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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #596127 it is the complementary color #A69ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #596127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #596127 shade: #5E6122, #6F7335, #808548, #91975B and #A2A96E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #596127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #596127 shade: #596127, #484F14, #373D01, #262B00 and #151900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #596127 shade: #5A6227, #625A27, #624A27, #623A27 and #622A27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #596127 shade: #5A6227, #4A6227, #3A6227, #2A6227 and #276234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #596127 shade matches the following richer shades: #5A6227, #626D1C, #6A7810 and #728305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #596127 shade: #5A6227, #525732, #4A4C3D, #424148 and #3A3553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #596127 shade: #624A27, #625A27, #5A6227, #4A6227 and #3A6227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #596127 shade: #24270F, #3F441B, #5A6227, #757F33 and #909D3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #596127 shade: #596127, #27623A and #522762

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #596127 shade: #596127, #275A62 and #62275A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #596127 shade: #596127, #27623A, #2F2762 and #62274E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #596127 shade: #596127, #27624C, #2F2762 and #62273C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 60 / 62

HEX #596127

RGB 89 97 39

HSL 68.28, 0.43%, 0.27%

LAB 39.28, -12.4, 31.43

 

Complementary color

CMYK 23 / 27 / 0 / 15

HEX #A69ED8

RGB 166 158 216

HSL 248.28, 0.43%, 0.73%

LAB 67.66, 15.15, -28.43

 

CMYK 3 / 0 / 65 / 62

HEX #5E6122

RGB 94 97 34

HSL 62.86, 0.48%, 0.26%

LAB 39.66, -10.49, 34.49

 

CMYK 3 / 0 / 54 / 55

HEX #6F7335

RGB 111 115 53

HSL 63.87, 0.37%, 0.33%

LAB 46.84, -11.09, 33.38

 

CMYK 4 / 0 / 46 / 48

HEX #808548

RGB 128 133 72

HSL 64.92, 0.3%, 0.4%

LAB 53.85, -11.52, 32.12

 

CMYK 4 / 0 / 40 / 41

HEX #91975B

RGB 145 151 91

HSL 66, 0.25%, 0.47%

LAB 60.7, -11.83, 30.87

 

CMYK 4 / 0 / 35 / 34

HEX #A2A96E

RGB 162 169 110

HSL 67.12, 0.26%, 0.55%

LAB 67.41, -12.06, 29.66

 

CMYK 8 / 0 / 60 / 62

HEX #596127

RGB 89 97 39

HSL 68.28, 0.43%, 0.27%

LAB 39.28, -12.4, 31.43

 

CMYK 9 / 0 / 75 / 69

HEX #484F14

RGB 72 79 20

HSL 67.12, 0.6%, 0.19%

LAB 31.85, -11.76, 32.3

 

CMYK 10 / 0 / 98 / 76

HEX #373D01

RGB 55 61 1

HSL 66, 0.97%, 0.12%

LAB 24.17, -10.85, 32.24

 

CMYK 12 / 0 / 100 / 83

HEX #262B00

RGB 38 43 0

HSL 66.98, 1%, 0.08%

LAB 16.2, -9, 23.29

 

CMYK 16 / 0 / 100 / 90

HEX #151900

RGB 21 25 0

HSL 69.6, 1%, 0.05%

LAB 7.72, -6.37, 11.45

 

CMYK 8 / 0 / 60 / 62

HEX #5A6227

RGB 90 98 39

HSL 68.14, 0.43%, 0.27%

LAB 39.67, -12.5, 31.91

 

CMYK 0 / 8 / 60 / 62

HEX #625A27

RGB 98 90 39

HSL 51.86, 0.43%, 0.27%

LAB 37.94, -4.11, 30.13

 

CMYK 0 / 24 / 60 / 62

HEX #624A27

RGB 98 74 39

HSL 35.59, 0.43%, 0.27%

LAB 33.22, 5.59, 24.59

 

CMYK 0 / 41 / 60 / 62

HEX #623A27

RGB 98 58 39

HSL 19.32, 0.43%, 0.27%

LAB 28.82, 15.54, 19.19

 

CMYK 0 / 57 / 60 / 62

HEX #622A27

RGB 98 42 39

HSL 3.05, 0.43%, 0.27%

LAB 24.95, 25.11, 14.21

 

CMYK 8 / 0 / 60 / 62

HEX #5A6227

RGB 90 98 39

HSL 68.14, 0.43%, 0.27%

LAB 39.67, -12.5, 31.91

 

CMYK 24 / 0 / 60 / 62

HEX #4A6227

RGB 74 98 39

HSL 84.41, 0.43%, 0.27%

LAB 38.44, -19.65, 30.17

 

CMYK 41 / 0 / 60 / 62

HEX #3A6227

RGB 58 98 39

HSL 100.68, 0.43%, 0.27%

LAB 37.45, -26.13, 28.77

 

CMYK 57 / 0 / 60 / 62

HEX #2A6227

RGB 42 98 39

HSL 116.95, 0.43%, 0.27%

LAB 36.69, -31.55, 27.69

 

CMYK 60 / 0 / 47 / 62

HEX #276234

RGB 39 98 52

HSL 133.22, 0.43%, 0.27%

LAB 36.77, -30.34, 20.53

 

CMYK 8 / 0 / 60 / 62

HEX #5A6227

RGB 90 98 39

HSL 68.14, 0.43%, 0.27%

LAB 39.67, -12.5, 31.91

 

CMYK 10 / 0 / 74 / 57

HEX #626D1C

RGB 98 109 28

HSL 68.15, 0.59%, 0.27%

LAB 43.68, -15.7, 41.42

 

CMYK 12 / 0 / 87 / 53

HEX #6A7810

RGB 106 120 16

HSL 68.08, 0.76%, 0.27%

LAB 47.67, -18.45, 49.3

 

