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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #597EAF it is the complementary color #A68150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #597EAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #597EAF shade: #5E7EAA, #6F90BD, #80A2D0, #91B4E3 and #A2C6F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #597EAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #597EAF shade: #597EAF, #486C9C, #375A89, #264876 and #153663

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #597EAF shade: #597EAF, #5967AF, #6359AF, #7A59AF and #9159AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #597EAF shade: #597EAF, #5967AF and #5959AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #597EAF shade matches the following richer shades: #597EAF, #457BC3, #3279D7, #1E76EA and #0A73FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #597EAF shade: #597EAF, #6D819B, #818487, #958674 and #A88960

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #597EAF shade: #59ACAF, #5995AF, #597EAF, #5968AF and #6259AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #597EAF shade: #3B567B, #486A97, #597EAF, #7594BC and #91A9CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #597EAF shade: #597EAF, #9B59AF and #A1AF59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #597EAF shade: #597EAF, #AF597E and #7EAF59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #597EAF shade: #597EAF, #9B59AF, #AF8A59 and #6DAF59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #597EAF shade: #597EAF, #AF59A9, #AF8A59 and #59AF5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

Complementary color

CMYK 0 / 22 / 52 / 35

HEX #A68150

RGB 166 129 80

HSL 34.19, 0.35%, 0.48%

LAB 56.47, 8.08, 31.87

 

CMYK 45 / 26 / 0 / 33

HEX #5E7EAA

RGB 94 126 170

HSL 214.74, 0.31%, 0.52%

LAB 52.07, 0.66, -26.96

 

CMYK 41 / 24 / 0 / 26

HEX #6F90BD

RGB 111 144 189

HSL 214.62, 0.37%, 0.59%

LAB 58.97, 0.22, -27.06

 

CMYK 38 / 22 / 0 / 18

HEX #80A2D0

RGB 128 162 208

HSL 214.5, 0.46%, 0.66%

LAB 65.74, -0.15, -27.2

 

CMYK 36 / 21 / 0 / 11

HEX #91B4E3

RGB 145 180 227

HSL 214.39, 0.59%, 0.73%

LAB 72.37, -0.47, -27.36

 

CMYK 34 / 20 / 0 / 4

HEX #A2C6F6

RGB 162 198 246

HSL 214.29, 0.82%, 0.8%

LAB 78.88, -0.75, -27.54

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 54 / 31 / 0 / 39

HEX #486C9C

RGB 72 108 156

HSL 214.29, 0.37%, 0.45%

LAB 44.95, 1.58, -29.95

 

CMYK 60 / 34 / 0 / 46

HEX #375A89

RGB 55 90 137

HSL 214.39, 0.43%, 0.38%

LAB 37.72, 2.49, -29.97

 

CMYK 68 / 39 / 0 / 54

HEX #264876

RGB 38 72 118

HSL 214.5, 0.51%, 0.31%

LAB 30.29, 3.75, -30.01

 

CMYK 79 / 45 / 0 / 61

HEX #153663

RGB 21 54 99

HSL 214.62, 0.65%, 0.24%

LAB 22.65, 5.58, -30.08

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 49 / 41 / 0 / 31

HEX #5967AF

RGB 89 103 175

HSL 230.23, 0.35%, 0.52%

LAB 45.52, 14.9, -40.15

 

CMYK 43 / 49 / 0 / 31

HEX #6359AF

RGB 99 89 175

HSL 246.98, 0.35%, 0.52%

LAB 42.6, 26.08, -44.76

 

CMYK 30 / 49 / 0 / 31

HEX #7A59AF

RGB 122 89 175

HSL 263.02, 0.35%, 0.52%

LAB 44.77, 32.13, -41.17

 

CMYK 17 / 49 / 0 / 31

HEX #9159AF

RGB 145 89 175

HSL 279.07, 0.35%, 0.52%

LAB 47.31, 38.62, -36.98

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 49 / 41 / 0 / 31

HEX #5967AF

RGB 89 103 175

HSL 230.23, 0.35%, 0.52%

LAB 45.52, 14.9, -40.15

 

CMYK 49 / 49 / 0 / 31

HEX #5959AF

RGB 89 89 175

HSL 240, 0.35%, 0.52%

LAB 41.79, 23.67, -46.1

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 65 / 37 / 0 / 24

HEX #457BC3

RGB 69 123 195

HSL 214.29, 0.51%, 0.52%

LAB 51.12, 5.02, -42.93

 

CMYK 77 / 44 / 0 / 16

HEX #3279D7

RGB 50 121 215

HSL 214.18, 0.67%, 0.52%

LAB 50.99, 10.71, -54.56

 

CMYK 87 / 50 / 0 / 8

HEX #1E76EA

RGB 30 118 234

HSL 214.12, 0.83%, 0.52%

LAB 50.89, 18.05, -65.44

 

