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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #596DEC it is the complementary color #A69213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #596DEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #596DEC shade: #5E6DE7, #6F7FFA, #8091FF, #91A3FF and #A2B5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #596DEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #596DEC shade: #596DEC, #485BD9, #3749C6, #2637B3 and #1525A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #596DEC shade: #5A6EEB, #6E5AEB, #955AEB, #BC5AEB and #E35AEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #596DEC shade: #5A6EEB and #5A5AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #596DEC shade matches the following richer shades: #5A6EEB and #4B63FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #596DEC shade: #5A6EEB, #6979DC, #7884CE, #878EBF and #9699B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #596DEC shade: #5ABDEB, #5A97EB, #5A70EB, #6B5AEB and #925AEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #596DEC shade: #1933DA, #354DE7, #5A6EEB, #7F8EF0 and #A4AFF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #596DEC shade: #596DEC, #EB5AE4 and #AAEB5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #596DEC shade: #596DEC, #EB5A70 and #70EB5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #596DEC shade: #596DEC, #EB5AE4, #EBD55A and #5AEB61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #596DEC shade: #596DEC, #EB5AB8, #EBD55A and #5AEB8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 54 / 0 / 7

HEX #596DEC

RGB 89 109 236

HSL 231.84, 0.79%, 0.64%

LAB 50.82, 31.16, -66.56

 

Complementary color

CMYK 0 / 12 / 89 / 35

HEX #A69213

RGB 166 146 19

HSL 51.84, 0.79%, 0.36%

LAB 60.53, -4.77, 61.38

 

CMYK 59 / 53 / 0 / 9

HEX #5E6DE7

RGB 94 109 231

HSL 233.43, 0.74%, 0.64%

LAB 50.79, 30.37, -63.8

 

CMYK 56 / 49 / 0 / 2

HEX #6F7FFA

RGB 111 127 250

HSL 233.09, 0.93%, 0.71%

LAB 57.52, 28.75, -63.48

 

CMYK 50 / 43 / 0 / 0

HEX #8091FF

RGB 128 145 255

HSL 231.97, 1%, 0.75%

LAB 63.39, 23.13, -56.77

 

CMYK 43 / 36 / 0 / 0

HEX #91A3FF

RGB 145 163 255

HSL 230.18, 1%, 0.78%

LAB 69.06, 16.66, -47.72

 

CMYK 36 / 29 / 0 / 0

HEX #A2B5FF

RGB 162 181 255

HSL 227.74, 1%, 0.82%

LAB 74.79, 10.86, -38.68

 

CMYK 62 / 54 / 0 / 7

HEX #596DEC

RGB 89 109 236

HSL 231.84, 0.79%, 0.64%

LAB 50.82, 31.16, -66.56

 

CMYK 67 / 58 / 0 / 15

HEX #485BD9

RGB 72 91 217

HSL 232.14, 0.66%, 0.57%

LAB 44.05, 33.22, -66.86

 

CMYK 72 / 63 / 0 / 22

HEX #3749C6

RGB 55 73 198

HSL 232.45, 0.57%, 0.5%

LAB 37.22, 35.63, -67.09

 

CMYK 79 / 69 / 0 / 30

HEX #2637B3

RGB 38 55 179

HSL 232.77, 0.65%, 0.43%

LAB 30.4, 38.41, -67.12

 

CMYK 87 / 77 / 0 / 37

HEX #1525A0

RGB 21 37 160

HSL 233.09, 0.77%, 0.35%

LAB 23.74, 41.4, -66.7

 

CMYK 62 / 53 / 0 / 8

HEX #5A6EEB

RGB 90 110 235

HSL 231.72, 0.78%, 0.64%

LAB 51.06, 30.38, -65.61

 

CMYK 53 / 62 / 0 / 8

HEX #6E5AEB

RGB 110 90 235

HSL 248.28, 0.78%, 0.64%

LAB 47.78, 45.78, -70.86

 

CMYK 37 / 62 / 0 / 8

HEX #955AEB

RGB 149 90 235

HSL 264.41, 0.78%, 0.64%

LAB 51.5, 53.41, -64.67

 

CMYK 20 / 62 / 0 / 8

HEX #BC5AEB

RGB 188 90 235

HSL 280.55, 0.78%, 0.64%

LAB 56.09, 62.05, -57.04

 

CMYK 3 / 62 / 0 / 8

HEX #E35AEB

RGB 227 90 235

HSL 296.69, 0.78%, 0.64%

LAB 61.34, 71.14, -48.36

 

CMYK 62 / 53 / 0 / 8

HEX #5A6EEB

RGB 90 110 235

HSL 231.72, 0.78%, 0.64%

LAB 51.06, 30.38, -65.61

 

CMYK 62 / 62 / 0 / 8

HEX #5A5AEB

RGB 90 90 235

HSL 240, 0.78%, 0.64%

LAB 46.29, 42.49, -73.36

 

CMYK 62 / 53 / 0 / 8

HEX #5A6EEB

RGB 90 110 235

HSL 231.72, 0.78%, 0.64%

LAB 51.06, 30.38, -65.61

 

CMYK 70 / 60 / 0 / 2

HEX #4B63FA

RGB 75 99 250

HSL 231.77, 0.95%, 0.64%

LAB 48.66, 40, -77.92

 

CMYK 62 / 53 / 0 / 8

HEX #5A6EEB

RGB 90 110 235

HSL 231.72, 0.78%, 0.64%

LAB 51.06, 30.38, -65.61

 

