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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595007 it is the complementary color #A6AFF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595007. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595007 shade: #5E5002, #6F6215, #807428, #91863B and #A2984E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595007. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595007 shade: #595007, #483E00, #372C00, #261A00 and #150800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595007 shade: #595007, #593A07, #592407, #590D07 and #590707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595007 shade: #595007, #4C5907, #365907, #205907 and #095907

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595007 shade matches the following richer shades: #595007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595007 shade: #595007, #514A0F, #494416, #423E1E and #3A3826

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595007 shade: #592407, #593A07, #595007, #4D5907 and #375907

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595007 shade: #0D0B01, #332E04, #595007, #7F720A and #A5950D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595007 shade: #595007, #07590E and #2F0759

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595007 shade: #595007, #075950 and #500759

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595007 shade: #595007, #07590E, #071059 and #590752

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595007 shade: #595007, #075926, #071059 and #59073A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

Complementary color

CMYK 33 / 29 / 0 / 3

HEX #A6AFF8

RGB 166 175 248

HSL 233.41, 0.85%, 0.81%

LAB 73.25, 13.48, -37.28

 

CMYK 0 / 15 / 98 / 63

HEX #5E5002

RGB 94 80 2

HSL 50.87, 0.96%, 0.19%

LAB 34.23, -2.11, 41.74

 

CMYK 0 / 12 / 81 / 56

HEX #6F6215

RGB 111 98 21

HSL 51.33, 0.68%, 0.26%

LAB 41.48, -3.68, 42.45

 

CMYK 0 / 9 / 69 / 50

HEX #807428

RGB 128 116 40

HSL 51.82, 0.52%, 0.33%

LAB 48.55, -4.89, 42.07

 

CMYK 0 / 8 / 59 / 43

HEX #91863B

RGB 145 134 59

HSL 52.33, 0.42%, 0.4%

LAB 55.47, -5.82, 41.07

 

CMYK 0 / 6 / 52 / 36

HEX #A2984E

RGB 162 152 78

HSL 52.86, 0.35%, 0.47%

LAB 62.24, -6.54, 39.87

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 0 / 14 / 100 / 72

HEX #483E00

RGB 72 62 0

HSL 51.67, 1%, 0.14%

LAB 26.22, -2.54, 35.21

 

CMYK 0 / 20 / 100 / 78

HEX #372C00

RGB 55 44 0

HSL 48, 1%, 0.11%

LAB 18.42, -0.16, 26.42

 

CMYK 0 / 32 / 100 / 85

HEX #261A00

RGB 38 26 0

HSL 41.05, 1%, 0.07%

LAB 10.19, 2.52, 15.27

 

CMYK 0 / 62 / 100 / 92

HEX #150800

RGB 21 8 0

HSL 22.86, 1%, 0.04%

LAB 3.01, 3.26, 4.57

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 0 / 35 / 92 / 65

HEX #593A07

RGB 89 58 7

HSL 37.32, 0.85%, 0.19%

LAB 27.2, 9.17, 34.04

 

CMYK 0 / 60 / 92 / 65

HEX #592407

RGB 89 36 7

HSL 21.22, 0.85%, 0.19%

LAB 21.58, 22.68, 28.56

 

CMYK 0 / 85 / 92 / 65

HEX #590D07

RGB 89 13 7

HSL 4.39, 0.85%, 0.19%

LAB 17.59, 33.43, 23.99

 

CMYK 0 / 92 / 92 / 65

HEX #590707

RGB 89 7 7

HSL 0, 0.85%, 0.19%

LAB 16.95, 35.24, 23.21

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 15 / 0 / 92 / 65

HEX #4C5907

RGB 76 89 7

HSL 69.51, 0.85%, 0.19%

LAB 35.39, -16.1, 40.32

 

CMYK 39 / 0 / 92 / 65

HEX #365907

RGB 54 89 7

HSL 85.61, 0.85%, 0.19%

LAB 33.87, -25.96, 38.42

 

CMYK 64 / 0 / 92 / 65

HEX #205907

RGB 32 89 7

HSL 101.71, 0.85%, 0.19%

LAB 32.85, -33.69, 37.14

 

CMYK 90 / 0 / 92 / 65

HEX #095907

RGB 9 89 7

HSL 118.54, 0.85%, 0.19%

LAB 32.3, -38.37, 36.44

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 0 / 9 / 81 / 68

HEX #514A0F

RGB 81 74 15

HSL 53.64, 0.69%, 0.19%

LAB 31.07, -4.6, 33.98

 

