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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595207 it is the complementary color #A6ADF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595207 shade: #5E5202, #6F6415, #807628, #91883B and #A29A4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595207 shade: #595207, #484000, #372E00, #261C00 and #150A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595207 shade: #595207, #593C07, #592607, #590F07 and #590707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595207 shade: #595207, #4A5907, #345907, #1E5907 and #075907

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595207 shade matches the following richer shades: #595207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595207 shade: #595207, #514C0F, #494516, #423F1E and #3A3826

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595207 shade: #592507, #593B07, #595107, #4B5907 and #355907

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595207 shade: #0D0C01, #332F04, #595207, #7F750A and #A5980D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595207 shade: #595207, #07590F and #300759

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595207 shade: #595207, #075951 and #510759

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595207 shade: #595207, #07590F, #070F59 and #590751

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595207 shade: #595207, #075928, #070F59 and #590738

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

Complementary color

CMYK 33 / 30 / 0 / 3

HEX #A6ADF8

RGB 166 173 248

HSL 234.88, 0.85%, 0.81%

LAB 72.74, 14.59, -38.07

 

CMYK 0 / 13 / 98 / 63

HEX #5E5202

RGB 94 82 2

HSL 52.17, 0.96%, 0.19%

LAB 34.84, -3.31, 42.19

 

CMYK 0 / 10 / 81 / 56

HEX #6F6415

RGB 111 100 21

HSL 52.67, 0.68%, 0.26%

LAB 42.07, -4.84, 42.99

 

CMYK 0 / 8 / 69 / 50

HEX #807628

RGB 128 118 40

HSL 53.18, 0.52%, 0.33%

LAB 49.13, -6.02, 42.67

 

CMYK 0 / 6 / 59 / 43

HEX #91883B

RGB 145 136 59

HSL 53.72, 0.42%, 0.4%

LAB 56.03, -6.92, 41.71

 

CMYK 0 / 5 / 52 / 36

HEX #A29A4E

RGB 162 154 78

HSL 54.29, 0.35%, 0.47%

LAB 62.8, -7.62, 40.53

 

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

CMYK 0 / 11 / 100 / 72

HEX #484000

RGB 72 64 0

HSL 53.33, 1%, 0.14%

LAB 26.86, -3.79, 35.78

 

CMYK 0 / 16 / 100 / 78

HEX #372E00

RGB 55 46 0

HSL 50.18, 1%, 0.11%

LAB 19.08, -1.48, 27.19

 

CMYK 0 / 26 / 100 / 85

HEX #261C00

RGB 38 28 0

HSL 44.21, 1%, 0.07%

LAB 10.87, 1.09, 16.22

 

CMYK 0 / 52 / 100 / 92

HEX #150A00

RGB 21 10 0

HSL 28.57, 1%, 0.04%

LAB 3.4, 2.46, 5.14

 

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

CMYK 0 / 33 / 92 / 65

HEX #593C07

RGB 89 60 7

HSL 38.78, 0.85%, 0.19%

LAB 27.77, 7.91, 34.52

 

CMYK 0 / 57 / 92 / 65

HEX #592607

RGB 89 38 7

HSL 22.68, 0.85%, 0.19%

LAB 22.04, 21.52, 29.04

 

CMYK 0 / 83 / 92 / 65

HEX #590F07

RGB 89 15 7

HSL 5.85, 0.85%, 0.19%

LAB 17.83, 32.73, 24.28

 

CMYK 0 / 92 / 92 / 65

HEX #590707

RGB 89 7 7

HSL 0, 0.85%, 0.19%

LAB 16.95, 35.24, 23.21

 

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

CMYK 17 / 0 / 92 / 65

HEX #4A5907

RGB 74 89 7

HSL 70.98, 0.85%, 0.19%

LAB 35.23, -17.05, 40.13

 

CMYK 42 / 0 / 92 / 65

HEX #345907

RGB 52 89 7

HSL 87.07, 0.85%, 0.19%

LAB 33.75, -26.77, 38.28

 

CMYK 66 / 0 / 92 / 65

HEX #1E5907

RGB 30 89 7

HSL 103.17, 0.85%, 0.19%

LAB 32.78, -34.25, 37.05

 

CMYK 92 / 0 / 92 / 65

HEX #075907

RGB 7 89 7

HSL 120, 0.85%, 0.19%

LAB 32.27, -38.63, 36.4

 

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

CMYK 0 / 6 / 81 / 68

HEX #514C0F

RGB 81 76 15

HSL 55.45, 0.69%, 0.19%

LAB 31.7, -5.81, 34.57

 

