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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #594C40 it is the complementary color #A6B3BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #594C40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #594C40 shade: #5E4C3B, #6F5E4E, #807061, #918274 and #A29487

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #594C40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #594C40 shade: #594C40, #483A2D, #37281A, #261607 and #150400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #594C40 shade: #584C40, #584540 and #584040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #594C40 shade: #584C40, #585240, #585840, #515840 and #4B5840

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #594C40 shade matches the following richer shades: #584C40, #654B33, #714B27, #7D4A1B and #8A4A0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #594C40 shade: #584C40, #4C4C4C, #3F4D59, #334D65 and #274D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #594C40 shade: #584041, #584540, #584B40, #585240 and #585840

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #594C40 shade: #28231D, #40372E, #584C40, #706051 and #887562

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #594C40 shade: #594C40, #485840 and #414058

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #594C40 shade: #594C40, #40584B and #4B4058

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #594C40 shade: #594C40, #485840, #404D58 and #504058

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #594C40 shade: #594C40, #415840, #404D58 and #574058

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 28 / 65

HEX #594C40

RGB 89 76 64

HSL 28.8, 0.16%, 0.3%

LAB 33.27, 3.31, 9.15

 

Complementary color

CMYK 13 / 6 / 0 / 25

HEX #A6B3BF

RGB 166 179 191

HSL 208.8, 0.16%, 0.7%

LAB 72.3, -2.05, -7.64

 

CMYK 0 / 19 / 37 / 63

HEX #5E4C3B

RGB 94 76 59

HSL 29.14, 0.23%, 0.3%

LAB 33.7, 4.81, 12.96

 

CMYK 0 / 15 / 30 / 56

HEX #6F5E4E

RGB 111 94 78

HSL 29.09, 0.17%, 0.37%

LAB 41.11, 4.19, 11.73

 

CMYK 0 / 13 / 24 / 50

HEX #807061

RGB 128 112 97

HSL 29.03, 0.14%, 0.44%

LAB 48.31, 3.7, 10.64

 

CMYK 0 / 10 / 20 / 43

HEX #918274

RGB 145 130 116

HSL 28.97, 0.12%, 0.51%

LAB 55.32, 3.29, 9.65

 

CMYK 0 / 9 / 17 / 36

HEX #A29487

RGB 162 148 135

HSL 28.89, 0.13%, 0.58%

LAB 62.18, 2.94, 8.74

 

CMYK 0 / 15 / 28 / 65

HEX #594C40

RGB 89 76 64

HSL 28.8, 0.16%, 0.3%

LAB 33.27, 3.31, 9.15

 

CMYK 0 / 19 / 38 / 72

HEX #483A2D

RGB 72 58 45

HSL 28.89, 0.23%, 0.23%

LAB 25.54, 3.92, 10.4

 

CMYK 0 / 27 / 53 / 78

HEX #37281A

RGB 55 40 26

HSL 28.97, 0.36%, 0.16%

LAB 17.48, 4.8, 11.91

 

CMYK 0 / 42 / 82 / 85

HEX #261607

RGB 38 22 7

HSL 29.03, 0.69%, 0.09%

LAB 9, 6.17, 10.73

 

CMYK 0 / 81 / 100 / 92

HEX #150400

RGB 21 4 0

HSL 11.43, 1%, 0.04%

LAB 2.22, 4.86, 3.42

 

CMYK 0 / 14 / 27 / 65

HEX #584C40

RGB 88 76 64

HSL 30, 0.16%, 0.3%

LAB 33.17, 2.87, 8.99

 

CMYK 0 / 22 / 27 / 65

HEX #584540

RGB 88 69 64

HSL 12.5, 0.16%, 0.3%

LAB 31.12, 7.27, 6.11

 

CMYK 0 / 27 / 27 / 65

HEX #584040

RGB 88 64 64

HSL 0, 0.16%, 0.3%

LAB 29.69, 10.45, 4.08

 

CMYK 0 / 14 / 27 / 65

HEX #584C40

RGB 88 76 64

HSL 30, 0.16%, 0.3%

LAB 33.17, 2.87, 8.99

 

CMYK 0 / 7 / 27 / 65

HEX #585240

RGB 88 82 64

HSL 45, 0.16%, 0.3%

LAB 34.96, -0.84, 11.47

 

CMYK 0 / 0 / 27 / 65

HEX #585840

RGB 88 88 64

HSL 60, 0.16%, 0.3%

LAB 36.79, -4.47, 13.97

 

CMYK 8 / 0 / 27 / 65

HEX #515840

RGB 81 88 64

HSL 77.5, 0.16%, 0.3%

LAB 36.17, -7.53, 13.03

 

CMYK 15 / 0 / 27 / 65

HEX #4B5840

RGB 75 88 64

HSL 92.5, 0.16%, 0.3%

LAB 35.69, -10.08, 12.28

 

CMYK 0 / 14 / 27 / 65

HEX #584C40

RGB 88 76 64

HSL 30, 0.16%, 0.3%

LAB 33.17, 2.87, 8.99

 

CMYK 0 / 26 / 50 / 60

HEX #654B33

RGB 101 75 51

HSL 28.8, 0.33%, 0.3%

LAB 34.06, 7.64, 18.54

 

CMYK 0 / 34 / 65 / 56

HEX #714B27

RGB 113 75 39

HSL 29.19, 0.49%, 0.3%

LAB 35.38, 12.13, 27.61

 

CMYK 0 / 41 / 78 / 51

HEX #7D4A1B

RGB 125 74 27

HSL 28.78, 0.64%, 0.3%

LAB 36.62, 17.6, 35.82

 

CMYK 0 / 46 / 90 / 46

HEX #8A4A0E

RGB 138 74 14

HSL 29.03, 0.82%, 0.3%

LAB 38.43, 23.05, 43.63

 

