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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #596290 it is the complementary color #A69D6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #596290. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #596290 shade: #5E628B, #6F749E, #8086B1, #9198C4 and #A2AAD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #596290. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #596290 shade: #596290, #48507D, #373E6A, #262C57 and #151A44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #596290 shade: #596291, #5F5991, #6E5991, #7D5991 and #8C5991

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #596290 shade: #596291 and #595991

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #596290 shade matches the following richer shades: #596291, #4655A4, #3348B7, #203CCA and #0D2FDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #596290 shade: #596291, #6C6F7E, #7F7B6B, #928858 and #A59545

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #596290 shade: #598091, #597191, #596291, #5E5991 and #6D5991

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #596290 shade: #393F5E, #495177, #596291, #6D77A6 and #878EB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #596290 shade: #596290, #91598F and #799159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #596290 shade: #596290, #915962 and #629159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #596290 shade: #596290, #91598F, #918859 and #59915B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #596290 shade: #596290, #91597E, #918859 and #59916B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 32 / 0 / 44

HEX #596290

RGB 89 98 144

HSL 230.18, 0.24%, 0.46%

LAB 42.57, 8.55, -26.44

 

Complementary color

CMYK 0 / 5 / 33 / 35

HEX #A69D6F

RGB 166 157 111

HSL 50.18, 0.24%, 0.54%

LAB 64.46, -3.92, 25.29

 

CMYK 32 / 29 / 0 / 45

HEX #5E628B

RGB 94 98 139

HSL 234.67, 0.19%, 0.46%

LAB 42.73, 8.65, -23.15

 

CMYK 30 / 27 / 0 / 38

HEX #6F749E

RGB 111 116 158

HSL 233.62, 0.2%, 0.53%

LAB 49.9, 8.14, -23.23

 

CMYK 28 / 24 / 0 / 31

HEX #8086B1

RGB 128 134 177

HSL 232.65, 0.24%, 0.6%

LAB 56.89, 7.71, -23.35

 

CMYK 26 / 22 / 0 / 23

HEX #9198C4

RGB 145 152 196

HSL 231.76, 0.3%, 0.67%

LAB 63.72, 7.32, -23.51

 

CMYK 25 / 21 / 0 / 16

HEX #A2AAD7

RGB 162 170 215

HSL 230.94, 0.4%, 0.74%

LAB 70.41, 6.98, -23.69

 

CMYK 38 / 32 / 0 / 44

HEX #596290

RGB 89 98 144

HSL 230.18, 0.24%, 0.46%

LAB 42.57, 8.55, -26.44

 

CMYK 42 / 36 / 0 / 51

HEX #48507D

RGB 72 80 125

HSL 230.94, 0.27%, 0.39%

LAB 35.19, 9.26, -26.5

 

CMYK 48 / 42 / 0 / 58

HEX #373E6A

RGB 55 62 106

HSL 231.76, 0.32%, 0.32%

LAB 27.57, 10.18, -26.66

 

CMYK 56 / 49 / 0 / 66

HEX #262C57

RGB 38 44 87

HSL 232.65, 0.39%, 0.25%

LAB 19.65, 11.43, -26.93

 

CMYK 69 / 62 / 0 / 73

HEX #151A44

RGB 21 26 68

HSL 233.62, 0.53%, 0.17%

LAB 11.38, 13.29, -27.3

 

CMYK 39 / 32 / 0 / 43

HEX #596291

RGB 89 98 145

HSL 230.36, 0.24%, 0.46%

LAB 42.62, 8.85, -26.96

 

CMYK 34 / 39 / 0 / 43

HEX #5F5991

RGB 95 89 145

HSL 246.43, 0.24%, 0.46%

LAB 40.61, 16.24, -30.07

 

CMYK 24 / 39 / 0 / 43

HEX #6E5991

RGB 110 89 145

HSL 262.5, 0.24%, 0.46%

LAB 42.01, 20.85, -27.78

 

CMYK 14 / 39 / 0 / 43

HEX #7D5991

RGB 125 89 145

HSL 278.57, 0.24%, 0.46%

LAB 43.58, 25.68, -25.21

 

CMYK 3 / 39 / 0 / 43

HEX #8C5991

RGB 140 89 145

HSL 294.64, 0.24%, 0.46%

LAB 45.31, 30.62, -22.39

 

CMYK 39 / 32 / 0 / 43

HEX #596291

RGB 89 98 145

HSL 230.36, 0.24%, 0.46%

LAB 42.62, 8.85, -26.96

 

CMYK 39 / 39 / 0 / 43

HEX #595991

RGB 89 89 145

HSL 240, 0.24%, 0.46%

LAB 40.1, 14.49, -30.9

 

CMYK 39 / 32 / 0 / 43

HEX #596291

RGB 89 98 145

HSL 230.36, 0.24%, 0.46%

LAB 42.62, 8.85, -26.96

 

CMYK 57 / 48 / 0 / 36

HEX #4655A4

RGB 70 85 164

HSL 230.43, 0.4%, 0.46%

LAB 38.69, 18.37, -44.63

 

CMYK 72 / 61 / 0 / 28

HEX #3348B7

RGB 51 72 183

HSL 230.45, 0.56%, 0.46%

LAB 35.51, 30.39, -61.09

 

CMYK 84 / 70 / 0 / 21

HEX #203CCA

RGB 32 60 202

HSL 230.12, 0.73%, 0.46%

LAB 33.57, 43.11, -75.45

 

CMYK 94 / 79 / 0 / 13

HEX #0D2FDD

RGB 13 47 221

HSL 230.19, 0.89%, 0.46%

LAB 32.57, 56.18, -88.11

 

