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Color name
HEX #59C428

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59C428 it is the complementary color #A63BD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59C428. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59C428 shade: #5EC423, #6FD636, #80E849, #91FA5C and #A2FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59C428. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59C428 shade: #59C428, #48B215, #37A002, #268E00 and #157C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59C428 shade: #58C227, #82C227, #ACC227, #C2AF27 and #C28527

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59C428 shade: #58C227, #2EC227, #27C24A, #27C274 and #27C29E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59C428 shade matches the following richer shades: #58C227, #51D514 and #4AE801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59C428 shade: #58C227, #5FAF3A, #669C4D, #6D8960 and #747673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59C428 shade: #ABC227, #82C227, #58C227, #2FC227 and #27C249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59C428 shade: #397E19, #48A020, #58C227, #6DD73C and #86DE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59C428 shade: #59C428, #27C2B0 and #C22796

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59C428 shade: #59C428, #2758C2 and #C22758

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59C428 shade: #59C428, #27C2B0, #9127C2 and #C22739

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59C428 shade: #59C428, #27A6C2, #9127C2 and #C24427

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 80 / 23

HEX #59C428

RGB 89 196 40

HSL 101.15, 0.66%, 0.46%

LAB 70.7, -56.63, 63.05

 

Complementary color

CMYK 23 / 73 / 0 / 16

HEX #A63BD7

RGB 166 59 215

HSL 281.15, 0.66%, 0.54%

LAB 47.16, 66.51, -60.24

 

CMYK 52 / 0 / 82 / 23

HEX #5EC423

RGB 94 196 35

HSL 98.01, 0.7%, 0.45%

LAB 70.86, -55.49, 64.64

 

CMYK 48 / 0 / 75 / 16

HEX #6FD636

RGB 111 214 54

HSL 98.63, 0.66%, 0.53%

LAB 77.12, -56.24, 65.13

 

CMYK 45 / 0 / 69 / 9

HEX #80E849

RGB 128 232 73

HSL 99.25, 0.78%, 0.6%

LAB 83.33, -56.72, 64.91

 

CMYK 42 / 0 / 63 / 2

HEX #91FA5C

RGB 145 250 92

HSL 99.87, 0.94%, 0.67%

LAB 89.47, -57.01, 64.28

 

CMYK 36 / 0 / 56 / 0

HEX #A2FF6F

RGB 162 255 111

HSL 98.75, 1%, 0.72%

LAB 91.84, -51.92, 59.17

 

CMYK 55 / 0 / 80 / 23

HEX #59C428

RGB 89 196 40

HSL 101.15, 0.66%, 0.46%

LAB 70.7, -56.63, 63.05

 

CMYK 60 / 0 / 88 / 30

HEX #48B215

RGB 72 178 21

HSL 100.51, 0.79%, 0.39%

LAB 64.38, -55.52, 61.87

 

CMYK 66 / 0 / 99 / 37

HEX #37A002

RGB 55 160 2

HSL 99.87, 0.98%, 0.32%

LAB 58, -53.91, 59.36

 

CMYK 73 / 0 / 100 / 44

HEX #268E00

RGB 38 142 0

HSL 103.94, 1%, 0.28%

LAB 51.56, -51.52, 54.37

 

CMYK 83 / 0 / 100 / 51

HEX #157C00

RGB 21 124 0

HSL 109.84, 1%, 0.24%

LAB 45.05, -48.51, 49.04

 

CMYK 55 / 0 / 80 / 24

HEX #58C227

RGB 88 194 39

HSL 101.03, 0.67%, 0.46%

LAB 70.04, -56.23, 62.71

 

CMYK 33 / 0 / 80 / 24

HEX #82C227

RGB 130 194 39

HSL 84.77, 0.67%, 0.46%

LAB 71.88, -42.7, 65.07

 

CMYK 11 / 0 / 80 / 24

HEX #ACC227

RGB 172 194 39

HSL 68.52, 0.67%, 0.46%

LAB 74.51, -26.13, 68.43

 

