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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59B48A it is the complementary color #A64B75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59B48A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59B48A shade: #5EB485, #6FC698, #80D8AB, #91EABE and #A2FCD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59B48A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59B48A shade: #59B48A, #48A277, #379064, #267E51 and #156C3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59B48A shade: #59B48A, #59B472, #59B459, #72B459 and #8AB459

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59B48A shade: #59B48A, #59B4A3, #59ADB4, #5995B4 and #597CB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59B48A shade matches the following richer shades: #59B48A, #46C88C, #32DB8D and #1FEE8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59B48A shade: #59B48A, #6CA189, #808D87, #937A86 and #A76784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59B48A shade: #59B459, #59B471, #59B48A, #59B4A2 and #59AEB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59B48A shade: #3A8160, #479E75, #59B48A, #76C19E and #92CEB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59B48A shade: #59B48A, #5971B4 and #B46559

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59B48A shade: #59B48A, #8A59B4 and #B48A59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59B48A shade: #59B48A, #5971B4, #B45984 and #B49C59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59B48A shade: #59B48A, #5C59B4, #B45984 and #B1B459

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

Complementary color

CMYK 0 / 55 / 30 / 35

HEX #A64B75

RGB 166 75 117

HSL 332.31, 0.38%, 0.47%

LAB 44.83, 42.21, -5.85

 

CMYK 48 / 0 / 26 / 29

HEX #5EB485

RGB 94 180 133

HSL 147.21, 0.36%, 0.54%

LAB 67.06, -36.94, 16.1

 

CMYK 44 / 0 / 23 / 22

HEX #6FC698

RGB 111 198 152

HSL 148.28, 0.43%, 0.61%

LAB 73.57, -36.73, 15.01

 

CMYK 41 / 0 / 21 / 15

HEX #80D8AB

RGB 128 216 171

HSL 149.32, 0.53%, 0.67%

LAB 79.98, -36.49, 14

 

CMYK 38 / 0 / 19 / 8

HEX #91EABE

RGB 145 234 190

HSL 150.34, 0.68%, 0.74%

LAB 86.3, -36.25, 13.05

 

CMYK 36 / 0 / 17 / 1

HEX #A2FCD1

RGB 162 252 209

HSL 151.33, 0.94%, 0.81%

LAB 92.53, -36.01, 12.16

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 56 / 0 / 27 / 36

HEX #48A277

RGB 72 162 119

HSL 151.33, 0.38%, 0.46%

LAB 60.38, -37.28, 14.4

 

CMYK 62 / 0 / 31 / 44

HEX #379064

RGB 55 144 100

HSL 150.34, 0.45%, 0.39%

LAB 53.68, -37.26, 15.69

 

CMYK 70 / 0 / 36 / 51

HEX #267E51

RGB 38 126 81

HSL 149.32, 0.54%, 0.32%

LAB 46.88, -37.01, 17.15

 

CMYK 81 / 0 / 43 / 58

HEX #156C3E

RGB 21 108 62

HSL 148.28, 0.67%, 0.25%

LAB 39.97, -36.34, 18.81

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 51 / 0 / 37 / 29

HEX #59B472

RGB 89 180 114

HSL 136.48, 0.38%, 0.53%

LAB 66.51, -41.9, 25.56

 

CMYK 51 / 0 / 51 / 29

HEX #59B459

RGB 89 180 89

HSL 120, 0.38%, 0.53%

LAB 66.13, -45.87, 38.01

 

CMYK 37 / 0 / 51 / 29

HEX #72B459

RGB 114 180 89

HSL 103.52, 0.38%, 0.53%

LAB 67.23, -38.13, 39.62

 

CMYK 23 / 0 / 51 / 29

HEX #8AB459

RGB 138 180 89

HSL 87.69, 0.38%, 0.53%

LAB 68.58, -29.5, 41.57

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 51 / 0 / 9 / 29

HEX #59B4A3

RGB 89 180 163

HSL 168.79, 0.38%, 0.53%

LAB 67.58, -31.38, 0.34

 

CMYK 51 / 4 / 0 / 29

HEX #59ADB4

RGB 89 173 180

HSL 184.62, 0.38%, 0.53%

LAB 65.99, -23.49, -11.44

 

CMYK 51 / 17 / 0 / 29

HEX #5995B4

RGB 89 149 180

HSL 200.44, 0.38%, 0.53%

LAB 58.89, -10.77, -22.19

 

CMYK 51 / 31 / 0 / 29

HEX #597CB4

RGB 89 124 180

HSL 216.92, 0.38%, 0.53%

LAB 51.65, 3.63, -33.41

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 65 / 0 / 30 / 22

HEX #46C88C

RGB 70 200 140

HSL 152.31, 0.54%, 0.53%

LAB 72.56, -49.39, 19.82

 

