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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595EAB it is the complementary color #A6A154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595EAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595EAB shade: #5E5EA6, #6F70B9, #8082CC, #9194DF and #A2A6F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595EAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595EAB shade: #595EAB, #484C98, #373A85, #262872 and #15165F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595EAB shade: #585DAB, #6A58AB, #8058AB, #9658AB and #AB58A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595EAB shade: #585DAB and #5858AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595EAB shade matches the following richer shades: #585DAB, #444CBF, #303AD3, #1C28E7 and #0716FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595EAB shade: #585DAB, #6D6F97, #818182, #95936E and #A9A45A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595EAB shade: #588AAB, #5874AB, #585EAB, #6958AB and #7F58AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595EAB shade: #3B3F76, #494D91, #585DAB, #7478B9 and #8F93C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595EAB shade: #595EAB, #AB58A0 and #7FAB58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595EAB shade: #595EAB, #AB585E and #5EAB58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595EAB shade: #595EAB, #AB58A0, #ABA558 and #58AB63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595EAB shade: #595EAB, #AB5887, #ABA558 and #58AB7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 45 / 0 / 33

HEX #595EAB

RGB 89 94 171

HSL 236.34, 0.33%, 0.51%

LAB 42.87, 19.27, -42.02

 

Complementary color

CMYK 0 / 3 / 49 / 35

HEX #A6A154

RGB 166 161 84

HSL 56.34, 0.33%, 0.49%

LAB 65.15, -9.08, 40.4

 

CMYK 43 / 43 / 0 / 35

HEX #5E5EA6

RGB 94 94 166

HSL 240, 0.29%, 0.51%

LAB 42.97, 19, -38.88

 

CMYK 40 / 39 / 0 / 27

HEX #6F70B9

RGB 111 112 185

HSL 239.19, 0.35%, 0.58%

LAB 50.06, 18.03, -38.69

 

CMYK 37 / 36 / 0 / 20

HEX #8082CC

RGB 128 130 204

HSL 238.42, 0.43%, 0.65%

LAB 56.99, 17.22, -38.55

 

CMYK 35 / 34 / 0 / 13

HEX #9194DF

RGB 145 148 223

HSL 237.69, 0.55%, 0.72%

LAB 63.78, 16.51, -38.47

 

CMYK 33 / 31 / 0 / 5

HEX #A2A6F2

RGB 162 166 242

HSL 237, 0.75%, 0.79%

LAB 70.43, 15.89, -38.43

 

CMYK 48 / 45 / 0 / 33

HEX #595EAB

RGB 89 94 171

HSL 236.34, 0.33%, 0.51%

LAB 42.87, 19.27, -42.02

 

CMYK 53 / 50 / 0 / 40

HEX #484C98

RGB 72 76 152

HSL 237, 0.36%, 0.44%

LAB 35.62, 20.59, -42.33

 

CMYK 59 / 56 / 0 / 48

HEX #373A85

RGB 55 58 133

HSL 237.69, 0.41%, 0.37%

LAB 28.2, 22.24, -42.68

 

CMYK 67 / 65 / 0 / 55

HEX #262872

RGB 38 40 114

HSL 238.42, 0.5%, 0.3%

LAB 20.61, 24.33, -43.03

 

CMYK 78 / 77 / 0 / 63

HEX #15165F

RGB 21 22 95

HSL 239.19, 0.64%, 0.23%

LAB 12.98, 26.92, -43.14

 

CMYK 49 / 46 / 0 / 33

HEX #585DAB

RGB 88 93 171

HSL 236.39, 0.33%, 0.51%

LAB 42.53, 19.66, -42.57

 

CMYK 38 / 49 / 0 / 33

HEX #6A58AB

RGB 106 88 171

HSL 253.01, 0.33%, 0.51%

LAB 42.74, 27.33, -42.14

 

