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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #596425 it is the complementary color #A69BDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #596425. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #596425 shade: #5E6420, #6F7633, #808846, #919A59 and #A2AC6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #596425. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #596425 shade: #596425, #485212, #374000, #262E00 and #151C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #596425 shade: #596425, #645E25, #644D25, #643C25 and #642B25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #596425 shade: #596425, #486425, #376425, #266425 and #256435

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #596425 shade matches the following richer shades: #596425, #606F1A, #677A0E and #6F8503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #596425 shade: #596425, #525930, #4A4E3B, #434346 and #3C3751

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #596425 shade: #644D25, #645E25, #596425, #496425 and #386425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #596425 shade: #23280E, #3E461A, #596425, #748230 and #8FA03B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #596425 shade: #596425, #25643C and #552564

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #596425 shade: #596425, #255964 and #642559

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #596425 shade: #596425, #25643C, #2F2564 and #64254D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #596425 shade: #596425, #25644F, #2F2564 and #64253A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

Complementary color

CMYK 24 / 29 / 0 / 15

HEX #A69BDA

RGB 166 155 218

HSL 250.48, 0.46%, 0.73%

LAB 66.98, 17.32, -30.59

 

CMYK 6 / 0 / 68 / 61

HEX #5E6420

RGB 94 100 32

HSL 65.29, 0.52%, 0.26%

LAB 40.57, -12.34, 36.41

 

CMYK 6 / 0 / 57 / 54

HEX #6F7633

RGB 111 118 51

HSL 66.27, 0.4%, 0.33%

LAB 47.72, -12.94, 35.43

 

CMYK 6 / 0 / 49 / 47

HEX #808846

RGB 128 136 70

HSL 67.27, 0.32%, 0.4%

LAB 54.7, -13.35, 34.22

 

CMYK 6 / 0 / 42 / 40

HEX #919A59

RGB 145 154 89

HSL 68.31, 0.27%, 0.48%

LAB 61.53, -13.65, 32.98

 

CMYK 6 / 0 / 37 / 33

HEX #A2AC6C

RGB 162 172 108

HSL 69.38, 0.28%, 0.55%

LAB 68.22, -13.88, 31.76

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 12 / 0 / 78 / 68

HEX #485212

RGB 72 82 18

HSL 69.38, 0.64%, 0.2%

LAB 32.82, -13.61, 34.13

 

CMYK 14 / 0 / 100 / 75

HEX #374000

RGB 55 64 0

HSL 68.44, 1%, 0.13%

LAB 25.2, -12.68, 33.64

 

CMYK 17 / 0 / 100 / 82

HEX #262E00

RGB 38 46 0

HSL 70.43, 1%, 0.09%

LAB 17.3, -10.85, 24.64

 

CMYK 25 / 0 / 100 / 89

HEX #151C00

RGB 21 28 0

HSL 75, 1%, 0.05%

LAB 8.91, -8.71, 13.17

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 0 / 6 / 63 / 61

HEX #645E25

RGB 100 94 37

HSL 54.29, 0.46%, 0.27%

LAB 39.32, -5.68, 32.79

 

CMYK 0 / 23 / 63 / 61

HEX #644D25

RGB 100 77 37

HSL 38.1, 0.46%, 0.27%

LAB 34.29, 4.53, 27.06

 

CMYK 0 / 40 / 63 / 61

HEX #643C25

RGB 100 60 37

HSL 21.9, 0.46%, 0.27%

LAB 29.6, 15.06, 21.45

 

CMYK 0 / 57 / 63 / 61

HEX #642B25

RGB 100 43 37

HSL 5.71, 0.46%, 0.27%

LAB 25.47, 25.21, 16.28

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 28 / 0 / 63 / 61

HEX #486425

RGB 72 100 37

HSL 86.67, 0.46%, 0.27%

LAB 38.94, -21.76, 31.73

 

CMYK 45 / 0 / 63 / 61

HEX #376425

RGB 55 100 37

HSL 102.86, 0.46%, 0.27%

LAB 37.95, -28.42, 30.34

 

CMYK 62 / 0 / 63 / 61

HEX #266425

RGB 38 100 37

HSL 119.05, 0.46%, 0.27%

LAB 37.23, -33.82, 29.32

 

CMYK 63 / 0 / 47 / 61

HEX #256435

RGB 37 100 53

HSL 135.24, 0.46%, 0.27%

LAB 37.42, -31.57, 20.77

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 14 / 0 / 77 / 56

HEX #606F1A

RGB 96 111 26

HSL 70.59, 0.62%, 0.27%

LAB 44.13, -17.81, 42.59

 

