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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #597ABE it is the complementary color #A68541. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #597ABE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #597ABE shade: #5E7AB9, #6F8CCC, #809EDF, #91B0F2 and #A2C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #597ABE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #597ABE shade: #597ABE, #4868AB, #375698, #264485 and #153272

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #597ABE shade: #597ABE, #595FBE, #6F59BE, #8A59BE and #A559BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #597ABE shade: #597ABE, #595FBE and #5959BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #597ABE shade matches the following richer shades: #597ABE, #4774D1, #346DE3 and #2267F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #597ABE shade: #597ABE, #6C81AC, #7E8799, #918E87 and #A49474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #597ABE shade: #59B1BE, #5996BE, #597BBE, #5960BE and #6D59BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #597ABE shade: #37538E, #4265AC, #597ABE, #7792CA and #95AAD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #597ABE shade: #597ABE, #B159BE and #A3BE59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #597ABE shade: #597ABE, #BE597B and #7BBE59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #597ABE shade: #597ABE, #B159BE, #BE9D59 and #67BE59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #597ABE shade: #597ABE, #BE59AD, #BE9D59 and #59BE6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

Complementary color

CMYK 0 / 20 / 61 / 35

HEX #A68541

RGB 166 133 65

HSL 40.4, 0.44%, 0.45%

LAB 57.33, 4.56, 40.77

 

CMYK 49 / 34 / 0 / 27

HEX #5E7AB9

RGB 94 122 185

HSL 221.54, 0.39%, 0.55%

LAB 51.61, 7.6, -36.33

 

CMYK 46 / 31 / 0 / 20

HEX #6F8CCC

RGB 111 140 204

HSL 221.29, 0.48%, 0.62%

LAB 58.5, 6.86, -36.26

 

CMYK 43 / 29 / 0 / 13

HEX #809EDF

RGB 128 158 223

HSL 221.05, 0.6%, 0.69%

LAB 65.26, 6.25, -36.24

 

CMYK 40 / 27 / 0 / 5

HEX #91B0F2

RGB 145 176 242

HSL 220.82, 0.79%, 0.76%

LAB 71.88, 5.72, -36.26

 

CMYK 36 / 24 / 0 / 0

HEX #A2C2FF

RGB 162 194 255

HSL 219.35, 1%, 0.82%

LAB 78.16, 3.71, -33.46

 

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

CMYK 58 / 39 / 0 / 33

HEX #4868AB

RGB 72 104 171

HSL 220.61, 0.41%, 0.48%

LAB 44.54, 9.07, -39.43

 

CMYK 64 / 43 / 0 / 40

HEX #375698

RGB 55 86 152

HSL 220.82, 0.47%, 0.41%

LAB 37.36, 10.44, -39.61

 

CMYK 71 / 49 / 0 / 48

HEX #264485

RGB 38 68 133

HSL 221.05, 0.56%, 0.34%

LAB 30.01, 12.26, -39.82

 

CMYK 82 / 56 / 0 / 55

HEX #153272

RGB 21 50 114

HSL 221.29, 0.69%, 0.26%

LAB 22.5, 14.77, -40.01

 

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

CMYK 53 / 50 / 0 / 25

HEX #595FBE

RGB 89 95 190

HSL 236.44, 0.44%, 0.55%

LAB 44.27, 24.7, -50.9

 

CMYK 42 / 53 / 0 / 25

HEX #6F59BE

RGB 111 89 190

HSL 253.07, 0.44%, 0.55%

LAB 44.58, 33.39, -50.31

 

CMYK 27 / 53 / 0 / 25

HEX #8A59BE

RGB 138 89 190

HSL 269.11, 0.44%, 0.55%

LAB 47.32, 40.2, -45.77

 

CMYK 13 / 53 / 0 / 25

HEX #A559BE

RGB 165 89 190

HSL 285.15, 0.44%, 0.55%

LAB 50.53, 47.46, -40.48

 

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

CMYK 53 / 50 / 0 / 25

HEX #595FBE

RGB 89 95 190

HSL 236.44, 0.44%, 0.55%

LAB 44.27, 24.7, -50.9

 

CMYK 53 / 53 / 0 / 25

HEX #5959BE

RGB 89 89 190

HSL 240, 0.44%, 0.55%

LAB 42.74, 28.44, -53.36

 

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

CMYK 66 / 44 / 0 / 18

HEX #4774D1

RGB 71 116 209

HSL 220.43, 0.6%, 0.55%

LAB 50.02, 14.57, -52.66

 

CMYK 77 / 52 / 0 / 11

HEX #346DE3

RGB 52 109 227

HSL 220.46, 0.76%, 0.55%

LAB 48.53, 22.93, -65.3

 

CMYK 86 / 58 / 0 / 4

HEX #2267F6

RGB 34 103 246

HSL 220.47, 0.92%, 0.55%

LAB 47.87, 32.35, -77.04

 

