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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #594B60 it is the complementary color #A6B49F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #594B60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #594B60 shade: #5E4B5B, #6F5D6E, #806F81, #918194 and #A293A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #594B60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #594B60 shade: #594B60, #48394D, #37273A, #261527 and #150314

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #594B60 shade: #5A4C61, #5F4C61, #614C5C, #614C57 and #614C51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #594B60 shade: #5A4C61, #544C61, #4E4C61 and #4C4C61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #594B60 shade matches the following richer shades: #5A4C61, #5E3E6F, #63307D, #68228B and #6C1499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #594B60 shade: #5A4C61, #555A53, #506845, #4C7637 and #478428

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #594B60 shade: #4F4C61, #544C61, #5A4C61, #5F4C61 and #614C5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #594B60 shade: #2F2732, #443A49, #5A4C61, #6F5E78 and #85708F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #594B60 shade: #594B60, #614C4F and #4C6151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #594B60 shade: #594B60, #615A4C and #4C615A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #594B60 shade: #594B60, #614C4F, #53614C and #4C615E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #594B60 shade: #594B60, #614F4C, #53614C and #4C5D61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 22 / 0 / 62

HEX #594B60

RGB 89 75 96

HSL 280, 0.12%, 0.34%

LAB 33.98, 10.29, -10.11

 

Complementary color

CMYK 8 / 0 / 12 / 29

HEX #A6B49F

RGB 166 180 159

HSL 100, 0.12%, 0.66%

LAB 71.73, -8.8, 9.06

 

CMYK 0 / 20 / 3 / 63

HEX #5E4B5B

RGB 94 75 91

HSL 309.47, 0.11%, 0.33%

LAB 34.33, 11.14, -6.37

 

CMYK 0 / 16 / 1 / 56

HEX #6F5D6E

RGB 111 93 110

HSL 303.33, 0.09%, 0.4%

LAB 41.74, 10.59, -6.93

 

CMYK 1 / 14 / 0 / 49

HEX #806F81

RGB 128 111 129

HSL 296.67, 0.08%, 0.47%

LAB 48.94, 10.12, -7.46

 

CMYK 2 / 13 / 0 / 42

HEX #918194

RGB 145 129 148

HSL 290.53, 0.08%, 0.54%

LAB 55.95, 9.7, -7.97

 

CMYK 3 / 12 / 0 / 35

HEX #A293A7

RGB 162 147 167

HSL 285, 0.1%, 0.62%

LAB 62.79, 9.33, -8.46

 

CMYK 7 / 22 / 0 / 62

HEX #594B60

RGB 89 75 96

HSL 280, 0.12%, 0.34%

LAB 33.98, 10.29, -10.11

 

CMYK 6 / 26 / 0 / 70

HEX #48394D

RGB 72 57 77

HSL 285, 0.15%, 0.26%

LAB 26.27, 10.89, -9.7

 

CMYK 5 / 33 / 0 / 77

HEX #37273A

RGB 55 39 58

HSL 290.53, 0.2%, 0.19%

LAB 18.23, 11.62, -9.29

 

CMYK 3 / 46 / 0 / 85

HEX #261527

RGB 38 21 39

HSL 296.67, 0.3%, 0.12%

LAB 9.76, 12.51, -8.84

 

CMYK 0 / 86 / 5 / 92

HEX #150314

RGB 21 3 20

HSL 303.33, 0.75%, 0.05%

LAB 2.48, 8.47, -5.59

 

CMYK 7 / 22 / 0 / 62

HEX #5A4C61

RGB 90 76 97

HSL 280, 0.12%, 0.34%

LAB 34.41, 10.27, -10.09

 

CMYK 2 / 22 / 0 / 62

HEX #5F4C61

RGB 95 76 97

HSL 294.29, 0.12%, 0.34%

LAB 34.93, 12.19, -9.24

 

CMYK 0 / 22 / 5 / 62

HEX #614C5C

RGB 97 76 92

HSL 314.29, 0.12%, 0.34%

LAB 34.97, 11.91, -6.01

 