CMYK 25 / 49 / 0 / 33

HEX #8058AB

RGB 128 88 171

HSL 268.92, 0.33%, 0.51%

LAB 44.95, 33.38, -38.49

 

CMYK 12 / 49 / 0 / 33

HEX #9658AB

RGB 150 88 171

HSL 284.82, 0.33%, 0.51%

LAB 47.5, 39.75, -34.3

 

CMYK 0 / 49 / 1 / 33

HEX #AB58A9

RGB 171 88 169

HSL 301.45, 0.33%, 0.51%

LAB 50.1, 45.57, -28.87

 

CMYK 49 / 46 / 0 / 33

HEX #585DAB

RGB 88 93 171

HSL 236.39, 0.33%, 0.51%

LAB 42.53, 19.66, -42.57

 

CMYK 49 / 49 / 0 / 33

HEX #5858AB

RGB 88 88 171

HSL 240, 0.33%, 0.51%

LAB 41.21, 22.8, -44.68

 

CMYK 49 / 46 / 0 / 33

HEX #585DAB

RGB 88 93 171

HSL 236.39, 0.33%, 0.51%

LAB 42.53, 19.66, -42.57

 

CMYK 64 / 60 / 0 / 25

HEX #444CBF

RGB 68 76 191

HSL 236.1, 0.49%, 0.51%

LAB 38.13, 33.07, -61.48

 

CMYK 77 / 73 / 0 / 17

HEX #303AD3

RGB 48 58 211

HSL 236.32, 0.65%, 0.51%

LAB 34.72, 48.5, -78.75

 

CMYK 88 / 83 / 0 / 9

HEX #1C28E7

RGB 28 40 231

HSL 236.45, 0.81%, 0.51%

LAB 32.99, 62.94, -93.12

 

CMYK 97 / 91 / 0 / 1

HEX #0716FC

RGB 7 22 252

HSL 236.33, 0.98%, 0.51%

LAB 33.24, 74.61, -104.61

 

CMYK 49 / 46 / 0 / 33

HEX #585DAB

RGB 88 93 171

HSL 236.39, 0.33%, 0.51%

LAB 42.53, 19.66, -42.57

 

CMYK 28 / 26 / 0 / 41

HEX #6D6F97

RGB 109 111 151

HSL 237.14, 0.17%, 0.51%

LAB 48.08, 8.67, -21.95

 

CMYK 1 / 1 / 0 / 49

HEX #818182

RGB 129 129 130

HSL 240, 0%, 0.51%

LAB 54.01, 0.2, -0.55

 

CMYK 0 / 1 / 26 / 42

HEX #95936E

RGB 149 147 110

HSL 56.92, 0.16%, 0.51%

LAB 60.23, -5.51, 19.91

 

CMYK 0 / 3 / 47 / 34

HEX #A9A45A

RGB 169 164 90

HSL 56.2, 0.31%, 0.51%

LAB 66.31, -8.83, 38.83

 

CMYK 49 / 19 / 0 / 33

HEX #588AAB

RGB 88 138 171

HSL 203.86, 0.33%, 0.51%

LAB 55.27, -7.52, -22.62

 

CMYK 49 / 32 / 0 / 33

HEX #5874AB

RGB 88 116 171

HSL 219.76, 0.33%, 0.51%

LAB 48.89, 5.4, -32.52

 

CMYK 49 / 45 / 0 / 33

HEX #585EAB

RGB 88 94 171

HSL 235.66, 0.33%, 0.51%

LAB 42.79, 19.03, -42.15

 

CMYK 39 / 49 / 0 / 33

HEX #6958AB

RGB 105 88 171

HSL 252.29, 0.33%, 0.51%

LAB 42.65, 27.07, -42.3

 

CMYK 26 / 49 / 0 / 33

HEX #7F58AB

RGB 127 88 171

HSL 268.19, 0.33%, 0.51%

LAB 44.85, 33.1, -38.67

 

