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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595689 it is the complementary color #A6A976. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595689. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595689 shade: #5E5684, #6F6897, #807AAA, #918CBD and #A29ED0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595689. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595689 shade: #595689, #484476, #373263, #262050 and #150E3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595689 shade: #59568A, #67568A, #75568A, #83568A and #8A5682

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595689 shade: #59568A and #56568A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595689 shade matches the following richer shades: #59568A, #49449C, #3932AE, #291FC0 and #190DD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595689 shade: #59568A, #696877, #797A65, #898C53 and #999F41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595689 shade: #566F8A, #56618A, #58568A, #66568A and #74568A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595689 shade: #383657, #484670, #59568A, #6C68A0 and #8482B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595689 shade: #595689, #8A567D and #688A56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595689 shade: #595689, #8A5856 and #568A58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595689 shade: #595689, #8A567D, #878A56 and #568A63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595689 shade: #595689, #8A566D, #878A56 and #568A72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 37 / 0 / 46

HEX #595689

RGB 89 86 137

HSL 243.53, 0.23%, 0.44%

LAB 38.87, 14.05, -27.99

 

Complementary color

CMYK 2 / 0 / 30 / 34

HEX #A6A976

RGB 166 169 118

HSL 63.53, 0.23%, 0.56%

LAB 67.87, -9.42, 26.03

 

CMYK 29 / 35 / 0 / 48

HEX #5E5684

RGB 94 86 132

HSL 250.43, 0.21%, 0.43%

LAB 39.07, 14.21, -24.6

 

CMYK 26 / 31 / 0 / 41

HEX #6F6897

RGB 111 104 151

HSL 248.94, 0.18%, 0.5%

LAB 46.33, 13.55, -24.63

 

CMYK 25 / 28 / 0 / 33

HEX #807AAA

RGB 128 122 170

HSL 247.5, 0.22%, 0.57%

LAB 53.4, 12.99, -24.71

 

CMYK 23 / 26 / 0 / 26

HEX #918CBD

RGB 145 140 189

HSL 246.12, 0.27%, 0.65%

LAB 60.29, 12.49, -24.83

 

CMYK 22 / 24 / 0 / 18

HEX #A29ED0

RGB 162 158 208

HSL 244.8, 0.35%, 0.72%

LAB 67.04, 12.05, -24.99

 

CMYK 35 / 37 / 0 / 46

HEX #595689

RGB 89 86 137

HSL 243.53, 0.23%, 0.44%

LAB 38.87, 14.05, -27.99

 

CMYK 39 / 42 / 0 / 54

HEX #484476

RGB 72 68 118

HSL 244.8, 0.27%, 0.36%

LAB 31.39, 14.93, -28.12

 

CMYK 44 / 49 / 0 / 61

HEX #373263

RGB 55 50 99

HSL 246.12, 0.33%, 0.29%

LAB 23.65, 16.03, -28.35

 

CMYK 53 / 60 / 0 / 69

HEX #262050

RGB 38 32 80

HSL 247.5, 0.43%, 0.22%

LAB 15.61, 17.49, -28.68

 

CMYK 66 / 77 / 0 / 76

HEX #150E3D

RGB 21 14 61

HSL 248.94, 0.63%, 0.15%

LAB 7.32, 19.32, -28.95

 

CMYK 36 / 38 / 0 / 46

HEX #59568A

RGB 89 86 138

HSL 243.46, 0.23%, 0.44%

LAB 38.92, 14.34, -28.52

 

CMYK 25 / 38 / 0 / 46

HEX #67568A

RGB 103 86 138

HSL 259.62, 0.23%, 0.44%

LAB 40.2, 18.68, -26.42

 

CMYK 15 / 38 / 0 / 46

HEX #75568A

RGB 117 86 138

HSL 275.77, 0.23%, 0.44%

LAB 41.65, 23.23, -24.07

 

CMYK 5 / 38 / 0 / 46

HEX #83568A

RGB 131 86 138

HSL 291.92, 0.23%, 0.44%

LAB 43.24, 27.9, -21.48

 

CMYK 0 / 38 / 6 / 46

HEX #8A5682

RGB 138 86 130

HSL 309.23, 0.23%, 0.44%

LAB 43.76, 28.7, -15.77

 

CMYK 36 / 38 / 0 / 46

HEX #59568A

RGB 89 86 138

HSL 243.46, 0.23%, 0.44%

LAB 38.92, 14.34, -28.52

 

CMYK 38 / 38 / 0 / 46

HEX #56568A

RGB 86 86 138

HSL 240, 0.23%, 0.44%

LAB 38.67, 13.45, -28.93

 

CMYK 36 / 38 / 0 / 46

HEX #59568A

RGB 89 86 138

HSL 243.46, 0.23%, 0.44%

LAB 38.92, 14.34, -28.52

 

CMYK 53 / 56 / 0 / 39

HEX #49449C

RGB 73 68 156

HSL 243.41, 0.39%, 0.44%

LAB 33.88, 27.29, -47.55

 

CMYK 67 / 71 / 0 / 32

HEX #3932AE

RGB 57 50 174

HSL 243.39, 0.55%, 0.44%

LAB 29.93, 41.7, -64.87

 

CMYK 79 / 84 / 0 / 25

HEX #291FC0

RGB 41 31 192

HSL 243.73, 0.72%, 0.44%

LAB 27.46, 55.75, -79.69

 

CMYK 88 / 94 / 0 / 18

HEX #190DD2

RGB 25 13 210

HSL 243.65, 0.88%, 0.44%

LAB 27.15, 66.07, -90.77

 

