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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5960AF it is the complementary color #A69F50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5960AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5960AF shade: #5E60AA, #6F72BD, #8084D0, #9196E3 and #A2A8F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5960AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5960AF shade: #5960AF, #484E9C, #373C89, #262A76 and #151863

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5960AF shade: #5960AF, #6959AF, #8159AF, #9859AF and #AF59AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5960AF shade: #5960AF and #5959AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5960AF shade matches the following richer shades: #5960AF, #4550C3, #323FD7, #1E2EEA and #0A1EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5960AF shade: #5960AF, #6D719B, #818187, #959274 and #A8A360

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5960AF shade: #598EAF, #5977AF, #5960AF, #6959AF and #8059AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5960AF shade: #3B407B, #484F97, #5960AF, #757BBC and #9196CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5960AF shade: #5960AF, #AF59A5 and #83AF59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5960AF shade: #5960AF, #AF5960 and #60AF59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5960AF shade: #5960AF, #AF59A5, #AFA859 and #59AF63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5960AF shade: #5960AF, #AF598B, #AFA859 and #59AF7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

Complementary color

CMYK 0 / 4 / 52 / 35

HEX #A69F50

RGB 166 159 80

HSL 55.12, 0.35%, 0.48%

LAB 64.55, -8.39, 41.69

 

CMYK 45 / 44 / 0 / 33

HEX #5E60AA

RGB 94 96 170

HSL 238.42, 0.31%, 0.52%

LAB 43.72, 18.96, -40.05

 

CMYK 41 / 40 / 0 / 26

HEX #6F72BD

RGB 111 114 189

HSL 237.69, 0.37%, 0.59%

LAB 50.79, 17.98, -39.84

 

CMYK 38 / 37 / 0 / 18

HEX #8084D0

RGB 128 132 208

HSL 237, 0.46%, 0.66%

LAB 57.7, 17.14, -39.7

 

CMYK 36 / 34 / 0 / 11

HEX #9196E3

RGB 145 150 227

HSL 236.34, 0.59%, 0.73%

LAB 64.47, 16.42, -39.6

 

CMYK 34 / 32 / 0 / 4

HEX #A2A8F6

RGB 162 168 246

HSL 235.71, 0.82%, 0.8%

LAB 71.11, 15.79, -39.55

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 54 / 50 / 0 / 39

HEX #484E9C

RGB 72 78 156

HSL 235.71, 0.37%, 0.45%

LAB 36.42, 20.63, -43.47

 

CMYK 60 / 56 / 0 / 46

HEX #373C89

RGB 55 60 137

HSL 236.34, 0.43%, 0.38%

LAB 29.03, 22.31, -43.82

 

CMYK 68 / 64 / 0 / 54

HEX #262A76

RGB 38 42 118

HSL 237, 0.51%, 0.31%

LAB 21.49, 24.46, -44.17

 

CMYK 79 / 76 / 0 / 61

HEX #151863

RGB 21 24 99

HSL 237.69, 0.65%, 0.24%

LAB 13.91, 27.12, -44.28

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 40 / 49 / 0 / 31

HEX #6959AF

RGB 105 89 175

HSL 251.16, 0.35%, 0.52%

LAB 43.13, 27.6, -43.89

 

CMYK 26 / 49 / 0 / 31

HEX #8159AF

RGB 129 89 175

HSL 267.91, 0.35%, 0.52%

LAB 45.51, 34.07, -39.96

 

CMYK 13 / 49 / 0 / 31

HEX #9859AF

RGB 152 89 175

HSL 283.95, 0.35%, 0.52%

LAB 48.15, 40.64, -35.61

 

CMYK 0 / 49 / 0 / 31

HEX #AF59AF

RGB 175 89 175

HSL 300, 0.35%, 0.52%

LAB 51.1, 47.35, -30.78

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 49 / 49 / 0 / 31

HEX #5959AF

RGB 89 89 175

HSL 240, 0.35%, 0.52%

LAB 41.79, 23.67, -46.1

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 65 / 59 / 0 / 24

HEX #4550C3

RGB 69 80 195

HSL 234.76, 0.51%, 0.52%

LAB 39.48, 32.08, -61.61

 

CMYK 77 / 71 / 0 / 16

HEX #323FD7

RGB 50 63 215

HSL 235.27, 0.67%, 0.52%

LAB 36.25, 47.12, -78.52

 

CMYK 87 / 80 / 0 / 8

HEX #1E2EEA

RGB 30 46 234

HSL 235.29, 0.83%, 0.52%

LAB 34.34, 61.19, -92.59

 

