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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #599578 it is the complementary color #A66A87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #599578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #599578 shade: #5E9573, #6FA786, #80B999, #91CBAC and #A2DDBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #599578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #599578 shade: #599578, #488365, #377152, #265F3F and #154D2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #599578 shade: #599578, #599568, #5B9559, #6B9559 and #7B9559

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #599578 shade: #599578, #599589, #599295, #598295 and #597295

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #599578 shade matches the following richer shades: #599578, #46A979, #33BC7A, #1FCF7A and #0CE37B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #599578 shade: #599578, #6D8278, #806F77, #945B76 and #A74876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #599578 shade: #5A9559, #599568, #599578, #599588 and #599295

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #599578 shade: #3A624F, #4A7C64, #599578, #6FA98D and #89B8A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #599578 shade: #599578, #596A95 and #956059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #599578 shade: #599578, #785995 and #957859

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #599578 shade: #599578, #596A95, #955976 and #958459

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #599578 shade: #599578, #5A5995, #955976 and #949559

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

Complementary color

CMYK 0 / 36 / 19 / 35

HEX #A66A87

RGB 166 106 135

HSL 331, 0.25%, 0.53%

LAB 52.02, 28.24, -5.97

 

CMYK 37 / 0 / 23 / 42

HEX #5E9573

RGB 94 149 115

HSL 142.91, 0.23%, 0.48%

LAB 57.18, -25.9, 12.31

 

CMYK 34 / 0 / 20 / 35

HEX #6FA786

RGB 111 167 134

HSL 144.64, 0.24%, 0.55%

LAB 63.95, -25.63, 11.31

 

CMYK 31 / 0 / 17 / 27

HEX #80B999

RGB 128 185 153

HSL 146.32, 0.29%, 0.61%

LAB 70.59, -25.37, 10.38

 

CMYK 29 / 0 / 15 / 20

HEX #91CBAC

RGB 145 203 172

HSL 147.93, 0.36%, 0.68%

LAB 77.11, -25.14, 9.51

 

CMYK 27 / 0 / 14 / 13

HEX #A2DDBF

RGB 162 221 191

HSL 149.49, 0.46%, 0.75%

LAB 83.52, -24.92, 8.69

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 45 / 0 / 23 / 49

HEX #488365

RGB 72 131 101

HSL 149.49, 0.29%, 0.4%

LAB 50.16, -26.63, 10.31

 

CMYK 51 / 0 / 27 / 56

HEX #377152

RGB 55 113 82

HSL 147.93, 0.35%, 0.33%

LAB 43.11, -26.86, 11.49

 

CMYK 60 / 0 / 34 / 63

HEX #265F3F

RGB 38 95 63

HSL 146.32, 0.43%, 0.26%

LAB 35.9, -26.98, 12.84

 

CMYK 73 / 0 / 43 / 70

HEX #154D2C

RGB 21 77 44

HSL 144.64, 0.57%, 0.19%

LAB 28.51, -26.82, 14.43

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 40 / 0 / 30 / 42

HEX #599568

RGB 89 149 104

HSL 135, 0.25%, 0.47%

LAB 56.7, -29.65, 17.79

 

CMYK 39 / 0 / 40 / 42

HEX #5B9559

RGB 91 149 89

HSL 118, 0.25%, 0.47%

LAB 56.53, -31.65, 25.86

 

CMYK 28 / 0 / 40 / 42

HEX #6B9559

RGB 107 149 89

HSL 102, 0.25%, 0.47%

LAB 57.41, -26.05, 27.18

 

CMYK 17 / 0 / 40 / 42

HEX #7B9559

RGB 123 149 89

HSL 86, 0.25%, 0.47%

LAB 58.44, -19.95, 28.71

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 40 / 0 / 8 / 42

HEX #599589

RGB 89 149 137

HSL 168, 0.25%, 0.47%

LAB 57.49, -22.45, 0.2

 

CMYK 40 / 2 / 0 / 42

HEX #599295

RGB 89 146 149

HSL 183, 0.25%, 0.47%

LAB 56.93, -17.84, -7.49

 

CMYK 40 / 13 / 0 / 42

HEX #598295

RGB 89 130 149

HSL 199, 0.25%, 0.47%

LAB 52.13, -9.06, -14.7

 

CMYK 40 / 23 / 0 / 42

HEX #597295

RGB 89 114 149

HSL 215, 0.25%, 0.47%

LAB 47.4, 0.25, -21.92

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 59 / 0 / 28 / 34

HEX #46A979

RGB 70 169 121

HSL 150.91, 0.41%, 0.47%

LAB 62.56, -40.4, 16.3

 

CMYK 73 / 0 / 35 / 26

HEX #33BC7A

RGB 51 188 122

HSL 151.09, 0.57%, 0.47%

LAB 68.08, -51.45, 23.22

 