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

CMYK 37 / 25 / 0 / 33

HEX #6C81AC

RGB 108 129 172

HSL 220.31, 0.28%, 0.55%

LAB 53.89, 3.33, -25.23

 

CMYK 18 / 12 / 0 / 40

HEX #7E8799

RGB 126 135 153

HSL 220, 0.12%, 0.55%

LAB 56.15, 0.66, -10.71

 

CMYK 0 / 2 / 7 / 43

HEX #918E87

RGB 145 142 135

HSL 42, 0.04%, 0.55%

LAB 59.08, -0.2, 4.11

 

CMYK 0 / 10 / 29 / 36

HEX #A49474

RGB 164 148 116

HSL 40, 0.21%, 0.55%

LAB 61.94, 0.86, 19.11

 

CMYK 53 / 7 / 0 / 25

HEX #59B1BE

RGB 89 177 190

HSL 187.72, 0.44%, 0.55%

LAB 67.49, -22.74, -14.73

 

CMYK 53 / 21 / 0 / 25

HEX #5996BE

RGB 89 150 190

HSL 203.76, 0.44%, 0.55%

LAB 59.58, -8.32, -26.8

 

CMYK 53 / 35 / 0 / 25

HEX #597BBE

RGB 89 123 190

HSL 219.8, 0.44%, 0.55%

LAB 51.85, 7.4, -38.85

 

CMYK 53 / 49 / 0 / 25

HEX #5960BE

RGB 89 96 190

HSL 235.84, 0.44%, 0.55%

LAB 44.53, 24.07, -50.48

 

CMYK 43 / 53 / 0 / 25

HEX #6D59BE

RGB 109 89 190

HSL 251.88, 0.44%, 0.55%

LAB 44.4, 32.91, -50.61

 

CMYK 61 / 42 / 0 / 44

HEX #37538E

RGB 55 83 142

HSL 220.69, 0.44%, 0.39%

LAB 35.89, 8.79, -35.9

 

CMYK 62 / 41 / 0 / 33

HEX #4265AC

RGB 66 101 172

HSL 220.19, 0.45%, 0.47%

LAB 43.43, 10.08, -41.81

 

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

CMYK 41 / 28 / 0 / 21

HEX #7792CA

RGB 119 146 202

HSL 220.48, 0.44%, 0.63%

LAB 60.56, 4.87, -31.9

 

CMYK 30 / 20 / 0 / 16

HEX #95AAD5

RGB 149 170 213

HSL 220.31, 0.43%, 0.71%

LAB 69.43, 2.62, -24.18

 

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

CMYK 7 / 53 / 0 / 25

HEX #B159BE

RGB 177 89 190

HSL 292.28, 0.44%, 0.55%

LAB 52.07, 50.75, -37.94

 

CMYK 14 / 0 / 53 / 25

HEX #A3BE59

RGB 163 190 89

HSL 76.04, 0.44%, 0.55%

LAB 73.11, -24.63, 47.36

 

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

CMYK 0 / 53 / 35 / 25

HEX #BE597B

RGB 190 89 123

HSL 339.8, 0.44%, 0.55%

LAB 51.29, 44.15, 0.45

 

CMYK 35 / 0 / 53 / 25

HEX #7BBE59

RGB 123 190 89

HSL 99.8, 0.44%, 0.55%

LAB 70.7, -39.52, 43.92

 

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

CMYK 7 / 53 / 0 / 25

HEX #B159BE

RGB 177 89 190

HSL 292.28, 0.44%, 0.55%

LAB 52.07, 50.75, -37.94

 

CMYK 0 / 17 / 53 / 25

HEX #BE9D59

RGB 190 157 89

HSL 40.4, 0.44%, 0.55%

LAB 66.35, 3.74, 39.84

 

CMYK 46 / 0 / 53 / 25

HEX #67BE59

RGB 103 190 89

HSL 111.68, 0.44%, 0.55%

LAB 69.78, -45.94, 42.58

 

CMYK 53 / 36 / 0 / 25

HEX #597ABE

RGB 89 122 190

HSL 220.4, 0.44%, 0.55%

LAB 51.57, 8.01, -39.29

 

CMYK 0 / 53 / 9 / 25

HEX #BE59AD

RGB 190 89 173

HSL 310.1, 0.44%, 0.55%

LAB 53.07, 51.39, -26.39

 

CMYK 0 / 17 / 53 / 25

HEX #BE9D59

RGB 190 157 89

HSL 40.4, 0.44%, 0.55%

LAB 66.35, 3.74, 39.84

 

CMYK 53 / 0 / 44 / 25

HEX #59BE6A

RGB 89 190 106

HSL 130.1, 0.44%, 0.55%

LAB 69.46, -47.44, 33.6

 

Description

Color code: HEX #597ABE | qconv.com Color code: HEX #597ABE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 122 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 122 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 36 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 36% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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