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Color name
HEX #59BC12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59BC12 it is the complementary color #A643ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59BC12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59BC12 shade: #5EBC0D, #6FCE20, #80E033, #91F246 and #A2FF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59BC12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59BC12 shade: #59BC12, #48AA00, #379800, #268600 and #157400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59BC12 shade: #58BA11, #85BA11, #B3BA11, #BA9411 and #BA6611

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59BC12 shade: #58BA11, #2ABA11, #11BA25, #11BA53 and #11BA81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59BC12 shade matches the following richer shades: #58BA11 and #55CB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59BC12 shade: #58BA11, #5AAA21, #5D9932, #608942 and #627853

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59BC12 shade: #B5BA11, #87BA11, #5ABA11, #2DBA11 and #11BA22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59BC12 shade: #346F0A, #46940D, #58BA11, #69E014 and #7FEC32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59BC12 shade: #59BC12, #11BA93 and #BA119E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59BC12 shade: #59BC12, #115ABA and #BA115A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59BC12 shade: #59BC12, #11BA93, #7111BA and #BA1138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59BC12 shade: #59BC12, #11AFBA, #7111BA and #BA1C11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 90 / 26

HEX #59BC12

RGB 89 188 18

HSL 94.94, 0.83%, 0.4%

LAB 68.12, -54.6, 65.83

 

Complementary color

CMYK 30 / 72 / 0 / 7

HEX #A643ED

RGB 166 67 237

HSL 274.94, 0.83%, 0.6%

LAB 49.78, 67.95, -68.47

 

CMYK 50 / 0 / 93 / 26

HEX #5EBC0D

RGB 94 188 13

HSL 92.23, 0.87%, 0.39%

LAB 68.3, -53.26, 66.8

 

CMYK 46 / 0 / 84 / 19

HEX #6FCE20

RGB 111 206 32

HSL 92.76, 0.73%, 0.47%

LAB 74.59, -54.3, 68.95

 

CMYK 43 / 0 / 77 / 12

HEX #80E033

RGB 128 224 51

HSL 93.29, 0.74%, 0.54%

LAB 80.82, -55.03, 69.86

 

CMYK 40 / 0 / 71 / 5

HEX #91F246

RGB 145 242 70

HSL 93.84, 0.87%, 0.61%

LAB 86.98, -55.53, 69.96

 

CMYK 36 / 0 / 65 / 0

HEX #A2FF59

RGB 162 255 89

HSL 93.61, 1%, 0.67%

LAB 91.65, -53.86, 68.04

 

CMYK 53 / 0 / 90 / 26

HEX #59BC12

RGB 89 188 18

HSL 94.94, 0.83%, 0.4%

LAB 68.12, -54.6, 65.83

 

CMYK 58 / 0 / 100 / 33

HEX #48AA00

RGB 72 170 0

HSL 94.59, 1%, 0.33%

LAB 61.76, -53.22, 62.86

 

CMYK 64 / 0 / 100 / 40

HEX #379800

RGB 55 152 0

HSL 98.29, 1%, 0.3%

LAB 55.35, -51.22, 57.56

 

CMYK 72 / 0 / 100 / 47

HEX #268600

RGB 38 134 0

HSL 102.99, 1%, 0.26%

LAB 48.84, -48.87, 52.2

 

CMYK 82 / 0 / 100 / 55

HEX #157400

RGB 21 116 0

HSL 109.14, 1%, 0.23%

LAB 42.23, -45.96, 46.8

 

CMYK 53 / 0 / 91 / 27

HEX #58BA11

RGB 88 186 17

HSL 94.79, 0.83%, 0.4%

LAB 67.45, -54.18, 65.42

 

CMYK 28 / 0 / 91 / 27

HEX #85BA11

RGB 133 186 17

HSL 78.82, 0.83%, 0.4%

LAB 69.57, -38.82, 68.04

 