CMYK 85 / 0 / 41 / 19

HEX #1FCF7A

RGB 31 207 122

HSL 151.02, 0.74%, 0.47%

LAB 73.75, -60.68, 30.73

 

CMYK 95 / 0 / 46 / 11

HEX #0CE37B

RGB 12 227 123

HSL 150.98, 0.9%, 0.47%

LAB 79.87, -68.32, 38.12

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 16 / 0 / 8 / 49

HEX #6D8278

RGB 109 130 120

HSL 151.43, 0.09%, 0.47%

LAB 52.48, -9.75, 2.87

 

CMYK 0 / 13 / 7 / 50

HEX #806F77

RGB 128 111 119

HSL 331.76, 0.07%, 0.47%

LAB 48.62, 8.14, -1.98

 

CMYK 0 / 39 / 20 / 42

HEX #945B76

RGB 148 91 118

HSL 331.58, 0.24%, 0.47%

LAB 45.75, 27.33, -5.37

 

CMYK 0 / 57 / 29 / 35

HEX #A74876

RGB 167 72 118

HSL 330.95, 0.4%, 0.47%

LAB 44.46, 44.16, -7.01

 

CMYK 40 / 0 / 40 / 42

HEX #5A9559

RGB 90 149 89

HSL 119, 0.25%, 0.47%

LAB 56.48, -31.98, 25.79

 

CMYK 40 / 0 / 30 / 42

HEX #599568

RGB 89 149 104

HSL 135, 0.25%, 0.47%

LAB 56.7, -29.65, 17.79

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 40 / 0 / 9 / 42

HEX #599588

RGB 89 149 136

HSL 167, 0.25%, 0.47%

LAB 57.46, -22.69, 0.73

 

CMYK 40 / 2 / 0 / 42

HEX #599295

RGB 89 146 149

HSL 183, 0.25%, 0.47%

LAB 56.93, -17.84, -7.49

 

CMYK 41 / 0 / 19 / 62

HEX #3A624F

RGB 58 98 79

HSL 151.5, 0.26%, 0.31%

LAB 38.2, -18.93, 6.42

 

CMYK 40 / 0 / 19 / 51

HEX #4A7C64

RGB 74 124 100

HSL 151.2, 0.25%, 0.39%

LAB 48, -22.72, 7.86

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 34 / 0 / 17 / 34

HEX #6FA98D

RGB 111 169 141

HSL 151.03, 0.25%, 0.55%

LAB 64.71, -25.18, 8.5

 

CMYK 26 / 0 / 13 / 28

HEX #89B8A1

RGB 137 184 161

HSL 150.64, 0.25%, 0.63%

LAB 70.99, -20.4, 6.66

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 40 / 29 / 0 / 42

HEX #596A95

RGB 89 106 149

HSL 223, 0.25%, 0.47%

LAB 45.08, 5.09, -25.51

 

CMYK 0 / 36 / 40 / 42

HEX #956059

RGB 149 96 89

HSL 7, 0.25%, 0.47%

LAB 46.28, 20.69, 12.92

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 19 / 40 / 0 / 42

HEX #785995

RGB 120 89 149

HSL 271, 0.25%, 0.47%

LAB 43.22, 25.01, -28.21

 

CMYK 0 / 19 / 40 / 42

HEX #957859

RGB 149 120 89

HSL 31, 0.25%, 0.47%

LAB 52.45, 6.83, 21.29

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 40 / 29 / 0 / 42

HEX #596A95

RGB 89 106 149

HSL 223, 0.25%, 0.47%

LAB 45.08, 5.09, -25.51

 

CMYK 0 / 40 / 21 / 42

HEX #955976

RGB 149 89 118

HSL 331, 0.25%, 0.47%

LAB 45.42, 28.83, -5.85

 

CMYK 0 / 11 / 40 / 42

HEX #958459

RGB 149 132 89

HSL 43, 0.25%, 0.47%

LAB 55.7, 0.02, 25.58

 

CMYK 40 / 0 / 19 / 42

HEX #599578

RGB 89 149 120

HSL 151, 0.25%, 0.47%

LAB 57.05, -26.38, 9.26

 

CMYK 40 / 40 / 0 / 42

HEX #5A5995

RGB 90 89 149

HSL 241, 0.25%, 0.47%

LAB 40.39, 15.95, -32.85

 

CMYK 0 / 40 / 21 / 42

HEX #955976

RGB 149 89 118

HSL 331, 0.25%, 0.47%

LAB 45.42, 28.83, -5.85

 

CMYK 1 / 0 / 40 / 42

HEX #949559

RGB 148 149 89

HSL 61, 0.25%, 0.47%

LAB 60.35, -9.74, 31.54

 

Description

Color code: HEX #599578 | qconv.com Color code: HEX #599578 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 149 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 149 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 19 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 19% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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