CMYK 0 / 5 / 70 / 71

HEX #494516

RGB 73 69 22

HSL 55.29, 0.54%, 0.19%

LAB 28.72, -5.17, 28.11

 

CMYK 0 / 5 / 55 / 74

HEX #423F1E

RGB 66 63 30

HSL 55, 0.38%, 0.19%

LAB 26.18, -4.21, 20.56

 

CMYK 0 / 3 / 34 / 77

HEX #3A3826

RGB 58 56 38

HSL 54, 0.21%, 0.19%

LAB 23.23, -2.61, 11.6

 

CMYK 0 / 58 / 92 / 65

HEX #592507

RGB 89 37 7

HSL 21.95, 0.85%, 0.19%

LAB 21.81, 22.1, 28.8

 

CMYK 0 / 34 / 92 / 65

HEX #593B07

RGB 89 59 7

HSL 38.05, 0.85%, 0.19%

LAB 27.48, 8.54, 34.28

 

CMYK 0 / 9 / 92 / 65

HEX #595107

RGB 89 81 7

HSL 54.15, 0.85%, 0.19%

LAB 34.03, -5.08, 39.68

 

CMYK 16 / 0 / 92 / 65

HEX #4B5907

RGB 75 89 7

HSL 70.24, 0.85%, 0.19%

LAB 35.31, -16.58, 40.22

 

CMYK 40 / 0 / 92 / 65

HEX #355907

RGB 53 89 7

HSL 86.34, 0.85%, 0.19%

LAB 33.81, -26.37, 38.35

 

CMYK 0 / 8 / 92 / 95

HEX #0D0C01

RGB 13 12 1

HSL 55, 0.86%, 0.03%

LAB 3.17, -1.25, 4.31

 

CMYK 0 / 8 / 92 / 80

HEX #332F04

RGB 51 47 4

HSL 54.89, 0.85%, 0.11%

LAB 18.99, -4.08, 25.34

 

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

CMYK 0 / 8 / 92 / 50

HEX #7F750A

RGB 127 117 10

HSL 54.87, 0.85%, 0.27%

LAB 48.58, -7.16, 52.18

 

CMYK 0 / 8 / 92 / 35

HEX #A5980D

RGB 165 152 13

HSL 54.87, 0.85%, 0.35%

LAB 62.07, -8.57, 63.7

 

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

CMYK 92 / 0 / 83 / 65

HEX #07590F

RGB 7 89 15

HSL 125.85, 0.85%, 0.19%

LAB 32.31, -38.08, 33.82

 

CMYK 46 / 92 / 0 / 65

HEX #300759

RGB 48 7 89

HSL 270, 0.85%, 0.19%

LAB 12.62, 36.36, -39.61

 

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

CMYK 92 / 0 / 9 / 65

HEX #075951

RGB 7 89 81

HSL 174.15, 0.85%, 0.19%

LAB 33.53, -24.34, -1.78

 

CMYK 9 / 92 / 0 / 65

HEX #510759

RGB 81 7 89

HSL 294.15, 0.85%, 0.19%

LAB 18.46, 42.14, -29.84

 

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

CMYK 92 / 0 / 83 / 65

HEX #07590F

RGB 7 89 15

HSL 125.85, 0.85%, 0.19%

LAB 32.31, -38.08, 33.82

 

CMYK 92 / 83 / 0 / 65

HEX #070F59

RGB 7 15 89

HSL 234.15, 0.85%, 0.19%

LAB 9.86, 27.97, -44.29

 

CMYK 0 / 92 / 9 / 65

HEX #590751

RGB 89 7 81

HSL 305.85, 0.85%, 0.19%

LAB 19.52, 42.41, -22.67

 

CMYK 0 / 8 / 92 / 65

HEX #595207

RGB 89 82 7

HSL 54.88, 0.85%, 0.19%

LAB 34.34, -5.67, 39.94

 

CMYK 92 / 0 / 55 / 65

HEX #075928

RGB 7 89 40

HSL 144.15, 0.85%, 0.19%

LAB 32.58, -34.84, 21.96

 

CMYK 92 / 83 / 0 / 65

HEX #070F59

RGB 7 15 89

HSL 234.15, 0.85%, 0.19%

LAB 9.86, 27.97, -44.29

 

CMYK 0 / 92 / 37 / 65

HEX #590738

RGB 89 7 56

HSL 324.15, 0.85%, 0.19%

LAB 18.19, 38.82, -7.4

 

Description

Color code: HEX #595207 | qconv.com Color code: HEX #595207 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 82 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 82 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 92 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 92% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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