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Color name
HEX #59930E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59930E it is the complementary color #A66CF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59930E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59930E shade: #5E9309, #6FA51C, #80B72F, #91C942 and #A2DB55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59930E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59930E shade: #59930E, #488100, #376F00, #265D00 and #154B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59930E shade: #5A950D, #7E950D, #95870D, #95620D and #953E0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59930E shade: #5A950D, #35950D, #11950D, #0D952F and #0D9553

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59930E shade matches the following richer shades: #5A950D and #5BA200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59930E shade: #5A950D, #58881B, #567A28, #556D35 and #536042

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59930E shade: #95870D, #7E950D, #5A950D, #36950D and #12950D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59930E shade: #2C4906, #436F0A, #5A950D, #71BB11 and #87E014

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59930E shade: #59930E, #0D9563 and #950D90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59930E shade: #59930E, #0D5A95 and #950D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59930E shade: #59930E, #0D9563, #480D95 and #950D3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59930E shade: #59930E, #0D958C, #480D95 and #950D16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 90 / 42

HEX #59930E

RGB 89 147 14

HSL 86.17, 0.83%, 0.32%

LAB 55.1, -38.47, 55.61

 

Complementary color

CMYK 31 / 55 / 0 / 5

HEX #A66CF1

RGB 166 108 241

HSL 266.17, 0.83%, 0.68%

LAB 57.25, 49.22, -58.67

 

CMYK 36 / 0 / 94 / 42

HEX #5E9309

RGB 94 147 9

HSL 83.04, 0.88%, 0.31%

LAB 55.35, -36.73, 56.78

 

CMYK 33 / 0 / 83 / 35

HEX #6FA51C

RGB 111 165 28

HSL 83.65, 0.71%, 0.38%

LAB 61.98, -37.62, 58.78

 

CMYK 30 / 0 / 74 / 28

HEX #80B72F

RGB 128 183 47

HSL 84.26, 0.59%, 0.45%

LAB 68.51, -38.23, 59.35

 

CMYK 28 / 0 / 67 / 21

HEX #91C942

RGB 145 201 66

HSL 84.89, 0.56%, 0.52%

LAB 74.94, -38.64, 59.11

 

CMYK 26 / 0 / 61 / 14

HEX #A2DB55

RGB 162 219 85

HSL 85.52, 0.65%, 0.6%

LAB 81.29, -38.91, 58.44

 

CMYK 39 / 0 / 90 / 42

HEX #59930E

RGB 89 147 14

HSL 86.17, 0.83%, 0.32%

LAB 55.1, -38.47, 55.61

 

CMYK 44 / 0 / 100 / 49

HEX #488100

RGB 72 129 0

HSL 86.51, 1%, 0.25%

LAB 48.36, -37.32, 52.34

 

CMYK 50 / 0 / 100 / 56

HEX #376F00

RGB 55 111 0

HSL 90.27, 1%, 0.22%

LAB 41.5, -35.71, 46.65

 

CMYK 59 / 0 / 100 / 64

HEX #265D00

RGB 38 93 0

HSL 95.48, 1%, 0.18%

LAB 34.48, -33.88, 40.83

 

CMYK 72 / 0 / 100 / 71

HEX #154B00

RGB 21 75 0

HSL 103.2, 1%, 0.15%

LAB 27.27, -31.64, 34.82

 

CMYK 40 / 0 / 91 / 42

HEX #5A950D

RGB 90 149 13

HSL 86.03, 0.84%, 0.32%

LAB 55.78, -38.99, 56.39

 

CMYK 15 / 0 / 91 / 42

HEX #7E950D

RGB 126 149 13

HSL 70.15, 0.84%, 0.32%

LAB 58, -24.45, 59.12

 

CMYK 0 / 9 / 91 / 42

HEX #95870D

RGB 149 135 13

HSL 53.82, 0.84%, 0.32%

LAB 55.83, -6.73, 58.2

 

CMYK 0 / 34 / 91 / 42

HEX #95620D

RGB 149 98 13

HSL 37.5, 0.84%, 0.32%

LAB 45.84, 14.23, 50.41

 

CMYK 0 / 58 / 91 / 42

HEX #953E0D

RGB 149 62 13

HSL 21.62, 0.84%, 0.32%

LAB 37.6, 34.22, 44.07

 

CMYK 40 / 0 / 91 / 42

HEX #5A950D

RGB 90 149 13

HSL 86.03, 0.84%, 0.32%

LAB 55.78, -38.99, 56.39

 

CMYK 64 / 0 / 91 / 42

HEX #35950D

RGB 53 149 13

HSL 102.35, 0.84%, 0.32%

LAB 54.32, -50.29, 54.58

 

CMYK 89 / 0 / 91 / 42

HEX #11950D

RGB 17 149 13

HSL 118.24, 0.84%, 0.32%

LAB 53.65, -56.16, 53.73

 

CMYK 91 / 0 / 68 / 42

HEX #0D952F

RGB 13 149 47

HSL 135, 0.84%, 0.32%

LAB 53.8, -54.09, 43.02

 

CMYK 91 / 0 / 44 / 42

HEX #0D9553

RGB 13 149 83

HSL 150.88, 0.84%, 0.32%

LAB 54.24, -48.68, 25.72

 

CMYK 40 / 0 / 91 / 42

HEX #5A950D

RGB 90 149 13

HSL 86.03, 0.84%, 0.32%

LAB 55.78, -38.99, 56.39

 

CMYK 44 / 0 / 100 / 36

HEX #5BA200

RGB 91 162 0

HSL 86.3, 1%, 0.32%

LAB 59.95, -44.36, 61.75

 

