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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5964AB it is the complementary color #A69B54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5964AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5964AB shade: #5E64A6, #6F76B9, #8088CC, #919ADF and #A2ACF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5964AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5964AB shade: #5964AB, #485298, #374085, #262E72 and #151C5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5964AB shade: #5863AB, #6358AB, #7A58AB, #9058AB and #A658AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5964AB shade: #5863AB and #5858AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5964AB shade matches the following richer shades: #5863AB, #4455BF, #3046D3, #1C37E7 and #0728FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5964AB shade: #5863AB, #6D7297, #818182, #95906E and #A99F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5964AB shade: #5891AB, #587BAB, #5865AB, #6258AB and #7858AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5964AB shade: #3B4376, #495391, #5863AB, #747DB9 and #8F97C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5964AB shade: #5964AB, #AB58A7 and #86AB58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5964AB shade: #5964AB, #AB5865 and #65AB58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5964AB shade: #5964AB, #AB58A7, #AB9E58 and #58AB5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5964AB shade: #5964AB, #AB588E, #AB9E58 and #58AB75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 42 / 0 / 33

HEX #5964AB

RGB 89 100 171

HSL 231.95, 0.33%, 0.51%

LAB 44.49, 15.51, -39.45

 

Complementary color

CMYK 0 / 7 / 49 / 35

HEX #A69B54

RGB 166 155 84

HSL 51.95, 0.33%, 0.49%

LAB 63.5, -5.88, 38.41

 

CMYK 43 / 40 / 0 / 35

HEX #5E64A6

RGB 94 100 166

HSL 235, 0.29%, 0.51%

LAB 44.59, 15.26, -36.33

 

CMYK 40 / 36 / 0 / 27

HEX #6F76B9

RGB 111 118 185

HSL 234.32, 0.35%, 0.58%

LAB 51.65, 14.4, -36.18

 

CMYK 37 / 33 / 0 / 20

HEX #8088CC

RGB 128 136 204

HSL 233.68, 0.43%, 0.65%

LAB 58.56, 13.68, -36.09

 

CMYK 35 / 31 / 0 / 13

HEX #919ADF

RGB 145 154 223

HSL 233.08, 0.55%, 0.72%

LAB 65.33, 13.06, -36.05

 

CMYK 33 / 29 / 0 / 5

HEX #A2ACF2

RGB 162 172 242

HSL 232.5, 0.75%, 0.79%

LAB 71.96, 12.52, -36.05

 

CMYK 48 / 42 / 0 / 33

HEX #5964AB

RGB 89 100 171

HSL 231.95, 0.33%, 0.51%

LAB 44.49, 15.51, -39.45

 

CMYK 53 / 46 / 0 / 40

HEX #485298

RGB 72 82 152

HSL 232.5, 0.36%, 0.44%

LAB 37.26, 16.7, -39.71

 

CMYK 59 / 52 / 0 / 48

HEX #374085

RGB 55 64 133

HSL 233.08, 0.41%, 0.37%

LAB 29.84, 18.21, -40.03

 

CMYK 67 / 60 / 0 / 55

HEX #262E72

RGB 38 46 114

HSL 233.68, 0.5%, 0.3%

LAB 22.23, 20.18, -40.4

 

CMYK 78 / 71 / 0 / 63

HEX #151C5F

RGB 21 28 95

HSL 234.32, 0.64%, 0.23%

LAB 14.49, 22.81, -40.66

 

CMYK 49 / 42 / 0 / 33

HEX #5863AB

RGB 88 99 171

HSL 232.05, 0.33%, 0.51%

LAB 44.14, 15.89, -40

 

CMYK 42 / 49 / 0 / 33

HEX #6358AB

RGB 99 88 171

HSL 247.95, 0.33%, 0.51%

LAB 42.11, 25.52, -43.18

 

CMYK 29 / 49 / 0 / 33

HEX #7A58AB

RGB 122 88 171

HSL 264.58, 0.33%, 0.51%

LAB 44.31, 31.69, -39.54

 

CMYK 16 / 49 / 0 / 33

HEX #9058AB

RGB 144 88 171

HSL 280.48, 0.33%, 0.51%

LAB 46.78, 37.99, -35.49

 

CMYK 3 / 49 / 0 / 33

HEX #A658AB

RGB 166 88 171

HSL 296.39, 0.33%, 0.51%

LAB 49.53, 44.46, -30.98

 

CMYK 49 / 42 / 0 / 33

HEX #5863AB

RGB 88 99 171

HSL 232.05, 0.33%, 0.51%

LAB 44.14, 15.89, -40

 

CMYK 49 / 49 / 0 / 33

HEX #5858AB

RGB 88 88 171

HSL 240, 0.33%, 0.51%

LAB 41.21, 22.8, -44.68

 

CMYK 49 / 42 / 0 / 33

HEX #5863AB

RGB 88 99 171

HSL 232.05, 0.33%, 0.51%

LAB 44.14, 15.89, -40

 

CMYK 64 / 55 / 0 / 25

HEX #4455BF

RGB 68 85 191

HSL 231.71, 0.49%, 0.51%

LAB 40.39, 27.36, -57.81

 

CMYK 77 / 67 / 0 / 17

HEX #3046D3

RGB 48 70 211

HSL 231.9, 0.65%, 0.51%

LAB 37.32, 41.37, -74.46

 

CMYK 88 / 76 / 0 / 9

HEX #1C37E7

RGB 28 55 231

HSL 232.02, 0.81%, 0.51%

LAB 35.5, 55.65, -88.96

 

CMYK 97 / 84 / 0 / 1

HEX #0728FC

RGB 7 40 252

HSL 231.92, 0.98%, 0.51%

LAB 35.18, 68.71, -101.36

 

