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Color name
HEX #595E68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595E68 it is the complementary color #A6A197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595E68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595E68 shade: #5E5E63, #6F7076, #808289, #91949C and #A2A6AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595E68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595E68 shade: #595E68, #484C55, #373A42, #26282F and #15161C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595E68 shade: #595E68, #595A68, #5C5968, #605968 and #645968

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595E68 shade: #595E68, #595A68 and #595968

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595E68 shade matches the following richer shades: #595E68, #495978, #395388, #2A4E97 and #1A49A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595E68 shade: #595E68, #686358, #786849, #886D39 and #977329

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595E68 shade: #596668, #596268, #595E68, #595A68 and #5C5968

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595E68 shade: #33363C, #464A52, #595E68, #6C727E and #808793

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595E68 shade: #595E68, #665968 and #646859

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595E68 shade: #595E68, #68595E and #5E6859

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595E68 shade: #595E68, #665968, #686359 and #5B6859

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595E68 shade: #595E68, #685966, #686359 and #59685B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

Complementary color

CMYK 0 / 3 / 9 / 35

HEX #A6A197

RGB 166 161 151

HSL 40, 0.08%, 0.62%

LAB 66.39, 0, 5.84

 

CMYK 5 / 5 / 0 / 61

HEX #5E5E63

RGB 94 94 99

HSL 240, 0.03%, 0.38%

LAB 40.06, 1.08, -2.85

 

CMYK 6 / 5 / 0 / 54

HEX #6F7076

RGB 111 112 118

HSL 231.43, 0.03%, 0.45%

LAB 47.33, 0.88, -3.46

 

CMYK 7 / 5 / 0 / 46

HEX #808289

RGB 128 130 137

HSL 226.67, 0.04%, 0.52%

LAB 54.41, 0.7, -4.03

 

CMYK 7 / 5 / 0 / 39

HEX #91949C

RGB 145 148 156

HSL 223.64, 0.05%, 0.59%

LAB 61.31, 0.53, -4.59

 

CMYK 7 / 5 / 0 / 31

HEX #A2A6AF

RGB 162 166 175

HSL 221.54, 0.08%, 0.66%

LAB 68.06, 0.37, -5.13

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 15 / 11 / 0 / 67

HEX #484C55

RGB 72 76 85

HSL 221.54, 0.08%, 0.31%

LAB 32.26, 0.51, -5.87

 

CMYK 17 / 12 / 0 / 74

HEX #373A42

RGB 55 58 66

HSL 223.64, 0.09%, 0.24%

LAB 24.42, 0.72, -5.37

 

CMYK 19 / 15 / 0 / 82

HEX #26282F

RGB 38 40 47

HSL 226.67, 0.11%, 0.17%

LAB 16.18, 0.95, -4.87

 

CMYK 25 / 21 / 0 / 89

HEX #15161C

RGB 21 22 28

HSL 231.43, 0.14%, 0.1%

LAB 7.38, 1.19, -4.37

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 14 / 13 / 0 / 59

HEX #595A68

RGB 89 90 104

HSL 236, 0.08%, 0.38%

LAB 38.61, 2.78, -8.14

 

CMYK 12 / 14 / 0 / 59

HEX #5C5968

RGB 92 89 104

HSL 252, 0.08%, 0.38%

LAB 38.59, 4.52, -8.15

 

CMYK 8 / 14 / 0 / 59

HEX #605968

RGB 96 89 104

HSL 268, 0.08%, 0.38%

LAB 38.95, 6.02, -7.56

 

CMYK 4 / 14 / 0 / 59

HEX #645968

RGB 100 89 104

HSL 284, 0.08%, 0.38%

LAB 39.33, 7.55, -6.95

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 14 / 13 / 0 / 59

HEX #595A68

RGB 89 90 104

HSL 236, 0.08%, 0.38%

LAB 38.61, 2.78, -8.14

 

CMYK 14 / 14 / 0 / 59

HEX #595968

RGB 89 89 104

HSL 240, 0.08%, 0.38%

LAB 38.32, 3.4, -8.58

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 39 / 26 / 0 / 53

HEX #495978

RGB 73 89 120

HSL 219.57, 0.24%, 0.38%

LAB 37.69, 2.3, -19.52

 

CMYK 58 / 39 / 0 / 47

HEX #395388

RGB 57 83 136

HSL 220.25, 0.41%, 0.38%

LAB 35.66, 7.09, -32.59

 

