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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #594168 it is the complementary color #A6BE97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #594168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #594168 shade: #5E4163, #6F5376, #806589, #91779C and #A289AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #594168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #594168 shade: #594168, #482F55, #371D42, #260B2F and #15001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #594168 shade: #584067, #634067, #674061, #674057 and #67404C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #594168 shade: #584067, #4E4067, #434067 and #404067

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #594168 shade matches the following richer shades: #584067, #5B3375, #5E2582, #621790 and #650A9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #594168 shade: #584067, #554E59, #525C4C, #4F693E and #4C7731

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #594168 shade: #434067, #4D4067, #584067, #624067 and #674062

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #594168 shade: #2D2134, #42304E, #584067, #6E5080 and #84609A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #594168 shade: #594168, #674048 and #406748

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #594168 shade: #594168, #675840 and #406758

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #594168 shade: #594168, #674048, #506740 and #40675F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #594168 shade: #594168, #674440, #506740 and #406367

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 38 / 0 / 59

HEX #594168

RGB 89 65 104

HSL 276.92, 0.23%, 0.33%

LAB 31.59, 18.56, -18.85

 

Complementary color

CMYK 13 / 0 / 21 / 25

HEX #A6BE97

RGB 166 190 151

HSL 96.92, 0.23%, 0.67%

LAB 74.3, -15.38, 17.02

 

CMYK 5 / 34 / 0 / 61

HEX #5E4163

RGB 94 65 99

HSL 291.18, 0.21%, 0.32%

LAB 31.95, 19.18, -15.07

 

CMYK 6 / 30 / 0 / 54

HEX #6F5376

RGB 111 83 118

HSL 288, 0.17%, 0.39%

LAB 39.37, 18.42, -15.43

 

CMYK 7 / 26 / 0 / 46

HEX #806589

RGB 128 101 137

HSL 285, 0.15%, 0.47%

LAB 46.58, 17.76, -15.77

 

CMYK 7 / 24 / 0 / 39

HEX #91779C

RGB 145 119 156

HSL 282.16, 0.16%, 0.54%

LAB 53.61, 17.17, -16.12

 

CMYK 7 / 22 / 0 / 31

HEX #A289AF

RGB 162 137 175

HSL 279.47, 0.19%, 0.61%

LAB 60.49, 16.63, -16.46

 

CMYK 14 / 38 / 0 / 59

HEX #594168

RGB 89 65 104

HSL 276.92, 0.23%, 0.33%

LAB 31.59, 18.56, -18.85

 

CMYK 15 / 45 / 0 / 67

HEX #482F55

RGB 72 47 85

HSL 279.47, 0.29%, 0.26%

LAB 23.89, 19.42, -18.66

 

CMYK 17 / 56 / 0 / 74

HEX #371D42

RGB 55 29 66

HSL 282.16, 0.39%, 0.19%

LAB 15.92, 20.38, -18.43

 

CMYK 19 / 77 / 0 / 82

HEX #260B2F

RGB 38 11 47

HSL 285, 0.62%, 0.11%

LAB 7.74, 21.18, -17.96

 

CMYK 25 / 100 / 0 / 89

HEX #15001C

RGB 21 0 28

HSL 285, 1%, 0.05%

LAB 2.2, 11.78, -12.1

 

CMYK 15 / 38 / 0 / 60

HEX #584067

RGB 88 64 103

HSL 276.92, 0.23%, 0.33%

LAB 31.16, 18.6, -18.88

 

CMYK 4 / 38 / 0 / 60

HEX #634067

RGB 99 64 103

HSL 293.85, 0.23%, 0.33%

LAB 32.48, 22.49, -16.74

 

CMYK 0 / 38 / 6 / 60

HEX #674061

RGB 103 64 97

HSL 309.23, 0.23%, 0.33%

LAB 32.73, 22.68, -12.49

 

