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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5977E8 it is the complementary color #A68817. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5977E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5977E8 shade: #5E77E3, #6F89F6, #809BFF, #91ADFF and #A2BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5977E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5977E8 shade: #5977E8, #4865D5, #3753C2, #2641AF and #152F9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5977E8 shade: #5877E8, #6158E8, #8858E8, #AE58E8 and #D558E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5977E8 shade: #5877E8 and #5858E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5977E8 shade matches the following richer shades: #5877E8 and #496EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5977E8 shade: #5877E8, #687FD9, #7788C9, #8691BA and #969AAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5977E8 shade: #58C4E8, #589EE8, #5878E8, #6058E8 and #8658E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5977E8 shade: #1C42D2, #3459E3, #5877E8, #7D94ED and #A1B2F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5977E8 shade: #5977E8, #E558E8 and #B1E858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5977E8 shade: #5977E8, #E85878 and #78E858

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5977E8 shade: #5977E8, #E558E8, #E8C958 and #5BE858

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5977E8 shade: #5977E8, #E858BF, #E8C958 and #58E881

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 49 / 0 / 9

HEX #5977E8

RGB 89 119 232

HSL 227.41, 0.76%, 0.63%

LAB 53.11, 23.69, -60.64

 

Complementary color

CMYK 0 / 18 / 86 / 35

HEX #A68817

RGB 166 136 23

HSL 47.41, 0.76%, 0.37%

LAB 57.82, 0.8, 58.21

 

CMYK 59 / 48 / 0 / 11

HEX #5E77E3

RGB 94 119 227

HSL 228.72, 0.7%, 0.63%

LAB 53.08, 22.93, -57.86

 

CMYK 55 / 44 / 0 / 4

HEX #6F89F6

RGB 111 137 246

HSL 228.44, 0.88%, 0.7%

LAB 59.82, 21.51, -57.59

 

CMYK 50 / 39 / 0 / 0

HEX #809BFF

RGB 128 155 255

HSL 227.24, 1%, 0.75%

LAB 65.94, 17.3, -52.72

 

CMYK 43 / 32 / 0 / 0

HEX #91ADFF

RGB 145 173 255

HSL 224.73, 1%, 0.78%

LAB 71.64, 10.98, -43.67

 

CMYK 36 / 25 / 0 / 0

HEX #A2BFFF

RGB 162 191 255

HSL 221.29, 1%, 0.82%

LAB 77.38, 5.35, -34.67

 

CMYK 62 / 49 / 0 / 9

HEX #5977E8

RGB 89 119 232

HSL 227.41, 0.76%, 0.63%

LAB 53.11, 23.69, -60.64

 

CMYK 66 / 53 / 0 / 16

HEX #4865D5

RGB 72 101 213

HSL 227.66, 0.63%, 0.56%

LAB 46.3, 25.55, -60.93

 

CMYK 72 / 57 / 0 / 24

HEX #3753C2

RGB 55 83 194

HSL 227.91, 0.56%, 0.49%

LAB 39.4, 27.79, -61.19

 

CMYK 78 / 63 / 0 / 31

HEX #2641AF

RGB 38 65 175

HSL 228.18, 0.64%, 0.42%

LAB 32.45, 30.51, -61.37

 

CMYK 87 / 70 / 0 / 39

HEX #152F9C

RGB 21 47 156

HSL 228.44, 0.76%, 0.35%

LAB 25.54, 33.73, -61.28

 

CMYK 62 / 49 / 0 / 9

HEX #5877E8

RGB 88 119 232

HSL 227.08, 0.76%, 0.63%

LAB 53.05, 23.51, -60.73

 

CMYK 58 / 62 / 0 / 9

HEX #6158E8

RGB 97 88 232

HSL 243.75, 0.76%, 0.63%

LAB 46.11, 43.81, -71.95

 

CMYK 41 / 62 / 0 / 9

HEX #8858E8

RGB 136 88 232

HSL 260, 0.76%, 0.63%

LAB 49.54, 51, -66.21

 

CMYK 25 / 62 / 0 / 9

HEX #AE58E8

RGB 174 88 232

HSL 275.83, 0.76%, 0.63%

LAB 53.82, 59.17, -59.1

 

CMYK 8 / 62 / 0 / 9

HEX #D558E8

RGB 213 88 232

HSL 292.08, 0.76%, 0.63%

LAB 58.93, 68.15, -50.64

 

CMYK 62 / 49 / 0 / 9

HEX #5877E8

RGB 88 119 232

HSL 227.08, 0.76%, 0.63%

LAB 53.05, 23.51, -60.73

 

CMYK 62 / 62 / 0 / 9

HEX #5858E8

RGB 88 88 232

HSL 240, 0.76%, 0.63%

LAB 45.47, 42.41, -73.01

 

CMYK 62 / 49 / 0 / 9

HEX #5877E8

RGB 88 119 232

HSL 227.08, 0.76%, 0.63%

LAB 53.05, 23.51, -60.73

 

CMYK 70 / 55 / 0 / 3

HEX #496EF7

RGB 73 110 247

HSL 227.24, 0.92%, 0.63%

LAB 51.02, 31.97, -72.42

 

CMYK 62 / 49 / 0 / 9

HEX #5877E8

RGB 88 119 232

HSL 227.08, 0.76%, 0.63%

LAB 53.05, 23.51, -60.73

 

CMYK 52 / 41 / 0 / 15

HEX #687FD9

RGB 104 127 217

HSL 227.79, 0.6%, 0.63%

LAB 55.21, 16.91, -48.81

 

