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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59508B it is the complementary color #A6AF74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59508B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59508B shade: #5E5086, #6F6299, #8074AC, #9186BF and #A298D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59508B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59508B shade: #59508B, #483E78, #372C65, #261A52 and #15083F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59508B shade: #59508B, #69508B, #79508B, #88508B and #8B507D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59508B shade: #59508B and #50508B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59508B shade matches the following richer shades: #59508B, #4C3E9C, #402CAE, #341AC0 and #2709D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59508B shade: #59508B, #656179, #717367, #7E8556 and #8A9744

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59508B shade: #50668B, #50568B, #58508B, #68508B and #78508B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59508B shade: #373156, #484071, #59508B, #6A60A3 and #837AB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59508B shade: #59508B, #8B5076 and #5E8B50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59508B shade: #59508B, #8B5850 and #508B58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59508B shade: #59508B, #8B5076, #828B50 and #508B64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59508B shade: #59508B, #8B5064, #828B50 and #508B76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

Complementary color

CMYK 5 / 0 / 34 / 31

HEX #A6AF74

RGB 166 175 116

HSL 69.15, 0.27%, 0.57%

LAB 69.49, -12.83, 29.25

 

CMYK 30 / 40 / 0 / 47

HEX #5E5086

RGB 94 80 134

HSL 255.56, 0.25%, 0.42%

LAB 37.55, 18.52, -28.2

 

CMYK 27 / 36 / 0 / 40

HEX #6F6299

RGB 111 98 153

HSL 254.18, 0.22%, 0.49%

LAB 44.82, 17.73, -28.16

 

CMYK 26 / 33 / 0 / 33

HEX #8074AC

RGB 128 116 172

HSL 252.86, 0.25%, 0.56%

LAB 51.9, 17.05, -28.18

 

CMYK 24 / 30 / 0 / 25

HEX #9186BF

RGB 145 134 191

HSL 251.58, 0.31%, 0.64%

LAB 58.82, 16.44, -28.24

 

CMYK 23 / 28 / 0 / 18

HEX #A298D2

RGB 162 152 210

HSL 250.34, 0.39%, 0.71%

LAB 65.59, 15.91, -28.34

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 40 / 48 / 0 / 53

HEX #483E78

RGB 72 62 120

HSL 250.34, 0.32%, 0.36%

LAB 29.86, 19.47, -31.81

 

CMYK 46 / 56 / 0 / 60

HEX #372C65

RGB 55 44 101

HSL 251.58, 0.39%, 0.28%

LAB 22.14, 20.76, -32.08

 

CMYK 54 / 68 / 0 / 68

HEX #261A52

RGB 38 26 82

HSL 252.86, 0.52%, 0.21%

LAB 14.17, 22.34, -32.37

 

CMYK 67 / 87 / 0 / 75

HEX #15083F

RGB 21 8 63

HSL 254.18, 0.77%, 0.14%

LAB 6.25, 23.46, -32.13

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 24 / 42 / 0 / 45

HEX #69508B

RGB 105 80 139

HSL 265.42, 0.27%, 0.43%

LAB 38.91, 23.27, -29.05

 

CMYK 13 / 42 / 0 / 45

HEX #79508B

RGB 121 80 139

HSL 281.69, 0.27%, 0.43%

LAB 40.68, 28.35, -26.14

 

CMYK 2 / 42 / 0 / 45

HEX #88508B

RGB 136 80 139

HSL 296.95, 0.27%, 0.43%

LAB 42.51, 33.21, -23.15

 

CMYK 0 / 42 / 10 / 45

HEX #8B507D

RGB 139 80 125

HSL 314.24, 0.27%, 0.43%

LAB 42.32, 31.54, -14.91

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 42 / 42 / 0 / 45

HEX #50508B

RGB 80 80 139

HSL 240, 0.27%, 0.43%

LAB 36.57, 15.87, -32.89

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 51 / 60 / 0 / 39

HEX #4C3E9C

RGB 76 62 156

HSL 248.94, 0.43%, 0.43%

LAB 32.66, 31.71, -49.51

 

CMYK 63 / 75 / 0 / 32

HEX #402CAE

RGB 64 44 174

HSL 249.23, 0.6%, 0.43%

LAB 29.28, 45.92, -65.92

 

CMYK 73 / 86 / 0 / 25

HEX #341AC0

RGB 52 26 192

HSL 249.4, 0.76%, 0.43%

LAB 27.5, 58.34, -79.59

 

