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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #599206 it is the complementary color #A66DF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #599206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #599206 shade: #5E9201, #6FA414, #80B627, #91C83A and #A2DA4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #599206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #599206 shade: #599206, #488000, #376E00, #265C00 and #154A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #599206 shade: #599206, #7F9206, #928006, #925A06 and #923406

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #599206 shade: #599206, #339206, #0D9206, #069224 and #06924A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #599206 shade matches the following richer shades: #599206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #599206 shade: #599206, #578612, #547A1E, #526D2B and #506137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #599206 shade: #928006, #809206, #5A9206, #359206 and #0F9206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #599206 shade: #294302, #416B04, #599206, #71BA07 and #89E209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #599206 shade: #599206, #06925A and #920692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #599206 shade: #599206, #065A92 and #92065A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #599206 shade: #599206, #06925A, #3E0692 and #92063E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #599206 shade: #599206, #069284, #3E0692 and #920614

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

Complementary color

CMYK 33 / 56 / 0 / 2

HEX #A66DF9

RGB 166 109 249

HSL 264.43, 0.92%, 0.7%

LAB 57.93, 50.64, -62.03

 

CMYK 36 / 0 / 99 / 43

HEX #5E9201

RGB 94 146 1

HSL 81.52, 0.99%, 0.29%

LAB 55.01, -36.48, 57.82

 

CMYK 32 / 0 / 88 / 36

HEX #6FA414

RGB 111 164 20

HSL 82.08, 0.78%, 0.36%

LAB 61.64, -37.46, 60.39

 

CMYK 30 / 0 / 79 / 29

HEX #80B627

RGB 128 182 39

HSL 82.66, 0.65%, 0.43%

LAB 68.16, -38.21, 61.62

 

CMYK 28 / 0 / 71 / 22

HEX #91C83A

RGB 145 200 58

HSL 83.24, 0.56%, 0.51%

LAB 74.59, -38.73, 61.79

 

CMYK 26 / 0 / 65 / 15

HEX #A2DA4D

RGB 162 218 77

HSL 83.83, 0.66%, 0.58%

LAB 80.94, -39.09, 61.36

 

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

CMYK 44 / 0 / 100 / 50

HEX #488000

RGB 72 128 0

HSL 86.25, 1%, 0.25%

LAB 48.03, -36.9, 52.08

 

CMYK 50 / 0 / 100 / 57

HEX #376E00

RGB 55 110 0

HSL 90, 1%, 0.22%

LAB 41.16, -35.29, 46.38

 

CMYK 59 / 0 / 100 / 64

HEX #265C00

RGB 38 92 0

HSL 95.22, 1%, 0.18%

LAB 34.12, -33.48, 40.55

 

CMYK 72 / 0 / 100 / 71

HEX #154A00

RGB 21 74 0

HSL 102.97, 1%, 0.15%

LAB 26.9, -31.25, 34.49

 

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

CMYK 13 / 0 / 96 / 43

HEX #7F9206

RGB 127 146 6

HSL 68.14, 0.92%, 0.3%

LAB 57.16, -22.65, 59.6

 

CMYK 0 / 12 / 96 / 43

HEX #928006

RGB 146 128 6

HSL 52.29, 0.92%, 0.3%

LAB 53.56, -4.4, 57.57

 

CMYK 0 / 38 / 96 / 43

HEX #925A06

RGB 146 90 6

HSL 36, 0.92%, 0.3%

LAB 43.41, 17.33, 50.14

 

CMYK 0 / 64 / 96 / 43

HEX #923406

RGB 146 52 6

HSL 19.71, 0.92%, 0.3%

LAB 35.16, 37.84, 44.49

 

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

CMYK 65 / 0 / 96 / 43

HEX #339206

RGB 51 146 6

HSL 100.71, 0.92%, 0.3%

LAB 53.25, -49.92, 54.83

 

CMYK 91 / 0 / 96 / 43

HEX #0D9206

RGB 13 146 6

HSL 117, 0.92%, 0.3%

LAB 52.57, -55.82, 53.99

 

CMYK 96 / 0 / 75 / 43

HEX #069224

RGB 6 146 36

HSL 132.86, 0.92%, 0.3%

LAB 52.65, -54.67, 46.23

 

CMYK 96 / 0 / 49 / 43

HEX #06924A

RGB 6 146 74

HSL 149.14, 0.92%, 0.3%

LAB 53.05, -49.68, 29

 

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

CMYK 35 / 0 / 87 / 47

HEX #578612

RGB 87 134 18

HSL 84.31, 0.76%, 0.3%

LAB 50.83, -33.34, 51.02

 