CMYK 0 / 22 / 10 / 62

HEX #614C57

RGB 97 76 87

HSL 328.57, 0.12%, 0.34%

LAB 34.8, 10.9, -3.1

 

CMYK 0 / 22 / 16 / 62

HEX #614C51

RGB 97 76 81

HSL 345.71, 0.12%, 0.34%

LAB 34.61, 9.75, 0.42

 

CMYK 7 / 22 / 0 / 62

HEX #5A4C61

RGB 90 76 97

HSL 280, 0.12%, 0.34%

LAB 34.41, 10.27, -10.09

 

CMYK 13 / 22 / 0 / 62

HEX #544C61

RGB 84 76 97

HSL 262.86, 0.12%, 0.34%

LAB 33.81, 8.01, -11.05

 

CMYK 20 / 22 / 0 / 62

HEX #4E4C61

RGB 78 76 97

HSL 245.71, 0.12%, 0.34%

LAB 33.25, 5.79, -11.96

 

CMYK 22 / 22 / 0 / 62

HEX #4C4C61

RGB 76 76 97

HSL 240, 0.12%, 0.34%

LAB 33.07, 5.06, -12.25

 

CMYK 7 / 22 / 0 / 62

HEX #5A4C61

RGB 90 76 97

HSL 280, 0.12%, 0.34%

LAB 34.41, 10.27, -10.09

 

CMYK 15 / 44 / 0 / 56

HEX #5E3E6F

RGB 94 62 111

HSL 279.18, 0.28%, 0.34%

LAB 31.74, 23.84, -23

 

CMYK 21 / 62 / 0 / 51

HEX #63307D

RGB 99 48 125

HSL 279.74, 0.45%, 0.34%

LAB 30.03, 36.89, -34.49

 

CMYK 25 / 76 / 0 / 45

HEX #68228B

RGB 104 34 139

HSL 280, 0.61%, 0.34%

LAB 29.29, 48.02, -44.38

 

CMYK 29 / 87 / 0 / 40

HEX #6C1499

RGB 108 20 153

HSL 279.7, 0.77%, 0.34%

LAB 29.38, 56.49, -52.83

 

CMYK 7 / 22 / 0 / 62

HEX #5A4C61

RGB 90 76 97

HSL 280, 0.12%, 0.34%

LAB 34.41, 10.27, -10.09

 

CMYK 6 / 0 / 8 / 65

HEX #555A53

RGB 85 90 83

HSL 102.86, 0.04%, 0.34%

LAB 37.6, -3.46, 3.36

 

CMYK 23 / 0 / 34 / 59

HEX #506845

RGB 80 104 69

HSL 101.14, 0.2%, 0.34%

LAB 41.27, -16.19, 16.9

 

CMYK 36 / 0 / 53 / 54

HEX #4C7637

RGB 76 118 55

HSL 100, 0.36%, 0.34%

LAB 45.32, -27.09, 29.91

 

CMYK 46 / 0 / 70 / 48

HEX #478428

RGB 71 132 40

HSL 99.78, 0.53%, 0.34%

LAB 49.49, -36.92, 41.83

 

CMYK 19 / 22 / 0 / 62

HEX #4F4C61

RGB 79 76 97

HSL 248.57, 0.12%, 0.34%

LAB 33.34, 6.15, -11.81

 

CMYK 13 / 22 / 0 / 62

HEX #544C61

RGB 84 76 97

HSL 262.86, 0.12%, 0.34%

LAB 33.81, 8.01, -11.05

 

CMYK 7 / 22 / 0 / 62

HEX #5A4C61

RGB 90 76 97

HSL 280, 0.12%, 0.34%

LAB 34.41, 10.27, -10.09

 

CMYK 2 / 22 / 0 / 62

HEX #5F4C61

RGB 95 76 97

HSL 294.29, 0.12%, 0.34%

LAB 34.93, 12.19, -9.24

 

