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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #594D98 it is the complementary color #A6B267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #594D98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #594D98 shade: #5E4D93, #6F5FA6, #8071B9, #9183CC and #A295DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #594D98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #594D98 shade: #594D98, #483B85, #372972, #26175F and #15054C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #594D98 shade: #594C98, #6D4C98, #814C98, #964C98 and #984C86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #594D98 shade: #594C98 and #4C4C98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #594D98 shade matches the following richer shades: #594C98, #4C3AAB, #3F27BD, #3315D0 and #2602E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #594D98 shade: #594C98, #655F86, #727273, #7E8460 and #8B974E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #594D98 shade: #4C6998, #4C5598, #584C98, #6C4C98 and #804C98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #594D98 shade: #383161, #483F7D, #594C98, #6C5FAE and #857BBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #594D98 shade: #594D98, #984C7E and #5F984C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #594D98 shade: #594D98, #98584C and #4C9858

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #594D98 shade: #594D98, #984C7E, #8D984C and #4C9867

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #594D98 shade: #594D98, #984C67, #8D984C and #4C987E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 49 / 0 / 40

HEX #594D98

RGB 89 77 152

HSL 249.6, 0.33%, 0.45%

LAB 37.3, 24.15, -39.57

 

Complementary color

CMYK 7 / 0 / 42 / 30

HEX #A6B267

RGB 166 178 103

HSL 69.6, 0.33%, 0.55%

LAB 70.12, -15.96, 36.86

 

CMYK 36 / 48 / 0 / 42

HEX #5E4D93

RGB 94 77 147

HSL 254.57, 0.31%, 0.44%

LAB 37.47, 24.04, -36.24

 

CMYK 33 / 43 / 0 / 35

HEX #6F5FA6

RGB 111 95 166

HSL 253.52, 0.29%, 0.51%

LAB 44.68, 23.04, -36.08

 

CMYK 31 / 39 / 0 / 27

HEX #8071B9

RGB 128 113 185

HSL 252.5, 0.34%, 0.58%

LAB 51.73, 22.18, -35.97

 

CMYK 29 / 36 / 0 / 20

HEX #9183CC

RGB 145 131 204

HSL 251.51, 0.42%, 0.66%

LAB 58.61, 21.42, -35.91

 

CMYK 27 / 33 / 0 / 13

HEX #A295DF

RGB 162 149 223

HSL 250.54, 0.54%, 0.73%

LAB 65.36, 20.75, -35.89

 

CMYK 41 / 49 / 0 / 40

HEX #594D98

RGB 89 77 152

HSL 249.6, 0.33%, 0.45%

LAB 37.3, 24.15, -39.57

 

CMYK 46 / 56 / 0 / 48

HEX #483B85

RGB 72 59 133

HSL 250.54, 0.39%, 0.38%

LAB 29.91, 25.45, -39.85

 

CMYK 52 / 64 / 0 / 55

HEX #372972

RGB 55 41 114

HSL 251.51, 0.47%, 0.3%

LAB 22.35, 26.99, -40.15

 

CMYK 60 / 76 / 0 / 63

HEX #26175F

RGB 38 23 95

HSL 252.5, 0.61%, 0.23%

LAB 14.69, 28.7, -40.29

 

CMYK 72 / 93 / 0 / 70

HEX #15054C

RGB 21 5 76

HSL 253.52, 0.88%, 0.16%

LAB 7.13, 30.22, -39.86

 

CMYK 41 / 50 / 0 / 40

HEX #594C98

RGB 89 76 152

HSL 250.26, 0.33%, 0.45%

LAB 37.04, 24.77, -39.98

 

CMYK 28 / 50 / 0 / 40

HEX #6D4C98

RGB 109 76 152

HSL 266.05, 0.33%, 0.45%

LAB 39.05, 30.25, -36.66

 

CMYK 15 / 50 / 0 / 40

HEX #814C98

RGB 129 76 152

HSL 281.84, 0.33%, 0.45%

LAB 41.38, 36.06, -32.83

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 0 / 50 / 12 / 40

HEX #984C86

RGB 152 76 134

HSL 314.21, 0.33%, 0.45%

LAB 43.6, 39.67, -18.26

 

CMYK 41 / 50 / 0 / 40

HEX #594C98

RGB 89 76 152

HSL 250.26, 0.33%, 0.45%

LAB 37.04, 24.77, -39.98

 

CMYK 50 / 50 / 0 / 40

HEX #4C4C98

RGB 76 76 152

HSL 240, 0.33%, 0.45%

LAB 35.93, 21.53, -41.82

 

CMYK 41 / 50 / 0 / 40

HEX #594C98

RGB 89 76 152

HSL 250.26, 0.33%, 0.45%

LAB 37.04, 24.77, -39.98

 

CMYK 56 / 66 / 0 / 33

HEX #4C3AAB

RGB 76 58 171

HSL 249.56, 0.49%, 0.45%

LAB 32.93, 38.86, -58.11

 

CMYK 67 / 79 / 0 / 26

HEX #3F27BD

RGB 63 39 189

HSL 249.6, 0.66%, 0.45%

LAB 29.87, 52.86, -73.88

 

CMYK 75 / 90 / 0 / 18

HEX #3315D0

RGB 51 21 208

HSL 249.63, 0.82%, 0.45%

LAB 28.89, 64.26, -86.67

 

CMYK 83 / 99 / 0 / 11

HEX #2602E2

RGB 38 2 226

HSL 249.64, 0.98%, 0.45%

LAB 29.28, 72.3, -96.45

 

