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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595F86 it is the complementary color #A6A079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595F86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595F86 shade: #5E5F81, #6F7194, #8083A7, #9195BA and #A2A7CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595F86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595F86 shade: #595F86, #484D73, #373B60, #26294D and #15173A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595F86 shade: #595F86, #5F5986, #6B5986, #785986 and #845986

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595F86 shade: #595F86 and #595986

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595F86 shade matches the following richer shades: #595F86, #475298, #3545AA, #2337BD and #112ACF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595F86 shade: #595F86, #6B6D74, #7E7A62, #908750 and #A2943E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595F86 shade: #597786, #596B86, #595F86, #5F5986 and #6B5986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595F86 shade: #383C55, #494E6D, #595F86, #6C729D and #858AAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595F86 shade: #595F86, #865983 and #718659

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595F86 shade: #595F86, #86595F and #5F8659

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595F86 shade: #595F86, #865983, #868059 and #59865C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595F86 shade: #595F86, #865976, #868059 and #59866A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

Complementary color

CMYK 0 / 4 / 27 / 35

HEX #A6A079

RGB 166 160 121

HSL 52, 0.2%, 0.56%

LAB 65.46, -4.2, 21.16

 

CMYK 27 / 26 / 0 / 49

HEX #5E5F81

RGB 94 95 129

HSL 238.29, 0.16%, 0.44%

LAB 41.45, 7.78, -19.09

 

CMYK 25 / 24 / 0 / 42

HEX #6F7194

RGB 111 113 148

HSL 236.76, 0.15%, 0.51%

LAB 48.67, 7.34, -19.25

 

CMYK 23 / 22 / 0 / 35

HEX #8083A7

RGB 128 131 167

HSL 235.38, 0.18%, 0.58%

LAB 55.7, 6.96, -19.45

 

CMYK 22 / 20 / 0 / 27

HEX #9195BA

RGB 145 149 186

HSL 234.15, 0.23%, 0.65%

LAB 62.56, 6.62, -19.67

 

CMYK 21 / 19 / 0 / 20

HEX #A2A7CD

RGB 162 167 205

HSL 233.02, 0.3%, 0.72%

LAB 69.27, 6.31, -19.92

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 37 / 33 / 0 / 55

HEX #484D73

RGB 72 77 115

HSL 233.02, 0.23%, 0.37%

LAB 33.82, 8.15, -22.43

 

CMYK 43 / 39 / 0 / 62

HEX #373B60

RGB 55 59 96

HSL 234.15, 0.27%, 0.3%

LAB 26.11, 8.91, -22.51

 

CMYK 51 / 47 / 0 / 70

HEX #26294D

RGB 38 41 77

HSL 235.38, 0.34%, 0.23%

LAB 18.07, 9.95, -22.71

 

CMYK 64 / 60 / 0 / 77

HEX #15173A

RGB 21 23 58

HSL 236.76, 0.47%, 0.15%

LAB 9.62, 11.52, -23.07

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 29 / 34 / 0 / 47

HEX #5F5986

RGB 95 89 134

HSL 248, 0.2%, 0.44%

LAB 40.08, 13.19, -24.24

 

CMYK 20 / 34 / 0 / 47

HEX #6B5986

RGB 107 89 134

HSL 264, 0.2%, 0.44%

LAB 41.2, 17.11, -22.41

 

CMYK 10 / 34 / 0 / 47

HEX #785986

RGB 120 89 134

HSL 281.33, 0.2%, 0.44%

LAB 42.55, 21.51, -20.22

 

CMYK 1 / 34 / 0 / 47

HEX #845986

RGB 132 89 134

HSL 297.33, 0.2%, 0.44%

LAB 43.9, 25.65, -18.03

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 34 / 34 / 0 / 47

HEX #595986

RGB 89 89 134

HSL 240, 0.2%, 0.44%

LAB 39.56, 11.3, -25.09

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 53 / 46 / 0 / 40

HEX #475298

RGB 71 82 152

HSL 231.85, 0.36%, 0.44%

LAB 37.19, 16.47, -39.82

 

CMYK 69 / 59 / 0 / 33

HEX #3545AA

RGB 53 69 170

HSL 231.79, 0.52%, 0.44%

LAB 33.81, 27.88, -56.15

 

CMYK 81 / 71 / 0 / 26

HEX #2337BD

RGB 35 55 189

HSL 232.21, 0.69%, 0.44%

LAB 31.26, 41.74, -71.63

 