CMYK 40 / 0 / 91 / 42

HEX #5A950D

RGB 90 149 13

HSL 86.03, 0.84%, 0.32%

LAB 55.78, -38.99, 56.39

 

CMYK 35 / 0 / 80 / 47

HEX #58881B

RGB 88 136 27

HSL 86.42, 0.67%, 0.32%

LAB 51.57, -33.45, 49.11

 

CMYK 30 / 0 / 67 / 52

HEX #567A28

RGB 86 122 40

HSL 86.34, 0.51%, 0.32%

LAB 47.04, -26.74, 39.46

 

CMYK 22 / 0 / 51 / 57

HEX #556D35

RGB 85 109 53

HSL 85.71, 0.35%, 0.32%

LAB 42.95, -19.19, 28.24

 

CMYK 14 / 0 / 31 / 62

HEX #536042

RGB 83 96 66

HSL 86, 0.19%, 0.32%

LAB 38.9, -10.99, 15.53

 

CMYK 0 / 9 / 91 / 42

HEX #95870D

RGB 149 135 13

HSL 53.82, 0.84%, 0.32%

LAB 55.83, -6.73, 58.2

 

CMYK 15 / 0 / 91 / 42

HEX #7E950D

RGB 126 149 13

HSL 70.15, 0.84%, 0.32%

LAB 58, -24.45, 59.12

 

CMYK 40 / 0 / 91 / 42

HEX #5A950D

RGB 90 149 13

HSL 86.03, 0.84%, 0.32%

LAB 55.78, -38.99, 56.39

 

CMYK 64 / 0 / 91 / 42

HEX #36950D

RGB 54 149 13

HSL 101.91, 0.84%, 0.32%

LAB 54.35, -50.05, 54.61

 

CMYK 88 / 0 / 91 / 42

HEX #12950D

RGB 18 149 13

HSL 117.79, 0.84%, 0.32%

LAB 53.66, -56.07, 53.74

 

CMYK 40 / 0 / 92 / 71

HEX #2C4906

RGB 44 73 6

HSL 85.97, 0.85%, 0.15%

LAB 27.61, -22.36, 33.09

 

CMYK 40 / 0 / 91 / 56

HEX #436F0A

RGB 67 111 10

HSL 86.14, 0.83%, 0.24%

LAB 42.13, -30.95, 45

 

CMYK 40 / 0 / 91 / 42

HEX #5A950D

RGB 90 149 13

HSL 86.03, 0.84%, 0.32%

LAB 55.78, -38.99, 56.39

 

CMYK 40 / 0 / 91 / 27

HEX #71BB11

RGB 113 187 17

HSL 86.12, 0.83%, 0.4%

LAB 68.82, -46.6, 66.99

 

CMYK 40 / 0 / 91 / 12

HEX #87E014

RGB 135 224 20

HSL 86.18, 0.84%, 0.48%

LAB 81.02, -53.87, 76.99

 

CMYK 39 / 0 / 90 / 42

HEX #59930E

RGB 89 147 14

HSL 86.17, 0.83%, 0.32%

LAB 55.1, -38.47, 55.61

 

CMYK 91 / 0 / 34 / 42

HEX #0D9563

RGB 13 149 99

HSL 157.94, 0.84%, 0.32%

LAB 54.53, -45.32, 17.29

 

CMYK 0 / 91 / 3 / 42

HEX #950D90

RGB 149 13 144

HSL 302.21, 0.84%, 0.32%

LAB 35.38, 63.36, -37.27

 

CMYK 39 / 0 / 90 / 42

HEX #59930E

RGB 89 147 14

HSL 86.17, 0.83%, 0.32%

LAB 55.1, -38.47, 55.61

 

CMYK 91 / 40 / 0 / 42

HEX #0D5A95

RGB 13 90 149

HSL 206.03, 0.84%, 0.32%

LAB 37.06, 1.28, -38.37

 

CMYK 0 / 91 / 40 / 42

HEX #950D5A

RGB 149 13 90

HSL 326.03, 0.84%, 0.32%

LAB 32.73, 56.39, -7.24

 

CMYK 39 / 0 / 90 / 42

HEX #59930E

RGB 89 147 14

HSL 86.17, 0.83%, 0.32%

LAB 55.1, -38.47, 55.61

 

CMYK 91 / 0 / 34 / 42

HEX #0D9563

RGB 13 149 99

HSL 157.94, 0.84%, 0.32%

LAB 54.53, -45.32, 17.29

 

CMYK 52 / 91 / 0 / 42

HEX #480D95

RGB 72 13 149

HSL 266.03, 0.84%, 0.32%

LAB 23.12, 52.68, -60.85

 

CMYK 0 / 91 / 58 / 42

HEX #950D3F

RGB 149 13 63

HSL 337.94, 0.84%, 0.32%

LAB 31.89, 54.04, 9.3

 

CMYK 39 / 0 / 90 / 42

HEX #59930E

RGB 89 147 14

HSL 86.17, 0.83%, 0.32%

LAB 55.1, -38.47, 55.61

 

CMYK 91 / 0 / 6 / 42

HEX #0D958C

RGB 13 149 140

HSL 176.03, 0.84%, 0.32%

LAB 55.56, -34.4, -4.59

 

CMYK 52 / 91 / 0 / 42

HEX #480D95

RGB 72 13 149

HSL 266.03, 0.84%, 0.32%

LAB 23.12, 52.68, -60.85

 

CMYK 0 / 91 / 85 / 42

HEX #950D16

RGB 149 13 22

HSL 356.03, 0.84%, 0.32%

LAB 31.2, 52.07, 34.62

 

Description

Color code: HEX #59930E | qconv.com Color code: HEX #59930E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 147 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 147 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 90 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 90% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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