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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595A2A it is the complementary color #A6A5D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595A2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595A2A shade: #5E5A25, #6F6C38, #807E4B, #91905E and #A2A271

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595A2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595A2A shade: #595A2A, #484817, #373604, #262400 and #151200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595A2A shade: #595A2A, #5A4E2A, #5A412A, #5A342A and #5A2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595A2A shade: #595A2A, #4C5A2A, #3F5A2A, #325A2A and #2A5A2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595A2A shade matches the following richer shades: #595A2A, #63641F, #6D6F14 and #787A0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595A2A shade: #595A2A, #4E4F35, #44443F, #3A394A and #302F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595A2A shade: #5A412A, #5A4E2A, #595A2A, #4C5A2A and #3F5A2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595A2A shade: #212210, #3D3E1D, #595A2A, #747637 and #909244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595A2A shade: #595A2A, #2A5A34 and #472A5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595A2A shade: #595A2A, #2A595A and #5A2A59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595A2A shade: #595A2A, #2A5A34, #2B2A5A and #5A2A4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595A2A shade: #595A2A, #2A5A43, #2B2A5A and #5A2A41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

Complementary color

CMYK 22 / 23 / 0 / 16

HEX #A6A5D5

RGB 166 165 213

HSL 241.25, 0.36%, 0.74%

LAB 69.34, 10.52, -24.2

 

CMYK 0 / 4 / 61 / 63

HEX #5E5A25

RGB 94 90 37

HSL 55.79, 0.44%, 0.26%

LAB 37.53, -6.2, 30.61

 

CMYK 0 / 3 / 50 / 56

HEX #6F6C38

RGB 111 108 56

HSL 56.73, 0.33%, 0.33%

LAB 44.79, -6.85, 29.32

 

CMYK 0 / 2 / 41 / 50

HEX #807E4B

RGB 128 126 75

HSL 57.74, 0.26%, 0.4%

LAB 51.86, -7.33, 28.01

 

CMYK 0 / 1 / 35 / 43

HEX #91905E

RGB 145 144 94

HSL 58.82, 0.21%, 0.47%

LAB 58.76, -7.69, 26.75

 

CMYK 0 / 0 / 30 / 36

HEX #A2A271

RGB 162 162 113

HSL 60, 0.21%, 0.54%

LAB 65.53, -7.97, 25.56

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 0 / 0 / 68 / 72

HEX #484817

RGB 72 72 23

HSL 60, 0.52%, 0.19%

LAB 29.6, -7.41, 28.52

 

CMYK 0 / 2 / 93 / 78

HEX #373604

RGB 55 54 4

HSL 58.82, 0.86%, 0.12%

LAB 21.8, -6.38, 28.59

 

CMYK 0 / 5 / 100 / 85

HEX #262400

RGB 38 36 0

HSL 56.84, 1%, 0.07%

LAB 13.67, -4.46, 20.03

 

CMYK 0 / 14 / 100 / 92

HEX #151200

RGB 21 18 0

HSL 51.43, 1%, 0.04%

LAB 5.35, -1.52, 7.98

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 0 / 13 / 53 / 65

HEX #5A4E2A

RGB 90 78 42

HSL 45, 0.36%, 0.26%

LAB 33.54, -0.43, 23.02

 

CMYK 0 / 28 / 53 / 65

HEX #5A412A

RGB 90 65 42

HSL 28.75, 0.36%, 0.26%

LAB 29.72, 7.67, 18.23

 

CMYK 0 / 42 / 53 / 65

HEX #5A342A

RGB 90 52 42

HSL 12.5, 0.36%, 0.26%

LAB 26.15, 15.88, 13.58

 

CMYK 0 / 53 / 53 / 65

HEX #5A2A2A

RGB 90 42 42

HSL 0, 0.36%, 0.26%

LAB 23.66, 22, 10.25

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 16 / 0 / 53 / 65

HEX #4C5A2A

RGB 76 90 42

HSL 77.5, 0.36%, 0.26%

LAB 36.02, -14.08, 25.73

 

CMYK 30 / 0 / 53 / 65

HEX #3F5A2A

RGB 63 90 42

HSL 93.75, 0.36%, 0.26%

LAB 35.08, -19.71, 24.38

 

CMYK 44 / 0 / 53 / 65

HEX #325A2A

RGB 50 90 42

HSL 110, 0.36%, 0.26%

LAB 34.31, -24.76, 23.26

 

CMYK 53 / 0 / 48 / 65

HEX #2A5A2F

RGB 42 90 47

HSL 126.25, 0.36%, 0.26%

LAB 34, -26.65, 19.92

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 1 / 0 / 69 / 61

HEX #63641F

RGB 99 100 31

HSL 60.87, 0.53%, 0.26%

LAB 41, -10.05, 37.46

 

