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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #594C43 it is the complementary color #A6B3BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #594C43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #594C43 shade: #5E4C3E, #6F5E51, #807064, #918277 and #A2948A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #594C43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #594C43 shade: #594C43, #483A30, #37281D, #26160A and #150400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #594C43 shade: #5A4D43, #5A4743 and #5A4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #594C43 shade: #5A4D43, #5A5343, #5A5843, #555A43 and #4F5A43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #594C43 shade matches the following richer shades: #5A4D43, #664A37, #73482A, #80461D and #8D4310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #594C43 shade: #5A4D43, #4D4F50, #40515D, #33546A and #265677

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #594C43 shade: #5A4346, #5A4643, #5A4C43, #5A5243 and #5A5843

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #594C43 shade: #2B2420, #423832, #5A4D43, #716155 and #897567

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #594C43 shade: #594C43, #4C5A43 and #43435A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #594C43 shade: #594C43, #435A4C and #4C435A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #594C43 shade: #594C43, #4C5A43, #43515A and #51435A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #594C43 shade: #594C43, #465A43, #43515A and #57435A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 25 / 65

HEX #594C43

RGB 89 76 67

HSL 24.55, 0.14%, 0.31%

LAB 33.35, 3.81, 7.36

 

Complementary color

CMYK 12 / 5 / 0 / 26

HEX #A6B3BC

RGB 166 179 188

HSL 204.55, 0.14%, 0.69%

LAB 72.21, -2.68, -6.13

 

CMYK 0 / 19 / 34 / 63

HEX #5E4C3E

RGB 94 76 62

HSL 26.25, 0.21%, 0.31%

LAB 33.77, 5.25, 11.18

 

CMYK 0 / 15 / 27 / 56

HEX #6F5E51

RGB 111 94 81

HSL 26, 0.16%, 0.38%

LAB 41.18, 4.66, 10

 

CMYK 0 / 13 / 22 / 50

HEX #807064

RGB 128 112 100

HSL 25.71, 0.12%, 0.45%

LAB 48.38, 4.18, 8.96

 

CMYK 0 / 10 / 18 / 43

HEX #918277

RGB 145 130 119

HSL 25.38, 0.11%, 0.52%

LAB 55.4, 3.78, 8.02

 

CMYK 0 / 9 / 15 / 36

HEX #A2948A

RGB 162 148 138

HSL 25, 0.11%, 0.59%

LAB 62.25, 3.44, 7.15

 

CMYK 0 / 15 / 25 / 65

HEX #594C43

RGB 89 76 67

HSL 24.55, 0.14%, 0.31%

LAB 33.35, 3.81, 7.36

 

CMYK 0 / 19 / 33 / 72

HEX #483A30

RGB 72 58 48

HSL 25, 0.2%, 0.24%

LAB 25.62, 4.39, 8.53

 

CMYK 0 / 27 / 47 / 78

HEX #37281D

RGB 55 40 29

HSL 25.38, 0.31%, 0.16%

LAB 17.55, 5.21, 9.95

 

CMYK 0 / 42 / 74 / 85

HEX #26160A

RGB 38 22 10

HSL 25.71, 0.58%, 0.09%

LAB 9.06, 6.49, 9.58

 

CMYK 0 / 81 / 100 / 92

HEX #150400

RGB 21 4 0

HSL 11.43, 1%, 0.04%

LAB 2.22, 4.86, 3.42

 

CMYK 0 / 14 / 26 / 65

HEX #5A4D43

RGB 90 77 67

HSL 26.09, 0.15%, 0.31%

LAB 33.75, 3.63, 7.94

 

CMYK 0 / 21 / 26 / 65

HEX #5A4743

RGB 90 71 67

HSL 10.43, 0.15%, 0.31%

LAB 32, 7.4, 5.47

 

CMYK 0 / 26 / 26 / 65

HEX #5A4343

RGB 90 67 67

HSL 0, 0.15%, 0.31%

LAB 30.86, 9.93, 3.85

 