CMYK 72 / 48 / 0 / 41

HEX #2A4E97

RGB 42 78 151

HSL 220.18, 0.56%, 0.38%

LAB 34.35, 13.11, -43.87

 

CMYK 84 / 56 / 0 / 35

HEX #1A49A7

RGB 26 73 167

HSL 220, 0.73%, 0.38%

LAB 33.51, 20.93, -54.89

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 0 / 5 / 15 / 59

HEX #686358

RGB 104 99 88

HSL 41.25, 0.08%, 0.38%

LAB 42.11, -0.11, 6.96

 

CMYK 0 / 13 / 39 / 53

HEX #786849

RGB 120 104 73

HSL 39.57, 0.24%, 0.38%

LAB 44.77, 1.5, 19.81

 

CMYK 0 / 20 / 58 / 47

HEX #886D39

RGB 136 109 57

HSL 39.49, 0.41%, 0.38%

LAB 47.58, 4.08, 32.73

 

CMYK 0 / 24 / 73 / 41

HEX #977329

RGB 151 115 41

HSL 40.36, 0.57%, 0.38%

LAB 50.69, 6.4, 44.58

 

CMYK 14 / 2 / 0 / 59

HEX #596668

RGB 89 102 104

HSL 188, 0.08%, 0.38%

LAB 42.19, -4.47, -2.81

 

CMYK 14 / 6 / 0 / 59

HEX #596268

RGB 89 98 104

HSL 204, 0.08%, 0.38%

LAB 40.99, -2.09, -4.59

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 14 / 13 / 0 / 59

HEX #595A68

RGB 89 90 104

HSL 236, 0.08%, 0.38%

LAB 38.61, 2.78, -8.14

 

CMYK 12 / 14 / 0 / 59

HEX #5C5968

RGB 92 89 104

HSL 252, 0.08%, 0.38%

LAB 38.59, 4.52, -8.15

 

CMYK 15 / 10 / 0 / 76

HEX #33363C

RGB 51 54 60

HSL 220, 0.08%, 0.22%

LAB 22.54, 0.21, -4.19

 

CMYK 15 / 10 / 0 / 68

HEX #464A52

RGB 70 74 82

HSL 220, 0.08%, 0.3%

LAB 31.37, 0.27, -5.31

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 14 / 10 / 0 / 51

HEX #6C727E

RGB 108 114 126

HSL 220, 0.08%, 0.46%

LAB 47.92, 0.39, -7.38

 

CMYK 13 / 8 / 0 / 42

HEX #808793

RGB 128 135 147

HSL 217.89, 0.08%, 0.54%

LAB 56.11, -0.01, -7.29

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 2 / 14 / 0 / 59

HEX #665968

RGB 102 89 104

HSL 292, 0.08%, 0.38%

LAB 39.53, 8.32, -6.64

 

CMYK 4 / 0 / 14 / 59

HEX #646859

RGB 100 104 89

HSL 76, 0.08%, 0.38%

LAB 43.26, -4.53, 7.93

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 0 / 14 / 10 / 59

HEX #68595E

RGB 104 89 94

HSL 340, 0.08%, 0.38%

LAB 39.4, 7.06, -0.62

 

CMYK 10 / 0 / 14 / 59

HEX #5E6859

RGB 94 104 89

HSL 100, 0.08%, 0.38%

LAB 42.77, -6.94, 7.16

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 2 / 14 / 0 / 59

HEX #665968

RGB 102 89 104

HSL 292, 0.08%, 0.38%

LAB 39.53, 8.32, -6.64

 

CMYK 0 / 5 / 14 / 59

HEX #686359

RGB 104 99 89

HSL 40, 0.08%, 0.38%

LAB 42.14, 0.07, 6.39

 

CMYK 13 / 0 / 14 / 59

HEX #5B6859

RGB 91 104 89

HSL 112, 0.08%, 0.38%

LAB 42.53, -8.12, 6.8

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 0 / 14 / 2 / 59

HEX #685966

RGB 104 89 102

HSL 308, 0.08%, 0.38%

LAB 39.66, 8.67, -5.19

 

CMYK 0 / 5 / 14 / 59

HEX #686359

RGB 104 99 89

HSL 40, 0.08%, 0.38%

LAB 42.14, 0.07, 6.39

 

CMYK 14 / 0 / 13 / 59

HEX #59685B

RGB 89 104 91

HSL 128, 0.08%, 0.38%

LAB 42.43, -8.5, 5.42

 

Description

Color code: HEX #595E68 | qconv.com Color code: HEX #595E68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 94 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 94 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 10 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 10% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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