CMYK 4 / 0 / 91 / 27

HEX #B3BA11

RGB 179 186 17

HSL 62.49, 0.83%, 0.4%

LAB 72.72, -19.82, 71.88

 

CMYK 0 / 20 / 91 / 27

HEX #BA9411

RGB 186 148 17

HSL 46.51, 0.83%, 0.4%

LAB 63.06, 3.18, 64.64

 

CMYK 0 / 45 / 91 / 27

HEX #BA6611

RGB 186 102 17

HSL 30.18, 0.83%, 0.4%

LAB 51.82, 28.48, 56.09

 

CMYK 53 / 0 / 91 / 27

HEX #58BA11

RGB 88 186 17

HSL 94.79, 0.83%, 0.4%

LAB 67.45, -54.18, 65.42

 

CMYK 77 / 0 / 91 / 27

HEX #2ABA11

RGB 42 186 17

HSL 111.12, 0.83%, 0.4%

LAB 66.25, -64.17, 63.93

 

CMYK 91 / 0 / 80 / 27

HEX #11BA25

RGB 17 186 37

HSL 127.1, 0.83%, 0.4%

LAB 66.04, -65.81, 59.01

 

CMYK 91 / 0 / 55 / 27

HEX #11BA53

RGB 17 186 83

HSL 143.43, 0.83%, 0.4%

LAB 66.41, -61.09, 40.94

 

CMYK 91 / 0 / 31 / 27

HEX #11BA81

RGB 17 186 129

HSL 159.76, 0.83%, 0.4%

LAB 67.14, -52.54, 18.12

 

CMYK 53 / 0 / 91 / 27

HEX #58BA11

RGB 88 186 17

HSL 94.79, 0.83%, 0.4%

LAB 67.45, -54.18, 65.42

 

CMYK 58 / 0 / 100 / 20

HEX #55CB00

RGB 85 203 0

HSL 94.88, 1%, 0.4%

LAB 72.66, -61.34, 71.63

 

CMYK 53 / 0 / 91 / 27

HEX #58BA11

RGB 88 186 17

HSL 94.79, 0.83%, 0.4%

LAB 67.45, -54.18, 65.42

 

CMYK 47 / 0 / 81 / 33

HEX #5AAA21

RGB 90 170 33

HSL 95.04, 0.67%, 0.4%

LAB 62.54, -46.85, 57.5

 

CMYK 39 / 0 / 67 / 40

HEX #5D9932

RGB 93 153 50

HSL 94.95, 0.51%, 0.4%

LAB 57.41, -37.58, 46.29

 

CMYK 30 / 0 / 52 / 46

HEX #608942

RGB 96 137 66

HSL 94.65, 0.35%, 0.4%

LAB 52.7, -27.4, 33.35

 

CMYK 18 / 0 / 31 / 53

HEX #627853

RGB 98 120 83

HSL 95.68, 0.18%, 0.4%

LAB 47.82, -15.41, 17.75

 

CMYK 3 / 0 / 91 / 27

HEX #B5BA11

RGB 181 186 17

HSL 61.78, 0.83%, 0.4%

LAB 72.88, -18.96, 72.08

 

CMYK 27 / 0 / 91 / 27

HEX #87BA11

RGB 135 186 17

HSL 78.11, 0.83%, 0.4%

LAB 69.69, -38.04, 68.18

 

CMYK 52 / 0 / 91 / 27

HEX #5ABA11

RGB 90 186 17

HSL 94.08, 0.83%, 0.4%

LAB 67.53, -53.6, 65.51

 

CMYK 76 / 0 / 91 / 27

HEX #2DBA11

RGB 45 186 17

HSL 110.06, 0.83%, 0.4%

LAB 66.3, -63.73, 63.99

 

CMYK 91 / 0 / 82 / 27

HEX #11BA22

RGB 17 186 34

HSL 126.04, 0.83%, 0.4%

LAB 66.02, -65.99, 59.86

 