CMYK 41 / 50 / 0 / 40

HEX #594C98

RGB 89 76 152

HSL 250.26, 0.33%, 0.45%

LAB 37.04, 24.77, -39.98

 

CMYK 25 / 29 / 0 / 47

HEX #655F86

RGB 101 95 134

HSL 249.23, 0.17%, 0.45%

LAB 42.27, 11.41, -20.82

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 5 / 0 / 27 / 48

HEX #7E8460

RGB 126 132 96

HSL 70, 0.16%, 0.45%

LAB 53.8, -8.66, 18.74

 

CMYK 8 / 0 / 48 / 41

HEX #8B974E

RGB 139 151 78

HSL 69.86, 0.32%, 0.45%

LAB 60.04, -15.8, 36.77

 

CMYK 50 / 31 / 0 / 40

HEX #4C6998

RGB 76 105 152

HSL 217.11, 0.33%, 0.45%

LAB 44.1, 3.11, -28.89

 

CMYK 50 / 44 / 0 / 40

HEX #4C5598

RGB 76 85 152

HSL 232.89, 0.33%, 0.45%

LAB 38.38, 15.73, -37.91

 

CMYK 42 / 50 / 0 / 40

HEX #584C98

RGB 88 76 152

HSL 249.47, 0.33%, 0.45%

LAB 36.95, 24.51, -40.13

 

CMYK 29 / 50 / 0 / 40

HEX #6C4C98

RGB 108 76 152

HSL 265.26, 0.33%, 0.45%

LAB 38.94, 29.96, -36.84

 

CMYK 16 / 50 / 0 / 40

HEX #804C98

RGB 128 76 152

HSL 281.05, 0.33%, 0.45%

LAB 41.26, 35.77, -33.03

 

CMYK 42 / 49 / 0 / 62

HEX #383161

RGB 56 49 97

HSL 248.75, 0.33%, 0.29%

LAB 23.34, 16.36, -27.54

 

CMYK 42 / 50 / 0 / 51

HEX #483F7D

RGB 72 63 125

HSL 248.71, 0.33%, 0.37%

LAB 30.43, 20.36, -34.03

 

CMYK 41 / 50 / 0 / 40

HEX #594C98

RGB 89 76 152

HSL 250.26, 0.33%, 0.45%

LAB 37.04, 24.77, -39.98

 

CMYK 38 / 45 / 0 / 32

HEX #6C5FAE

RGB 108 95 174

HSL 249.87, 0.33%, 0.53%

LAB 44.84, 24.44, -40.56

 

CMYK 29 / 35 / 0 / 26

HEX #857BBC

RGB 133 123 188

HSL 249.23, 0.33%, 0.61%

LAB 54.85, 18.5, -32.78

 

CMYK 41 / 49 / 0 / 40

HEX #594D98

RGB 89 77 152

HSL 249.6, 0.33%, 0.45%

LAB 37.3, 24.15, -39.57

 

CMYK 0 / 50 / 17 / 40

HEX #984C7E

RGB 152 76 126

HSL 320.53, 0.33%, 0.45%

LAB 43.29, 38.33, -13.88

 

CMYK 38 / 0 / 50 / 40

HEX #5F984C

RGB 95 152 76

HSL 105, 0.33%, 0.45%

LAB 57.47, -33.6, 34

 

CMYK 41 / 49 / 0 / 40

HEX #594D98

RGB 89 77 152

HSL 249.6, 0.33%, 0.45%

LAB 37.3, 24.15, -39.57

 

CMYK 0 / 42 / 50 / 40

HEX #98584C

RGB 152 88 76

HSL 9.47, 0.33%, 0.45%

LAB 44.49, 25.05, 18.35

 

CMYK 50 / 0 / 42 / 40

HEX #4C9858

RGB 76 152 88

HSL 129.47, 0.33%, 0.45%

LAB 56.78, -37.8, 26.6

 

CMYK 41 / 49 / 0 / 40

HEX #594D98

RGB 89 77 152

HSL 249.6, 0.33%, 0.45%

LAB 37.3, 24.15, -39.57

 

CMYK 0 / 50 / 17 / 40

HEX #984C7E

RGB 152 76 126

HSL 320.53, 0.33%, 0.45%

LAB 43.29, 38.33, -13.88

 

CMYK 7 / 0 / 50 / 40

HEX #8D984C

RGB 141 152 76

HSL 68.68, 0.33%, 0.45%

LAB 60.46, -15.69, 38.33

 

CMYK 50 / 0 / 32 / 40

HEX #4C9867

RGB 76 152 103

HSL 141.32, 0.33%, 0.45%

LAB 57.05, -35.06, 18.73

 

CMYK 41 / 49 / 0 / 40

HEX #594D98

RGB 89 77 152

HSL 249.6, 0.33%, 0.45%

LAB 37.3, 24.15, -39.57

 

CMYK 0 / 50 / 32 / 40

HEX #984C67

RGB 152 76 103

HSL 338.68, 0.33%, 0.45%

LAB 42.5, 34.89, -0.95

 

CMYK 7 / 0 / 50 / 40

HEX #8D984C

RGB 141 152 76

HSL 68.68, 0.33%, 0.45%

LAB 60.46, -15.69, 38.33

 

CMYK 50 / 0 / 17 / 40

HEX #4C987E

RGB 76 152 126

HSL 159.47, 0.33%, 0.45%

LAB 57.56, -30.07, 6.5

 

Description

Color code: HEX #594D98 | qconv.com Color code: HEX #594D98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 77 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 77 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 49 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 49% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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