CMYK 13 / 0 / 96 / 49

HEX #728305

RGB 114 131 5

HSL 68.1, 0.93%, 0.27%

LAB 51.63, -20.83, 55.06

 

CMYK 8 / 0 / 60 / 62

HEX #5A6227

RGB 90 98 39

HSL 68.14, 0.43%, 0.27%

LAB 39.67, -12.5, 31.91

 

CMYK 6 / 0 / 43 / 66

HEX #525732

RGB 82 87 50

HSL 68.11, 0.27%, 0.27%

LAB 35.68, -8.63, 20.83

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 8 / 10 / 0 / 72

HEX #424148

RGB 66 65 72

HSL 248.57, 0.05%, 0.27%

LAB 27.86, 2.04, -4.09

 

CMYK 30 / 36 / 0 / 67

HEX #3A3553

RGB 58 53 83

HSL 250, 0.22%, 0.27%

LAB 23.9, 9.95, -17.44

 

CMYK 0 / 24 / 60 / 62

HEX #624A27

RGB 98 74 39

HSL 35.59, 0.43%, 0.27%

LAB 33.22, 5.59, 24.59

 

CMYK 0 / 8 / 60 / 62

HEX #625A27

RGB 98 90 39

HSL 51.86, 0.43%, 0.27%

LAB 37.94, -4.11, 30.13

 

CMYK 8 / 0 / 60 / 62

HEX #5A6227

RGB 90 98 39

HSL 68.14, 0.43%, 0.27%

LAB 39.67, -12.5, 31.91

 

CMYK 24 / 0 / 60 / 62

HEX #4A6227

RGB 74 98 39

HSL 84.41, 0.43%, 0.27%

LAB 38.44, -19.65, 30.17

 

CMYK 41 / 0 / 60 / 62

HEX #3A6227

RGB 58 98 39

HSL 100.68, 0.43%, 0.27%

LAB 37.45, -26.13, 28.77

 

CMYK 8 / 0 / 62 / 85

HEX #24270F

RGB 36 39 15

HSL 67.5, 0.44%, 0.11%

LAB 14.74, -5.99, 14.97

 

CMYK 7 / 0 / 60 / 73

HEX #3F441B

RGB 63 68 27

HSL 67.32, 0.43%, 0.19%

LAB 27.49, -9.09, 23.78

 

CMYK 8 / 0 / 60 / 62

HEX #5A6227

RGB 90 98 39

HSL 68.14, 0.43%, 0.27%

LAB 39.67, -12.5, 31.91

 

CMYK 8 / 0 / 60 / 50

HEX #757F33

RGB 117 127 51

HSL 67.89, 0.43%, 0.35%

LAB 50.92, -15.14, 39.19

 

CMYK 8 / 0 / 61 / 38

HEX #909D3E

RGB 144 157 62

HSL 68.21, 0.43%, 0.43%

LAB 61.99, -18.27, 46.91

 

CMYK 8 / 0 / 60 / 62

HEX #596127

RGB 89 97 39

HSL 68.28, 0.43%, 0.27%

LAB 39.28, -12.4, 31.43

 

CMYK 60 / 0 / 41 / 62

HEX #27623A

RGB 39 98 58

HSL 139.32, 0.43%, 0.27%

LAB 36.88, -29.19, 17.16

 

CMYK 16 / 60 / 0 / 62

HEX #522762

RGB 82 39 98

HSL 283.73, 0.43%, 0.27%

LAB 24.09, 30.73, -26.81

 

CMYK 8 / 0 / 60 / 62

HEX #596127

RGB 89 97 39

HSL 68.28, 0.43%, 0.27%

LAB 39.28, -12.4, 31.43

 

CMYK 60 / 8 / 0 / 62

HEX #275A62

RGB 39 90 98

HSL 188.14, 0.43%, 0.27%

LAB 35.25, -14.4, -9.78

 

CMYK 0 / 60 / 8 / 62

HEX #62275A

RGB 98 39 90

HSL 308.14, 0.43%, 0.27%

LAB 26.12, 33.95, -18.21

 

CMYK 8 / 0 / 60 / 62

HEX #596127

RGB 89 97 39

HSL 68.28, 0.43%, 0.27%

LAB 39.28, -12.4, 31.43

 

CMYK 60 / 0 / 41 / 62

HEX #27623A

RGB 39 98 58

HSL 139.32, 0.43%, 0.27%

LAB 36.88, -29.19, 17.16

 

CMYK 52 / 60 / 0 / 62

HEX #2F2762

RGB 47 39 98

HSL 248.14, 0.43%, 0.27%

LAB 19.79, 21.12, -33.93

 

CMYK 0 / 60 / 20 / 62

HEX #62274E

RGB 98 39 78

HSL 320.34, 0.43%, 0.27%

LAB 25.56, 31.82, -11.13

 

CMYK 8 / 0 / 60 / 62

HEX #596127

RGB 89 97 39

HSL 68.28, 0.43%, 0.27%

LAB 39.28, -12.4, 31.43

 

CMYK 60 / 0 / 22 / 62

HEX #27624C

RGB 39 98 76

HSL 157.63, 0.43%, 0.27%

LAB 37.28, -25.08, 6.84

 

CMYK 52 / 60 / 0 / 62

HEX #2F2762

RGB 47 39 98

HSL 248.14, 0.43%, 0.27%

LAB 19.79, 21.12, -33.93

 

CMYK 0 / 60 / 39 / 62

HEX #62273C

RGB 98 39 60

HSL 338.64, 0.43%, 0.27%

LAB 24.87, 29.12, -0.05

 

Description

Color code: HEX #596127 | qconv.com Color code: HEX #596127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 97 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 97 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 60 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 60% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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