CMYK 77 / 0 / 36 / 14

HEX #32DB8D

RGB 50 219 141

HSL 152.31, 0.7%, 0.53%

LAB 78.03, -59.46, 26.67

 

CMYK 87 / 0 / 40 / 7

HEX #1FEE8F

RGB 31 238 143

HSL 152.46, 0.86%, 0.53%

LAB 83.66, -67.5, 33.12

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 33 / 0 / 15 / 37

HEX #6CA189

RGB 108 161 137

HSL 152.83, 0.22%, 0.53%

LAB 62.07, -22.93, 6.94

 

CMYK 9 / 0 / 4 / 45

HEX #808D87

RGB 128 141 135

HSL 152.31, 0.05%, 0.53%

LAB 57.45, -5.93, 1.58

 

CMYK 0 / 17 / 9 / 42

HEX #937A86

RGB 147 122 134

HSL 331.2, 0.1%, 0.53%

LAB 53.86, 11.78, -2.9

 

CMYK 0 / 38 / 21 / 35

HEX #A76784

RGB 167 103 132

HSL 332.81, 0.27%, 0.53%

LAB 51.36, 29.8, -5.16

 

CMYK 51 / 0 / 51 / 29

HEX #59B459

RGB 89 180 89

HSL 120, 0.38%, 0.53%

LAB 66.13, -45.87, 38.01

 

CMYK 51 / 0 / 37 / 29

HEX #59B471

RGB 89 180 113

HSL 135.82, 0.38%, 0.53%

LAB 66.49, -42.08, 26.07

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 51 / 0 / 10 / 29

HEX #59B4A2

RGB 89 180 162

HSL 168.13, 0.38%, 0.53%

LAB 67.56, -31.63, 0.85

 

CMYK 51 / 3 / 0 / 29

HEX #59AEB4

RGB 89 174 180

HSL 183.96, 0.38%, 0.53%

LAB 66.28, -23.99, -11

 

CMYK 55 / 0 / 26 / 49

HEX #3A8160

RGB 58 129 96

HSL 152.11, 0.38%, 0.37%

LAB 48.82, -30.61, 11.25

 

CMYK 55 / 0 / 26 / 38

HEX #479E75

RGB 71 158 117

HSL 151.72, 0.38%, 0.45%

LAB 59.05, -36.15, 13.64

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 39 / 0 / 18 / 24

HEX #76C19E

RGB 118 193 158

HSL 152, 0.38%, 0.61%

LAB 72.53, -31.22, 10.36

 

CMYK 29 / 0 / 14 / 19

HEX #92CEB2

RGB 146 206 178

HSL 152, 0.38%, 0.69%

LAB 78.15, -25.1, 7.79

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 51 / 37 / 0 / 29

HEX #5971B4

RGB 89 113 180

HSL 224.18, 0.38%, 0.53%

LAB 48.55, 10.3, -38.28

 

CMYK 0 / 44 / 51 / 29

HEX #B46559

RGB 180 101 89

HSL 7.91, 0.38%, 0.53%

LAB 51.53, 30.46, 20.74

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 23 / 51 / 0 / 29

HEX #8A59B4

RGB 138 89 180

HSL 272.31, 0.38%, 0.53%

LAB 46.77, 37.79, -40.82

 

CMYK 0 / 23 / 51 / 29

HEX #B48A59

RGB 180 138 89

HSL 32.31, 0.38%, 0.53%

LAB 60.43, 9.91, 32.28

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 51 / 37 / 0 / 29

HEX #5971B4

RGB 89 113 180

HSL 224.18, 0.38%, 0.53%

LAB 48.55, 10.3, -38.28

 

CMYK 0 / 51 / 27 / 29

HEX #B45984

RGB 180 89 132

HSL 331.65, 0.38%, 0.53%

LAB 50.11, 41.91, -6.83

 

CMYK 0 / 13 / 51 / 29

HEX #B49C59

RGB 180 156 89

HSL 44.18, 0.38%, 0.53%

LAB 65.12, 0.02, 38.11

 

CMYK 51 / 0 / 23 / 29

HEX #59B48A

RGB 89 180 138

HSL 152.31, 0.38%, 0.53%

LAB 66.98, -37.18, 13.23

 

CMYK 49 / 51 / 0 / 29

HEX #5C59B4

RGB 92 89 180

HSL 241.98, 0.38%, 0.53%

LAB 42.33, 25.93, -48.16

 

CMYK 0 / 51 / 27 / 29

HEX #B45984

RGB 180 89 132

HSL 331.65, 0.38%, 0.53%

LAB 50.11, 41.91, -6.83

 

CMYK 2 / 0 / 51 / 29

HEX #B1B459

RGB 177 180 89

HSL 61.98, 0.38%, 0.53%

LAB 71.36, -13.93, 45.55

 

Description

Color code: HEX #59B48A | qconv.com Color code: HEX #59B48A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 180 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 180 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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