CMYK 53 / 0 / 91 / 56

HEX #346F0A

RGB 52 111 10

HSL 95.05, 0.83%, 0.24%

LAB 41.41, -36.32, 44.1

 

CMYK 53 / 0 / 91 / 42

HEX #46940D

RGB 70 148 13

HSL 94.67, 0.84%, 0.32%

LAB 54.56, -45.31, 55.01

 

CMYK 53 / 0 / 91 / 27

HEX #58BA11

RGB 88 186 17

HSL 94.79, 0.83%, 0.4%

LAB 67.45, -54.18, 65.42

 

CMYK 53 / 0 / 91 / 12

HEX #69E014

RGB 105 224 20

HSL 95, 0.84%, 0.48%

LAB 79.82, -63, 75.51

 

CMYK 46 / 0 / 79 / 7

HEX #7FEC32

RGB 127 236 50

HSL 95.16, 0.83%, 0.56%

LAB 84.35, -59.96, 73.43

 

CMYK 53 / 0 / 90 / 26

HEX #59BC12

RGB 89 188 18

HSL 94.94, 0.83%, 0.4%

LAB 68.12, -54.6, 65.83

 

CMYK 91 / 0 / 21 / 27

HEX #11BA93

RGB 17 186 147

HSL 166.15, 0.83%, 0.4%

LAB 67.53, -48.23, 8.88

 

CMYK 0 / 91 / 15 / 27

HEX #BA119E

RGB 186 17 158

HSL 309.94, 0.83%, 0.4%

LAB 43.22, 71.86, -32.92

 

CMYK 53 / 0 / 90 / 26

HEX #59BC12

RGB 89 188 18

HSL 94.94, 0.83%, 0.4%

LAB 68.12, -54.6, 65.83

 

CMYK 91 / 52 / 0 / 27

HEX #115ABA

RGB 17 90 186

HSL 214.08, 0.83%, 0.4%

LAB 39.54, 16.55, -56.35

 

CMYK 0 / 91 / 52 / 27

HEX #BA115A

RGB 186 17 90

HSL 334.08, 0.83%, 0.4%

LAB 40.54, 64.67, 5.09

 

CMYK 53 / 0 / 90 / 26

HEX #59BC12

RGB 89 188 18

HSL 94.94, 0.83%, 0.4%

LAB 68.12, -54.6, 65.83

 

CMYK 91 / 0 / 21 / 27

HEX #11BA93

RGB 17 186 147

HSL 166.15, 0.83%, 0.4%

LAB 67.53, -48.23, 8.88

 

CMYK 39 / 91 / 0 / 27

HEX #7111BA

RGB 113 17 186

HSL 274.08, 0.83%, 0.4%

LAB 32.82, 64.89, -67.03

 

CMYK 0 / 91 / 70 / 27

HEX #BA1138

RGB 186 17 56

HSL 346.15, 0.83%, 0.4%

LAB 39.79, 62.58, 25.67

 

CMYK 53 / 0 / 90 / 26

HEX #59BC12

RGB 89 188 18

HSL 94.94, 0.83%, 0.4%

LAB 68.12, -54.6, 65.83

 

CMYK 91 / 6 / 0 / 27

HEX #11AFBA

RGB 17 175 186

HSL 183.91, 0.83%, 0.4%

LAB 65.22, -32.2, -16.09

 

CMYK 39 / 91 / 0 / 27

HEX #7111BA

RGB 113 17 186

HSL 274.08, 0.83%, 0.4%

LAB 32.82, 64.89, -67.03

 

CMYK 0 / 85 / 91 / 27

HEX #BA1C11

RGB 186 28 17

HSL 3.91, 0.83%, 0.4%

LAB 40.1, 59.34, 47.54

 

Description

Color code: HEX #59BC12 | qconv.com Color code: HEX #59BC12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 188 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 188 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 90 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 90% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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