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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #599FBE it is the complementary color #A66041. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #599FBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #599FBE shade: #5E9FB9, #6FB1CC, #80C3DF, #91D5F2 and #A2E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #599FBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #599FBE shade: #599FBE, #488DAB, #377B98, #266985 and #155772

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #599FBE shade: #599FBE, #5984BE, #5969BE, #6559BE and #8059BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #599FBE shade: #599FBE, #5984BE, #5969BE and #5959BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #599FBE shade matches the following richer shades: #599FBE, #47A6D1, #34AEE3 and #22B5F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #599FBE shade: #599FBE, #6C98AC, #7E9199, #918A87 and #A48374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #599FBE shade: #59BEA7, #59BBBE, #59A0BE, #5985BE and #596ABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #599FBE shade: #37738E, #428BAC, #599FBE, #77B0CA and #95C1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #599FBE shade: #599FBE, #8C59BE and #BEB459

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #599FBE shade: #599FBE, #BE59A0 and #A0BE59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #599FBE shade: #599FBE, #8C59BE, #BE7859 and #8CBE59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #599FBE shade: #599FBE, #AA59BE, #BE7859 and #6DBE59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

Complementary color

CMYK 0 / 42 / 61 / 35

HEX #A66041

RGB 166 96 65

HSL 18.42, 0.44%, 0.45%

LAB 48.08, 25.42, 29.77

 

CMYK 49 / 14 / 0 / 27

HEX #5E9FB9

RGB 94 159 185

HSL 197.14, 0.39%, 0.55%

LAB 62.24, -13.6, -19.89

 

CMYK 46 / 13 / 0 / 20

HEX #6FB1CC

RGB 111 177 204

HSL 197.42, 0.48%, 0.62%

LAB 68.88, -13.83, -20.25

 

CMYK 43 / 13 / 0 / 13

HEX #80C3DF

RGB 128 195 223

HSL 197.68, 0.6%, 0.69%

LAB 75.42, -14.01, -20.61

 

CMYK 40 / 12 / 0 / 5

HEX #91D5F2

RGB 145 213 242

HSL 197.94, 0.79%, 0.76%

LAB 81.85, -14.14, -20.97

 

CMYK 36 / 9 / 0 / 0

HEX #A2E7FF

RGB 162 231 255

HSL 195.48, 1%, 0.82%

LAB 87.99, -15.73, -18.46

 

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

CMYK 58 / 18 / 0 / 33

HEX #488DAB

RGB 72 141 171

HSL 198.18, 0.41%, 0.48%

LAB 55.45, -12.83, -22.41

 

CMYK 64 / 19 / 0 / 40

HEX #377B98

RGB 55 123 152

HSL 197.94, 0.47%, 0.41%

LAB 48.57, -12.22, -22.03

 

CMYK 71 / 21 / 0 / 48

HEX #266985

RGB 38 105 133

HSL 197.68, 0.56%, 0.34%

LAB 41.55, -11.34, -21.62

 

CMYK 82 / 24 / 0 / 55

HEX #155772

RGB 21 87 114

HSL 197.42, 0.69%, 0.26%

LAB 34.38, -10.04, -21.14

 

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

CMYK 53 / 31 / 0 / 25

HEX #5984BE

RGB 89 132 190

HSL 214.46, 0.44%, 0.55%

LAB 54.39, 2.02, -34.85

 

CMYK 53 / 45 / 0 / 25

HEX #5969BE

RGB 89 105 190

HSL 230.5, 0.44%, 0.55%

LAB 46.9, 18.46, -46.69

 

CMYK 47 / 53 / 0 / 25

HEX #6559BE

RGB 101 89 190

HSL 247.13, 0.44%, 0.55%

LAB 43.7, 31.06, -51.77

 

CMYK 33 / 53 / 0 / 25

HEX #8059BE

RGB 128 89 190

HSL 263.17, 0.44%, 0.55%

LAB 46.25, 37.61, -47.54

 

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

CMYK 53 / 31 / 0 / 25

HEX #5984BE

RGB 89 132 190

HSL 214.46, 0.44%, 0.55%

LAB 54.39, 2.02, -34.85

 

CMYK 53 / 45 / 0 / 25

HEX #5969BE

RGB 89 105 190

HSL 230.5, 0.44%, 0.55%

LAB 46.9, 18.46, -46.69

 

CMYK 53 / 53 / 0 / 25

HEX #5959BE

RGB 89 89 190

HSL 240, 0.44%, 0.55%

LAB 42.74, 28.44, -53.36

 

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

CMYK 66 / 21 / 0 / 18

HEX #47A6D1

RGB 71 166 209

HSL 198.7, 0.6%, 0.55%

LAB 64.34, -14.6, -30.13

 

CMYK 77 / 23 / 0 / 11

HEX #34AEE3

RGB 52 174 227

HSL 198.17, 0.76%, 0.55%

LAB 66.94, -15.48, -36.05

 