CMYK 0 / 38 / 16 / 60

HEX #674057

RGB 103 64 87

HSL 324.62, 0.23%, 0.33%

LAB 32.34, 20.75, -6.68

 

CMYK 0 / 38 / 26 / 60

HEX #67404C

RGB 103 64 76

HSL 341.54, 0.23%, 0.33%

LAB 31.97, 18.84, -0.15

 

CMYK 15 / 38 / 0 / 60

HEX #584067

RGB 88 64 103

HSL 276.92, 0.23%, 0.33%

LAB 31.16, 18.6, -18.88

 

CMYK 24 / 38 / 0 / 60

HEX #4E4067

RGB 78 64 103

HSL 261.54, 0.23%, 0.33%

LAB 30.07, 15.14, -20.66

 

CMYK 35 / 38 / 0 / 60

HEX #434067

RGB 67 64 103

HSL 244.62, 0.23%, 0.33%

LAB 29, 11.49, -22.41

 

CMYK 38 / 38 / 0 / 60

HEX #404067

RGB 64 64 103

HSL 240, 0.23%, 0.33%

LAB 28.74, 10.54, -22.85

 

CMYK 15 / 38 / 0 / 60

HEX #584067

RGB 88 64 103

HSL 276.92, 0.23%, 0.33%

LAB 31.16, 18.6, -18.88

 

CMYK 22 / 56 / 0 / 54

HEX #5B3375

RGB 91 51 117

HSL 276.36, 0.39%, 0.33%

LAB 29.1, 31.03, -31

 

CMYK 28 / 72 / 0 / 49

HEX #5E2582

RGB 94 37 130

HSL 276.77, 0.56%, 0.33%

LAB 27.61, 42.47, -41.55

 

CMYK 32 / 84 / 0 / 44

HEX #621790

RGB 98 23 144

HSL 277.19, 0.72%, 0.33%

LAB 27.36, 52.07, -50.65

 

CMYK 36 / 94 / 0 / 38

HEX #650A9D

RGB 101 10 157

HSL 277.14, 0.88%, 0.33%

LAB 27.89, 58.54, -57.75

 

CMYK 15 / 38 / 0 / 60

HEX #584067

RGB 88 64 103

HSL 276.92, 0.23%, 0.33%

LAB 31.16, 18.6, -18.88

 

CMYK 4 / 12 / 0 / 65

HEX #554E59

RGB 85 78 89

HSL 278.18, 0.07%, 0.33%

LAB 34.19, 5.25, -5.4

 

CMYK 11 / 0 / 17 / 64

HEX #525C4C

RGB 82 92 76

HSL 97.5, 0.1%, 0.33%

LAB 37.79, -7.28, 7.91

 

CMYK 25 / 0 / 41 / 59

HEX #4F693E

RGB 79 105 62

HSL 96.28, 0.26%, 0.33%

LAB 41.4, -18.28, 21.14

 

CMYK 36 / 0 / 59 / 53

HEX #4C7731

RGB 76 119 49

HSL 96.86, 0.42%, 0.33%

LAB 45.57, -28.31, 33.32

 

CMYK 35 / 38 / 0 / 60

HEX #434067

RGB 67 64 103

HSL 244.62, 0.23%, 0.33%

LAB 29, 11.49, -22.41

 

CMYK 25 / 38 / 0 / 60

HEX #4D4067

RGB 77 64 103

HSL 260, 0.23%, 0.33%

LAB 29.97, 14.8, -20.83

 

CMYK 15 / 38 / 0 / 60

HEX #584067

RGB 88 64 103

HSL 276.92, 0.23%, 0.33%

LAB 31.16, 18.6, -18.88

 

CMYK 5 / 38 / 0 / 60

HEX #624067

RGB 98 64 103

HSL 292.31, 0.23%, 0.33%

LAB 32.35, 22.14, -16.95

 