CMYK 52 / 45 / 0 / 14

HEX #6979DC

RGB 105 121 220

HSL 231.65, 0.62%, 0.64%

LAB 53.86, 21.69, -52.64

 

CMYK 42 / 36 / 0 / 19

HEX #7884CE

RGB 120 132 206

HSL 231.63, 0.47%, 0.64%

LAB 57.03, 14.46, -39.66

 

CMYK 29 / 26 / 0 / 25

HEX #878EBF

RGB 135 142 191

HSL 232.5, 0.3%, 0.64%

LAB 60.12, 8.76, -26.29

 

CMYK 15 / 13 / 0 / 31

HEX #9699B0

RGB 150 153 176

HSL 233.08, 0.14%, 0.64%

LAB 63.67, 3.71, -12.32

 

CMYK 62 / 20 / 0 / 8

HEX #5ABDEB

RGB 90 189 235

HSL 199.03, 0.78%, 0.64%

LAB 72.61, -15.5, -31.55

 

CMYK 62 / 36 / 0 / 8

HEX #5A97EB

RGB 90 151 235

HSL 214.76, 0.78%, 0.64%

LAB 61.92, 5.64, -48.25

 

CMYK 62 / 52 / 0 / 8

HEX #5A70EB

RGB 90 112 235

HSL 230.9, 0.78%, 0.64%

LAB 51.56, 29.16, -64.8

 

CMYK 54 / 62 / 0 / 8

HEX #6B5AEB

RGB 107 90 235

HSL 247.03, 0.78%, 0.64%

LAB 47.54, 45.25, -71.27

 

CMYK 38 / 62 / 0 / 8

HEX #925AEB

RGB 146 90 235

HSL 263.17, 0.78%, 0.64%

LAB 51.18, 52.78, -65.2

 

CMYK 89 / 77 / 0 / 15

HEX #1933DA

RGB 25 51 218

HSL 231.92, 0.79%, 0.48%

LAB 33.21, 53.43, -85.31

 

CMYK 77 / 67 / 0 / 9

HEX #354DE7

RGB 53 77 231

HSL 231.91, 0.79%, 0.56%

LAB 40.95, 44.53, -79.92

 

CMYK 62 / 53 / 0 / 8

HEX #5A6EEB

RGB 90 110 235

HSL 231.72, 0.78%, 0.64%

LAB 51.06, 30.38, -65.61

 

CMYK 47 / 41 / 0 / 6

HEX #7F8EF0

RGB 127 142 240

HSL 232.04, 0.79%, 0.72%

LAB 61.78, 20.2, -51.09

 

CMYK 33 / 28 / 0 / 4

HEX #A4AFF4

RGB 164 175 244

HSL 231.75, 0.78%, 0.8%

LAB 72.95, 11.91, -35.59

 

CMYK 62 / 54 / 0 / 7

HEX #596DEC

RGB 89 109 236

HSL 231.84, 0.79%, 0.64%

LAB 50.82, 31.16, -66.56

 

CMYK 0 / 62 / 3 / 8

HEX #EB5AE4

RGB 235 90 228

HSL 302.9, 0.78%, 0.64%

LAB 62.15, 71.89, -43.11

 

CMYK 28 / 0 / 62 / 8

HEX #AAEB5A

RGB 170 235 90

HSL 86.9, 0.78%, 0.64%

LAB 86.36, -42.65, 62.04

 

CMYK 62 / 54 / 0 / 7

HEX #596DEC

RGB 89 109 236

HSL 231.84, 0.79%, 0.64%

LAB 50.82, 31.16, -66.56

 

CMYK 0 / 62 / 52 / 8

HEX #EB5A70

RGB 235 90 112

HSL 350.9, 0.78%, 0.64%

LAB 58.17, 57.59, 17.67

 

CMYK 52 / 0 / 62 / 8

HEX #70EB5A

RGB 112 235 90

HSL 110.9, 0.78%, 0.64%

LAB 83.76, -60.88, 58.43

 

CMYK 62 / 54 / 0 / 7

HEX #596DEC

RGB 89 109 236

HSL 231.84, 0.79%, 0.64%

LAB 50.82, 31.16, -66.56

 

CMYK 0 / 62 / 3 / 8

HEX #EB5AE4

RGB 235 90 228

HSL 302.9, 0.78%, 0.64%

LAB 62.15, 71.89, -43.11

 

CMYK 0 / 9 / 62 / 8

HEX #EBD55A

RGB 235 213 90

HSL 50.9, 0.78%, 0.64%

LAB 84.99, -6.62, 61.87

 

CMYK 62 / 0 / 59 / 8

HEX #5AEB61

RGB 90 235 97

HSL 122.9, 0.78%, 0.64%

LAB 83.15, -65.35, 54.56

 

CMYK 62 / 54 / 0 / 7

HEX #596DEC

RGB 89 109 236

HSL 231.84, 0.79%, 0.64%

LAB 50.82, 31.16, -66.56

 

CMYK 0 / 62 / 22 / 8

HEX #EB5AB8

RGB 235 90 184

HSL 321.1, 0.78%, 0.64%

LAB 60.28, 65.38, -21.1

 

CMYK 0 / 9 / 62 / 8

HEX #EBD55A

RGB 235 213 90

HSL 50.9, 0.78%, 0.64%

LAB 84.99, -6.62, 61.87

 

CMYK 62 / 0 / 40 / 8

HEX #5AEB8D

RGB 90 235 141

HSL 141.1, 0.78%, 0.64%

LAB 83.71, -59.1, 34.37

 

Description

Color code: HEX #596DEC | qconv.com Color code: HEX #596DEC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 109 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 109 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 54 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 54% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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