CMYK 2 / 0 / 82 / 56

HEX #6D6F14

RGB 109 111 20

HSL 61.32, 0.69%, 0.26%

LAB 45.18, -12.06, 46.07

 

CMYK 2 / 0 / 92 / 52

HEX #787A0A

RGB 120 122 10

HSL 61.07, 0.85%, 0.26%

LAB 49.42, -13.21, 52.58

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 1 / 0 / 33 / 69

HEX #4E4F35

RGB 78 79 53

HSL 62.31, 0.2%, 0.26%

LAB 32.85, -5.25, 15.27

 

CMYK 0 / 0 / 7 / 73

HEX #44443F

RGB 68 68 63

HSL 60, 0.04%, 0.26%

LAB 28.7, -1.07, 3.02

 

CMYK 22 / 23 / 0 / 71

HEX #3A394A

RGB 58 57 74

HSL 243.53, 0.13%, 0.26%

LAB 24.7, 4.69, -10.24

 

CMYK 44 / 45 / 0 / 67

HEX #302F55

RGB 48 47 85

HSL 241.58, 0.29%, 0.26%

LAB 21.27, 11.43, -22.96

 

CMYK 0 / 28 / 53 / 65

HEX #5A412A

RGB 90 65 42

HSL 28.75, 0.36%, 0.26%

LAB 29.72, 7.67, 18.23

 

CMYK 0 / 13 / 53 / 65

HEX #5A4E2A

RGB 90 78 42

HSL 45, 0.36%, 0.26%

LAB 33.54, -0.43, 23.02

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 16 / 0 / 53 / 65

HEX #4C5A2A

RGB 76 90 42

HSL 77.5, 0.36%, 0.26%

LAB 36.02, -14.08, 25.73

 

CMYK 30 / 0 / 53 / 65

HEX #3F5A2A

RGB 63 90 42

HSL 93.75, 0.36%, 0.26%

LAB 35.08, -19.71, 24.38

 

CMYK 3 / 0 / 53 / 87

HEX #212210

RGB 33 34 16

HSL 63.33, 0.36%, 0.1%

LAB 12.64, -4.09, 11.6

 

CMYK 2 / 0 / 53 / 76

HEX #3D3E1D

RGB 61 62 29

HSL 61.82, 0.36%, 0.18%

LAB 25.34, -6.19, 20.02

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 2 / 0 / 53 / 54

HEX #747637

RGB 116 118 55

HSL 61.9, 0.36%, 0.34%

LAB 48.19, -10.32, 34.03

 

CMYK 1 / 0 / 53 / 43

HEX #909244

RGB 144 146 68

HSL 61.54, 0.36%, 0.42%

LAB 58.89, -12, 40.54

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 53 / 0 / 42 / 65

HEX #2A5A34

RGB 42 90 52

HSL 132.5, 0.36%, 0.26%

LAB 34.09, -25.73, 17.08

 

CMYK 21 / 53 / 0 / 65

HEX #472A5A

RGB 71 42 90

HSL 276.25, 0.36%, 0.26%

LAB 22.77, 23.57, -23.74

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 53 / 1 / 0 / 65

HEX #2A595A

RGB 42 89 90

HSL 181.25, 0.36%, 0.26%

LAB 34.75, -15.63, -5.51

 

CMYK 0 / 53 / 1 / 65

HEX #5A2A59

RGB 90 42 89

HSL 301.25, 0.36%, 0.26%

LAB 25.41, 29.54, -18.74

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 53 / 0 / 42 / 65

HEX #2A5A34

RGB 42 90 52

HSL 132.5, 0.36%, 0.26%

LAB 34.09, -25.73, 17.08

 

CMYK 52 / 53 / 0 / 65

HEX #2B2A5A

RGB 43 42 90

HSL 241.25, 0.36%, 0.26%

LAB 19.67, 15.24, -28.86

 

CMYK 0 / 53 / 12 / 65

HEX #5A2A4F

RGB 90 42 79

HSL 313.75, 0.36%, 0.26%

LAB 24.93, 27.57, -12.86

 

CMYK 1 / 0 / 53 / 65

HEX #595A2A

RGB 89 90 42

HSL 61.25, 0.36%, 0.26%

LAB 37.12, -8.09, 27.32

 

CMYK 53 / 0 / 26 / 65

HEX #2A5A43

RGB 42 90 67

HSL 151.25, 0.36%, 0.26%

LAB 34.42, -22.47, 8.37

 

CMYK 52 / 53 / 0 / 65

HEX #2B2A5A

RGB 43 42 90

HSL 241.25, 0.36%, 0.26%

LAB 19.67, 15.24, -28.86

 

CMYK 0 / 53 / 28 / 65

HEX #5A2A41

RGB 90 42 65

HSL 331.25, 0.36%, 0.26%

LAB 24.36, 25.11, -4.34

 

Description

Color code: HEX #595A2A | qconv.com Color code: HEX #595A2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 90 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 90 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 53 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 53% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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