CMYK 96 / 88 / 0 / 0

HEX #0A1EFE

RGB 10 30 254

HSL 235.08, 0.99%, 0.52%

LAB 34.29, 72.88, -103.98

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 30 / 27 / 0 / 39

HEX #6D719B

RGB 109 113 155

HSL 234.78, 0.19%, 0.52%

LAB 48.79, 8.52, -23.19

 

CMYK 4 / 4 / 0 / 47

HEX #818187

RGB 129 129 135

HSL 240, 0.02%, 0.52%

LAB 54.15, 1.22, -3.24

 

CMYK 0 / 2 / 22 / 42

HEX #959274

RGB 149 146 116

HSL 54.55, 0.13%, 0.52%

LAB 60.08, -4.07, 16.34

 

CMYK 0 / 3 / 43 / 34

HEX #A8A360

RGB 168 163 96

HSL 55.83, 0.29%, 0.52%

LAB 66.03, -8.09, 35.37

 

CMYK 49 / 19 / 0 / 31

HEX #598EAF

RGB 89 142 175

HSL 203.02, 0.35%, 0.52%

LAB 56.65, -8.35, -22.79

 

CMYK 49 / 32 / 0 / 31

HEX #5977AF

RGB 89 119 175

HSL 219.07, 0.35%, 0.52%

LAB 49.99, 5.08, -33.11

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 40 / 49 / 0 / 31

HEX #6959AF

RGB 105 89 175

HSL 251.16, 0.35%, 0.52%

LAB 43.13, 27.6, -43.89

 

CMYK 27 / 49 / 0 / 31

HEX #8059AF

RGB 128 89 175

HSL 267.21, 0.35%, 0.52%

LAB 45.4, 33.79, -40.14

 

CMYK 52 / 48 / 0 / 52

HEX #3B407B

RGB 59 64 123

HSL 235.31, 0.35%, 0.36%

LAB 29.48, 15.65, -34.36

 

CMYK 52 / 48 / 0 / 41

HEX #484F97

RGB 72 79 151

HSL 234.68, 0.35%, 0.44%

LAB 36.37, 18.31, -40.52

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 38 / 35 / 0 / 26

HEX #757BBC

RGB 117 123 188

HSL 234.93, 0.35%, 0.6%

LAB 53.58, 13.9, -34.86

 

CMYK 28 / 26 / 0 / 21

HEX #9196CA

RGB 145 150 202

HSL 234.74, 0.35%, 0.68%

LAB 63.42, 9.95, -27.32

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 0 / 49 / 6 / 31

HEX #AF59A5

RGB 175 89 165

HSL 306.98, 0.35%, 0.52%

LAB 50.66, 45.54, -25.61

 

CMYK 25 / 0 / 49 / 31

HEX #83AF59

RGB 131 175 89

HSL 90.7, 0.35%, 0.52%

LAB 66.68, -29.75, 39.15

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 0 / 49 / 45 / 31

HEX #AF5960

RGB 175 89 96

HSL 355.12, 0.35%, 0.52%

LAB 48.39, 35.67, 12.19

 

CMYK 45 / 0 / 49 / 31

HEX #60AF59

RGB 96 175 89

HSL 115.12, 0.35%, 0.52%

LAB 64.86, -41.73, 36.51

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 0 / 49 / 6 / 31

HEX #AF59A5

RGB 175 89 165

HSL 306.98, 0.35%, 0.52%

LAB 50.66, 45.54, -25.61

 

CMYK 0 / 4 / 49 / 31

HEX #AFA859

RGB 175 168 89

HSL 55.12, 0.35%, 0.52%

LAB 67.9, -8.52, 41.39

 

CMYK 49 / 0 / 43 / 31

HEX #59AF63

RGB 89 175 99

HSL 126.98, 0.35%, 0.52%

LAB 64.71, -42.29, 31.12

 

CMYK 49 / 45 / 0 / 31

HEX #5960AF

RGB 89 96 175

HSL 235.12, 0.35%, 0.52%

LAB 43.63, 19.28, -43.16

 

CMYK 0 / 49 / 21 / 31

HEX #AF598B

RGB 175 89 139

HSL 325.12, 0.35%, 0.52%

LAB 49.64, 41.26, -11.78

 

CMYK 0 / 4 / 49 / 31

HEX #AFA859

RGB 175 168 89

HSL 55.12, 0.35%, 0.52%

LAB 67.9, -8.52, 41.39

 

CMYK 49 / 0 / 29 / 31

HEX #59AF7D

RGB 89 175 125

HSL 145.12, 0.35%, 0.52%

LAB 65.17, -37.62, 17.82

 

Description

Color code: HEX #5960AF | qconv.com Color code: HEX #5960AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 96 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 96 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 45 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 45% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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