CMYK 41 / 32 / 0 / 21

HEX #7788C9

RGB 119 136 201

HSL 227.56, 0.43%, 0.63%

LAB 57.8, 10.41, -35.64

 

CMYK 28 / 22 / 0 / 27

HEX #8691BA

RGB 134 145 186

HSL 227.31, 0.27%, 0.63%

LAB 60.66, 5.47, -22.64

 

CMYK 12 / 10 / 0 / 33

HEX #969AAB

RGB 150 154 171

HSL 228.57, 0.11%, 0.63%

LAB 63.78, 2.06, -9.35

 

CMYK 62 / 16 / 0 / 9

HEX #58C4E8

RGB 88 196 232

HSL 195, 0.76%, 0.63%

LAB 74.43, -20.39, -27.12

 

CMYK 62 / 32 / 0 / 9

HEX #589EE8

RGB 88 158 232

HSL 210.83, 0.76%, 0.63%

LAB 63.63, 0.24, -43.89

 

CMYK 62 / 48 / 0 / 9

HEX #5878E8

RGB 88 120 232

HSL 226.67, 0.76%, 0.63%

LAB 53.31, 22.9, -60.31

 

CMYK 59 / 62 / 0 / 9

HEX #6058E8

RGB 96 88 232

HSL 243.33, 0.76%, 0.63%

LAB 46.03, 43.65, -72.07

 

CMYK 42 / 62 / 0 / 9

HEX #8658E8

RGB 134 88 232

HSL 259.17, 0.76%, 0.63%

LAB 49.34, 50.59, -66.54

 

CMYK 87 / 69 / 0 / 18

HEX #1C42D2

RGB 28 66 210

HSL 227.47, 0.76%, 0.47%

LAB 35.59, 42.07, -76.76

 

CMYK 77 / 61 / 0 / 11

HEX #3459E3

RGB 52 89 227

HSL 227.31, 0.76%, 0.55%

LAB 43.39, 35.61, -73.66

 

CMYK 62 / 49 / 0 / 9

HEX #5877E8

RGB 88 119 232

HSL 227.08, 0.76%, 0.63%

LAB 53.05, 23.51, -60.73

 

CMYK 47 / 38 / 0 / 7

HEX #7D94ED

RGB 125 148 237

HSL 227.68, 0.76%, 0.71%

LAB 63.06, 15.33, -47.43

 

CMYK 33 / 26 / 0 / 5

HEX #A1B2F2

RGB 161 178 242

HSL 227.41, 0.76%, 0.79%

LAB 73.43, 8.9, -33.77

 

CMYK 62 / 49 / 0 / 9

HEX #5977E8

RGB 89 119 232

HSL 227.41, 0.76%, 0.63%

LAB 53.11, 23.69, -60.64

 

CMYK 1 / 62 / 0 / 9

HEX #E558E8

RGB 229 88 232

HSL 298.75, 0.76%, 0.63%

LAB 61.19, 71.91, -46.92

 

CMYK 24 / 0 / 62 / 9

HEX #B1E858

RGB 177 232 88

HSL 82.92, 0.76%, 0.63%

LAB 85.89, -38.94, 62.47

 

CMYK 62 / 49 / 0 / 9

HEX #5977E8

RGB 89 119 232

HSL 227.41, 0.76%, 0.63%

LAB 53.11, 23.69, -60.64

 

CMYK 0 / 62 / 48 / 9

HEX #E85878

RGB 232 88 120

HSL 346.67, 0.76%, 0.63%

LAB 57.55, 58.16, 12.05

 

CMYK 48 / 0 / 62 / 9

HEX #78E858

RGB 120 232 88

HSL 106.67, 0.76%, 0.63%

LAB 83.13, -57.78, 58.65

 

CMYK 62 / 49 / 0 / 9

HEX #5977E8

RGB 89 119 232

HSL 227.41, 0.76%, 0.63%

LAB 53.11, 23.69, -60.64

 

CMYK 1 / 62 / 0 / 9

HEX #E558E8

RGB 229 88 232

HSL 298.75, 0.76%, 0.63%

LAB 61.19, 71.91, -46.92

 

CMYK 0 / 13 / 62 / 9

HEX #E8C958

RGB 232 201 88

HSL 47.08, 0.76%, 0.63%

LAB 81.64, -1.87, 58.99

 

CMYK 61 / 0 / 62 / 9

HEX #5BE858

RGB 91 232 88

HSL 118.75, 0.76%, 0.63%

LAB 82.19, -65.06, 57.34

 

CMYK 62 / 49 / 0 / 9

HEX #5977E8

RGB 89 119 232

HSL 227.41, 0.76%, 0.63%

LAB 53.11, 23.69, -60.64

 

CMYK 0 / 62 / 18 / 9

HEX #E858BF

RGB 232 88 191

HSL 317.08, 0.76%, 0.63%

LAB 59.8, 66.35, -25.89

 

CMYK 0 / 13 / 62 / 9

HEX #E8C958

RGB 232 201 88

HSL 47.08, 0.76%, 0.63%

LAB 81.64, -1.87, 58.99

 

CMYK 62 / 0 / 44 / 9

HEX #58E881

RGB 88 232 129

HSL 137.08, 0.76%, 0.63%

LAB 82.58, -60.34, 38.86

 

Description

Color code: HEX #5977E8 | qconv.com Color code: HEX #5977E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 119 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 119 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 49 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 49% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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