CMYK 86 / 26 / 0 / 4

HEX #22B5F6

RGB 34 181 246

HSL 198.4, 0.92%, 0.55%

LAB 69.5, -14.23, -42.44

 

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

CMYK 37 / 12 / 0 / 33

HEX #6C98AC

RGB 108 152 172

HSL 198.75, 0.28%, 0.55%

LAB 60.45, -9.76, -15.21

 

CMYK 18 / 5 / 0 / 40

HEX #7E9199

RGB 126 145 153

HSL 197.78, 0.12%, 0.55%

LAB 58.96, -4.99, -6.52

 

CMYK 0 / 5 / 7 / 43

HEX #918A87

RGB 145 138 135

HSL 18, 0.04%, 0.55%

LAB 57.99, 2.05, 2.53

 

CMYK 0 / 20 / 29 / 36

HEX #A48374

RGB 164 131 116

HSL 18.75, 0.21%, 0.55%

LAB 57.45, 10.37, 12.91

 

CMYK 53 / 0 / 12 / 25

HEX #59BEA7

RGB 89 190 167

HSL 166.34, 0.44%, 0.55%

LAB 70.69, -35.11, 2.66

 

CMYK 53 / 2 / 0 / 25

HEX #59BBBE

RGB 89 187 190

HSL 181.78, 0.44%, 0.55%

LAB 70.44, -27.74, -10.3

 

CMYK 53 / 16 / 0 / 25

HEX #59A0BE

RGB 89 160 190

HSL 197.82, 0.44%, 0.55%

LAB 62.49, -13.82, -22.31

 

CMYK 53 / 30 / 0 / 25

HEX #5985BE

RGB 89 133 190

HSL 213.86, 0.44%, 0.55%

LAB 54.68, 1.43, -34.41

 

CMYK 53 / 44 / 0 / 25

HEX #596ABE

RGB 89 106 190

HSL 229.9, 0.44%, 0.55%

LAB 47.17, 17.84, -46.26

 

CMYK 61 / 19 / 0 / 44

HEX #37738E

RGB 55 115 142

HSL 198.62, 0.44%, 0.39%

LAB 45.67, -10.95, -20.59

 

CMYK 62 / 19 / 0 / 33

HEX #428BAC

RGB 66 139 172

HSL 198.68, 0.45%, 0.47%

LAB 54.66, -12.6, -24.22

 

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

CMYK 41 / 13 / 0 / 21

HEX #77B0CA

RGB 119 176 202

HSL 198.8, 0.44%, 0.63%

LAB 68.92, -11.83, -19.06

 

CMYK 30 / 9 / 0 / 16

HEX #95C1D5

RGB 149 193 213

HSL 198.75, 0.43%, 0.71%

LAB 75.66, -9.84, -14.73

 

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

CMYK 26 / 53 / 0 / 25

HEX #8C59BE

RGB 140 89 190

HSL 270.3, 0.44%, 0.55%

LAB 47.54, 40.73, -45.4

 

CMYK 0 / 5 / 53 / 25

HEX #BEB459

RGB 190 180 89

HSL 54.06, 0.44%, 0.55%

LAB 72.44, -8.5, 47.09

 

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

CMYK 0 / 53 / 16 / 25

HEX #BE59A0

RGB 190 89 160

HSL 317.82, 0.44%, 0.55%

LAB 52.54, 49.3, -19.6

 

CMYK 16 / 0 / 53 / 25

HEX #A0BE59

RGB 160 190 89

HSL 77.82, 0.44%, 0.55%

LAB 72.91, -25.81, 47.07

 

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

CMYK 26 / 53 / 0 / 25

HEX #8C59BE

RGB 140 89 190

HSL 270.3, 0.44%, 0.55%

LAB 47.54, 40.73, -45.4

 

CMYK 0 / 37 / 53 / 25

HEX #BE7859

RGB 190 120 89

HSL 18.42, 0.44%, 0.55%

LAB 57.17, 24.1, 28.37

 

CMYK 26 / 0 / 53 / 25

HEX #8CBE59

RGB 140 190 89

HSL 89.7, 0.44%, 0.55%

LAB 71.64, -33.46, 45.26

 

CMYK 53 / 16 / 0 / 25

HEX #599FBE

RGB 89 159 190

HSL 198.42, 0.44%, 0.55%

LAB 62.2, -13.28, -22.76

 

CMYK 11 / 53 / 0 / 25

HEX #AA59BE

RGB 170 89 190

HSL 288.12, 0.44%, 0.55%

LAB 51.16, 48.83, -39.43

 

CMYK 0 / 37 / 53 / 25

HEX #BE7859

RGB 190 120 89

HSL 18.42, 0.44%, 0.55%

LAB 57.17, 24.1, 28.37

 

CMYK 43 / 0 / 53 / 25

HEX #6DBE59

RGB 109 190 89

HSL 108.12, 0.44%, 0.55%

LAB 70.04, -44.1, 42.95

 

Description

Color code: HEX #599FBE | qconv.com Color code: HEX #599FBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 159 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 159 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 16 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 16% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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