CMYK 50 / 47 / 0 / 54

HEX #3B3F76

RGB 59 63 118

HSL 235.93, 0.33%, 0.35%

LAB 28.88, 14.62, -32.17

 

CMYK 50 / 47 / 0 / 43

HEX #494D91

RGB 73 77 145

HSL 236.67, 0.33%, 0.43%

LAB 35.53, 17.87, -38.22

 

CMYK 49 / 46 / 0 / 33

HEX #585DAB

RGB 88 93 171

HSL 236.39, 0.33%, 0.51%

LAB 42.53, 19.66, -42.57

 

CMYK 37 / 35 / 0 / 27

HEX #7478B9

RGB 116 120 185

HSL 236.52, 0.33%, 0.59%

LAB 52.56, 14.58, -34.73

 

CMYK 28 / 26 / 0 / 22

HEX #8F93C6

RGB 143 147 198

HSL 235.64, 0.33%, 0.67%

LAB 62.33, 10.06, -26.79

 

CMYK 48 / 45 / 0 / 33

HEX #595EAB

RGB 89 94 171

HSL 236.34, 0.33%, 0.51%

LAB 42.87, 19.27, -42.02

 

CMYK 0 / 49 / 6 / 33

HEX #AB58A0

RGB 171 88 160

HSL 307.95, 0.33%, 0.51%

LAB 49.71, 43.95, -24.19

 

CMYK 26 / 0 / 49 / 33

HEX #7FAB58

RGB 127 171 88

HSL 91.81, 0.33%, 0.51%

LAB 65.23, -29.46, 37.83

 

CMYK 48 / 45 / 0 / 33

HEX #595EAB

RGB 89 94 171

HSL 236.34, 0.33%, 0.51%

LAB 42.87, 19.27, -42.02

 

CMYK 0 / 49 / 45 / 33

HEX #AB585E

RGB 171 88 94

HSL 355.66, 0.33%, 0.51%

LAB 47.55, 34.47, 12.14

 

CMYK 45 / 0 / 49 / 33

HEX #5EAB58

RGB 94 171 88

HSL 115.66, 0.33%, 0.51%

LAB 63.52, -40.76, 35.33

 

CMYK 48 / 45 / 0 / 33

HEX #595EAB

RGB 89 94 171

HSL 236.34, 0.33%, 0.51%

LAB 42.87, 19.27, -42.02

 

CMYK 0 / 49 / 6 / 33

HEX #AB58A0

RGB 171 88 160

HSL 307.95, 0.33%, 0.51%

LAB 49.71, 43.95, -24.19

 

CMYK 0 / 4 / 49 / 33

HEX #ABA558

RGB 171 165 88

HSL 55.66, 0.33%, 0.51%

LAB 66.73, -8.71, 40.39

 

CMYK 49 / 0 / 42 / 33

HEX #58AB63

RGB 88 171 99

HSL 127.95, 0.33%, 0.51%

LAB 63.43, -40.86, 29.45

 

CMYK 48 / 45 / 0 / 33

HEX #595EAB

RGB 89 94 171

HSL 236.34, 0.33%, 0.51%

LAB 42.87, 19.27, -42.02

 

CMYK 0 / 49 / 21 / 33

HEX #AB5887

RGB 171 88 135

HSL 326.02, 0.33%, 0.51%

LAB 48.74, 39.82, -10.81

 

CMYK 0 / 4 / 49 / 33

HEX #ABA558

RGB 171 165 88

HSL 55.66, 0.33%, 0.51%

LAB 66.73, -8.71, 40.39

 

CMYK 49 / 0 / 27 / 33

HEX #58AB7C

RGB 88 171 124

HSL 146.02, 0.33%, 0.51%

LAB 63.88, -36.28, 16.58

 

Description

Color code: HEX #595EAB | qconv.com Color code: HEX #595EAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 94 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 94 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 45 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 45% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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