CMYK 16 / 0 / 89 / 52

HEX #677A0E

RGB 103 122 14

HSL 70.56, 0.79%, 0.27%

LAB 48.05, -20.92, 50.03

 

CMYK 17 / 0 / 98 / 48

HEX #6F8503

RGB 111 133 3

HSL 70.15, 0.96%, 0.27%

LAB 52.02, -23.23, 55.62

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 8 / 0 / 46 / 65

HEX #525930

RGB 82 89 48

HSL 70.24, 0.3%, 0.27%

LAB 36.28, -10.05, 22.75

 

CMYK 5 / 0 / 24 / 69

HEX #4A4E3B

RGB 74 78 59

HSL 72.63, 0.14%, 0.27%

LAB 32.3, -5.45, 10.73

 

CMYK 4 / 4 / 0 / 73

HEX #434346

RGB 67 67 70

HSL 240, 0.02%, 0.27%

LAB 28.51, 0.68, -1.82

 

CMYK 26 / 32 / 0 / 68

HEX #3C3751

RGB 60 55 81

HSL 251.54, 0.19%, 0.27%

LAB 24.6, 8.72, -15.02

 

CMYK 0 / 23 / 63 / 61

HEX #644D25

RGB 100 77 37

HSL 38.1, 0.46%, 0.27%

LAB 34.29, 4.53, 27.06

 

CMYK 0 / 6 / 63 / 61

HEX #645E25

RGB 100 94 37

HSL 54.29, 0.46%, 0.27%

LAB 39.32, -5.68, 32.79

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 27 / 0 / 63 / 61

HEX #496425

RGB 73 100 37

HSL 85.71, 0.46%, 0.27%

LAB 39.01, -21.34, 31.83

 

CMYK 44 / 0 / 63 / 61

HEX #386425

RGB 56 100 37

HSL 101.9, 0.46%, 0.27%

LAB 38, -28.06, 30.41

 

CMYK 13 / 0 / 65 / 84

HEX #23280E

RGB 35 40 14

HSL 71.54, 0.48%, 0.11%

LAB 14.99, -7.29, 15.79

 

CMYK 11 / 0 / 63 / 73

HEX #3E461A

RGB 62 70 26

HSL 70.91, 0.46%, 0.19%

LAB 28.06, -10.88, 24.97

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 11 / 0 / 63 / 49

HEX #748230

RGB 116 130 48

HSL 70.24, 0.46%, 0.35%

LAB 51.71, -17.42, 41.47

 

CMYK 11 / 0 / 63 / 37

HEX #8FA03B

RGB 143 160 59

HSL 70.1, 0.46%, 0.43%

LAB 62.76, -20.45, 49.07

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 63 / 0 / 40 / 61

HEX #25643C

RGB 37 100 60

HSL 141.9, 0.46%, 0.27%

LAB 37.54, -30.21, 16.85

 

CMYK 15 / 63 / 0 / 61

HEX #552564

RGB 85 37 100

HSL 285.71, 0.46%, 0.27%

LAB 24.24, 33.18, -27.85

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 63 / 11 / 0 / 61

HEX #255964

RGB 37 89 100

HSL 190.48, 0.46%, 0.27%

LAB 34.92, -13.6, -11.54

 

CMYK 0 / 63 / 11 / 61

HEX #642559

RGB 100 37 89

HSL 310.48, 0.46%, 0.27%

LAB 26.02, 35.41, -17.67

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 63 / 0 / 40 / 61

HEX #25643C

RGB 37 100 60

HSL 141.9, 0.46%, 0.27%

LAB 37.54, -30.21, 16.85

 

CMYK 53 / 63 / 0 / 61

HEX #2F2564

RGB 47 37 100

HSL 249.52, 0.46%, 0.27%

LAB 19.42, 23.16, -35.84

 

CMYK 0 / 63 / 23 / 61

HEX #64254D

RGB 100 37 77

HSL 321.9, 0.46%, 0.27%

LAB 25.47, 33.37, -10.56

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 63 / 0 / 21 / 61

HEX #25644F

RGB 37 100 79

HSL 160, 0.46%, 0.27%

LAB 37.97, -25.77, 5.98

 

CMYK 53 / 63 / 0 / 61

HEX #2F2564

RGB 47 37 100

HSL 249.52, 0.46%, 0.27%

LAB 19.42, 23.16, -35.84

 

CMYK 0 / 63 / 42 / 61

HEX #64253A

RGB 100 37 58

HSL 340, 0.46%, 0.27%

LAB 24.76, 30.66, 1.19

 

Description

Color code: HEX #596425 | qconv.com Color code: HEX #596425 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 100 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 100 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 63 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 63% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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