CMYK 49 / 42 / 0 / 33

HEX #5863AB

RGB 88 99 171

HSL 232.05, 0.33%, 0.51%

LAB 44.14, 15.89, -40

 

CMYK 28 / 25 / 0 / 41

HEX #6D7297

RGB 109 114 151

HSL 232.86, 0.17%, 0.51%

LAB 48.91, 6.87, -20.67

 

CMYK 1 / 1 / 0 / 49

HEX #818182

RGB 129 129 130

HSL 240, 0%, 0.51%

LAB 54.01, 0.2, -0.55

 

CMYK 0 / 3 / 26 / 42

HEX #95906E

RGB 149 144 110

HSL 52.31, 0.16%, 0.51%

LAB 59.4, -3.86, 18.78

 

CMYK 0 / 6 / 47 / 34

HEX #A99F5A

RGB 169 159 90

HSL 52.41, 0.31%, 0.51%

LAB 64.94, -6.16, 37.14

 

CMYK 49 / 15 / 0 / 33

HEX #5891AB

RGB 88 145 171

HSL 198.8, 0.33%, 0.51%

LAB 57.33, -11.44, -19.46

 

CMYK 49 / 28 / 0 / 33

HEX #587BAB

RGB 88 123 171

HSL 214.7, 0.33%, 0.51%

LAB 50.9, 1.19, -29.38

 

CMYK 49 / 41 / 0 / 33

HEX #5865AB

RGB 88 101 171

HSL 230.6, 0.33%, 0.51%

LAB 44.69, 14.64, -39.13

 

CMYK 43 / 49 / 0 / 33

HEX #6258AB

RGB 98 88 171

HSL 247.23, 0.33%, 0.51%

LAB 42.03, 25.26, -43.32

 

CMYK 30 / 49 / 0 / 33

HEX #7858AB

RGB 120 88 171

HSL 263.13, 0.33%, 0.51%

LAB 44.11, 31.13, -39.88

 

CMYK 50 / 43 / 0 / 54

HEX #3B4376

RGB 59 67 118

HSL 231.86, 0.33%, 0.35%

LAB 30.04, 11.94, -30.33

 

CMYK 50 / 43 / 0 / 43

HEX #495391

RGB 73 83 145

HSL 231.67, 0.33%, 0.43%

LAB 37.2, 13.99, -35.57

 

CMYK 49 / 42 / 0 / 33

HEX #5863AB

RGB 88 99 171

HSL 232.05, 0.33%, 0.51%

LAB 44.14, 15.89, -40

 

CMYK 37 / 32 / 0 / 27

HEX #747DB9

RGB 116 125 185

HSL 232.17, 0.33%, 0.59%

LAB 53.9, 11.59, -32.63

 

CMYK 28 / 24 / 0 / 22

HEX #8F97C6

RGB 143 151 198

HSL 231.27, 0.33%, 0.67%

LAB 63.38, 7.78, -25.16

 

CMYK 48 / 42 / 0 / 33

HEX #5964AB

RGB 89 100 171

HSL 231.95, 0.33%, 0.51%

LAB 44.49, 15.51, -39.45

 

CMYK 0 / 49 / 2 / 33

HEX #AB58A7

RGB 171 88 167

HSL 302.89, 0.33%, 0.51%

LAB 50.01, 45.21, -27.83

 

CMYK 22 / 0 / 49 / 33

HEX #86AB58

RGB 134 171 88

HSL 86.75, 0.33%, 0.51%

LAB 65.67, -26.8, 38.47

 

CMYK 48 / 42 / 0 / 33

HEX #5964AB

RGB 89 100 171

HSL 231.95, 0.33%, 0.51%

LAB 44.49, 15.51, -39.45

 

CMYK 0 / 49 / 41 / 33

HEX #AB5865

RGB 171 88 101

HSL 350.6, 0.33%, 0.51%

LAB 47.72, 35.25, 8.16

 

CMYK 41 / 0 / 49 / 33

HEX #65AB58

RGB 101 171 88

HSL 110.6, 0.33%, 0.51%

LAB 63.83, -38.56, 35.79

 

CMYK 48 / 42 / 0 / 33

HEX #5964AB

RGB 89 100 171

HSL 231.95, 0.33%, 0.51%

LAB 44.49, 15.51, -39.45

 

CMYK 0 / 49 / 2 / 33

HEX #AB58A7

RGB 171 88 167

HSL 302.89, 0.33%, 0.51%

LAB 50.01, 45.21, -27.83

 

CMYK 0 / 8 / 49 / 33

HEX #AB9E58

RGB 171 158 88

HSL 50.6, 0.33%, 0.51%

LAB 64.82, -4.98, 38.06

 

CMYK 49 / 0 / 46 / 33

HEX #58AB5C

RGB 88 171 92

HSL 122.89, 0.33%, 0.51%

LAB 63.32, -41.95, 32.97

 

CMYK 48 / 42 / 0 / 33

HEX #5964AB

RGB 89 100 171

HSL 231.95, 0.33%, 0.51%

LAB 44.49, 15.51, -39.45

 

CMYK 0 / 49 / 17 / 33

HEX #AB588E

RGB 171 88 142

HSL 320.96, 0.33%, 0.51%

LAB 49, 40.92, -14.61

 

CMYK 0 / 8 / 49 / 33

HEX #AB9E58

RGB 171 158 88

HSL 50.6, 0.33%, 0.51%

LAB 64.82, -4.98, 38.06

 

CMYK 49 / 0 / 32 / 33

HEX #58AB75

RGB 88 171 117

HSL 140.96, 0.33%, 0.51%

LAB 63.74, -37.66, 20.21

 

Description

Color code: HEX #5964AB | qconv.com Color code: HEX #5964AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 100 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 100 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 42 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 42% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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