CMYK 0 / 14 / 26 / 65

HEX #5A4D43

RGB 90 77 67

HSL 26.09, 0.15%, 0.31%

LAB 33.75, 3.63, 7.94

 

CMYK 0 / 8 / 26 / 65

HEX #5A5343

RGB 90 83 67

HSL 41.74, 0.15%, 0.31%

LAB 35.53, -0.08, 10.42

 

CMYK 0 / 2 / 26 / 65

HEX #5A5843

RGB 90 88 67

HSL 54.78, 0.15%, 0.31%

LAB 37.04, -3.11, 12.5

 

CMYK 6 / 0 / 26 / 65

HEX #555A43

RGB 85 90 67

HSL 73.04, 0.15%, 0.31%

LAB 37.2, -6.48, 12.66

 

CMYK 12 / 0 / 26 / 65

HEX #4F5A43

RGB 79 90 67

HSL 88.7, 0.15%, 0.31%

LAB 36.71, -9.03, 11.89

 

CMYK 0 / 14 / 26 / 65

HEX #5A4D43

RGB 90 77 67

HSL 26.09, 0.15%, 0.31%

LAB 33.75, 3.63, 7.94

 

CMYK 0 / 27 / 46 / 60

HEX #664A37

RGB 102 74 55

HSL 24.26, 0.3%, 0.31%

LAB 33.98, 9.2, 15.99

 

CMYK 0 / 37 / 63 / 55

HEX #73482A

RGB 115 72 42

HSL 24.66, 0.46%, 0.31%

LAB 34.9, 15.12, 25.37

 

CMYK 0 / 45 / 77 / 50

HEX #80461D

RGB 128 70 29

HSL 24.85, 0.63%, 0.31%

LAB 36.1, 21.41, 34.42

 

CMYK 0 / 52 / 89 / 45

HEX #8D4310

RGB 141 67 16

HSL 24.48, 0.8%, 0.31%

LAB 37.32, 28.33, 42.19

 

CMYK 0 / 14 / 26 / 65

HEX #5A4D43

RGB 90 77 67

HSL 26.09, 0.15%, 0.31%

LAB 33.75, 3.63, 7.94

 

CMYK 4 / 1 / 0 / 69

HEX #4D4F50

RGB 77 79 80

HSL 200, 0.02%, 0.31%

LAB 33.45, -0.59, -0.88

 

CMYK 31 / 13 / 0 / 64

HEX #40515D

RGB 64 81 93

HSL 204.83, 0.18%, 0.31%

LAB 33.49, -3.41, -9.17

 

CMYK 52 / 21 / 0 / 58

HEX #33546A

RGB 51 84 106

HSL 204, 0.35%, 0.31%

LAB 34.16, -5.26, -16.4

 

CMYK 68 / 28 / 0 / 53

HEX #265677

RGB 38 86 119

HSL 204.44, 0.52%, 0.31%

LAB 34.8, -4.92, -23.54

 

CMYK 0 / 26 / 22 / 65

HEX #5A4346

RGB 90 67 70

HSL 352.17, 0.15%, 0.31%

LAB 30.95, 10.45, 2.04

 

CMYK 0 / 22 / 26 / 65

HEX #5A4643

RGB 90 70 67

HSL 7.83, 0.15%, 0.31%

LAB 31.71, 8.03, 5.06

 

CMYK 0 / 16 / 26 / 65

HEX #5A4C43

RGB 90 76 67

HSL 23.48, 0.15%, 0.31%

LAB 33.45, 4.26, 7.52

 

CMYK 0 / 9 / 26 / 65

HEX #5A5243

RGB 90 82 67

HSL 39.13, 0.15%, 0.31%

LAB 35.23, 0.54, 10.01

HEX #5A5243

CMYK 0 / 2 / 26 / 65

HEX #5A5843

RGB 90 88 67

HSL 54.78, 0.15%, 0.31%

LAB 37.04, -3.11, 12.5

HEX #5A5843

CMYK 0 / 16 / 26 / 83

HEX #2B2420

RGB 43 36 32

HSL 21.82, 0.15%, 0.15%

LAB 14.84, 2.47, 3.89

 