CMYK 31 / 0 / 75 / 52

HEX #547A1E

RGB 84 122 30

HSL 84.78, 0.61%, 0.3%

LAB 46.84, -28.31, 43.42

 

CMYK 25 / 0 / 61 / 57

HEX #526D2B

RGB 82 109 43

HSL 84.55, 0.43%, 0.3%

LAB 42.62, -21.58, 33.06

 

CMYK 18 / 0 / 43 / 62

HEX #506137

RGB 80 97 55

HSL 84.29, 0.28%, 0.3%

LAB 38.78, -14.53, 21.83

 

CMYK 0 / 12 / 96 / 43

HEX #928006

RGB 146 128 6

HSL 52.29, 0.92%, 0.3%

LAB 53.56, -4.4, 57.57

 

CMYK 12 / 0 / 96 / 43

HEX #809206

RGB 128 146 6

HSL 67.71, 0.92%, 0.3%

LAB 57.23, -22.2, 59.69

 

CMYK 38 / 0 / 96 / 43

HEX #5A9206

RGB 90 146 6

HSL 84, 0.92%, 0.3%

LAB 54.81, -37.87, 56.74

 

CMYK 64 / 0 / 96 / 43

HEX #359206

RGB 53 146 6

HSL 99.86, 0.92%, 0.3%

LAB 53.31, -49.44, 54.9

 

CMYK 90 / 0 / 96 / 43

HEX #0F9206

RGB 15 146 6

HSL 116.14, 0.92%, 0.3%

LAB 52.59, -55.66, 54.01

 

CMYK 39 / 0 / 97 / 74

HEX #294302

RGB 41 67 2

HSL 84, 0.94%, 0.14%

LAB 25.23, -20.89, 32.49

 

CMYK 39 / 0 / 96 / 58

HEX #416B04

RGB 65 107 4

HSL 84.47, 0.93%, 0.22%

LAB 40.65, -30.11, 45.17

 

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

CMYK 39 / 0 / 96 / 27

HEX #71BA07

RGB 113 186 7

HSL 84.47, 0.93%, 0.38%

LAB 68.49, -46.38, 68.02

 

CMYK 39 / 0 / 96 / 11

HEX #89E209

RGB 137 226 9

HSL 84.61, 0.92%, 0.46%

LAB 81.69, -54.16, 78.78

 

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

CMYK 96 / 0 / 38 / 43

HEX #06925A

RGB 6 146 90

HSL 156, 0.92%, 0.3%

LAB 53.31, -46.55, 20.65

 

CMYK 0 / 96 / 0 / 43

HEX #920692

RGB 146 6 146

HSL 300, 0.92%, 0.3%

LAB 34.63, 64.06, -39.73

 

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

CMYK 96 / 38 / 0 / 43

HEX #065A92

RGB 6 90 146

HSL 204, 0.92%, 0.3%

LAB 36.79, -0.34, -36.98

 

CMYK 0 / 96 / 38 / 43

HEX #92065A

RGB 146 6 90

HSL 324, 0.92%, 0.3%

LAB 31.76, 56.71, -8.77

 

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

CMYK 96 / 0 / 38 / 43

HEX #06925A

RGB 6 146 90

HSL 156, 0.92%, 0.3%

LAB 53.31, -46.55, 20.65

 

CMYK 58 / 96 / 0 / 43

HEX #3E0692

RGB 62 6 146

HSL 264, 0.92%, 0.3%

LAB 20.94, 52.72, -62.63

 

CMYK 0 / 96 / 58 / 43

HEX #92063E

RGB 146 6 62

HSL 336, 0.92%, 0.3%

LAB 30.85, 54.26, 8.43

 

CMYK 39 / 0 / 96 / 43

HEX #599206

RGB 89 146 6

HSL 84.43, 0.92%, 0.3%

LAB 54.76, -38.24, 56.68

 

CMYK 96 / 0 / 10 / 43

HEX #069284

RGB 6 146 132

HSL 174, 0.92%, 0.3%

LAB 54.3, -35.76, -1.84

 

CMYK 58 / 96 / 0 / 43

HEX #3E0692

RGB 62 6 146

HSL 264, 0.92%, 0.3%

LAB 20.94, 52.72, -62.63

 

CMYK 0 / 96 / 86 / 43

HEX #920614

RGB 146 6 20

HSL 354, 0.92%, 0.3%

LAB 30.14, 52.28, 34.53

 

Description

Color code: HEX #599206 | qconv.com Color code: HEX #599206 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 146 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 146 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 96 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 96% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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