 / 44

HEX #48368E

RGB 72 54 142

HSL 252.27, 0.45%, 0.38%

LAB 29.33, 31.42, -46.35

 

CMYK 55 / 71 / 0 / 52

HEX #37247B

RGB 55 36 123

HSL 253.1, 0.55%, 0.31%

LAB 21.96, 33.02, -46.53

 

CMYK 63 / 83 / 0 / 59

HEX #261268

RGB 38 18 104

HSL 253.95, 0.7%, 0.24%

LAB 14.65, 34.47, -46.31

 

CMYK 75 / 100 / 0 / 67

HEX #150055

RGB 21 0 85

HSL 254.82, 1%, 0.17%

LAB 7.36, 36.14, -45.69

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 30 / 55 / 0 / 37

HEX #7148A1

RGB 113 72 161

HSL 267.64, 0.38%, 0.46%

LAB 39.1, 36.01, -41.96

 

CMYK 15 / 55 / 0 / 37

HEX #8948A1

RGB 137 72 161

HSL 283.82, 0.38%, 0.46%

LAB 42.04, 42.52, -37.1

 

CMYK 0 / 55 / 0 / 37

HEX #A148A1

RGB 161 72 161

HSL 300, 0.38%, 0.46%

LAB 45.34, 49.2, -31.69

 

CMYK 0 / 55 / 15 / 37

HEX #A14889

RGB 161 72 137

HSL 316.18, 0.38%, 0.46%

LAB 44.26, 45.06, -18.96

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 55 / 55 / 0 / 37

HEX #4848A1

RGB 72 72 161

HSL 240, 0.38%, 0.46%

LAB 35.17, 26.17, -48.48

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 57 / 71 / 0 / 29

HEX #4E35B4

RGB 78 53 180

HSL 251.81, 0.55%, 0.46%

LAB 32.83, 44.81, -63.61

 

CMYK 67 / 83 / 0 / 22

HEX #4222C7

RGB 66 34 199

HSL 251.64, 0.71%, 0.46%

LAB 30.46, 58.19, -78.77

 

CMYK 75 / 93 / 0 / 15

HEX #360FDA

RGB 54 15 218

HSL 251.53, 0.87%, 0.46%

LAB 29.88, 68.46, -90.81

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 29 / 36 / 0 / 44

HEX #655B8E

RGB 101 91 142

HSL 251.76, 0.22%, 0.46%

LAB 41.54, 16, -26.78

 

CMYK 8 / 11 / 0 / 52

HEX #716E7B

RGB 113 110 123

HSL 253.85, 0.06%, 0.46%

LAB 47.1, 3.89, -6.77

 

CMYK 4 / 0 / 19 / 49

HEX #7C8168

RGB 124 129 104

HSL 72, 0.11%, 0.46%

LAB 52.93, -6.52, 12.95

 

CMYK 8 / 0 / 43 / 42

HEX #889455

RGB 136 148 85

HSL 71.43, 0.27%, 0.46%

LAB 59.04, -14.68, 31.81

 

CMYK 55 / 36 / 0 / 37

HEX #4867A1

RGB 72 103 161

HSL 219.1, 0.38%, 0.46%

LAB 43.73, 6.33, -34.82

 

CMYK 55 / 50 / 0 / 37

HEX #4850A1

RGB 72 80 161

HSL 234.61, 0.38%, 0.46%

LAB 37.28, 21.01, -45.09

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 30 / 55 / 0 / 37

HEX #7048A1

RGB 112 72 161

HSL 266.97, 0.38%, 0.46%

LAB 38.99, 35.75, -42.14

 

CMYK 16 / 55 / 0 / 37

HEX #8848A1

RGB 136 72 161

HSL 283.15, 0.38%, 0.46%

LAB 41.91, 42.25, -37.32

 

CMYK 44 / 55 / 0 / 59

HEX #3A2F68

RGB 58 47 104

HSL 251.58, 0.38%, 0.3%

LAB 23.45, 20.52, -31.91

 

CMYK 45 / 56 / 0 / 48

HEX #493B85

RGB 73 59 133

HSL 251.35, 0.39%, 0.38%

LAB 30, 25.7, -39.7

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 40 / 49 / 0 / 29

HEX #6E5DB6

RGB 110 93 182

HSL 251.46, 0.38%, 0.54%

LAB 44.97, 28.46, -45.02

 

CMYK 31 / 38 / 0 / 24

HEX #8779C3

RGB 135 121 195

HSL 251.35, 0.38%, 0.62%

LAB 54.83, 22.07, -36.79

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 0 / 55 / 21 / 37

HEX #A1487F

RGB 161 72 127

HSL 322.92, 0.38%, 0.46%

LAB 43.86, 43.5, -13.49

 

CMYK 43 / 0 / 55 / 37

HEX #5CA148

RGB 92 161 72

HSL 106.52, 0.38%, 0.46%

LAB 60.1, -39.14, 39.16

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 0 / 45 / 55 / 37

HEX #A15948

RGB 161 89 72

HSL 11.46, 0.38%, 0.46%

LAB 45.89, 27.81, 22.81

 

CMYK 55 / 0 / 45 / 37

HEX #48A159

RGB 72 161 89

HSL 131.46, 0.38%, 0.46%

LAB 59.52, -42.57, 29.57

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 0 / 55 / 21 / 37

HEX #A1487F

RGB 161 72 127

HSL 322.92, 0.38%, 0.46%

LAB 43.86, 43.5, -13.49

 

CMYK 10 / 0 / 55 / 37

HEX #91A148

RGB 145 161 72

HSL 70.79, 0.38%, 0.46%

LAB 63.32, -19.05, 43.75

 

CMYK 55 / 0 / 34 / 37

HEX #48A16A

RGB 72 161 106

HSL 142.92, 0.38%, 0.46%

LAB 59.81, -39.52, 20.79

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 0 / 55 / 38 / 37

HEX #A14864

RGB 161 72 100

HSL 341.12, 0.38%, 0.46%

LAB 42.96, 39.82, 1.75

 

CMYK 10 / 0 / 55 / 37

HEX #91A148

RGB 145 161 72

HSL 70.79, 0.38%, 0.46%

LAB 63.32, -19.05, 43.75

 

CMYK 55 / 0 / 17 / 37

HEX #48A185

RGB 72 161 133

HSL 161.12, 0.38%, 0.46%

LAB 60.39, -33.62, 6.58

 

Description

Color code: HEX #5948A1 | qconv.com Color code: HEX #5948A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 72 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 72 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 55 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 55% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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