CMYK 0 / 15 / 24 / 74

HEX #423832

RGB 66 56 50

HSL 22.5, 0.14%, 0.23%

LAB 24.38, 3.25, 5.37

 

CMYK 0 / 14 / 26 / 65

HEX #5A4D43

RGB 90 77 67

HSL 26.09, 0.15%, 0.31%

LAB 33.75, 3.63, 7.94

 

CMYK 0 / 14 / 25 / 56

HEX #716155

RGB 113 97 85

HSL 25.71, 0.14%, 0.39%

LAB 42.33, 4.35, 9.21

 

CMYK 0 / 15 / 25 / 46

HEX #897567

RGB 137 117 103

HSL 24.71, 0.14%, 0.47%

LAB 50.71, 5.45, 10.6

 

CMYK 0 / 15 / 25 / 65

HEX #594C43

RGB 89 76 67

HSL 24.55, 0.14%, 0.31%

LAB 33.35, 3.81, 7.36

 

CMYK 16 / 0 / 26 / 65

HEX #4C5A43

RGB 76 90 67

HSL 96.52, 0.15%, 0.31%

LAB 36.47, -10.28, 11.53

 

CMYK 26 / 26 / 0 / 65

HEX #43435A

RGB 67 67 90

HSL 240, 0.15%, 0.31%

LAB 29.28, 5.77, -13.64

 

CMYK 0 / 15 / 25 / 65

HEX #594C43

RGB 89 76 67

HSL 24.55, 0.14%, 0.31%

LAB 33.35, 3.81, 7.36

 

CMYK 26 / 0 / 16 / 65

HEX #435A4C

RGB 67 90 76

HSL 143.48, 0.15%, 0.31%

LAB 36.04, -12, 5.27

 

CMYK 16 / 26 / 0 / 65

HEX #4C435A

RGB 76 67 90

HSL 263.48, 0.15%, 0.31%

LAB 30.13, 9.07, -12.26

 

CMYK 0 / 15 / 25 / 65

HEX #594C43

RGB 89 76 67

HSL 24.55, 0.14%, 0.31%

LAB 33.35, 3.81, 7.36

 

CMYK 16 / 0 / 26 / 65

HEX #4C5A43

RGB 76 90 67

HSL 96.52, 0.15%, 0.31%

LAB 36.47, -10.28, 11.53

 

CMYK 26 / 10 / 0 / 65

HEX #43515A

RGB 67 81 90

HSL 203.48, 0.15%, 0.31%

LAB 33.6, -3.18, -7.09

 

CMYK 10 / 26 / 0 / 65

HEX #51435A

RGB 81 67 90

HSL 276.52, 0.15%, 0.31%

LAB 30.64, 10.95, -11.43

 

CMYK 0 / 15 / 25 / 65

HEX #594C43

RGB 89 76 67

HSL 24.55, 0.14%, 0.31%

LAB 33.35, 3.81, 7.36

 

CMYK 22 / 0 / 26 / 65

HEX #465A43

RGB 70 90 67

HSL 112.17, 0.15%, 0.31%

LAB 36.02, -12.72, 10.84

 

CMYK 26 / 10 / 0 / 65

HEX #43515A

RGB 67 81 90

HSL 203.48, 0.15%, 0.31%

LAB 33.6, -3.18, -7.09

 

CMYK 3 / 26 / 0 / 65

HEX #57435A

RGB 87 67 90

HSL 292.17, 0.15%, 0.31%

LAB 31.3, 13.25, -10.37

 

Description

Color code: HEX #594C43 | qconv.com Color code: HEX #594C43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 76 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 76 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 25 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 25% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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