CMYK 0 / 38 / 5 / 60

HEX #674062

RGB 103 64 98

HSL 307.69, 0.23%, 0.33%

LAB 32.77, 22.89, -13.07

 

CMYK 13 / 37 / 0 / 80

HEX #2D2134

RGB 45 33 52

HSL 277.89, 0.22%, 0.17%

LAB 14.92, 10.21, -10.26

 

CMYK 15 / 38 / 0 / 69

HEX #42304E

RGB 66 48 78

HSL 276, 0.24%, 0.25%

LAB 23.07, 14.82, -15.33

 

CMYK 15 / 38 / 0 / 60

HEX #584067

RGB 88 64 103

HSL 276.92, 0.23%, 0.33%

LAB 31.16, 18.6, -18.88

 

CMYK 14 / 38 / 0 / 50

HEX #6E5080

RGB 110 80 128

HSL 277.5, 0.23%, 0.41%

LAB 38.92, 22.19, -22.27

 

CMYK 14 / 38 / 0 / 40

HEX #84609A

RGB 132 96 154

HSL 277.24, 0.23%, 0.49%

LAB 46.45, 25.87, -26.06

 

CMYK 14 / 38 / 0 / 59

HEX #594168

RGB 89 65 104

HSL 276.92, 0.23%, 0.33%

LAB 31.59, 18.56, -18.85

 

CMYK 0 / 38 / 30 / 60

HEX #674048

RGB 103 64 72

HSL 347.69, 0.23%, 0.33%

LAB 31.85, 18.2, 2.25

 

CMYK 38 / 0 / 30 / 60

HEX #406748

RGB 64 103 72

HSL 132.31, 0.23%, 0.33%

LAB 40.01, -21.09, 13.24

 

CMYK 14 / 38 / 0 / 59

HEX #594168

RGB 89 65 104

HSL 276.92, 0.23%, 0.33%

LAB 31.59, 18.56, -18.85

 

CMYK 0 / 15 / 38 / 60

HEX #675840

RGB 103 88 64

HSL 36.92, 0.23%, 0.33%

LAB 38.26, 2.24, 16.2

 

CMYK 38 / 0 / 15 / 60

HEX #406758

RGB 64 103 88

HSL 156.92, 0.23%, 0.33%

LAB 40.4, -17.55, 4.12

 

CMYK 14 / 38 / 0 / 59

HEX #594168

RGB 89 65 104

HSL 276.92, 0.23%, 0.33%

LAB 31.59, 18.56, -18.85

 

CMYK 0 / 38 / 30 / 60

HEX #674048

RGB 103 64 72

HSL 347.69, 0.23%, 0.33%

LAB 31.85, 18.2, 2.25

 

CMYK 22 / 0 / 38 / 60

HEX #506740

RGB 80 103 64

HSL 95.38, 0.23%, 0.33%

LAB 40.86, -16.48, 19.29

 

CMYK 38 / 0 / 8 / 60

HEX #40675F

RGB 64 103 95

HSL 167.69, 0.23%, 0.33%

LAB 40.6, -15.82, 0.14

 

CMYK 14 / 38 / 0 / 59

HEX #594168

RGB 89 65 104

HSL 276.92, 0.23%, 0.33%

LAB 31.59, 18.56, -18.85

 

CMYK 0 / 34 / 38 / 60

HEX #674440

RGB 103 68 64

HSL 6.15, 0.23%, 0.33%

LAB 32.67, 14.54, 8.57

 

CMYK 22 / 0 / 38 / 60

HEX #506740

RGB 80 103 64

HSL 95.38, 0.23%, 0.33%

LAB 40.86, -16.48, 19.29

 

CMYK 38 / 4 / 0 / 60

HEX #406367

RGB 64 99 103

HSL 186.15, 0.23%, 0.33%

LAB 39.57, -11.42, -6.27

 

Description

Color code: HEX #594168 | qconv.com Color code: HEX #594168 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 65 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 65 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 38 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 38% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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