CMYK 0 / 14 / 27 / 65

HEX #584C40

RGB 88 76 64

HSL 30, 0.16%, 0.3%

LAB 33.17, 2.87, 8.99

 

CMYK 0 / 0 / 0 / 70

HEX #4C4C4C

RGB 76 76 76

HSL 0, 0%, 0.3%

LAB 32.32, 0, -0

 

CMYK 29 / 13 / 0 / 65

HEX #3F4D59

RGB 63 77 89

HSL 207.69, 0.17%, 0.3%

LAB 32, -2.36, -8.88

 

CMYK 50 / 24 / 0 / 60

HEX #334D65

RGB 51 77 101

HSL 208.8, 0.33%, 0.3%

LAB 31.7, -2.51, -17.05

 

CMYK 65 / 32 / 0 / 56

HEX #274D71

RGB 39 77 113

HSL 209.19, 0.49%, 0.3%

LAB 31.65, -1.22, -24.73

 

CMYK 0 / 27 / 26 / 65

HEX #584041

RGB 88 64 65

HSL 357.5, 0.16%, 0.3%

LAB 29.72, 10.62, 3.47

 

CMYK 0 / 22 / 27 / 65

HEX #584540

RGB 88 69 64

HSL 12.5, 0.16%, 0.3%

LAB 31.12, 7.27, 6.11

 

CMYK 0 / 15 / 27 / 65

HEX #584B40

RGB 88 75 64

HSL 27.5, 0.16%, 0.3%

LAB 32.87, 3.49, 8.57

 

CMYK 0 / 7 / 27 / 65

HEX #585240

RGB 88 82 64

HSL 45, 0.16%, 0.3%

LAB 34.96, -0.84, 11.47

 

CMYK 0 / 0 / 27 / 65

HEX #585840

RGB 88 88 64

HSL 60, 0.16%, 0.3%

LAB 36.79, -4.47, 13.97

 

CMYK 0 / 13 / 28 / 84

HEX #28231D

RGB 40 35 29

HSL 32.73, 0.16%, 0.14%

LAB 14.07, 1.09, 4.89

 

CMYK 0 / 14 / 28 / 75

HEX #40372E

RGB 64 55 46

HSL 30, 0.16%, 0.22%

LAB 23.74, 2.26, 7.11

 

CMYK 0 / 14 / 27 / 65

HEX #584C40

RGB 88 76 64

HSL 30, 0.16%, 0.3%

LAB 33.17, 2.87, 8.99

 

CMYK 0 / 14 / 28 / 56

HEX #706051

RGB 112 96 81

HSL 29.03, 0.16%, 0.38%

LAB 41.85, 3.89, 10.95

 

CMYK 0 / 14 / 28 / 47

HEX #887562

RGB 136 117 98

HSL 30, 0.16%, 0.46%

LAB 50.5, 4.28, 13.22

 

CMYK 0 / 15 / 28 / 65

HEX #594C40

RGB 89 76 64

HSL 28.8, 0.16%, 0.3%

LAB 33.27, 3.31, 9.15

 

CMYK 18 / 0 / 27 / 65

HEX #485840

RGB 72 88 64

HSL 100, 0.16%, 0.3%

LAB 35.45, -11.33, 11.93

 

CMYK 26 / 27 / 0 / 65

HEX #414058

RGB 65 64 88

HSL 242.5, 0.16%, 0.3%

LAB 28.1, 6.47, -14.16

 

CMYK 0 / 15 / 28 / 65

HEX #594C40

RGB 89 76 64

HSL 28.8, 0.16%, 0.3%

LAB 33.27, 3.31, 9.15

 

CMYK 27 / 0 / 15 / 65

HEX #40584B

RGB 64 88 75

HSL 147.5, 0.16%, 0.3%

LAB 35.16, -12.19, 4.61

 

CMYK 15 / 27 / 0 / 65

HEX #4B4058

RGB 75 64 88

HSL 267.5, 0.16%, 0.3%

LAB 29.07, 10.14, -12.59

 

CMYK 0 / 15 / 28 / 65

HEX #594C40

RGB 89 76 64

HSL 28.8, 0.16%, 0.3%

LAB 33.27, 3.31, 9.15

 

CMYK 18 / 0 / 27 / 65

HEX #485840

RGB 72 88 64

HSL 100, 0.16%, 0.3%

LAB 35.45, -11.33, 11.93

 

CMYK 27 / 13 / 0 / 65

HEX #404D58

RGB 64 77 88

HSL 207.5, 0.16%, 0.3%

LAB 32.04, -2.28, -8.18

 

CMYK 9 / 27 / 0 / 65

HEX #504058

RGB 80 64 88

HSL 280, 0.16%, 0.3%

LAB 29.61, 12.04, -11.73

 

CMYK 0 / 15 / 28 / 65

HEX #594C40

RGB 89 76 64

HSL 28.8, 0.16%, 0.3%

LAB 33.27, 3.31, 9.15

 

CMYK 26 / 0 / 27 / 65

HEX #415840

RGB 65 88 64

HSL 117.5, 0.16%, 0.3%

LAB 34.95, -14.15, 11.16

 

CMYK 27 / 13 / 0 / 65

HEX #404D58

RGB 64 77 88

HSL 207.5, 0.16%, 0.3%

LAB 32.04, -2.28, -8.18

 

CMYK 1 / 27 / 0 / 65

HEX #574058

RGB 87 64 88

HSL 297.5, 0.16%, 0.3%

LAB 30.39, 14.73, -10.46

 

Description

Color code: HEX #594C40 | qconv.com Color code: HEX #594C40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 76 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 76 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 28 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 28% 65% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Web Design & Mar...
Link: http://thewebtaylor.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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