CMYK 92 / 80 / 0 / 19

HEX #112ACF

RGB 17 42 207

HSL 232.11, 0.85%, 0.44%

LAB 30.11, 54.31, -84.1

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 8 / 6 / 0 / 55

HEX #6B6D74

RGB 107 109 116

HSL 226.67, 0.04%, 0.44%

LAB 46.07, 0.73, -4.16

 

CMYK 0 / 3 / 22 / 51

HEX #7E7A62

RGB 126 122 98

HSL 51.43, 0.13%, 0.44%

LAB 50.96, -2.74, 13.72

 

CMYK 0 / 6 / 44 / 44

HEX #908750

RGB 144 135 80

HSL 51.56, 0.29%, 0.44%

LAB 55.92, -4.83, 30.71

 

CMYK 0 / 9 / 62 / 36

HEX #A2943E

RGB 162 148 62

HSL 51.6, 0.45%, 0.44%

LAB 60.97, -5.68, 46.21

 

CMYK 34 / 11 / 0 / 47

HEX #597786

RGB 89 119 134

HSL 200, 0.2%, 0.44%

LAB 48.31, -6.87, -11.67

 

CMYK 34 / 20 / 0 / 47

HEX #596B86

RGB 89 107 134

HSL 216, 0.2%, 0.44%

LAB 44.75, 0.2, -17.09

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 29 / 34 / 0 / 47

HEX #5F5986

RGB 95 89 134

HSL 248, 0.2%, 0.44%

LAB 40.08, 13.19, -24.24

 

CMYK 20 / 34 / 0 / 47

HEX #6B5986

RGB 107 89 134

HSL 264, 0.2%, 0.44%

LAB 41.2, 17.11, -22.41

 

CMYK 34 / 29 / 0 / 67

HEX #383C55

RGB 56 60 85

HSL 231.72, 0.21%, 0.28%

LAB 25.95, 5.11, -15.6

 

CMYK 33 / 28 / 0 / 57

HEX #494E6D

RGB 73 78 109

HSL 231.67, 0.2%, 0.36%

LAB 33.92, 6.06, -18.52

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 31 / 27 / 0 / 38

HEX #6C729D

RGB 108 114 157

HSL 232.65, 0.2%, 0.52%

LAB 49.08, 8.15, -23.94

 

CMYK 23 / 20 / 0 / 32

HEX #858AAD

RGB 133 138 173

HSL 232.5, 0.2%, 0.6%

LAB 58.21, 5.97, -19.02

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 0 / 34 / 2 / 47

HEX #865983

RGB 134 89 131

HSL 304, 0.2%, 0.44%

LAB 44.02, 25.75, -16.01

 

CMYK 16 / 0 / 34 / 47

HEX #718659

RGB 113 134 89

HSL 88, 0.2%, 0.44%

LAB 53.26, -16.05, 21.8

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 0 / 34 / 29 / 47

HEX #86595F

RGB 134 89 95

HSL 352, 0.2%, 0.44%

LAB 42.82, 19.45, 4.14

 

CMYK 29 / 0 / 34 / 47

HEX #5F8659

RGB 95 134 89

HSL 112, 0.2%, 0.44%

LAB 52.07, -22.91, 20

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 0 / 34 / 2 / 47

HEX #865983

RGB 134 89 131

HSL 304, 0.2%, 0.44%

LAB 44.02, 25.75, -16.01

 

CMYK 0 / 4 / 34 / 47

HEX #868059

RGB 134 128 89

HSL 52, 0.2%, 0.44%

LAB 53.2, -4.11, 22.03

 

CMYK 34 / 0 / 31 / 47

HEX #59865C

RGB 89 134 92

HSL 124, 0.2%, 0.44%

LAB 51.78, -24.51, 17.85

 

CMYK 34 / 29 / 0 / 47

HEX #595F86

RGB 89 95 134

HSL 232, 0.2%, 0.44%

LAB 41.26, 7.55, -22.45

 

CMYK 0 / 34 / 12 / 47

HEX #865976

RGB 134 89 118

HSL 321.33, 0.2%, 0.44%

LAB 43.54, 23.27, -8.86

 

CMYK 0 / 4 / 34 / 47

HEX #868059

RGB 134 128 89

HSL 52, 0.2%, 0.44%

LAB 53.2, -4.11, 22.03

 

CMYK 34 / 0 / 21 / 47

HEX #59866A

RGB 89 134 106

HSL 142.67, 0.2%, 0.44%

LAB 52.08, -21.77, 10.25

 

Description

Color code: HEX #595F86 | qconv.com Color code: HEX #595F86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 95 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 95 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 29 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 29% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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