CMYK 39 / 32 / 0 / 43

HEX #596291

RGB 89 98 145

HSL 230.36, 0.24%, 0.46%

LAB 42.62, 8.85, -26.96

 

CMYK 14 / 12 / 0 / 51

HEX #6C6F7E

RGB 108 111 126

HSL 230, 0.08%, 0.46%

LAB 47.06, 2.16, -8.67

 

CMYK 0 / 3 / 16 / 50

HEX #7F7B6B

RGB 127 123 107

HSL 48, 0.09%, 0.46%

LAB 51.54, -1.42, 9.3

 

CMYK 0 / 7 / 40 / 43

HEX #928858

RGB 146 136 88

HSL 49.66, 0.25%, 0.46%

LAB 56.51, -3.61, 27.13

 

CMYK 0 / 10 / 58 / 35

HEX #A59545

RGB 165 149 69

HSL 50, 0.41%, 0.46%

LAB 61.59, -4.38, 43.64

 

CMYK 39 / 12 / 0 / 43

HEX #598091

RGB 89 128 145

HSL 198.21, 0.24%, 0.46%

LAB 51.39, -9.04, -13.49

 

CMYK 39 / 22 / 0 / 43

HEX #597191

RGB 89 113 145

HSL 214.29, 0.24%, 0.46%

LAB 46.95, -0.31, -20.26

 

CMYK 39 / 32 / 0 / 43

HEX #596291

RGB 89 98 145

HSL 230.36, 0.24%, 0.46%

LAB 42.62, 8.85, -26.96

 

CMYK 35 / 39 / 0 / 43

HEX #5E5991

RGB 94 89 145

HSL 245.36, 0.24%, 0.46%

LAB 40.52, 15.95, -30.21

 

CMYK 25 / 39 / 0 / 43

HEX #6D5991

RGB 109 89 145

HSL 261.43, 0.24%, 0.46%

LAB 41.91, 20.54, -27.94

 

CMYK 39 / 33 / 0 / 63

HEX #393F5E

RGB 57 63 94

HSL 230.27, 0.25%, 0.3%

LAB 27.39, 6.2, -19.21

 

CMYK 39 / 32 / 0 / 53

HEX #495177

RGB 73 81 119

HSL 229.57, 0.24%, 0.38%

LAB 35.27, 7.08, -22.67

 

CMYK 39 / 32 / 0 / 43

HEX #596291

RGB 89 98 145

HSL 230.36, 0.24%, 0.46%

LAB 42.62, 8.85, -26.96

 

CMYK 34 / 28 / 0 / 35

HEX #6D77A6

RGB 109 119 166

HSL 229.47, 0.24%, 0.54%

LAB 50.92, 7.89, -26.34

 

CMYK 25 / 22 / 0 / 29

HEX #878EB5

RGB 135 142 181

HSL 230.87, 0.24%, 0.62%

LAB 59.74, 6.26, -21.22

 

CMYK 38 / 32 / 0 / 44

HEX #596290

RGB 89 98 144

HSL 230.18, 0.24%, 0.46%

LAB 42.57, 8.55, -26.44

 

CMYK 0 / 39 / 1 / 43

HEX #91598F

RGB 145 89 143

HSL 302.14, 0.24%, 0.46%

LAB 45.84, 31.89, -20.34

 

CMYK 17 / 0 / 39 / 43

HEX #799159

RGB 121 145 89

HSL 85.71, 0.24%, 0.46%

LAB 57.11, -18.67, 26.97

 

CMYK 38 / 32 / 0 / 44

HEX #596290

RGB 89 98 144

HSL 230.18, 0.24%, 0.46%

LAB 42.57, 8.55, -26.44

 

CMYK 0 / 39 / 32 / 43

HEX #915962

RGB 145 89 98

HSL 350.36, 0.24%, 0.46%

LAB 44.3, 24.29, 4.61

 

CMYK 32 / 0 / 39 / 43

HEX #629159

RGB 98 145 89

HSL 110.36, 0.24%, 0.46%

LAB 55.65, -27.33, 24.79

 

CMYK 38 / 32 / 0 / 44

HEX #596290

RGB 89 98 144

HSL 230.18, 0.24%, 0.46%

LAB 42.57, 8.55, -26.44

 

CMYK 0 / 39 / 1 / 43

HEX #91598F

RGB 145 89 143

HSL 302.14, 0.24%, 0.46%

LAB 45.84, 31.89, -20.34

 

CMYK 0 / 6 / 39 / 43

HEX #918859

RGB 145 136 89

HSL 50.36, 0.24%, 0.46%

LAB 56.44, -3.91, 26.47

 

CMYK 39 / 0 / 37 / 43

HEX #59915B

RGB 89 145 91

HSL 122.14, 0.24%, 0.46%

LAB 55.21, -30.08, 23.01

 

CMYK 38 / 32 / 0 / 44

HEX #596290

RGB 89 98 144

HSL 230.18, 0.24%, 0.46%

LAB 42.57, 8.55, -26.44

 

CMYK 0 / 39 / 13 / 43

HEX #91597E

RGB 145 89 126

HSL 320.36, 0.24%, 0.46%

LAB 45.18, 28.73, -11.1

 

CMYK 0 / 6 / 39 / 43

HEX #918859

RGB 145 136 89

HSL 50.36, 0.24%, 0.46%

LAB 56.44, -3.91, 26.47

 

CMYK 39 / 0 / 26 / 43

HEX #59916B

RGB 89 145 107

HSL 139.29, 0.24%, 0.46%

LAB 55.52, -27.12, 14.48

 

Description

Color code: HEX #596290 | qconv.com Color code: HEX #596290 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 98 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 98 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 32 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 32% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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