CMYK 0 / 7 / 70 / 71

HEX #494416

RGB 73 68 22

HSL 54.12, 0.54%, 0.19%

LAB 28.4, -4.55, 27.77

 

CMYK 0 / 6 / 55 / 74

HEX #423E1E

RGB 66 62 30

HSL 53.33, 0.38%, 0.19%

LAB 25.85, -3.58, 20.17

 

CMYK 0 / 3 / 34 / 77

HEX #3A3826

RGB 58 56 38

HSL 54, 0.21%, 0.19%

LAB 23.23, -2.61, 11.6

 

CMYK 0 / 60 / 92 / 65

HEX #592407

RGB 89 36 7

HSL 21.22, 0.85%, 0.19%

LAB 21.58, 22.68, 28.56

 

CMYK 0 / 35 / 92 / 65

HEX #593A07

RGB 89 58 7

HSL 37.32, 0.85%, 0.19%

LAB 27.2, 9.17, 34.04

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 13 / 0 / 92 / 65

HEX #4D5907

RGB 77 89 7

HSL 68.78, 0.85%, 0.19%

LAB 35.47, -15.62, 40.42

 

CMYK 38 / 0 / 92 / 65

HEX #375907

RGB 55 89 7

HSL 84.88, 0.85%, 0.19%

LAB 33.93, -25.55, 38.49

 

CMYK 0 / 15 / 92 / 95

HEX #0D0B01

RGB 13 11 1

HSL 50, 0.86%, 0.03%

LAB 2.95, -0.81, 4

 

CMYK 0 / 10 / 92 / 80

HEX #332E04

RGB 51 46 4

HSL 53.62, 0.85%, 0.11%

LAB 18.66, -3.42, 24.94

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 0 / 10 / 92 / 50

HEX #7F720A

RGB 127 114 10

HSL 53.33, 0.85%, 0.27%

LAB 47.71, -5.48, 51.5

 

CMYK 0 / 10 / 92 / 35

HEX #A5950D

RGB 165 149 13

HSL 53.68, 0.85%, 0.35%

LAB 61.24, -6.96, 63.06

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 92 / 0 / 84 / 65

HEX #07590E

RGB 7 89 14

HSL 125.12, 0.85%, 0.19%

LAB 32.31, -38.16, 34.17

 

CMYK 47 / 92 / 0 / 65

HEX #2F0759

RGB 47 7 89

HSL 269.27, 0.85%, 0.19%

LAB 12.46, 36.22, -39.86

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 92 / 0 / 10 / 65

HEX #075950

RGB 7 89 80

HSL 173.41, 0.85%, 0.19%

LAB 33.5, -24.66, -1.2

 

CMYK 10 / 92 / 0 / 65

HEX #500759

RGB 80 7 89

HSL 293.41, 0.85%, 0.19%

LAB 18.27, 41.94, -30.16

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 92 / 0 / 84 / 65

HEX #07590E

RGB 7 89 14

HSL 125.12, 0.85%, 0.19%

LAB 32.31, -38.16, 34.17

 

CMYK 92 / 82 / 0 / 65

HEX #071059

RGB 7 16 89

HSL 233.41, 0.85%, 0.19%

LAB 10.08, 27.33, -43.92

 

CMYK 0 / 92 / 8 / 65

HEX #590752

RGB 89 7 82

HSL 305.12, 0.85%, 0.19%

LAB 19.58, 42.58, -23.25

 

CMYK 0 / 10 / 92 / 65

HEX #595007

RGB 89 80 7

HSL 53.41, 0.85%, 0.19%

LAB 33.72, -4.48, 39.43

 

CMYK 92 / 0 / 57 / 65

HEX #075926

RGB 7 89 38

HSL 142.68, 0.85%, 0.19%

LAB 32.55, -35.19, 23.05

 

CMYK 92 / 82 / 0 / 65

HEX #071059

RGB 7 16 89

HSL 233.41, 0.85%, 0.19%

LAB 10.08, 27.33, -43.92

 

CMYK 0 / 92 / 35 / 65

HEX #59073A

RGB 89 7 58

HSL 322.68, 0.85%, 0.19%

LAB 18.28, 39.07, -8.68

 

Description

Color code: HEX #595007 | qconv.com Color code: HEX #595007 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 80 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 80 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 92 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 92% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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