CMYK 0 / 10 / 80 / 24

HEX #C2AF27

RGB 194 175 39

HSL 52.65, 0.67%, 0.46%

LAB 71.06, -7.1, 66.06

 

CMYK 0 / 31 / 80 / 24

HEX #C28527

RGB 194 133 39

HSL 36.39, 0.67%, 0.46%

LAB 60.24, 15.56, 56.35

 

CMYK 55 / 0 / 80 / 24

HEX #58C227

RGB 88 194 39

HSL 101.03, 0.67%, 0.46%

LAB 70.04, -56.23, 62.71

 

CMYK 76 / 0 / 80 / 24

HEX #2EC227

RGB 46 194 39

HSL 117.29, 0.67%, 0.46%

LAB 68.98, -65.04, 61.33

 

CMYK 80 / 0 / 62 / 24

HEX #27C24A

RGB 39 194 74

HSL 133.55, 0.67%, 0.46%

LAB 69.12, -62.88, 48.33

 

CMYK 80 / 0 / 40 / 24

HEX #27C274

RGB 39 194 116

HSL 149.81, 0.67%, 0.46%

LAB 69.67, -56.41, 28.47

 

CMYK 80 / 0 / 19 / 24

HEX #27C29E

RGB 39 194 158

HSL 166.06, 0.67%, 0.46%

LAB 70.51, -47.08, 7.16

 

CMYK 55 / 0 / 80 / 24

HEX #58C227

RGB 88 194 39

HSL 101.03, 0.67%, 0.46%

LAB 70.04, -56.23, 62.71

 

CMYK 62 / 0 / 91 / 16

HEX #51D514

RGB 81 213 20

HSL 101.04, 0.83%, 0.46%

LAB 75.69, -65.27, 71.77

 

CMYK 68 / 0 / 100 / 9

HEX #4AE801

RGB 74 232 1

HSL 101.04, 0.99%, 0.46%

LAB 81.39, -73.07, 78.34

 

CMYK 55 / 0 / 80 / 24

HEX #58C227

RGB 88 194 39

HSL 101.03, 0.67%, 0.46%

LAB 70.04, -56.23, 62.71

 

CMYK 46 / 0 / 67 / 31

HEX #5FAF3A

RGB 95 175 58

HSL 101.03, 0.5%, 0.46%

LAB 64.48, -45.53, 50.52

 

CMYK 35 / 0 / 51 / 39

HEX #669C4D

RGB 102 156 77

HSL 101.01, 0.34%, 0.46%

LAB 59.1, -32.87, 35.57

 

CMYK 20 / 0 / 30 / 46

HEX #6D8960

RGB 109 137 96

HSL 100.98, 0.18%, 0.46%

LAB 54.01, -18.07, 18.83

 

CMYK 2 / 0 / 3 / 54

HEX #747673

RGB 116 118 115

HSL 100, 0.01%, 0.46%

LAB 49.38, -1.36, 1.38

 

CMYK 12 / 0 / 80 / 24

HEX #ABC227

RGB 171 194 39

HSL 68.9, 0.67%, 0.46%

LAB 74.44, -26.54, 68.34

 

CMYK 33 / 0 / 80 / 24

HEX #82C227

RGB 130 194 39

HSL 84.77, 0.67%, 0.46%

LAB 71.88, -42.7, 65.07

 

CMYK 55 / 0 / 80 / 24

HEX #58C227

RGB 88 194 39

HSL 101.03, 0.67%, 0.46%

LAB 70.04, -56.23, 62.71

 

CMYK 76 / 0 / 80 / 24

HEX #2FC227

RGB 47 194 39

HSL 116.9, 0.67%, 0.46%

LAB 68.99, -64.89, 61.35

 

CMYK 80 / 0 / 62 / 24

HEX #27C249

RGB 39 194 73

HSL 133.16, 0.67%, 0.46%

LAB 69.11, -63, 48.76

 