CMYK 96 / 55 / 0 / 0

HEX #0A73FE

RGB 10 115 254

HSL 214.18, 0.99%, 0.52%

LAB 51.25, 26.81, -76.01

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 30 / 17 / 0 / 39

HEX #6D819B

RGB 109 129 155

HSL 213.91, 0.19%, 0.52%

LAB 53.3, -0.93, -16.3

 

CMYK 4 / 2 / 0 / 47

HEX #818487

RGB 129 132 135

HSL 210, 0.02%, 0.52%

LAB 54.99, -0.5, -2.01

 

CMYK 0 / 10 / 22 / 42

HEX #958674

RGB 149 134 116

HSL 32.73, 0.13%, 0.52%

LAB 56.78, 2.63, 11.76

 

CMYK 0 / 18 / 43 / 34

HEX #A88960

RGB 168 137 96

HSL 34.17, 0.29%, 0.52%

LAB 59.03, 6.11, 26.4

 

CMYK 49 / 2 / 0 / 31

HEX #59ACAF

RGB 89 172 175

HSL 182.09, 0.35%, 0.52%

LAB 65.53, -24.34, -9.34

 

CMYK 49 / 15 / 0 / 31

HEX #5995AF

RGB 89 149 175

HSL 198.14, 0.35%, 0.52%

LAB 58.71, -12.24, -19.64

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 49 / 41 / 0 / 31

HEX #5968AF

RGB 89 104 175

HSL 229.53, 0.35%, 0.52%

LAB 45.8, 14.28, -39.72

 

CMYK 44 / 49 / 0 / 31

HEX #6259AF

RGB 98 89 175

HSL 246.28, 0.35%, 0.52%

LAB 42.52, 25.84, -44.9

 

CMYK 52 / 30 / 0 / 52

HEX #3B567B

RGB 59 86 123

HSL 214.69, 0.35%, 0.36%

LAB 36.01, 1.19, -24.05

 

CMYK 52 / 30 / 0 / 41

HEX #486A97

RGB 72 106 151

HSL 214.18, 0.35%, 0.44%

LAB 44.12, 1.18, -28.28

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 38 / 21 / 0 / 26

HEX #7594BC

RGB 117 148 188

HSL 213.8, 0.35%, 0.6%

LAB 60.42, -0.7, -24.24

 

CMYK 28 / 16 / 0 / 21

HEX #91A9CA

RGB 145 169 202

HSL 214.74, 0.35%, 0.68%

LAB 68.5, -0.73, -19.55

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 11 / 49 / 0 / 31

HEX #9B59AF

RGB 155 89 175

HSL 286.05, 0.35%, 0.52%

LAB 48.52, 41.51, -35

 

CMYK 8 / 0 / 49 / 31

HEX #A1AF59

RGB 161 175 89

HSL 69.77, 0.35%, 0.52%

LAB 68.72, -17.95, 42.11

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 0 / 49 / 28 / 31

HEX #AF597E

RGB 175 89 126

HSL 334.19, 0.35%, 0.52%

LAB 49.21, 39.36, -4.66

 

CMYK 28 / 0 / 49 / 31

HEX #7EAF59

RGB 126 175 89

HSL 94.19, 0.35%, 0.52%

LAB 66.38, -31.61, 38.72

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 11 / 49 / 0 / 31

HEX #9B59AF

RGB 155 89 175

HSL 286.05, 0.35%, 0.52%

LAB 48.52, 41.51, -35

 

CMYK 0 / 21 / 49 / 31

HEX #AF8A59

RGB 175 138 89

HSL 34.19, 0.35%, 0.52%

LAB 59.9, 7.78, 31.5

 

CMYK 38 / 0 / 49 / 31

HEX #6DAF59

RGB 109 175 89

HSL 106.05, 0.35%, 0.52%

LAB 65.46, -37.58, 37.39

 

CMYK 49 / 28 / 0 / 31

HEX #597EAF

RGB 89 126 175

HSL 214.19, 0.35%, 0.52%

LAB 52, 0.89, -29.98

 

CMYK 0 / 49 / 3 / 31

HEX #AF59A9

RGB 175 89 169

HSL 304.19, 0.35%, 0.52%

LAB 50.83, 46.26, -27.69

 

CMYK 0 / 21 / 49 / 31

HEX #AF8A59

RGB 175 138 89

HSL 34.19, 0.35%, 0.52%

LAB 59.9, 7.78, 31.5

 

CMYK 49 / 0 / 46 / 31

HEX #59AF5F

RGB 89 175 95

HSL 124.19, 0.35%, 0.52%

LAB 64.65, -42.91, 33.12

 

Description

Color code: HEX #597EAF | qconv.com Color code: HEX #597EAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 126 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 126 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 28 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 28% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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