CMYK 81 / 96 / 0 / 18

HEX #2709D2

RGB 39 9 210

HSL 248.96, 0.92%, 0.43%

LAB 27.52, 67.15, -90.14

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 17 / 20 / 0 / 53

HEX #656179

RGB 101 97 121

HSL 250, 0.11%, 0.43%

LAB 42.3, 6.92, -12.88

 

CMYK 2 / 0 / 10 / 55

HEX #717367

RGB 113 115 103

HSL 70, 0.06%, 0.43%

LAB 47.95, -3.11, 6.38

 

CMYK 5 / 0 / 35 / 48

HEX #7E8556

RGB 126 133 86

HSL 68.94, 0.21%, 0.43%

LAB 53.9, -10.64, 24.52

 

CMYK 9 / 0 / 55 / 41

HEX #8A9744

RGB 138 151 68

HSL 69.4, 0.38%, 0.43%

LAB 59.85, -17.21, 41.53

 

CMYK 42 / 27 / 0 / 45

HEX #50668B

RGB 80 102 139

HSL 217.63, 0.27%, 0.43%

LAB 42.87, 1.99, -23.02

 

CMYK 42 / 38 / 0 / 45

HEX #50568B

RGB 80 86 139

HSL 233.9, 0.27%, 0.43%

LAB 38.24, 12.02, -30.24

 

CMYK 37 / 42 / 0 / 45

HEX #58508B

RGB 88 80 139

HSL 248.14, 0.27%, 0.43%

LAB 37.25, 18.14, -31.76

 

CMYK 25 / 42 / 0 / 45

HEX #68508B

RGB 104 80 139

HSL 264.41, 0.27%, 0.43%

LAB 38.8, 22.96, -29.22

 

CMYK 14 / 42 / 0 / 45

HEX #78508B

RGB 120 80 139

HSL 280.68, 0.27%, 0.43%

LAB 40.56, 28.03, -26.33

 

CMYK 36 / 43 / 0 / 66

HEX #373156

RGB 55 49 86

HSL 249.73, 0.27%, 0.26%

LAB 22.59, 12.58, -21.5

 

CMYK 36 / 43 / 0 / 56

HEX #484071

RGB 72 64 113

HSL 249.8, 0.28%, 0.35%

LAB 30, 16.05, -27.17

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 35 / 41 / 0 / 36

HEX #6A60A3

RGB 106 96 163

HSL 248.96, 0.27%, 0.51%

LAB 44.34, 20.17, -34.88

 

CMYK 27 / 32 / 0 / 30

HEX #837AB3

RGB 131 122 179

HSL 249.47, 0.27%, 0.59%

LAB 54.03, 16.18, -28.91

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 0 / 42 / 15 / 45

HEX #8B5076

RGB 139 80 118

HSL 321.36, 0.27%, 0.43%

LAB 42.05, 30.3, -11.03

 

CMYK 32 / 0 / 42 / 45

HEX #5E8B50

RGB 94 139 80

HSL 105.76, 0.27%, 0.43%

LAB 53.41, -27.21, 26.76

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 0 / 37 / 42 / 45

HEX #8B5850

RGB 139 88 80

HSL 8.14, 0.27%, 0.43%

LAB 42.83, 20.07, 13.4

 

CMYK 42 / 0 / 37 / 45

HEX #508B58

RGB 80 139 88

HSL 128.14, 0.27%, 0.43%

LAB 52.81, -30.66, 21.42

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 0 / 42 / 15 / 45

HEX #8B5076

RGB 139 80 118

HSL 321.36, 0.27%, 0.43%

LAB 42.05, 30.3, -11.03

 

CMYK 6 / 0 / 42 / 45

HEX #828B50

RGB 130 139 80

HSL 69.15, 0.27%, 0.43%

LAB 55.88, -12.98, 30.4

 

CMYK 42 / 0 / 28 / 45

HEX #508B64

RGB 80 139 100

HSL 140.34, 0.27%, 0.43%

LAB 53.05, -28.38, 14.97

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 0 / 42 / 28 / 45

HEX #8B5064

RGB 139 80 100

HSL 339.66, 0.27%, 0.43%

LAB 41.45, 27.4, -0.85

 

CMYK 6 / 0 / 42 / 45

HEX #828B50

RGB 130 139 80

HSL 69.15, 0.27%, 0.43%

LAB 55.88, -12.98, 30.4

 

CMYK 42 / 0 / 15 / 45

HEX #508B76

RGB 80 139 118

HSL 158.64, 0.27%, 0.43%

LAB 53.47, -24.45, 5.24

 

Description

Color code: HEX #59508B | qconv.com Color code: HEX #59508B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 80 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 80 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 42 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 42% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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