CMYK 55 / 0 / 80 / 51

HEX #397E19

RGB 57 126 25

HSL 100.99, 0.67%, 0.3%

LAB 46.79, -40.06, 44.73

 

CMYK 55 / 0 / 80 / 37

HEX #48A020

RGB 72 160 32

HSL 101.25, 0.67%, 0.38%

LAB 58.62, -48.46, 53.9

 

CMYK 55 / 0 / 80 / 24

HEX #58C227

RGB 88 194 39

HSL 101.03, 0.67%, 0.46%

LAB 70.04, -56.23, 62.71

 

CMYK 49 / 0 / 72 / 16

HEX #6DD73C

RGB 109 215 60

HSL 101.03, 0.66%, 0.54%

LAB 77.39, -56.8, 63.32

 

CMYK 40 / 0 / 58 / 13

HEX #86DE5E

RGB 134 222 94

HSL 101.25, 0.66%, 0.62%

LAB 80.8, -49.01, 53.58

 

CMYK 55 / 0 / 80 / 23

HEX #59C428

RGB 89 196 40

HSL 101.15, 0.66%, 0.46%

LAB 70.7, -56.63, 63.05

 

CMYK 80 / 0 / 9 / 24

HEX #27C2B0

RGB 39 194 176

HSL 173.03, 0.67%, 0.46%

LAB 70.97, -42.33, -1.98

 

CMYK 0 / 80 / 23 / 24

HEX #C22796

RGB 194 39 150

HSL 317.03, 0.67%, 0.46%

LAB 45.8, 68.19, -23.98

 

CMYK 55 / 0 / 80 / 23

HEX #59C428

RGB 89 196 40

HSL 101.15, 0.66%, 0.46%

LAB 70.7, -56.63, 63.05

 

CMYK 80 / 55 / 0 / 24

HEX #2758C2

RGB 39 88 194

HSL 221.03, 0.67%, 0.46%

LAB 40.09, 22.69, -60.1

 

CMYK 0 / 80 / 55 / 24

HEX #C22758

RGB 194 39 88

HSL 341.03, 0.67%, 0.46%

LAB 43.69, 61.94, 11.03

 

CMYK 55 / 0 / 80 / 23

HEX #59C428

RGB 89 196 40

HSL 101.15, 0.66%, 0.46%

LAB 70.7, -56.63, 63.05

 

CMYK 80 / 0 / 9 / 24

HEX #27C2B0

RGB 39 194 176

HSL 173.03, 0.67%, 0.46%

LAB 70.97, -42.33, -1.98

 

CMYK 25 / 80 / 0 / 24

HEX #9127C2

RGB 145 39 194

HSL 281.03, 0.67%, 0.46%

LAB 40.19, 65.45, -59.52

 

CMYK 0 / 80 / 71 / 24

HEX #C22739

RGB 194 39 57

HSL 353.03, 0.67%, 0.46%

LAB 43.09, 60.08, 29.44

 

CMYK 55 / 0 / 80 / 23

HEX #59C428

RGB 89 196 40

HSL 101.15, 0.66%, 0.46%

LAB 70.7, -56.63, 63.05

 

CMYK 80 / 14 / 0 / 24

HEX #27A6C2

RGB 39 166 194

HSL 190.84, 0.67%, 0.46%

LAB 63.01, -23.61, -23.88

 

CMYK 25 / 80 / 0 / 24

HEX #9127C2

RGB 145 39 194

HSL 281.03, 0.67%, 0.46%

LAB 40.19, 65.45, -59.52

 

CMYK 0 / 65 / 80 / 24

HEX #C24427

RGB 194 68 39

HSL 11.23, 0.67%, 0.46%

LAB 46.64, 48.97, 43.47

 

Description

Color code: HEX #59C428 | qconv.com Color code: HEX #59C428 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 196 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 196 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 80 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 80% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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