CMYK 36 / 38 / 0 / 46

HEX #59568A

RGB 89 86 138

HSL 243.46, 0.23%, 0.44%

LAB 38.92, 14.34, -28.52

 

CMYK 12 / 13 / 0 / 53

HEX #696877

RGB 105 104 119

HSL 244, 0.07%, 0.44%

LAB 44.57, 3.65, -8.22

 

CMYK 1 / 0 / 17 / 52

HEX #797A65

RGB 121 122 101

HSL 62.86, 0.09%, 0.44%

LAB 50.6, -4.28, 11.4

 

CMYK 2 / 0 / 41 / 45

HEX #898C53

RGB 137 140 83

HSL 63.16, 0.26%, 0.44%

LAB 56.78, -10.22, 30.05

 

CMYK 4 / 0 / 59 / 38

HEX #999F41

RGB 153 159 65

HSL 63.83, 0.42%, 0.44%

LAB 63.3, -15.22, 47.18

 

CMYK 38 / 20 / 0 / 46

HEX #566F8A

RGB 86 111 138

HSL 211.15, 0.23%, 0.44%

LAB 45.88, -1.99, -17.75

 

CMYK 38 / 30 / 0 / 46

HEX #56618A

RGB 86 97 138

HSL 227.31, 0.23%, 0.44%

LAB 41.79, 6.54, -24.07

 

CMYK 36 / 38 / 0 / 46

HEX #58568A

RGB 88 86 138

HSL 242.31, 0.23%, 0.44%

LAB 38.84, 14.04, -28.66

 

CMYK 26 / 38 / 0 / 46

HEX #66568A

RGB 102 86 138

HSL 258.46, 0.23%, 0.44%

LAB 40.11, 18.36, -26.58

 

CMYK 16 / 38 / 0 / 46

HEX #74568A

RGB 116 86 138

HSL 274.62, 0.23%, 0.44%

LAB 41.54, 22.9, -24.24

 

CMYK 36 / 38 / 0 / 66

HEX #383657

RGB 56 54 87

HSL 243.64, 0.23%, 0.28%

LAB 24.22, 9.79, -19.6

 

CMYK 36 / 38 / 0 / 56

HEX #484670

RGB 72 70 112

HSL 242.86, 0.23%, 0.36%

LAB 31.64, 11.81, -23.96

 

CMYK 36 / 38 / 0 / 46

HEX #59568A

RGB 89 86 138

HSL 243.46, 0.23%, 0.44%

LAB 38.92, 14.34, -28.52

 

CMYK 33 / 35 / 0 / 37

HEX #6C68A0

RGB 108 104 160

HSL 244.29, 0.23%, 0.52%

LAB 46.48, 15.02, -29.74

 

CMYK 25 / 26 / 0 / 31

HEX #8482B0

RGB 132 130 176

HSL 242.61, 0.23%, 0.6%

LAB 56.09, 11.04, -23.98

 

CMYK 35 / 37 / 0 / 46

HEX #595689

RGB 89 86 137

HSL 243.53, 0.23%, 0.44%

LAB 38.87, 14.05, -27.99

 

CMYK 0 / 38 / 9 / 46

HEX #8A567D

RGB 138 86 125

HSL 315, 0.23%, 0.44%

LAB 43.57, 27.76, -13.02

 

CMYK 25 / 0 / 38 / 46

HEX #688A56

RGB 104 138 86

HSL 99.23, 0.23%, 0.44%

LAB 53.81, -22.09, 24.09

 

CMYK 35 / 37 / 0 / 46

HEX #595689

RGB 89 86 137

HSL 243.53, 0.23%, 0.44%

LAB 38.87, 14.05, -27.99

 

CMYK 0 / 36 / 38 / 46

HEX #8A5856

RGB 138 88 86

HSL 2.31, 0.23%, 0.44%

LAB 42.85, 20.41, 9.75

 

CMYK 38 / 0 / 36 / 46

HEX #568A58

RGB 86 138 88

HSL 122.31, 0.23%, 0.44%

LAB 52.8, -28.22, 21.45

 

CMYK 35 / 37 / 0 / 46

HEX #595689

RGB 89 86 137

HSL 243.53, 0.23%, 0.44%

LAB 38.87, 14.05, -27.99

 

CMYK 0 / 38 / 9 / 46

HEX #8A567D

RGB 138 86 125

HSL 315, 0.23%, 0.44%

LAB 43.57, 27.76, -13.02

 

CMYK 2 / 0 / 38 / 46

HEX #878A56

RGB 135 138 86

HSL 63.46, 0.23%, 0.44%

LAB 56.09, -9.61, 27.5

 

CMYK 38 / 0 / 28 / 46

HEX #568A63

RGB 86 138 99

HSL 135, 0.23%, 0.44%

LAB 53.01, -26.19, 15.53

 

CMYK 35 / 37 / 0 / 46

HEX #595689

RGB 89 86 137

HSL 243.53, 0.23%, 0.44%

LAB 38.87, 14.05, -27.99

 

CMYK 0 / 38 / 21 / 46

HEX #8A566D

RGB 138 86 109

HSL 333.46, 0.23%, 0.44%

LAB 43.01, 24.97, -4.1

 

CMYK 2 / 0 / 38 / 46

HEX #878A56

RGB 135 138 86

HSL 63.46, 0.23%, 0.44%

LAB 56.09, -9.61, 27.5

 

CMYK 38 / 0 / 17 / 46

HEX #568A72

RGB 86 138 114

HSL 152.31, 0.23%, 0.44%

LAB 53.35, -23.07, 7.41

 

Description

Color code: HEX #595689 | qconv.com Color code: HEX #595689 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 86 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 86 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 37 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 37% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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