CMYK 0 / 22 / 5 / 62

HEX #614C5C

RGB 97 76 92

HSL 314.29, 0.12%, 0.34%

LAB 34.97, 11.91, -6.01

 

CMYK 6 / 22 / 0 / 80

HEX #2F2732

RGB 47 39 50

HSL 283.64, 0.12%, 0.17%

LAB 16.92, 6.27, -5.78

 

CMYK 7 / 21 / 0 / 71

HEX #443A49

RGB 68 58 73

HSL 280, 0.11%, 0.26%

LAB 25.97, 7.68, -7.56

 

CMYK 7 / 22 / 0 / 62

HEX #5A4C61

RGB 90 76 97

HSL 280, 0.12%, 0.34%

LAB 34.41, 10.27, -10.09

 

CMYK 8 / 22 / 0 / 53

HEX #6F5E78

RGB 111 94 120

HSL 279.23, 0.12%, 0.42%

LAB 42.37, 12.14, -12.08

 

CMYK 7 / 22 / 0 / 44

HEX #85708F

RGB 133 112 143

HSL 280.65, 0.12%, 0.5%

LAB 50.17, 14.29, -13.84

 

CMYK 7 / 22 / 0 / 62

HEX #594B60

RGB 89 75 96

HSL 280, 0.12%, 0.34%

LAB 33.98, 10.29, -10.11

 

CMYK 0 / 22 / 19 / 62

HEX #614C4F

RGB 97 76 79

HSL 351.43, 0.12%, 0.34%

LAB 34.55, 9.38, 1.6

 

CMYK 22 / 0 / 16 / 62

HEX #4C6151

RGB 76 97 81

HSL 134.29, 0.12%, 0.34%

LAB 39.04, -11.54, 6.54

 

CMYK 7 / 22 / 0 / 62

HEX #594B60

RGB 89 75 96

HSL 280, 0.12%, 0.34%

LAB 33.98, 10.29, -10.11

 

CMYK 0 / 7 / 22 / 62

HEX #615A4C

RGB 97 90 76

HSL 40, 0.12%, 0.34%

LAB 38.51, 0.23, 9.11

 

CMYK 22 / 0 / 7 / 62

HEX #4C615A

RGB 76 97 90

HSL 160, 0.12%, 0.34%

LAB 39.28, -9.54, 1.38

 

CMYK 7 / 22 / 0 / 62

HEX #594B60

RGB 89 75 96

HSL 280, 0.12%, 0.34%

LAB 33.98, 10.29, -10.11

 

CMYK 0 / 22 / 19 / 62

HEX #614C4F

RGB 97 76 79

HSL 351.43, 0.12%, 0.34%

LAB 34.55, 9.38, 1.6

 

CMYK 14 / 0 / 22 / 62

HEX #53614C

RGB 83 97 76

HSL 100, 0.12%, 0.34%

LAB 39.43, -9.79, 10.22

 

CMYK 22 / 0 / 3 / 62

HEX #4C615E

RGB 76 97 94

HSL 171.43, 0.12%, 0.34%

LAB 39.4, -8.6, -0.91

 

CMYK 7 / 22 / 0 / 62

HEX #594B60

RGB 89 75 96

HSL 280, 0.12%, 0.34%

LAB 33.98, 10.29, -10.11

 

CMYK 0 / 19 / 22 / 62

HEX #614F4C

RGB 97 79 76

HSL 8.57, 0.12%, 0.34%

LAB 35.31, 6.98, 4.59

 

CMYK 14 / 0 / 22 / 62

HEX #53614C

RGB 83 97 76

HSL 100, 0.12%, 0.34%

LAB 39.43, -9.79, 10.22

 

CMYK 22 / 4 / 0 / 62

HEX #4C5D61

RGB 76 93 97

HSL 191.43, 0.12%, 0.34%

LAB 38.25, -5.49, -4.46

 

Description

Color code: HEX #594B60 | qconv.com Color code: HEX #594B60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 75 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 75 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 22 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 22% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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